Category: Work

In Toronto, anonymous hotel room

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Hi there.

I’m in Toronto.

The Weather Network informs me that it is 12 degrees, feels like 10, with a mix of sun and cloud expected today. When I turn my head and look out the window, I can see highway and cars travelling past in an endless stream; and the Redpath sugar factory. I had a reading last night in Burlington, with the other finalists for the Rogers Writers’ Trust Award, and we’re reading together again tonight here in Toronto at Harbourfront. I’ll be back for more readings/panels on Saturday and Sunday.

This morning, I had breakfast with my French editor, a graceful and down-to-earth woman, which is an unusual combination, I think. I myself am down-to-earth but not so graceful; or else, I aim for grace and perhaps lose the down-to-earthyness. Who knows, this may be a completely inaccurate look in the mirror. I am looking in an actual mirror right now and a woman with tired eyes looks back at me, smile lines around her currently unsmiling mouth, hair unkempt.

I feel in the process of a transition (isn’t one always, though?). I feel that what is happening right now, on this fall tour, is that I am finding a way to say goodbye not only to my character, Aganetha, and to Girl Runner, but to the sound of my own voice talking on and on about my character and my book. What a pleasure it will be to escape into a new fictional world, to hear from new fictional characters, to listen to voices other than my own. I’m talking myself back into the desire — the need — for quiet, for the life inside the mind.

This is all very out here, this time of publicity. Publicity = Public. I put myself out into public on this blog, of course, but that feels different (although perhaps it shouldn’t). It feels under my control (though, again, perhaps it shouldn’t). When I write these posts, I imagine that no one is reading them. Which is how I write fiction too: privately. But neither is meant to stay private; I don’t write to keep it to myself. And then what was private becomes public. And then, well, what does the private person do with herself, out in public, the person accustomed to living so entirely inside her head?

Sometimes, during my travels this fall, I’ve heard myself speaking out loud to myself; not always kindly. Critiquing a performance. Critiquing, even, a passing exchange, as stupid or graceless or aloof or too familiar; there is no balance to my judgement.

Here is the truth about being a writer. There are seemingly infinite opportunities for humiliation. These are cut with nano-second bursts of awesomeness, when the stars align and all possibilities seem to hover within reach. The awesomeness will promptly be extinguished by a new opportunity for humiliation, or, less dramatically, another awkward encounter into which one wanders, or perhaps causes. This can make a person feel delusional. But being a writer is about sustaining delusions, I think; or put more kindly, it’s about having faith in the imaginary. It’s about believing in something that does not yet exist, and willing it into existence. It’s believing in one’s capacity to do the work, and sustaining that belief even at the darkest moments. It’s that breath that keeps the flame alive.

So I’m trying to remind myself to be kind. To speak kindly when speaking out loud to myself in airport bathrooms and fast-falling elevators. The tone of the inner voice makes a difference to one’s inner life, the life going on behind the tired eyes in the mirror. It’s not delusional to be kind. It’s important. Also, it’s grounding, and I need grounding when I’m away from home, away from all of the things that keep me rooted: the routines, the children, the laundry, the carefully constructed and thoroughly loved mess of my whole life.

In Vancouver, afloat

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Seen, on walk to Granville market this morning.

Hi there.

I’m still in Vancouver.

Today is it 14 degrees, feels like 13, and there was sun, briefly, though it looks overcast again. That’s okay. I brought red rain boots, which are squashable and therefore transportable across the country in a very small carry-on bag. I wore them to a party on Wednesday night, because my other red shoes, the ones I’d worn to a fundraising event hosted by Joseph Boyden earlier in the evening, the fancy retro heels, had rendered my toes completely numb. Plus, they’re a bit big and I had to stuff them with tissues in order not to fall over whilst walking in them. (Sounds glamorous, I know. Busted.)

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The rain boots felt so good. It was like wearing slippers to a party.

Party, party, party. It’s not all I’m doing. What am I doing? I’m living in another world, a parallel universe, one which feels like a rather long performance piece being written on the fly, with a wheeling cast of characters, and the utter absence of a working interior clock. The moderator on my panel this morning, Timothy Taylor, kept saying “tonight,” in his introductions, as in “Tonight, we welcome Carrie Snyder, Russell Wangersky, Ian Weir, and Herman Koch ….” And while I could have sworn it was mid-morning when we left the hotel to walk to the theatre, I almost started to believe that it had somehow, during our passage there, become tonight.

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But it is not tonight, not yet. It is late afternoon in Vancouver and I haven’t gone for a walk, as intended, let alone a run. I have eaten a giant honey crisp apple bought at the Granville market this morning. That may be the single most healthy choice I’ve made all day.

I skyped with my children yesterday afternoon, but it only made me feel further away.

I’m living in a bubble. It’s a brief span of time, and I will look back on it fondly, but it’s a bubble nevertheless, an unreality, a fantasy, even, of hotel rooms and little shampoos and hospitality suites and rain boots paired with Little Black Dresses. There’s a haggard glamour to it all. I’ve got more grey hairs today than I did a week ago, I’m quite certain. I myself am a bubble, I think, too. Afloat. Not adrift, but afloat.

Home on Sunday.

xo, Carrie

In Vancouver, day of surreal

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Hi there.

I’m in Vancouver.

The Weather Network tells me it’s 14 degrees, feels like 13, with 20-30 mm of rain expected to begin at 5:50PM, which coincidentally is around the time I’ll be taxiing to tonight’s event, a fundraiser at Vancouver House with Joseph Boyden.

Today may go down in my memory as one of the more surreal; if, that is, I can remember any of it. I’ve been having trouble sleeping on this trip. It was well after 1AM when my body finally shut down, and my alarm went off at 4:15AM. I roused myself, finished stuffing things into my bag (didn’t think it was all going to fit for a moment there), and caught a shuttle from the Banff Centre to the Calgary airport. It was too dark to say a proper goodbye to the mountains.

I slept on the shuttle, like someone who had been drugged rather than like a normal dozing human being. Off the shuttle, I felt delusional from exhaustion, wandering the airport, trying to behave like a responsible adult who understood self-check-in machines and how to attach luggage stickers and where to stand in line. I was randomly selected for the full-body pat-down, which, frankly, bothered me not at all. On the plane I slept that drugged sleep again, surfacing to see on the TV screen in the seat-back next to mine, live footage from Ottawa, where shots had been fired inside the Parliament buildings. A reservist killed at the war memorial for the unknown soldier. A gunman killed too. Baffled Canadians taking cellphone footage. Streets shut down.

There is nothing to be said about this that I feel qualified to say.

I can’t really connect with my emotions on the subject. It sounds trite to express sadness. But I am sad.

When we landed in Vancouver, I realized it was only 9AM here. The hotel generously found me a room. I slept the drugged sleep, roused myself, ate a burger for lunch and watched soccer in a sports bar. I texted with my family while eating, which made me feel less lonely. And then I went for a run on the seawall. Running is hard, it’s always hard, but it works. I feel better.

Kevin is sending me texts and photos from home: right now, my kids are playing music together in our living-room. My brother Karl is recording them. CJ is singing into a mic. The girls are playing ukuleles. And Albus is tapping out chords on the piano. It’s like my dream family come to life. Only I wish I were there to see it.

But I have seen Karl Ove Knausgaard–twice. First when checking in, and then when getting off the elevator in my running gear. Neither time did I fangirl him. It took some restraint.

I feel like I’ve been awake for days.

I need a short nap before putting my Little Black Dress and heading out to a party. Nothing about this day feels concrete, feels like I can dig my fingers into it and find the pulse. I’m oddly removed. I was running on the seawall an hour ago. I flew over the mountains this morning. I’m here now. I’m here, now.

xo, Carrie

PS This is the photo Kevin sent me of the kids, playing music together. Sorry. It’s very very tiny. It seems fitting: this is as close as I can get. Home feels far away, right now.

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In Calgary, anonymous hotel room

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Hi there.

I’m in Calgary.

The Weather Network tells me it is 6 degrees, feels like 3. Thankfully, I brought along fall jacket, hat, and scarf. And four pairs of shoes, though I find myself wishing for a fifth. Do you know how hard it is to bring shoes for all occasions!? All stuffed into the tiniest carry-on bag you can imagine. It might be that the four pairs of shoes have replaced essential clothing, and I’ll be wearing this same shirt/jeans combo for the next ten days.

Reading on the plane: an advance copy of Elisabeth de Mariaffi’s thriller, The Devil You Know, due out in January, which also kept me up late last night. You’ll want to read this.

Have been rehydrating from airplane trip all morning. Went for a run on the treadmill. Meeting a friend for lunch. Workshop this afternoon, Literary Death Match this evening, panel discussion tomorrow morning, then on to Banff.

Photos while travelling will be cellphone-produced.

I’m calling the one above Woman In Anonymous Hotel Room. Actually, it looks like Very Short Woman with Unnatural Half-Smile and Flat Wet Hair in Anonymous Hotel Room.

Wish me luck. And send sociable, friendly vibes. Please, and thank you.

xo, Carrie

Visibility cloak

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A friend said to me this morning, as we were running together in the damp, dark pre-dawn, This book is not your whole identity, you know. You are much more than this book.

I needed to hear that. Thanks, friend.

I hadn’t recognized, quite, how Girl Runner has subsumed not just my hours, my focus, my working life right now, but also my identity. I am wearing, almost as a costume, almost full-time, the cloak of person-who-wrote-Girl-Runner. It’s not an invisibility cloak; it might be the opposite, a visibility cloak. But what’s visible is author-of-Girl-Runner, and invisible is everything else. Which is why completing that race felt so very good, perhaps.

My professional life is caught up in this identity: I would not be a teacher or a guest speaker if I were not, first and foremost, the author of Girl Runner. If I shrugged off that visibility cloak, an enormous section of my money-earning life would vanish in a poof of dust.

So it’s scary, I guess, to imagine not pouring my all into inhabiting my writer self. Carrie who writes books earns a living, whether by writing books or by spinning off the writing of books into related enterprises. Earning a living has long been my goal. It’s a worthy goal, I believe.

But maybe that goal feels a little one-dimensional as I pursue it with greater success and therefore greater effort, greater demands on my time. And on my identity.

If the writer cloak were balled up and chucked into a dusty corner, or even just hung up in a closet for awhile, what identity would emerge? Would I be fearful and lost? Free-roaming? Empty? Or would I find friend, mother, baker, caregiver rising up to fill the space? Or something else I can’t guess or imagine? But I can’t imagine it, because in truth being a writer isn’t a cloak, it’s more like tough thread woven right through the skin.

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Yet I sense that other parts of me are being shadowed, right now. It’s like I planted a seed that’s grown, quite suddenly, to become a tall leafy tree, shading out all else. It’s like I’ve become that tree. But I’m not. The tree is of me, but separate from me. Can I climb its branches and catch some light? Should I wait patiently for the season to change, the leaves to fall, to crunch around in them, to see them turn to compost, wait for other seeds to grow, a forested tangle of identity, creeping on the ground and digging in roots and reaching for the sky? Can I be many different parts all at once, or can I only do/be one thing at a time fruitfully, fully, well?

xo, Carrie

Stillness & motion, noise & silence

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photo credit: Shari Lovell

This morning began unusually. I woke at 6AM, refreshed after a very very long sleep, having crashed out just after 9PM last night. Teaching takes a lot of energy, at least for someone who would skew toward introverted on the personality continuum, and I had my class on Wednesday night (a happy place to spend three hours, I must tell you, even though our windowless brick room in a hive-like building resembles a bunker, and gets very muggy when packed out with creativity and debate). What a day to go and teach. I think it was a good thing, as it forced me to be focused and to pay attention to something other than the noise.

There was some noise on Wednesday. There was this lovely interview done by the Canadian Press, which ran in various media outlets. There was the phone call from the Writers’ Trust to confirm that Girl Runner was on the list, and various emails to note upcoming appearances and media requests associated with the award. I checked my calendar a lot. And my phone. Twitter and Facebook kept pulling me in. It was a lot of noise, as I say, and I found myself unable to settle and reflect, or even, quite, to feel what was happening.

So I was grateful to my students for occupying my evening. We talked about poetry. There was so much to learn from the discussion, so many reminders of why poetry matters, why words matter.

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photo credit: Shari Lovell

Kevin had gotten take-out ramen for supper, which I reheated in our shiny new microwave when I got home, nearing 10PM. (Yes, we finally got a microwave, and I must confess my leftover lunches are much more enticing than those consumed during our long, cold pre-microwave era.) After eating, all the kids in bed, Kevin dug through his scotch collection (so many bottles, each with an inch or three of liquid, leftover from our years of hosting scotch parties), and pulled out a particularly choice selection. I don’t have the name handy. But he went online to check its current value, were it full and unopened, and announced that we would be celebrating with a $5,000 bottle of scotch. I mean, seriously?! There was just enough for two wee drams.

One of the pleasures of the scotch party is hearing our friend Mike read the tasting notes, so to keep with tradition, I will tell you that this ridiculously pricey scotch tasted heavily of oak barrels, with overtones of straw (or was that the colour?) and undertones of turmeric and cinnamon. Or something like that. Maybe it was nutmeg. And a bit of blue sky.

It was a lovely celebration. I was up five hours later to run with my speedy friend Heather, who kindly slowed down for the occasion; also because that will be my last run before I attempt the Toad, tomorrow morning: 25 kilometres of likely-to-be-muddy trail. God help me.

The book I was reading this morning is called A Tale for the Time Being, by Ruth Ozeki. I’m going to keep talking about it until I’m done, and probably for a long time thereafter, and the next reader I’ve got in mind is my 11-year-old daughter.* We’re both of us possessed of a lot of energy and drive (I hazard to suggest she’s got even more of both than I do), and we both of us need to find ways and reasons to turn down the noise and become still. (And not because we’re crashing!)

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my girl runner

Wednesday, after the prize announcement and before teaching, I dashed over to her school to watch her run a cross-country race. She came second out of a large field of 7th and 8th graders. “I’m so tired! Weirdly tired! Like way too tired!” she told me immediately afterward as she lay prone on the grass. “You just ran three kilometres really fast,” I pointed out. “That’s not it!” “Well, maybe you’re too frail and shouldn’t run more than 200 metres,” I suggested, tongue in cheek. She’s read Girl Runner. She smiled faintly. Then she sat up and took off her shoes. “My feet are too hot!”

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At first, she was quite disappointed in her performance, and it mattered not when I pointed out that the girl who finished first was two heads taller and a grade older. She insisted on expecting better of herself. I kept assuring her that she’d been wonderful, that she’d given her all, that I was very proud, and finally, much later, before bed, she smiled to reassure me that she was happy with the race. Mostly. I can’t argue with her. Her expectations are her own. She isn’t discouraged when she doesn’t meet them. Instead, her expectations seem to fire her with greater focus and renewed intent. Yeah. I get that. There will always be someone faster, smarter, more talented. But I think she already knows: that it’s not about comparisons. It’s about finding one’s own voice, one’s own passion.

But what about stillness? What about releasing expectation? What about rest for the mind and body?

A Tale for the Time Being is the story, in part, of a 104-year-old Buddhist nun who’s offered decades to the practice of meditation, prayer, ritual gratitude for each gift, no matter how small. She bows with her whole body to the world. She is at peace with mortality. The humility of her daily practice gives her SUPAPOWAs! Even her physical frailty is a strength.

So I wake this morning, early, thinking about how whatever I have to offer must come from a grounded place, a place where I sit in stillness and silence, practicing gratitude, bowing with my whole body to this beautiful, difficult, scary, noisy world, with openness and with humility. A gift is a gift. What to do with it? How to give thanks? How to give, no matter how tired, frail, mortal, flawed? How to be still. How to listen.

xo, Carrie

PS I’d like to point you toward a review of Girl Runner by a blog-reader who is an Ironman athlete and writer; he also digs into the history of women’s long distance running.

* Note: after writing this post, I finished A Tale for the Time Being, and discovered that in the final third of the book, there are several extremely dark scenes relating to extreme bullying, attempted rape, and child prostitution, and although my 11-year-old is a mature reader, I don’t think the book is meant for her–not yet. But sections of the book are meant for her! However, I can’t figure out how to carve out the darkness to show her the light. I think this Tale for the Time Being will have to wait, for the time being. Nevertheless I highly recommend it to a mature adult audience. What is light without shadow? (The book also contains the clearest explanation of quantum mechanics that I’ve ever read.)