Sometimes my skin feels too porous, and emotions pour in almost painfully. Yesterday, I started reading a personal essay in the newspaper written by the mother of a child on the autistic spectrum who was being bullied by classmates, people he thought were his friends. I had to stand up and walk away, so strong were my feelings of sickness and pain, gut-deep, a grief and horror that seemed to wash through my bloodstream.
I stood by the sink and wept.
Stories of exclusion, cruelty, judgement of others trouble me so deeply I can hardly tolerate the pain. I guess here in my mind, I live in a world in which people see each other, are kind to each other, have compassion for each other; but in the real world, there is a lot of pain inflicted even by people who are trying to be kind; pain is also inflicted by people who only want to be left alone, people who don’t want to engage, people who don’t care, who are struggling with their own troubles; and there is pain actively inflicted by people who fear and hate others for their differences, people who don’t want to understand or learn or listen, people who actively target others, weaker and more marginalized than themselves.
I can’t make sense of it.
It just doesn’t make sense in my brain.
I don’t have solutions. I can only to attempt to make spaces for that version of the world that exists in my mind to exist in real life. I’ve tried in the classroom, on the soccer field, inside my own family, and in this storytelling workshop. I know I’ve gotten things wrong. I suspect I’m sometimes the person who’s inflicted pain when trying to be kind, and acting in ignorance. But I’d rather try than hide. There is no alternative that makes sense to me.
For the past 11 weeks, I’ve been privileged to be part of The X Page Workshop. It was envisioned as a creative and collaborative undertaking that would bring together women from different cultural backgrounds, all of whom are making lives for themselves and their families in Canada. Each week, a group of almost 30 of us have met to work on writing and staging stories. Together, we’ve made something that’s rich and enriching. Just with stories! Just with stories and goodwill, trust, kindness, and effort. When we’re together in the beautiful space at the Centre for Peace Advancement, as we have been every Tuesday evening since March, I feel immersed in the possibility of the world inside my mind becoming a real place. It feels like a real place, then and there.
Just thinking about being there brings me a sense of peace and ease.
It isn’t perfect. Why should it be? This world in my mind has conflict, but it also has ways of talking about conflict, because there is trust, and the trust is constantly being earned. Each small thing offered, in this world in my mind, is actually a really big thing. Our gifts to each other don’t have to be grand gestures, large acts, or come from a place of material wealth.
I think the best gift we can give to someone else is to see and acknowledge them without wanting or trying to change them in any way.
To live in this world in my mind, I have to try to live with unconditional love. And that means feeling too porous sometimes to the brokenness in the real world. That means loving what’s broken, too, unconditionally. And that hurts. But it’s the only thing that makes any sense to me at all.
I rode my bike to campus this morning with tears streaming down my cheeks. Tears of pain and rage. How can I explain? I was heading to a meeting with a colleague. We are working together on a project that will bring women whose identities have been fragmented by disruption, war, movement across borders, together in the same room to tell their stories. I see I’ve used the word together twice in that last sentence. I know it’s poor construction, but my subconscious knows what it’s talking about. As I biked in this state of flaming fury across the park, uncontrollable tears streaming down my face, what I wanted, what I felt would heal me or give me hope, would be to come together with other women and do something meaningful. When I arrived on campus and confessed my state of emotional disarray, my colleague told me that she believes what was staged in US Congress yesterday was deliberate and calculated — to cause pain. They put a woman’s history of pain on display so they could show us — this doesn’t matter, we have the power. We’re going to install this angry, self-pitying, credibly accused sexual assaulter to a position of almost unimaginable power over you and your bodies, and your stories do not matter.
I almost can’t type these words for the rage that is coursing through my body, causing my hands to shake.
Has any woman come to adulthood without having been, at some point (or many points!) in her life, treated as an object, a body, to be mocked or admired or possessed or controlled? Has any woman come to adulthood without having been patronized, sexualized, diminished, or ignored? Has any woman not struggled to find the perfect script, the words she must speak and the role she must inhabit if she is to be taken seriously, if her story is to be believed—only to realize that in fact, for her, there is no perfect script. No perfect script exists, just a series of scripts and roles designed to be turned against her.
What does this do to us, collectively?
It’s gaslighting at every turn. We want to say, but it’s better now—it’s better now! And isn’t it? Girls can be anything they want to be! Dads can look after their kids without receiving medals of honour for their efforts! Canada’s foreign minister is a formidable woman!
And yet. And yet. Is it better now? If a man credibly accused of multiple sexual assaults can be president? If all you need to get onto the Supreme Court is an in with the old-boys in Congress?
Who are we kidding?
I heard about a group of women who decided to go out into the streets of Washington DC yesterday and SCREAM. That’s about right, I thought.
I want to scream. I might even do it. But after that, it’s fuel. Fury as fuel. Whether it’s in small acts or large, I’m going to keep burning down the patriarchy, this rotten system that’s so insidious it makes us think that a man’s rage is “passionate” while a woman’s is “hysterical.” Let’s burn down colonialism while we’re at it, and white supremacy. And if these systems prove temporarily fire-proof, I’m not giving up. I’m going to take my tiny flame and light a bunch of candles and put them in all the windows of my house. I’m going to burn my energy to make space for all the stories that need to be told, that aren’t being told. I’m going to make space for creativity, because it will heal us like nothing else. To know that we are creative beings is healing in and of itself. To experience our generative selves is healing.
I’m going to model the shit out of what I want to see in the world. Can’t we be the change, be the change, be the change? Let’s do this! Let’s pour our energy and time into bringing people together to make something together. Together. Together. Doesn’t matter how small. The whole family sitting around the table for a meal counts. A soccer team of girls huddling to cheer each other on counts. Two colleagues meeting in an office to dream of using our talents to make something happen counts. It all counts. I know you know this too. Imagine what we are going to do; recognize what we’re already doing; remember what we’ve already done.
This is a rant. Art is not sacred. The way we treat each other is sacred. Real change demands structural change, radical, revolutionary. No artistic vision is worth the sacrifice of another’s dignity.
Today on our early morning run, Heather and I talked about structure. How humans hew to structure, even if it’s not serving us well, because that is our nature. Real change demands structural change; true on scales both macro and micro, societal and individual. I wish I had the tools and knowledge and education to do something that would support wide and deep systemic change. Or maybe that’s not how systemic change occurs. Maybe it’s more radical and revolutionary. I believe in policy, and the power of policy to affect change, but unless it’s applied, policy is worthless and sometimes worse than worthless — because it provides a mask to corruption while pretending to hold the system to account. Why didn’t they report earlier? Why are they coming out now? They should have gone to police. This is a case for the courts, not the court of public opinion. It’s nothing but unsubstantiated gossip. Fill out the paperwork, go through the proper channels, and we’ll get back to you.
Yeah, this is a rant.
This morning, I heard a snippet from a radio interview: a woman arguing that the penalties against the former director of Soulpepper theatre in Toronto were too harsh — He built the company! His artistic genius! (Full disclosure, one of the complainants in the civil case against him was a high school friend, though we haven’t been in touch for many years.) To the woman on the radio, I raged: You’re arguing that artistic vision is worth the sacrifice of people’s safety. You would protect a man whose behaviour at work harmed people — because he was a good fundraiser??? Because the art was good??? This is skewed morality.
Art is not sacred. The arts are not sacred.
The way that we treat each other as human beings is sacred, or should be.
For the second day in a row my old friend Kristin is on the front page of Canadian newspapers, one of four women accusing a director of sexual abuse. In our high school production of Anne of Green Gables, she played Diana to my Anne. We had so much fun. Kristin absolutely sparkled with wit and comedic talent. I am so proud of her bravery now.
I have a theory. Power may indeed corrupt and absolute power may indeed corrupt absolutely, but many who seek power are already corrupt, particularly in systems in which corruption, in its many forms, is rewarded: think manipulation, harassment, bullying, and other norm-flaunting, disrespectful, selfish and narcissistic behaviour. Those more inclined toward self-reflection, those who don’t want to harm others for their own profit (or be harmed), who don’t want to lie and self-inflate and backstab and cheat to “play the game” are weeded out of the system, deemed weak, losers, failures. The powerful believe their behaviour is normal.
Maybe we all do — until we don’t.
Let’s say that time is now. Let’s find ways to circumvent the system until the system changes.
I repeat: Art is not sacred. Neither are artists. The artistic process has never needed to be destructive, harmful, cruel, violent, vindictive, ugly, competitive, or vicious in order for good art to exist. Don’t be fooled by the propaganda.
Bottom line: If you’re hurting people in the process of making your art, you’re doing it wrong. You never earn the right to be an asshole. (Also, side note: nobody needs to see your penis.)
Hey, happy summer, everyone!
School ended a week ago, and I would like to report on our free-range plan for the summer of 2017, but I keep being interrupted by the free-range children. Kevin has been working from home in his new “office,” on the upper deck of the front porch, but this morning he had to go to his office-office, so it’s just me and the kids and dogs, with no buffer in between. Since sitting down, I’ve fielded the following questions/observations: a) how do you turn the hose off in the back yard? b) where is my swim suit? c) do we have the third book of Amulet? I already looked on the upstairs shelf. d) hey, the NDP is having a leadership race [from the child reading the newspaper at the dining-room table behind me].
Could be worse. And I’m just blogging. If I were trying to write, my response would be ARGHH!!!
In fact, Kevin has been home because I have been trying to write this week, trying to shape my months of handwritten, circling narrative into novel-form, and I’m at the point in the project where, frankly, it all falls apart. My current philosophy (and by current, I mean, as of yesterday afternoon), can be summed up thusly: just finish it, including all of your bad (wild, implausible) ideas, and see what happens. As I counselled a student yesterday in my office: the perfect story you’re holding in your head has to get out of your head in order for others to read and experience it—and in order for that to happen, you have to accept that your perfect story will be wrecked in the process, at least to some degree. You can’t take that perfect story out of your head and place it on the page intact. No one can. But there isn’t another way to be a writer. Let your perfect imaginary story become an imperfect real story.
I’m trying to take my own advice.
Here. I present to you something that brings me joy every time I see it. [insert little arrow pointing up] You could call it a chore board, but that’s a rather pedestrian title given the magic it has created in our house this past week. Every morning, I write down chores that need doing, and the children sign up for them; the later you sleep, the less appealing your chore. Today, the last one out of bed got: “clean upstairs bathroom.” We’ve also banned video games or shows between the hours of 9am – 4pm. (Exception: older kids use their cellphones; I’m not great at monitoring this.) It’s still early days, but the chores are getting done with minimal fuss, perhaps because the assignment comes from the board, not from a nagging parent.
Other summer observations: I’m not waking up very early. This is the natural consequence of staying up too late! In addition to the kids running riot over regular bedtime hours, and soccer practices lasting (unofficially) till sundown, I’ve also been staying up late to watch feminist movies. Must explain. I’ve gotten myself, somewhat unofficially (?), onto the board of a locally run feminist film festival and my inbox is now full of films to view and consider. (Anyone out there with ideas for must-see recent feminist films, give me a shout!) But the only time I have to spare for movie-watching is rather late at night, post-soccer practice. Ergo, not waking up early. Ergo, early morning exercise-rate, somewhat reduced.
Oh, I want to mention one more lovely addition to the routine: a shared journal with my eldest daughter. We write back and forth to each other, or draw back and forth, or quote poetry back and forth. I’ve devised a quick summarizing list that is easy to complete, if we’re writing late at night, when we’re too tired for originality. Filling out the list has become something I look forward to, every day. My answers are sometimes long and rambling, sometimes brief. (Want to try answering the list in the comments, below? I would love that.)
- Something that surprised you today.
- Something you’re proud of today.
- Something silly.
- Something happy.
- Something sad.
- Something you’re thankful for today.
I will return with deeper thoughts (or not) as the free-range summer permits.
On the weekend, I walked to the library with my elder daughter. While she browsed in the non-fiction stacks — the theoretical physics section — I played a little game that has served me well over the years: I wandered a little further (no theoretical physics for me) and plucked titles at random from the shelves, my choices based only on title or subject. In quick succession, I skimmed and rejected two books on Scottish folk and fairy tales, but my third choice had me sitting cross-legged on the floor, entranced.
It was a biography of Rachel Carson, the American scientist who became famous for her books about the sea and the beauty of the natural world, and who is remembered now as the author of Silent Spring, a book that warned the public about the dangers of pesticides and other chemicals. Silent Spring was published in 1962; Rachel Carson died in 1964 of cancer. If you google Rachel Carson, you will find that to this day she is reviled in some circles as a “feminizi ecoterrorist.” The biography, Witness for Nature, by Linda Lear, and published in 1997, is a little more nuanced. It evokes a portrait of a self-effacing, deeply intelligent, patient, hard-working woman who was led by her love of nature and science to become outspoken on conservation issues. Rachel Carson began her career as a government biologist, writing educational pamphlets on a variety of subjects. But she’d always wanted to be a writer. Science became her subject. And with enormous effort and obsessive care, Rachel Carson fashioned a successful literary career; eventually, she became successful enough that she could afford to resign from her government post, in her mid-40s, to devote her life to writing about science in poetical narratives that appealed to a broad audience.
It goes without saying that Rachel Carson was an unusual woman for her era. What strikes me most, however, is how fresh and relevant her message remains today.
Even though the book was an enormous tome, I decided to check it out and carry it home, and I spent the weekend reading it with pleasure. I’d forgotten how much I enjoy biographies, especially of writers. I look for clues, I nod in recognition, or admit to envy for those who have a knack for self-promotion. Rachel Carson’s attention to detail, her push for publicity, her irritation with her first publisher, who failed to promote her first book — all of this impressed me. She had a vision for the entire publishing process and she saw it through, little deterred by criticism, yet open to critique, actively seeking it out, so as to better her own work. She also frequently turned down promotional opportunities, speeches, honorary degrees, etc., to preserve time and space for her research and writing. She knew how to say no. (Is it too late for me to learn?)
Rachel Carson lived with her mother, who kept house for her; she was the main breadwinner for her family, which included at times her older sister and brother, mother and father, and later, her orphaned nieces. She did not marry, had no children. Our lives, in their domestic details, do not much meet and overlap.
But reading about her life has got me thinking about the importance of devotion to a subject; no, the critical imperative of devoting attention to a subject, if one is to hope to learn, to understand, to teach, to share knowledge, to find solutions to human problems large and small. Our lives on earth depend upon it. We cannot be lead by those who would ignore deep, complex knowledge in favour of simplistic superficial fixes. We cannot give power to ignorance. (Too late? Well, then let’s stand true against powerful ignorance.)
Here is Rachel Carson on her belief in the universal accessibility of science:
“We live in a scientific age; yet we assume that knowledge of science is the prerogative of only a small number of human beings, isolated and priestlike in their laboratories. This is not true. It cannot be true. The materials of science are the materials of life itself. Science is part of the reality of living; it is the what, the how, and the why of everything in our experience. It is impossible to understand man without understanding his environment and the forces that have molded him physically and mentally.”
Here is Rachel Carson on the human tendency to focus on egocentric problems, and to fail to see our place in the vast sweep of time:
“Perhaps if we reversed the telescope and looked at man down these long vistas, we should find less time and inclination to plan for our own destruction.”
And here is Rachel Carson on the danger of seeing humankind as separate from nature:
“Mankind has gone very far into an artificial world of his own creation. He has sought to insulate himself, in his cities of steel and concrete, from the realities of earth and water and the growing seed. Intoxicated with a sense of his own power, he seems to be going farther and farther into more experiments for the destruction of himself and his world.”
Her solution? Wonder and humility.
“Focus attention on the wonders of a world known to so few, although it lies about us everyday.”
Recognize your place in the grand sweep of time. Know yourself to be part of the natural world. Wonder at your participation in the cyclical turnings. In this way, by becoming very small, by being a piece of something much larger than yourself, you will be of the world around you, not against it. I am fascinated by her repetition of the word “destruction” — her insistence that the human belief that we are above nature, not of nature, springs from a dangerously destructive impulse, that it invents and experiments with destruction.
I love when a book finds me.
Just realized why this morning is feeling emptier than usual. For the past couple of months, I’ve spent Wednesday and Thursday mornings tutoring a new neighbour in ESL, and as of Monday, she’s attending formal ESL classes, which was always the goal. My intention was only to tide her over while she waited to get into the program.
Last week, we spent Thursday morning walking and riding the bus together, so her new route to school would become familiar. The next day, I listened to The New Yorker’s fiction podcast; the February post is Junot Diaz reading Edwidge Danticat’s story “Seven.” At the story’s end, two characters, who are immigrants from Haiti, ride the bus together. The phrase that spoke to me was: trying to see through her eyes.
I spent Thursday morning trying to see through my friend’s eyes, and it seemed that although we moved through the same physical space together, what we saw and heard did not mean the same thing to both of us. I’ve been thinking about this a lot. How privilege, skin colour, gender, age, wealth, familiarity, health, past experiences alter the world as we move through it. We exist in relation to what surrounds us, and in relation to how we perceive and are perceived.
Here’s what I wrote after listening to “Seven.”
When I am with my friend, I feel as though I am almost wearing her skin, her headscarf, I feel the exposure and vulnerability of being a newcomer, unaccustomed to the weather, to the language, to what is safe and what is dangerous. As we walk along a sidewalk, I see she fears the big black dog whose owner clips its collar to a leash on our approach — she recoils as she passes the dog, politely pulled off the sidewalk by the owner, who says good morning. But she does not seem to fear the white man and woman who come toward us with dyed and shaven hair, who I fear might be skinheads. Instead, I recoil.
Later, as we arrange ourselves on the bus, it is I who stagger unsteadily to a seat, uncertain of my balance, while my friend stands braced against the stroller and a pole, concerned for me. Her face is tired. She has been in Canada for almost three months. I think suddenly, she is tough, tougher than I can guess, tougher than me. All this time, I have wanted to protect her, but as I see her now I am ashamed to have been so reductive. She has told me about the guns coming to Syria, bang bang. She has endured more than I can imagine. Even so, I recognize her anxiety as she tries to orient herself. I want to assuage it, to reassure her.
I tell her, This is the stop. I pull the line and stand. The men move out of our way to let the stroller by. I want to help her lift the stroller, but she doesn’t need my help. We begin to walk. She sounds out the letters on the building across the street: “Don McLaren Arena.” Yes, I say, ice skating. I mime ice skating. She laughs and I think she doesn’t understand so I continue to mime. She taps her head. What she’s trying to tell me is that she will remember “Don McLaren Arena” — this is her stop. Great idea! I stop ice skating and exclaim.
We walk in silence for awhile. I don’t want to fumble with my phone and Google translate in this bright sunshine. I see a man walking a big black dog, ahead, different man and dog. They are walking on a cross pass away from us. In Syria, dogs inside the house? I ask. She laughs, No! Brother, chickens, sheep, dog, she says. Outside. I tease her: Maybe someday, you will have a dog. In Canada, so many people have dogs and cats. No, no, no, she says. No dog, no cat. A bird, she says to me.
I can see her face, turned toward me, smiling, an objectively beautiful face, no makeup, clean and memorable. She is wearing a light-coloured headscarf.
A bird, I say.
A bird, she agrees. We walk past Tim Horton’s where she and her husband have come to buy coffee and roll up the rim to win. He won another coffee. She was hoping for a car, a TV. But just a coffee. No one wins the car, I tell her. She tells me that a little dog scared their daughter, who is five, who began to scream in fright, and the dog’s owner, a woman, picked up the dog and held it in her arms. It was okay? I ask. It was okay.
My friend is opening up the world to me. I see that I can’t see through her eyes, though I try, though I want to. I can only walk beside her, often in silence. Wondering what this place looks like through her eyes. Is it ugly or beautiful? Welcoming or closed? Is it safe or dangerous? Is it home? Could it be home? Everything looks both brighter and starker when I’m walking beside her. There is a clarity to the light, and a barrenness, as if the objects and structures are being stripped back to their bones.
The light is bright for February, and we are warm. Even my friend, wrapped in her black coat, always cold, admits that she is now warm. The baby starts to fuss as we near their apartment. I don’t want to say goodbye. It seems I receive as much from her friendship as she could possibly receive from mine, because I enjoy her company, because I am happy when I am with her, more curious, more alert, more aware, because even a bus ride feels purposeful, somehow, when I’m trying to see through her eyes.
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