Drawing a flower with CJ.
- What felt good this month? At the beginning of the month, it felt wonderful to be on holiday (we spent two weeks away at an isolated cottage). As always, I hoped to bring that holiday-feeling home; but inevitably it has slipped. I can’t drink a caesar while cooking supper every day! It isn’t even possible to keep up the habit of twice-daily yoga. But it is possible to get up early every week day morning for a walk or run, followed by yoga. It’s also been blissful to take charge of my studio space, to clean and organize and purge and paint, and to set new goals. And we have kept the holiday-feeling going in small ways: Kevin bought a fake fire pit (propane-powered) and we’ve been sitting outside some nights, watching the flames, listening to tunes.
- What did you struggle with? After rejigging my studio, I panicked—as if I didn’t deserve the space, full of fear and doubt about my work and worth as a writer. But then I journaled, meditated, and went for a dog walk with Kevin, and I came out the other side. It helped to reframe my work through the window of books. Books are my life’s work. If I feel unmoored, I can ground myself by reading, writing, or connecting with others who read and write. I am so thankful for this blog as a place to come to, to share ideas, and experiment, too. I am so thankful for each one of you who reads. Thank you.
- Where are you now compared to the beginning of the month? Unexpectedly calm. When my mind spirals away, caught in fear or doubt or shame, I notice, and find a safe branch on which to land. I breathe. I think: Is this true? What’s really happening right now? Are you okay? Is there anything you need to do? I’ve noticed, too, that projects are so very satisfying to work on and complete: my mind is soothed, no matter the task. Cleaning out the bathroom cupboards. Cooking a meal from scratch. Painting a door. Writing a grant application. Revising a story to send to my writing group. In this way, small accomplishments accrue, and the days flow peacefully, but don’t feel dull. And in the evenings, I reward myself with some stretching, watching a show, reading, eating popcorn, letting my mind and body relax. (Note: this is so much easier to achieve now that I’m not coaching! I do not take my easy evenings for granted!)
- How did you take care of yourself? All of the above. Plus, remembering to reach out to friends. Working on my posture, and core strength. Sticking with established healthy routines. Putting away the pairs of jeans that don’t fit anymore. Thanking my body for carrying me through this life. I ask a lot of my body! I am in total awe that my chronic running injury has healed through physio, and that I’m able to run fast again, without pain, at least for now. Every morning run through the park is a full-body expression of thanks.
- What would you most like to remember? It’s okay if I don’t remember very much from this time. Sometimes the best days aren’t super memorable—I don’t remember much when inside the flow, but if I’m fortunate, from the flow will emerge some work of substance, or a strengthened relationship, or deepening insight and capacity for approaching conflict, suffering and pain. I will remember where I was when Ruth Bader Ginsberg died; and my own sadness and immediate despair. But I’ll remember just as much that her passing sparked a renewed connection with one of my beloved American cousins. I’ll remember, too, what she worked toward: equality for all, a far-seeing, long road of commitment that developed from her own experiences, that was encouraged to develop through the support of her husband and family, and that extended till her death. Like John Lewis, she is a true role model of character and vision, beyond the self.
- What do you need to let go of? I deactivated my Twitter account a week ago, after watching The Social Dilemma on Netflix. I also turned off most of the app notifications on my phone. It’s been good, and I hope it lasts. What I’ve noticed: I’m freed to work with more focus throughout the day. But I’m also not filling my mind with fury and outrage, the primary emotions sparked by “doom-scrolling.” True, there’s less to distract me from my own restlessness and boredom, but here’s the strangest part: I’ve felt less restless, less bored, since signing off. There are more productive and meaningful ways to connect with others in this world. I commit to choosing those instead.
Two weeks is a long luxurious span of time to be on holiday, especially right now, especially when one’s holiday is basically a two-week quarantine away from other people and the world and news and thoughts of the future; it’s all a beautiful, slow-moving present; now, now, now.
We’re back home, but I’m holding onto my holiday brain for as long as I possibly can.
This is what I learned on holiday: Notice. Notice what I’m doing or about to do. Notice what effect it has on others around me. Notice what I like and don’t like about the things I’m doing and saying, and their effect. Do I want to change those things? Can I? (Don’t know. Maybe!) But it all starts by noticing. And then deciding what to do next.
As one of my kids told me: I think you have to want to change, Mom.
Yes. That is true.
On holiday, as an experiment, I sometimes did the opposite of what my first response would have been. I had the time. I noticed how I wanted to respond before I responded, and then if I didn’t want to respond that way, I paused myself and tried to respond differently, just to see what would happen. This was on a very small scale. For example, Annie and Kevin and I did yoga twice a day on the dock and one fine afternoon, I noticed that I wanted to announce to them—during tree pose—that I was wearing very slippery pants, and the pants were the reason I couldn’t place my foot up high on my opposite leg—I wanted to explain: hey guys, it’s not me, it’s my pants! But instead, I noticed that I wanted to do this before I did it. I noticed, too, that to speak would be to spoil this moment of shared concentration. I noticed that what I wanted to share was a) information not useful to them, and b) information that, if shared, wouldn’t actually solve anything. Any insecurity, any fear of failure, was mine; unrelated to what they were doing, and certainly not theirs to fix.
So I bit my tongue. I just did the pose. Obviously, this was a very tiny moment of noticing and making a very tiny decision, but I remembered it afterward, clearly, because I’m writing about it from memory now. What I noticed was that it didn’t hurt at all to stay quiet. It just shifted the moment, and my experience of the moment. It reminded me why I was doing yoga—as a gift to my body and mind, as a way of loving myself, respecting my body, no matter what it was/is capable of doing. It reminded me to thank my body for holding me up, no matter what the position.
It reminded to say: Thank you, body, for bringing me into this moment!
Notice, notice, notice. It’s why I meditate. I have to want to change if change is going to happen. But I also have to notice what I’m doing in the first place. So much of what we do, think, say is almost automatic. We’ve fit ourselves into systems, we’ve figured out how to survive, how to take the easiest route to self-soothing, how to comfort ourselves, how to minimize conflict (or ramp it up, if that’s what makes us feel alive/better). Our responses are formed by long experience, often dysfunctional, or harmful to our bodies and minds. Changing deep patterns takes patience, trial and error. Takes forgiveness and generosity above all else—to the self, which will extend then so easily to others too. If you can forgive yourself for your flaws and weaknesses it will be easy to forgive the flaws and weaknesses in others.
Insecurity, fear, the desire to be liked, the need to win and prove myself; these are among my deepest flaws. And I do want to change the way I respond when in their thrall. The only hope is to notice.
One more thing I learned on holiday (or learned anew, again): To notice when others are doing and saying things that make me feel good, cherished, calmer, more generous-minded—so I can learn from their deeds and words, and also be appreciative. For example, I’m so thankful that my children are kind and hopeful people, who are rolling with their changed circumstances, accepting what they’ve got and actively making the best of it, adapting, not complaining or mourning any perceived losses, just getting on with what’s being offered to them. I watch them, I notice, and I follow their lead.
photo by Sam Trieu
We are at the halfway mark of season two of The X Page Workshop.
And I’m reflecting on how things, especially ineffable things, are made manifest.
Four years ago in April, I travelled to France to participate in an interdisciplinary arts festival, where I collaborated on a performance project with Kelly Riviere, a translator and actress, who has since become a playwright. We loved working together. For me, it awakened a hunger for more creative collaboration; but when I returned to Canada, I couldn’t figure out immediately how to connect my solitary writing work with the work of other artists in other disciplines.
I believe that The X Page workshop is an answer to the hunger I first recognized while working with Kelly in France. My hunger wasn’t exactly a desire to do theatre. Or to write plays. Or to perform. I think what I really wanted was to be a part of something bigger than myself. I wanted to know how other artists and creators work, and I wanted to work in collaboration with them.
photo by Sam Trieu
In essence, I believe the existence of The X Page is an example of how something as ineffable as a wish or a dream, or even an emotion, can be made manifest, can become something that takes form, that exists, that is in the world. There’s no map for doing this. In truth, there’s not even a destination. When I think of the disparate threads of my own experience that inform this project, it’s almost comical. You couldn’t replicate this as a plan! But it’s not about making a plan, and that’s what I’m recognizing and, honestly, what I’m most in awe of. How we make the things we make without knowing what we’re making. I LOVE that.
As the workshop took incipient form, I remember my sense of purpose as I pulled friends, acquaintances, and people I’d only just met into the project, seeking advice, partnership, sponsorship, support, reaching out, calling people (and I hate talking on the phone!), emailing, meeting in person, fundraising, grant-writing, making decisions, making mistakes, learning from my mistakes. My energy was almost obsessive in nature. I didn’t know if the idea would work, I didn’t know what we would make in the end, and I didn’t know if the project would be sustainable. I just knew we had to do it.
And here we are, in season two.
photo by Sam Trieu
My point is that we are all, at all times, in the midst of doing things that will make manifest other things.
To this point, I’ve noticed a tendency to self-sabotage, to downplay success and magnify failure. I do this privately, and I do it publicly.
Truth: I don’t like this quality in myself.
Also truth: My absolute greatest fear is being blinded by pride and ego, and becoming a giant asshole.
And it’s become clear to me that self-sabotage in no way prevents that fear from coming true. Nope. Instead, it hampers my ability to bring into being other projects, as or more ambitious than this one. And that is not a manifestation I’m interested in nurturing.
My goal this year is to notice a) what is being made manifest and b) how I respond to what is being made manifest. Specifically: What I’m bringing into the world. The things I dislike, as well the things I love. And I don’t think that self-sabotage is the way to bring the things I care about into the world. Self-critique, accepting mistakes, taking responsibility, forgiving myself, learning, changing, observing, seeking counsel, and recognizing what’s not mine to bear — all of those are excellent qualities that I hope to claim for myself; and none involve self-sabotage.
I’ve brought some things into the world that I love so much!
My children, but also my relationships with my children, which are ever-shifting, growing, changing.
My collaborative connections with people I admire, but also the work that goes into developing, maintaining, and cherishing these relationships.
My friendships, but also the nurturing and care both given and received within these relationships.
And, of course, my writing, but also my relationship to my writing, the way I’m learning to value it, prioritize it, make space for it, and celebrate the moments that I decide are worth celebrating.
- A new story in Room magazine.
- A successful grant application for a work-in-progress. (With thanks to ECW Press for their recommendation.)
My word-of-the-year group met last week for the last time in 2019. My word this year, SPACE, was resonant and practical, and has met me where I’m at in terms of my goals and aspirations. Essentially, a year ago, I determined that I wanted / needed / craved more space, specifically more space to write. Space and time are inextricably linked. They can’t be separated.
But so are space and discomfort. (As far as I know, Einstein didn’t weigh in on this theory.) Let me explain.
What I’ve come to believe is that I am the source of my own space. If I feel crowded out of my life, it is because I have chosen to be a person crowded out of her own life. I am the biggest obstacle in the path to my own contentment, and enlightenment; conversely, I am also the person capable of removing said obstacle. The expectations of others are not holding me back — my own expectations are the source of my unhappiness. What I’m sparing myself, by building a life that is crowded and that crowds me out, is discomfort.
Anything I give space to will cause me some discomfort, and the opposite of feeling discomfort is so often, instead, feeling resentment. It’s something we don’t think about much. But the fact is, we are much more comfortable feeling resentment (and anger, annoyance, irritation) because it is an outward emotion — we can send it toward the object of our resentment. Discomfort is an interior emotion that asks us to be responsible, to accept the cause of our discomfort as our own choosing.
Any choices I’ve made that I value have caused me to feel discomfort. Giving space to listen to opposing positions — discomfort. Saying no to people and opportunities — discomfort. Waiting with a writing project as it forms and develops — discomfort. Allowing a child to wrestle with their own problems — discomfort. Taking a leadership role and being responsible for decisions that affect others — discomfort.
What I’ve learned this year is that when I allow myself to focus more fully on what I’ve named as my desire — time and space to devote to my writing — I also have to confront my insecurities, which come crowding into all this open space. It’s uncomfortable. I feel vulnerable. Exposed. Teaching was easy to talk about, pretty much universally understood and accepted as a positive and recognizable undertaking. The ambition of developing an ongoing career as a literary fiction writer in a market that is facing serious existential challenges: not so easy to talk about. Even that sounds like an excuse, as I read it over. And so I’ll revise: It’s not so easy to talk about my ambition to continue developing my craft as a literary fiction writer in the absence of new publications. But it’s true to what I’m doing.
And I’m incredibly fortunate to be able to name that desire, and pursue it, at least for the time being. I do feel discomfort being here. But I know discomfort is here because I’ve given it space to be here. In a sense, I’ve actively invited discomfort to be my companion. I also know that I wouldn’t feel better in the throes of resentment, overwhelmed by commitments, wishing and longing to pursue my deeper ambition; I would feel different, yes, running on fumes, exhausted, stretched thin, maybe full of certainty and outward purpose, maybe not; but definitely not better.
In conclusion, my year of making space has somehow turned into an examination of discomfort. And I’ve realized that I’m unexpectedly comfortable with discomfort. I have a pretty high tolerance for feeling it. I think, if deployed under the right set of circumstances, this might even be a super-power.
I’ve read some excellent books these past few months, all by women, mainly fiction. Most recently, I finished THREE WOMEN, by Lisa Taddeo, creative-non-fiction, and the kind of book a person wants to discuss afterward with someone else. In the absence of a book club, I bring my thoughts to you. (This is how compelling the book is: I was reading on the couch last weekend, sharing a blanket with my eldest daughter, when she suddenly said, “Wow that book must be good, Mom. You haven’t fallen asleep!”)
(Possibly related note: the book has a lot of graphic descriptions of sex. But in my interpretation, as you’ll see below, the sex stands in for desire more generally.)
THREE WOMEN is a book about women’s desire as examined through the lens of sexual desire(s) that our culture would call taboo. One woman defines herself as a submissive and has sex with other men and women while her husband watches or participates. One woman, in an almost-sexless marriage, has an affair with a former boyfriend after connecting on FB. One woman, as a high school student, was pursued by and sexually involved with a teacher, and when charges are pressed years later, the teacher is absolved and she is destroyed.
But she had already been destroyed. (This is not a spoiler; the book’s propulsive nature relies on exploration of character rather than plot.)
The most interesting section, for me, comes in the epilogue, when the author unpacks, most explicitly, the subject she’s been examining, and reveals that this particular desire she’s been exploring throughout is an exemplar for anything a woman wants—desire, generally.
Her mother, dying, has something she agrees to reveal to her daughter. Something she wants to tell her.
Are you ready? She asked me.
Yes, I said. I got close to her face. I touched her cheek. It was still warm and I knew it wouldn’t be for long.
Don’t let them see you happy, she whispered.
Everyone, she said wearily, as though I had already missed the point. She added, Other women, mostly.
I thought it was the other way around, I said. Don’t let the bastards get you down.
That’s wrong. They can see you down. They should see you down. If they see you are happy, they will try to destroy you.
But who? I asked again. And what do you mean? You sound crazy.
Later, the author writes: “… we cannot exactly say that we expect to be happy.”
Finally: “There was a beauty in how little my mother wanted. There’s nothing safer than wanting nothing. But being safe in that way, I’ve come to know, does not inure you to illness, pain, and death. Sometimes the only thing it saves is face.”
So let’s talk about desire. Not sexual desire. Desire. Naming our hopes, our aspirations out loud.
Personally, I have trained myself to expect less, and perhaps also to want less, to make do with less, to make less a wonderful shelter, in a way, a goodness and righteousness, a way of life. I do believe, morally, in the ethic of more with less. But I also can see how lowering my expectations, and being afraid to name what I want (out loud or even quietly to myself) could make my whole life so much smaller. But if I name what I want, am I not guaranteeing I’ll never receive it? Jinx! Touch wood. I do this, when I accidentally state out loud something hoped-for.
In truth, I’m morally opposed to the idea of bottomless aspirational desire, of eternally needing and wanting more, which always seems to come at the expense of others. I disagree with inflicting harm on other people to favour one’s own pleasure. That is why the stories of two of the women in this book were more difficult for me to understand—acts of self-pleasure are rarely victimless. Can desire be healthy if acting upon it will damage those to whom we owe our loyalties and responsibilities?
I’ve been thinking about how comparing ourselves to others is a fast-track to misery. It’s a fast-track to bitterness, envy, and a form of self-loathing that we often turn outward on the object of our comparison. I fought these very feelings yesterday morning in a weight class at the gym, working out next to a woman who seemed effortlessly to wield weights heavier than mine, whose endurance was always greater than mine. My attention was divided, and I kept diminishing my own efforts, even while thinking things like: She must have more time to work out than I do, or even, It can’t be healthy to work out as much as she must, to be in such good shape. I also recognized, even as my thoughts ran in this direction, that any discontent I was feeling was so wholly not this stranger’s responsibility, but my own.
I wonder whether comparison whispers to us that we should have been wanting more all along, that our suppression of desire has cheated us somehow? Does it make us question our life choices? Recognize invisible alternate realities all around us that may already be closed to us?
Is our comparative envy perhaps also related to a scarcity of resources? For women, there is an extreme scarcity of resources around desire, success, and achievement. We have a very narrow window of acceptable achievement, and of the way to acceptably achieve. Naming our desires is not so straightforward. We have to be so careful not to name desires that would hurt others (as I said above), especially our children. We struggle, too, to claim our own successes. We work so hard to keep in balance all these pieces of ourselves — and our expectations for ourselves — that we inevitably fail on one important front or another.
We cannot exactly say that we expect to be happy. Is this a gift we could give to each other, especially as women? — admiration for each other’s strengths, in tandem with appreciation for our own.
After a summer to reflect on The X Page workshop and its reverberations, our ad hoc collective is preparing for a second season, with new workshop sessions starting in January, 2020.
In connected news, I’ve been freshening up my website, and have built a new page devoted to The X Page — please visit, look around, share. We are currently in the process of seeking candidates for the next season, so if you’re in the Waterloo Region, and you’re interested or know someone who might be, send them here.
The original project was a lot of work, there was no way around that conclusion, and many of us felt burnt-out following the final performance. Our discussions this summer circled around how to make the project sustainable for all involved, and we began to define the different leadership roles with more specificity, create a long-term plan for funding, and identify elements from the original production that could be revised or reframed. We also wanted to make space within the workshop for former participants to return in leadership roles.
For the 2020 season, The New Quarterly literary magazine has taken over a number of administrative tasks and responsibilities, which frees me and Lamees (who co-coordinated the first workshop with me) from much of the grinding effort necessary to get the project off the ground. I’m excited to be the production’s “stage manager,” a role which I rather accidentally filled last time around (and loved!), while Lamees will be working more directly with candidates during the recruitment process. I’m thankful for our ongoing conversations with Pamela Mulloy, the editor of The New Quarterly — and with others — as we continue to learn from and develop this project. This is not a static process.
Personally, it’s been a gift from the universe to be able to work on a project that combines so many of my interests, including Lynda Barry’s life-changing exercises (the “X page” of the workshop’s title), multi-disciplinary creative team-work, and the power of personal storytelling. I’ve got a running theory that the antidote to (and inoculation from) xenophobia, misogyny, and fear of others’ cultures, religions, and beliefs, is immersion in stories. You can’t sit with someone and listen to their stories without being changed in some way. Especially the particular stories that emerge from Lynda Barry’s X Page — stories that may on their surface appear ordinary, every day, but therein lies their power: X Page stories are rich with sensory detail, evoking images that transfer from speaker to listener, images that pull us directly into another human being’s experience. Being part of this process, through the workshop, is powerful.
Please spread the word.
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