Category: Feminism

We Belong

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The X Page performance, season 5, was this past Sunday: “We Belong.” Season 5 proved to be the luxury version of the workshop, with excellent snacks and food, great sound, professional lighting, and a real stage. It was also a delight to behold—the stories came into focus, and the performers were, each one, spotlit and magical as they offered their generous gifts to the audience (a full house!). 

For me, this project is about the process. At times, it’s messy, it’s a big commitment, it’s demanding and occasionally frustrating, not to mention that it’s also an over-the-top ask: to write an original story, memorize it, take it into your being, and perform it on stage in front of a live audience. Many of the women complete this remarkable task in their second or even third language. 

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As with any intense project, the end, when it comes, feels abrupt. All this effort and excitement, nerves and energy, ramping up considerably as the date of the performance comes closer and closer—and suddenly, arrives. And then time flies. The production is over almost as soon as it’s begun.

One of the women said, as she was leaving the theatre, “No one told me about this part—the part where it ends.”

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It’s true. It does end. There will be a cast picnic, and of course, everyone is welcome to join our online writing club that meets monthly to do a Lynda Barry exercise and read our freshly discovered stories to each other. 

But yes, the process, this specific process, meeting this specific goal, with this specific team, and these specific individuals—that does end. A chapter closes.

Just like my peonies have bloomed and are now wilting in the heat. I bend down to breathe in their scent every time I pass by, but they are going, going, nearly gone.

What I wonder is—how will each of us be changed by our experience? (Not by the peony sniffing, although I’m sure that has an effect too! I mean by being part of the X Page workshop.)

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I believe that I am changed in ways both subtle and profound. 

In the hours after the performance, I became aware of an unfamiliar feeling in my body—fulfillment. I felt fulfilled. The feeling lingered, and it remains. I felt, I feel, like I’d done what I was called to do, done it well and to the best of my abilities, forgiving myself along the way for missteps, open to learning from everyone I met, and committed fully to the process and these people, individually and as a whole. I did not (do not?) feel anxious about what might come next. I felt, instead, sufficient. Fed, serene, blessed, grateful.

I was (am?) affirmed as a communicator—verbally and emotionally, as much as through the written word. I was (am!) proud to have been a part of such a special and unique project. It helped (helps) me to see that while writing has been a large piece of my identity, it is not my whole self, nor need it be. It may, instead, be a pathway or a door opening into a different way of being in the world, rich with overlapping communities, strong relationships, communal experiences, and my own personal values lived out in full.

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What a gift. What generosity pouring from all to all. What enormous goodwill and care. Imagine a world where all would be encouraged and rewarded and admired for approaching each other with grace, with understanding. Imagine a world where we’d have the support and time and energy and emotional bandwidth to care for each other’s voices and stories as much as we do inside this welcoming x page space—I do. I imagine it. I want to practice living in that space, of grace, as often as I can.

I wonder what will unfold for everyone involved in this project. I wonder what threads they will take with them, what emotions and sensations will remain in their bodies long afterward, and what they’ll want, how they’ll be changed, as they step back into their lives, seeing themselves just a little bit differently, now.

xo, Carrie

Spring burst

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As much as I long to find just a little more rhythm to my writing life, damn but it’s taken the pressure off to work in a school library. Childhood is bursting with magic. To be with kids is to be in the presence of pure creativity. When I was a child, we would visit the Nashville public library for their puppet shows. I remember being utterly entranced by the puppets. How were they speaking? Who was making them move? They seemed real — in some fundamental way, they were real to my imagination.

Now, on a very small scale, I get to participate in magic-making with the children who come into my library — it’s homemade, it’s improvised, it’s nothing fancy, but even the smallest surprise is sufficient to spark delight, curiosity, questions. Children are not fussy; the youngest of them pay the closest attention to the tiniest details. If you’ve ever read a picture book to a group of kindergarteners, you’ve been blessed by the deepest attention you’ll ever hope to receive. “Oh, those aren’t raindrops, those are tadpoles!” “How did Curious George jump higher?” “Why did he let go of the balloons?”

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On my story time bulletin board, I add characters or objects from books we’ve read. The seasons change. Nothing is static — things move around. Somehow, it’s more magical because it’s tactile. It isn’t digital. It isn’t online, or on a screen. It’s present with us, to be experienced and observed by all, as we gather in the same moment and place in time and space. We experience it collectively, from our different positions around the room, our different heights and ages. Like the magic of the puppet theatre, I don’t think this is repeatable, really, online. We don’t live solely in our minds; we live in our bodies, as sensory creatures.

In truth, however, my main job in the library is to maintain the collection — a tactile mode of interacting with this most beloved of mediums (beloved to me!): text and illustration bound up in pages. The sensation of handling books affects me similarly to doing a puzzle; it’s soothing and peaceful to create order.

As for the other hours in my days and weeks, I’m currently on a “spring burst.” I’m going to gym regularly to spin, sweat, lift weights, stretch, and take good care of this deep-into-midlife body (and mind). The X Page is entering its final month of preparation (!!): mark your calendars if you’re local. We’ll be performing this season’s stories on Sunday, June 16th at the Registry theatre in downtown Kitchener (more info coming soon). And my writing life is bursting with beautiful blooms too: seeing a dear friend’s book project come to fruition, editing stories, and dreaming up a new novel.

Come summer, I’ll have a two-month break from the library — writing sabbatical??? And time to repair, restore, relax, too. It’s been very non-stop. I keep thinking I’ll catch up, but there’s no up to be caught. The routine swings round and round.

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My instinct is to maximize efficiency on tasks. But more and more, I’m focused on making space to maximize enjoyment, no matter the tasks. What do I love doing? Mostly, really simple things that are easy to call forth, that don’t require a lot of extra planning or resources. I love sweating and the rush of endorphins. I love meeting new people and diving in deep. I love collaborating, learning new skills, appreciating the strengths and techniques and wisdom that others bring. I love grappling with text, creating narrative sequences on both the macro and micro scale that maximize pleasure for an audience. I love eating supper with my family and hearing about their days. I love stopping to smell blossoms on trees. I love blasting songs on the radio when I’m driving alone. I love making magic — out-of-time experiences, opportunities for surprise — through the simplest means possible: a drawing, a story, a group exercise. I love taking care of people. I love cooking (but only when I’m not rushing). I love being outdoors, walking, biking, running. I love creating order out of chaos. I love living in my imagination, in my many imaginary worlds. I love to dream.

Nothing is ideal. I love that too, the reassurance of it. I mutter this phrase to myself a lot — “This is not ideal!” —- and not negatively, but encouragingly. I mean it as a form of freedom. Nothing about this is ideal. (And it does not need to be.) This thing you’re doing, this thing you’re creating, this solution, this story, this hard conversation — whatever it may be — you’re doing it to the best of your abilities; be reassured. There are many possibilities, many directions, many discoveries, of which you will try one and then another and another, testing things out forever and ever, amen.

xo, Carrie

The creative life, blooming

I post a lot about the solitary writing life, but when surveying the overall trajectory of my hours and days, I see far more connection and overlap with the lives of others, doing and seeking out and creating and organizing activities that are meant to be shared collectively. I need alone time, surely. It’s also practical to avoid interruption when working deeply, whether it’s writing scenes in a novel, reading a book, or organizing a library space. But mostly, I’m actually with people. Not alone. (It helps to have 4 children, 4 siblings, a close set of families, to work in an elementary school where 250 kids troop through my library each week, a church community, an open-door/open-kitchen policy for our kids’ friends, and etc.)

2024-04-19_01-33-19A goal I often consider, when organizing group projects, is how to keep the experience / activities sustainable. It takes energy to make things happen. Pouring out creative energy to serve others’ creativity can be equal parts exhilarating and exhausting — I  love it, I absolutely love it, and I need more sleep when in the midst of it. So I savour it when it’s happening, and know how special the moment is.

2024-04-19_01-32-58I try to be thoughtful when committing to projects; I’m willing to test the waters and step back or rejig if it isn’t working (especially if it doesn’t feel sustainable). Projects with endurance are most often structurally cohesive, clear in their goals, and invitational to community-building. Sometimes, I can even think about my novel projects like this—or at least the structures I’ve built around my writing in order to make it sustainable and enduring. Looked at in this way, it’s not just about what I’m writing or about practicing the craft of writing—it’s about the relationships developed and strengthened and linked by writing; but made deeper by other experiences together too.

2024-04-19_01-33-58The X Page workshop is rolling, now in its fifth season: what a gift. I would describe the structure as highly collaborative, creative, spacious. During a recent workshop session, I felt transported to a more generous vision of relationships, and brought into intimacy with people who, though not strangers, were not known to me or to each other (many of them) just a few weeks ago. Magic. Human-made, transformative energized magic. Under the expert direction of our performance coach (who works with MT Space Theatre company), we watched and took part in the “sculpting” of a story. It came to life before our eyes. Or—it was already alive, but with each telling, each gesture played with, the story deepened before our eyes, layered with emotional weight, but also lightness. I felt transformed by the beautiful gift of the collective. Collective experience, collective effort, collective appreciation. And individual bravery, risk-taking. 

Arriving at this moment was not an easy or instant process. It has taken time, preparation, flexibility, expertise and creativity, trial and error, the generosity of many many leaders and participants and peers and mentors, over many years. Impossible to calculate the effort, and as impossible to measure the reward in terms useful for things like grant proposals. In those moments, watching this story form and deepen and bloom this week, I felt so gratified. I felt like this was the point of everything I’ve ever done. It was the very opposite of being alone. Or solitary.

It was special.

2024-04-19_01-33-26I also see that a moment like this is ephemeral. Art, experienced. Community, experienced. The creative life: blooming, brief, precious. I savoured it. I savour it.

xo, Carrie

Changing the script

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Walking home from yoga this morning, I was thinking about my body. I’ve been thinking about my body a lot lately, too often negatively. There is a script from deep in my past, fostered by messages absorbed throughout a lifetime, that says: control your body or you’re worthless. It’s fat-phobic, yes, but it shames on multiple levels, given how little a person controls how she is seen and perceived in this world; given how little she controls the effects of hormonal swings, physical ailments and illness, and the general fragility and fungibility of the human body.

Walking home, someone (a man) started shouting out of the window of his vehicle—I didn’t think he was shouting at me, but it reminded me of being shouted at as a younger woman, even as a young teenager. Words that treated my body as an object, not part of a whole person, and words that told me that attention was to be valued, and also, paradoxically, feared. I remember the relief of suddenly (it seemed to happen quite suddenly) being “too old” to attract the attention of men shouting from car windows. But I wonder whether wanting to be invisible is ultimately damaging to the spirit too. Why should I want to hide myself away, as if in shame of being in this body, here and now?

I do not want this script rolling inside my head, telling me to be ashamed of my body, while also telling me that I need to work harder to change it, somehow. It’s a script that will never be satisfied with my body, no matter its shape, strength, and power. One of my parenting goals has been to break the multi-generational narrative that something is wrong with our bodies—I’ve wanted my children to be free from that internal/eternal script, or at least not to receive it from me. But they might receive it from me, by proxy, if I am speaking it to myself. To break the chain, I need to break it wholly. Or I want to!

Can I change the voice in my head?

Last night after obsessing over a photo of myself as radiantly happy and yet objectively (wait—subjectively??) unflattering, I decided to start an experiment. Every time I notice the voice in my head saying something cruel or self-deprecating or dissatisfied or despairing about my body, I will counter with the words, “I love you, body.” Spoken out loud (or whispered): voiced. The magic will be in the noticing—using the moment, when deep subconscious self-loathing rises to the surface, to turn instead toward love. When I hear that voice, I will be reminded that it is not my voice, and that it has no power that love cannot shift.

I love, respect, and admire people who live in bodies that are all shapes and sizes, and I believe them to be amazing, wonderful, interesting human beings with wisdom and insight; their bodies carry their spirits and personalities and that’s what comes through when I’m with other people, known or yet-to-be-known to me. I want to love, respect and admire my own body in the same way: as a vessel that’s carried me nearly five decades, that’s adapted to enormous changes, like adolescence and pregnancy and peri-menopause, and that radiates with my spirit.

So, to summarize, here’s my plan: Whenever that voice speaks in my head, I will counter with “I love you, body.” I will shout it or whisper it, say it seriously or half in jest, believing the words or not believing them; I will say these words no matter what. I will also seek to give my body what it enjoys—like riding my bike to work, and stretching in yoga, walking, getting enough rest and sleep, eating tasty food, laughing, rubbing minty lotion into my feet, wearing clothes that flatter my shape and feel comfortable, and etc. Whatever I can think of that my body will enjoy, I will try to do.

Walking home this morning, I asked myself: have I been able to shift in-born beliefs or deeply grooved habits? Do I think differently now, have I been able to affect change within myself? And while it feels like discovery is more accurately re-discovery, circular rather than linear, yes, there have been significant changes to my thinking patterns. Most feel too private to discuss here, in a public forum, but suffice it to say, some of my fears have softened or even melted away, and my ambitions have shifted significantly too.

So, body, I love you, I love you, I love you. I’ll keep saying it till it’s the new script, the ongoing and true story.

xo, Carrie

Softer, fuller, rounder

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Life feels softer, fuller, rounder. Sometimes this feels just right—for my age, my ambitions. Sometimes my eyes ache behind my glasses. I am softer, fuller, rounder. I don’t like this so much. It’s partly body dysmorphia and partly not—I am larger than I used to be, objectively speaking. I have had to upsize my pants. There are days when I don’t even go for a walk, because I can’t squeeze it in, let alone one of those hard runs I used to rely on to keep me sane, and fit, and possibly also fitting in those pants of the past. My body has fluctuated and changed over these nearly five full decades on planet earth. Pregnancies will change a person’s body. And endurance training. But so will mid-life hormones, and aging, and a myriad of other factors that are beyond my control. Out of control is what I feel sometimes, when squeezing into my upsized pants. Yet, since when am I in control?

Control is an illusion, a fable told to comfort myself—that I am choosing for my body to be the way that it is, at any given stage in my life and development. Our bodies, ourselves—caught in time, turning and turning.

But my head, my outlook, my mind—softer, fuller, rounder? Yes. And how do I feel about that? I don’t entirely know. I’ve had practice accepting change, loosening my hold on expectations, letting go, you might say, or holding lightly (parenting gives a person practice; being a writer, too). But practice doesn’t necessarily ease the challenge, in real life situations. It is easier to breathe when there’s breathing room. It is easier to accept what’s happening when it’s pleasant or hoped for.

I try to go into new situations without writing the script beforehand; but how does that fit with my love of plotting and planning and dreaming big? Maybe it’s both/and, not either/or.

Which brings me around to the softness in the structure of my life right now, its curves and rounded edges. There is time for all things, but not all at once. This new year, I’ve completed two workshops in conflict management, and I’m considering working toward certification as a mediator. But I don’t know where it might lead, in truth, nor how these skills might be applied. At the library, I pad around in my “librarian sandals,” and enjoy creating moments of surprise and delight and welcome for the students (and maybe for the teachers too, at least some of them!). I’m building relationships there; but also trying to apply boundaries, and keep the job easy and light, as it should be. I’m on board for another season of the X Page workshop, starting very soon; I’ll be an editor and lead some of the writing exercises, but others are taking on the more substantial leadership roles; I felt a lightness at our recent planning meeting. This has given me room to take on more of a leadership role at my church, which is small and relies on volunteers; this Sunday I’ll be preaching—a new genre for me. It took me weeks to write a 15-minute sermon, but I enjoyed the layers of exploration that came from a close reading of text.

Where in this is my fiction writing? Still very present; just not occupying my mind as an identity that I should be fulfilling at all times, lest it slip from my grip. Hold lightly. I’m approaching writing no differently from these other facets of commitment, responsibility—I want to enjoy myself while doing all these things, even committee meetings! And the quickest path to enjoyment (in my experience) is full immersion.

Dive in.

Basically, I put my phone away. Often it is out of sight, especially when I’m in a meeting or at work or writing. That limits distractions. Any task on which I’m fully focused is a task I’ll genuinely enjoy, or find interesting in some way—my brain is hungry for the details, for sensory information, for connection. Often, this actually feels like I’m leaning back in a comfy chair, taking everything in, hyper-aware of the nuances, the emotional tones; or my mind in its relaxation will see big-picture structures as clearly as if they were architectural drawings.

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I love structure so much. Design. Sequence. Noticing how these things work in practice, or do not work, and investigating changes to systems. I like figuring out the pacing and rhythm; how these ephemeral/practical/felt structures support the why of what is being made—its desired outcome—whether it’s a worship service, or a novel; there’s not a single or “right” answer, of course, which is what makes it so fascinating. Endlessly fascinating.

How does writing fit into the systems and structures of my life? Like any task, I need to make room for it, make practical plans, and I need to seize the moments. Occasionally, I’ve been able to write with focus after work, or into the evening, but that requires a) being well-rested, b) someone else cooking supper, c) no evening meetings or obligations. It’s rare. So mostly, I’m setting aside chunks of time—like last weekend at the farm with my writing friends. Nothing on the schedule except writing, eating, talking, sharing our writing. I love when we read to each other in the evenings. Our times together are so cozy, so warm and peaceful; conducive to writing, but also to fostering a relaxed state of mind in which creativity thrives. I might not get to do this very often, but it’s a wonderful state in which to write. As proof, each of us has finished at least one major book-length project during our several years of writing together that we’ve either published, or will be publishing soon. Amazing!

Blogging, when it happens, fits into the in-between times. Like this post, written almost entirely on a Friday afternoon, sitting overlooking an indoor soccer field, feet up, travel mug of tea nearby, and my laptop open; but finished the following afternoon, because the previous sentence is where my writing stopped, when I turned to chat with a parent—a dad who was open to talking soccer with a woman, which is not, I must tell you, always the case. So I relished the opening, and went with it.

xo, Carrie

Bring the light

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Winter solstice. Do you mark this day?

I shared the morning with women from the neighbourhood, many of whom I’ve known for nearly twenty years, a few even longer. (I don’t host this event — I just get to go! It was dreamed up eleven years ago by my friend Kasia, who deeply understands the power of ritual.) It’s been two years since we’ve been able to come together to share in this ritual of welcoming back the light, on the darkest day of the year. There was magic in the room.

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I love how as we age, we are freer with our emotions, freer to express our whole selves. We knew each other when our children were babies; and now our children are teens and young adults, and our parents are growing older. Crises are familiar to us, during this stage of life. And so, I think, we’ve all learned through experience how to offer each other support and care. With laughter. With tears. Without judgement.

I would like to honour the women of my generation, who are edging up to fifty, or already there. I see in my friends such a wealth of wisdom, honouring care, love, and intention. We’re in a gritty time in our lives. Yet we are not depleted. I love what I’ve learned from my friends: how to care for myself, how to care for others without losing myself, how to be kind. When I think back on dark times, there’s a friend coming toward me, carrying the light, meeting me where I’m at. I can picture these exchanges inside my mind, a private photo album of kindnesses. Honestly, there’s so much kindness in this photo album, it’s bursting at the seams, and so many of the gestures are seemingly small — yet they live on inside me. Isn’t that a good to know? That your / my gestures of kindness don’t need to be extravagant. They don’t even need to totally make sense: spontaneous, simple, brief, non-intrusive (trust; the kindness I’ve learned from my friends doesn’t presume or assume or even claim to understand, it just shows up).

Light doesn’t need the right words. It comes from inside.

You / I / we all carry it. How powerful we are, how brave.

xo, Carrie