Yesterday, whilst braving the mall in search of nice jeans for work (you have to try on jeans, you cannot order them online), I stopped by the Indigo bookstore and signed new paperback copies of Francie’s Got a Gun. And then this morning, I biked down to the CBC-KW studio for a live interview on our local morning radio show. It was fun; in fact, both experiences felt easier and lighter than promotional work has in the past.
Biking home, I was bursting with gratitude. Gratitude to all my wise counsellors, therapists (official and otherwise) and friends. Gratitude to an ongoing meditation and movement practice that reminds me to breathe and be inside my body. I would not wish to suggest that I am content with my life all of the time. But I am ever more at peace with what I can and cannot give and receive from being a writer. Let my writing be ever more integrated into the fullness of the ordinary; integrated, not elevated. Integrated and enjoyed and appreciated.
Getting to be alive, to breathe and move and help and hug and hold and care and learn and grow and fall and be held—what I hope for is the chance to say THANK YOU for all of this through writing; but there are other ways to say thank you, too, which I’m getting to know and appreciate all the more, through every day ordinary experiences. “Ordinary Wonder Tales,” as per the title of my friend Emily Urquhart’s wonder-filled book of folklore mingled with memoir.
My sense of purpose and gratitude is activated through my job-job, and elsewhere in other points of connection, the little confluences and bumps and unexpected interactions that come along the way, especially as I’ve been willing to be in the world. Listening. Asking questions. Acts of service and kindness. Kindness to myself radiating outward. Paying attention. Solving small problems. Lowering the bar. Prayer. “Joy snacks.” Presence.
I know caring isn’t super-cool. But when have I ever been cool?? (If you want to feel very old and very not-cool, go to the mall, go into a store selling jeans, and try on a bunch while asking for sizing advice from a genuinely kind young man who is approximately the age of your own children, and you will actively achieve humility.) In any case … the truth is that I really do care about the people I’m with and the energy I exude.
And I’m thankful, heart-deep, for the wonders of getting to be alive in this broken, challenged, grieving, complicated and beautiful world. I’m in awe of what we get to do here on planet earth, in the little scrap of time we’re given. It’s kind of amazing, isn’t it?
Summer Carrie is here. Summer Carrie is traveling, swimming, reading, hanging laundry on the line, doing copious amounts of yoga, walking with friends, hosting family, eating entire cucumbers, picking backyard berries, and soaking in the sunshine (and rain).
Will I finish my summer writing project? Will I learn how to watercolour flowers? Will I eat enough cherries to last me all year? When will I see the Barbie movie? Can anyone slice a watermelon better than my dad? Why are so many people from my past visiting in my dreams? Do the ones I love know that I love them, do I tell them often enough, and in languages that speak directly to their hearts? Should I aim for more sleep and rest, or more play and fun? Am I brave enough to do all the things I’ve said yes to?
Today is a “stacked” day. Stacked days, as I call them, contain lots of little off-task activities—kind of a hodgepodge; but deliberately organized this way. On “stacked” days, I settle into the activities as they come, and I accept that the writing groove will be shallow at best.
To get into a writing groove, time matters, and space, breathing room. The fewer the distractions the better. I place my phone in a different room.
It’s taken a minute or two to switch gears from the comfort of the job-job routine to the hoped-for summer writing groove—but it’s happened! I’ve found my summer writing project (or it’s found me, more accurately), which means I’ve found my summer bliss. First, I had to remember that I know how to do this—create routine and structure (the bliss of the job-job is not having to create routine and structure, just falling into and going with the flow).
Week one of the summer holiday was all frenetic, distracted seeking. But the first three days of this week have had space for the writing groove. Today is “stacked.” Tomorrow will be writing-focused again. And so it goes.
I am in a groove, I have a project.
The challenge—my particular challenge in this particular mind and body—is to appreciate the bliss of the now. The present. Settle in and enjoy this (because is it ever blissful to be energized and called by a writing project!). Fact is, I’m oriented toward the future. I love making plans, lists, setting up the day. I strongly dislike seeing my plans dislodged in any way. But to enjoy the present, a person has to be prepared to see her plans change.
If a child says, hey Mom, want to go for a walk with me, the answer is yes, no matter the inconvenience to the original plotted line. Plot lines. I like ‘em. I make ‘em. And they work best when I’m willing to break ‘em from time to time.
Summer writing groove; job-job joy; routines and the breaking of them. This is roundabout way of saying that mindfulness has changed, is changing, changes me daily.
Every morning, upon waking, I practice yoga and meditate. Every night before bed, I practice yoga and meditate. I’ve been doing this twice-daily since last fall; before that, daily for the past three years. What does this practice provide? Breath paired with conscious movement, breath paired with conscious stillness: twice daily, I am returned to my body. I close my eyes and feel my body from the inside out. Clarity, grounding, peace, patience, attention.
Mindfulness has attuned me to the possibility in all moments of joy, bliss, connection, love. I listen differently. I hope for different things. You are here, my daily practice reminds me, you are here, you are here. Enjoy this.
First park run this morning after spending several weeks away, resting legs and lungs: instead of feeling out of shape, out of breath, I feel strong, my stride free and easy. The rest has done my body so much good.
Rest. It’s such a gift.
Every year it’s the same. I come home and want to replicate that feeling of being away, especially being somewhere with limited access to the internet and email, isolated, quiet. Trying to pin down what feels hard about coming home — it’s the restlessness. At the cottage, I don’t feel restless. I accomplish very little, but I feel content. Here at home, it’s the opposite. I accomplish more, and yet feel anxious and unproductive. I can see the world hurrying by, and time seems like a leaking bucket; maybe I’m more likely to fall into the trap of comparison.
One of my favourite cookbooks is called “More with Less.” It’s a Mennonite cookbook from the 1970s. I’ve always appreciated that ethos: more with less.
At the cottage, away, I’m content with less. Can I carry that concept home?
What’s precious, in a life? In an hour? In a season? What matters to me? I’m the only one who can answer that question for myself. Each of us would have a different answer; and maybe our answers change at different times in our lives, at different ages.
Right now, my wish is to tread lightly on this earth, and in other people’s lives. Do as little harm as possible. Share the joy. Be generous with what I have on hand.
PS Thankful for a beautiful review of Francie in The Miramachi Reader. The reviewer summarizes the plot brilliantly without giving anything away (not an easy feat).
This is the lake into which I’ve dunked my full self every day for the past seven days. Some days it has been warm and sunny, even hot. Other days, like today, it is cool and windy, cloudy, rainy, almost cold.
Today, I went kayaking first, to warm up.
I never take my cellphone out kayaking (for obvious reasons), which means I’ve never gotten a photo of those rocks and trees visited only by water. I didn’t kayak the first few days here, because I was waiting to feel rested up and restless, and when that happened, it was bliss to be back out on the lake in the little blue kayak, wearing my baseball cap and favourite blue lifejacket.
I got a very large tattoo this summer (as well as a small one). When I catch a glimpse in the mirror, it gives me pleasure to think: this woman could be an aging rock star, or an aging artist! I still can’t give a particularly good reason for getting the very large tattoo, or even for the chosen image (an owl made of woven ribbons), other than I like it.
I like it. It makes me feel both more myself and more like a different, alternative self, living a much edgier, cooler, artistic life, that probably involves less cooking and cleaning, overall. Fewer challenging parenting decisions.
At the cottage, we mostly unplug and read. I’ve read all the August New Yorkers from cover to cover. I just finished my friend Emily Urquhart’s memoir, Beyond the Pale, which explores folklore and genetics. And I’m currently tearing through a novel called Nightbitch, by Rachel Yoder, a writer with whom I share Mennonite roots (she was raised in Ohio); the book seems to me to be an answer to the question: why is motherhood so confusing and impossible? Or, maybe it’s a theory of motherhood, or an abstract on how to respond to motherhood, including positing motherhood as intensely lived performance art. Whatever it is, it’s deeply weird, hilariously funny, and consoling. I keep reading lines out loud to anyone who will listen.
I recommend pairing Nightbitch with this New York Times opinion piece on the “mothering instinct.”
Bracing. Just like the cool lake water. Some summers I haven’t gone under the water even once. I used to swim no matter what, training and doing lengths back and forth in the deeper water, but after a near-drowning experience a few years ago, I’ve been cautious and nervous in the lake. This summer, I decided to try, at least, to walk in and go under, no matter the weather. I’m fascinated by people who’ve taken up immersing themselves in freezing cold water, hacking holes in icy lakes in the middle of winter. It seems to have become a popular thing during the pandemic. I don’t live close to a body of water that would qualify as a lake, but in truth, even if a handy icy lake existed nearby, I’m not sure I’d have the fortitude for it. My alter-ego with the owl tattoo totally would. But for now, I feel practically heroic for paddling around the shallows of this little bay on an overcast and cool day, limbs tingling and bright, and chasing it with a blissful hot shower, enjoyed outdoors under the pine trees.
Maybe this is where my owl tattoo self lives all the time. I love the sound of the lake water on the rocks at night. I love the isolation. Everything slows, here. My racing mind. Time. Longing. Experience. Expression. It feels like we could always be here, when we are here.
The X Page workshop’s 2022 performance of “Voices” is now available to view online. And the stories have been published online in The New Quarterly.
This year’s workshop ran from the beginning of May through the end of July. We met in person weekly, adapting to the changing pandemic protocols during those months. Miraculously, everyone was healthy and able to be present for our final performance at the end of July. It was momentous to be together again, and to experience the warmth and support of an in-person audience. The flexibility and generosity of everyone involved in this project made it all possible.
It is hard to say goodbye — there’s an intensity to the experience, collaboration and shared energy building toward a final goal. It’s thrilling and then it’s over.
We are always looking for ways to extend the project. Last year, we launched a monthly online “writing club,” and I’m looking forward to helping host those meetings starting in September. The writing club is open to all past, present (and future!) X Page participants and team members — essentially, those interested in staying connected or getting involved are welcome.
If you’d like to learn more about the workshop, please visit the website.