“Little Things” with full cast; illustrations by Tarunima Mittal
Well, in truth I can hardly remember what happened yesterday, let alone these past few months, but apparently, during the blur of lockdown and walks around the block and waiting, a few remarkable things have happened, of which I’ve been a part.
The X Page Workshop is completing its season three run TONIGHT (July 7th, 2021) with a live performance on Zoom! Tickets are free and you can register to attend right up till it starts at 7PM. I am truly in awe of what’s been accomplished by this group in 12 short weeks … on a compressed schedule … in a virtual space … Live online means accepting that some unknowns are out of our control (like, should I start worrying about a massive thunderstorm that shuts off the power? Okay, just checked the Weather Network and it’s calling for light rain over that time); but we’ve done everything we can to prepare those elements over which we do have some agency. And I think that’s the key to life, isn’t it? Prepare, and also let go. Let it be what it will be.
And here’s what it already is:
Sixteen women from the community, writing, editing, and polishing their own original, personal story.
Rehearsing it, vocal coaching, staging it, practicing it in small groups and at home.
Learning framing, lighting, how to angle the camera, troubleshooting tech issues.
Negotiating with children and pets and housemates to create a stage on which to present.
Choosing photos, props, outfits, hairstyles.
Supporting everyone else on the team and in the cast with collaboration, creative ideas, presence, encouragement, cheers. Such generosity!
Not to mention all the behind-the-scenes work to create a slideshow, program, original artwork, cohesive script, extra rehearsal time, tech support, and clear communication to keep everyone rowing in synch.
And on a personal note, there’s more work in the works, for which I am over-flowing with gratitude. As soon as this project ends, I’ll be diving into revisions for my new novel, with a planned pub date of next summer. It’s called Francie’s Got A Gun, and I’m starting to believe it will be a real thing … but you can ask me again in a month or so, when the first round of revisions are due. I plan to dive deep and stay deep till that work is complete.
I’ve also received a second grant toward the project I’m working on with my grandma. Much of the research is complete, and writing has begun; but I will be setting it aside temporarily to finish Francie. One thing at a time. One big project at a time, anyway. (I think I can keep cooking dinner and fetching veggies and doing yoga and other good summer things.) At times, it feels like I’m half-asleep, working in slow-motion, digging my way through deep tunnels, burrowing into what seem like dead ends, and then I surface and wake in wonder at all that is being accomplished, even if the pace seems whimsical, even if I lose some of the good stuff underground. I don’t know how much time I’ll get in this life, but I hope to use it all up, and make (and discover) some beautiful things along the way — ephemeral as a performance, strong as a connection, life-giving as a community, sustaining as a story, well-told.
Hope to see you tonight. And if not there, then somewhere, sometime, virtually or in real life, soon.
For the past three years, I’ve been a part of a storytelling project that aims to foster connections between immigrant and refugee women in our region and the local arts community. The multidisciplinary workshop is named after the Lynda Barry writing exercise we use to find our way into the writing process: The X Page. Over twelve weeks, a group of women meets to write and revise original stories, collaborate on animating these stories through performance and artwork, and finally, to perform the stories for an audience.
This season, we’ve been transported by necessity into a virtual space, which has nevertheless felt like shared space, with room to explore, make connections, to listen, laugh, cry. For me, that’s the key to the whole project: to get to be taken inside someone else’s world, to hear what matters to them, the “little things” they’ve kept or lost along the way, and the themes to which they find themselves returning.
Lynda Barry’s exercise opens many pathways to the heart.
The trust involved in this process is immense. Each workshop session, I’m filled with gratitude for everyone’s efforts, kindness, generosity, and presence. This year, I’m working as the project’s coordinator, which involves me in almost every aspect of behind-the-scenes planning. We are in the homestretch now!!!! The performance will be live on the evening of Wednesday, July 7th, 7PM. Mark your calendars, register to attend (tickets are free, but registration is required), please come and please share news of this workshop with your friends.
The stories are beautiful. The art is beautiful. The connections are beautiful.
We chose the title “Little Things” for this season’s performance because the stories revolve around seemingly small moments, singular scenes, objects that have been kept and carried across borders, or lost along the way; and because even a little thing — held, cherished, and shared — is imbued with depth, meaning, promise, truth.
A story is a little thing. An offering. It is an invitation. Listen. Here I am. Here is something I’ve kept all this time, that matters to me, that I’ve carried all this way; do you see, do you understand? A story is a powerful little thing. Powerful good.
On Monday, I went for a solo run in the park. On Monday mornings, early, no matter the weather, no matter my mood, for weeks, months, years (more than a decade, at least), I’ve run or walked with my friend Nina, who has been our neighbour for 18 years, and my friend since we lived across the hall from each other on campus, our first year of university. This past weekend, she and her family moved away.
I’m still working out how to approach this absence.
I started by hand-writing Nina a letter and sending it in the mail. It felt like it approximated the feeling of the kinds of conversations we’ve had, over the years; the letter wasn’t about anything special, just the particularities of the now, and unlike an email or text, I folded it up and stuck it into the envelope and no copy was kept to remind me of what I’d said, it was of its moment, she was the recipient, no one else, and like our walks, it came and it went.
An observation: when I sat to write the letter, on paper with pen, it felt like Nina was present with me; I don’t get the same sensation when composing an email. (side note: Why is email so awful? I have a few theories …)
On Tuesday, a fox trotted near where I was stretching in the front yard; I feel that we know each other, as we see each other often, early in the morning. She’s very beautiful, her orange fur mottled with greys and blacks. She crossed the road, then sat for a moment, and watched me watching her.
That afternoon, I biked to pick up our first CSA box from Fertile Ground farm: greens, greens, greens! On Saturday, I’ll walk to pick up our first CSA box from Little Fields Farm, because, yes, for the second summer running, I belong to two CSAs; I am a fan of women-who-farm.
Please send salad recipes!
On Wednesday, everyone was out of the house, active, with friends. I took my mom to get her second dose of vaccine. The workshop session was an easy one for me: I got to watch my friend Melissa in action, vocal coaching. Mark your calendars: the X Page Performance “Little Things” will be live on Zoom, July 7th, at 7PM. Tickets are free, registration opens here on June 23!
On Thursday morning, I met my son in the park for a run. My grown son, who now lives away from home. I ate healthy food all day (greens for lunch, more greens for supper), but my back ached and I didn’t feel fabulous. Napped on the couch, groggy, too late in the day. Walked over to visit neighbours, still groggy. Trying to remember how to be social again. (Trying to remember what exactly I’m doing with my life, that too.)
After that, email. (Trying so hard not to start my days with email!)
Now this. Then lunch (more greens??). Laundry. Writing, revising. I want to cook lentils with spinach for supper, and braised bok choy on the side. But the kids will want to order in (our Friday ritual). Which of us will prevail?
I neglected to invite anyone over to our backyard this evening, a Friday ritual I’d intended to start again, and managed the past two Fridays in a row. But it’s raining, with a big thunderstorm forecast for this aft. Excuses, reasons: It’s raining. And inertia. And maybe social anxiety. Who knows? I’m trying to remember how to be in the world again, how to host, how to invite, how to converse, how to connect in real life, in ways that make sense and are sustainable. Y’know?
This is a photo of a squirrel eating tinfoil on our fence; there was also a cardinal, but he took off and is the streak of motion in front of one of the blue chairs.
The days have begun to whirl again. After such stillness and waiting, I can’t quite wrap my head around it. I’m trying to declare the weekends sacred, and Sundays for meditation, reflection; a worthy aspiration, at the very least.
The truth is that I feel energized after a long quietness. So I’m not resenting an upsurge in activity even as this new stage unfolds and unfurls. But I must be cautious, awake: I don’t want to drift back into the non-stop tumble in which we found ourselves, pre-pandemic.
But, listen. It’s good. I’ll have news to share soon on a couple of creative projects. I’ve got work that feeds my heart and mind, and wonderful people around me and radiating out in expanding circles in whose company I delight, and from whom I am continually learning. I’ve been hanging laundry on the line. My children make music in the living-room. The gardens are bursting and blooming. What more do I need?
(Well, it would be nice if everyone in this house each had a chore they really loved … the way that I love doing laundry… and if that chore could be complementary, say, if someone just loved cleaning bathrooms, and someone loved vacuuming, and someone loved clearing the counters … now that would be heaven.)
But listen, too: our community, our country, our land, the whole world, it is shook up and reeling and in pain and in need, and we can’t fall asleep or wander half-dazed into how it was before, we need to be AWAKE and AWARE and CURIOUS and HUMBLE. I want this place I live in to be a little bit better because I’ve tried, in whatever ways, no matter how small … and that means stumbling, and being quiet, and apologizing a lot of the time too. There is so much to learn, and so much pain that cascades through generations. Every ceremony, every ritual, every practice, every meal I cook food for someone else, every time I stop and listen, pause, listen, pause, reflect, sit, still, breathe, laugh, hug, cry … no action is neutral. This past week in Canada, 215 children were found buried in a secret grave on the grounds of a former residential school, and this is our present. This is not history. This is our now. So much cannot be fixed, must not be forgotten; bad governments, bad systems, hierarchies built to maintain power, no matter the costs. And here we are, human beings, whirling and bumping into each other, trying, trying, trying to figure this out. Individuals trying to look each other in the eyes, to listen, to say, You matter. I’m sorry. I want to help. Help me?
Slow down, sit, listen. Someone is trying to tell you something (not me).
That’s my present, right now. That’s my goal. Slow down, sit, listen. Breathe. Pay attention. Burn something, that too. A candle, a stick of incense. Ego.
Today I went for a long bike ride on trails and paths around the city. I just kept going and going and going, seeing if I could find how the trails linked up, so I could go in a very big loop. The city is full of wildness, and birds.
I stopped to take photos, and I noticed that my mind and body and spirit were revelling in anything new. Turning down a path I’d never followed before. Discovering a street lined on both sides with flowering trees, in full bloom. Even a patch of construction gave me a sense of newness and discovery.
It’s what I crave, right now. How to exit from stasis, to experience my life in motion, as I know it to be, but do not often feel, right now. Time spins onward, but I’m like a stop-animation film performing a series of postures in my studio, my kitchen, my living-room, over and over and over. At night, the dreams have been difficult, sleep disturbed, as the day’s fears and anxieties try to untangle themselves.
Cruising slowly, gently on my bike today was pure bliss.
I think it helped to be part of the X Page workshop last night, too; to be in a space that is actively promoting the idea that the process is the experience, and the outcome or goal is a lovely result, but not the thing itself: the process is the thing. It is it. As we settled in to listen to each other’s stories, separated by our screens, by the occasional technological glitch, holding our elbows against a barrage of exceptionally sad, frightening, painful world news, the space became its own entity, and we were temporarily transported. What do I hear when I stop and listen, when I toodle along more slowly, when I take a new trail?
All day, I’m faced with choices. What if I kept turning again and again away from self-pity, away from anger, disappointment, away from the harsh self-talk that keeps me tangled in my own unhappiness. That voice will come, it will return, of course, but I have the choice to listen, notice, and say to myself, Is this what you want to do? Do you want to tell yourself you’re wasting your time, you’ve made the wrong call, you got it all wrong? Or do you want to say instead (or adjacent to, if instead is too challenging): Look what you’re making, be gentle, hold your heart dear.
In the words of Joy Harjo: “This is my heart. It is a good heart.”
Those are the opening lines of a poem / song, but I can’t find an accurate version of the text to share with you just now; below, a link to a YouTube video of Joy Harjo, the American poet laureate from the Muscogee (Creek) Nation, playing saxophone and performing the text as a song.
This is my heart. It is a good heart. Something changes in my body when I hear those words.
What felt good this month? This month has been a haze. What’s felt good in the past week or so is getting outside to run in the park, early in the morning. Delighting in the capacity of my body to run, to take deep breaths, to move. And yesterday, I got my first dose of vaccine. That felt nerve-wracking but real: a dose of hope. I’m loving the X Page workshop sessions: it feels like such a gift right now, when our province is locked down, being part of these intimate, meaningful conversations as new stories get discovered, told and shaped. Sometimes I think that’s my life’s calling — it’s not writing after all, but witnessing, creating structures that invite deep listening and telling, discovery and connection: sharing storytelling skills. Other things that felt good: Friday night games night (online) with my sibs and their partners; and, just in the past week, reconnecting with friends, after some weeks of feeling too down and inward even to try.
What did you struggle with? Everything? We are locked down in Ontario, and will be for the next month or so. My mood swings daily, hourly. I feel like I’m possibly going crazy and a few minutes later, I feel fine. Sometimes I can’t bear to open email or problem-solve a single thing. But usually if I push past the feeling and just attempt the task, I can do it, I can manage just fine. The word “languishing” is floating around right now. Yup. That’s about right.
Where are you now compared to the beginning of the month? At the beginning of the month, dread was in the air: the signs of a disastrous rise in cases were all around us, but somehow, the kids were still going to school and we were able to visit friends outdoors in what felt like relatively normal social situations. By mid-month, that ended. I channelled my rage toward decision-makers into making a bunch of phone calls to politicians to argue for a sufficient safety net and protections for those people most affected by the pandemic’s surge. That felt cathartic. I won a small grant to research a project I’m working on. But, but, but … I’m struggling with changes, combined with a sense of stagnancy amidst the onrush of passing time. It was hard to say goodbye to my eldest, who moved out to a new apartment. His room looks really empty at the end of the hallway.
How did you take care of yourself? The usual. Meditation, yoga, writing, drawing, X Page meetings, texting friends, journaling, getting outside, exercise, stretching, preparing and eating good food. Not stressing over the messy state of the house. Watching shows with Kevin: Call My Agent; Le Bureau; and right now, Shtisel. My daily routine can feel a bit stale at times, but it keeps me going: the alarm goes off early, and I get up and the day begins, and that is good. “Why am I doing this?” I asked myself one early morning this week. “Because you can!” I replied. Gratitude. Loving engagement.
What would you most like to remember? That I am blessed. That my resources run deep. That I can ask for help, if I need it. That not everything can be fixed, but brokenness isn’t a flaw; can even deepen compassion, and understanding.
What do you need to let go of? Fear of failure. This hampers me almost more than I bear to admit. My answer to this question last month was so wise, I want to hold onto it: “Outcomes,” I wrote. “Process is so much more valuable than outcomes.” When my fear of failure rises, I get stuck on the holy grail of outcomes, which invites judgement, comparison, and demands quantifiables. Is it possible to live more freely? Maybe I need to let go of my idea of myself as a writer, or my idea of what that looks like, and how my experience compares. I’m attracted to the idea of a calling; maybe I need to let go of that too. What does a purposeful life look like? I long to be a “good” person, but what does that mean? Does fear of judgement, of getting things wrong, stop me from responding with my full heart — stop me from being a person who listens deeply, who responds with care, and who can laugh at herself because she loves herself, flaws, failures, and all?
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My name is Carrie Snyder. I'm a writer of fiction and non-, reader, planner, dreamer, arts organizer, workshop leader, mentor/coach, forever curious. I'm interested in the intersection between art and spirituality. What if the purpose of life is to seek beauty? What if everyone could make art?