Category: The X Page

Trust the process: X Page Workshop, season 6

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Last Friday, I sat down and tried to write about the season’s X Page workshop. Our 6th season.

It is hard to pin down the value of this project, this PROCESS. You almost have to live it. It’s the truth of collaboration. It is not a solo journey. We are stronger together. Cliches!!! And yet — have I ever been hugged so fiercely? Have I ever shared such wordless pride? Leaning into Maha as we watched this season’s performers join hands and bow at the end, some faces beaming, others streaming with tears. I was weeping, almost sobbing, like a witness to a holy act.

I know. It sounds like an extreme response. But let me not back away from the ecstasy. Let me not minimize it when it reveals itself.

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In that discrete moment, I could see — or glimpse — at last, what I’d hoped to make, something much deeper than I could ever have imagined. It didn’t feel like I’d burdened anyone with a madwoman’s vision (which at times I’ve wondered about!); instead I understood the project’s POTENTIAL for profound meaningfulness in the lives of those who take the leap of faith and join the adventure.

The X Page Storytelling Workshop is a true ART project, truly multidisciplinary, truly ambitious, truly visionary, truly risky, demanding and hard. And. It has a pull, a light. It magnetizes its participants. And we are all participants — that’s the truth of it, and the magic.

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What we experience, as participants, is COLLABORATION—messy, risky, inefficient, complicated by conflict, conflicting ideas, competing visions, different ideas about what this all means or what it’s meant to represent and be. And yet somehow collaboration, through the vehicle of this project, also proves itself to have coherence, to be cohesive, durable, bound together by a shared goal and deadline—the performance!

Don’t get me wrong. The PERFORMANCE is not the whole of the project, but it is necessary. It gives purpose to our trials; energizes our efforts; lifts what we’ve tried to achieve into the light. Art wants this. It craves an outlet. It longs to be seen.

As a vision, the X Page workshop has a wholeness to it, a logic that is forceful. Yet its component parts are flexible.

It’s like seeing my self, my freed artist self, embodied in a process or EXPERIENCE that is translatable, intended for others to enter into. It’s not remote, or special, or precious; it’s invitational. Witnessing its phases and stages, its preparatory and planning periods, its hesitance, its fundraising efforts, its nervous energy, its excitement, its delight at welcoming each new cohort, its surprises, its endurance, its changes, its learning … it feels as though it’s given my life coherence. Or that its collective nature expresses a coherence that I can only glimpse with my solo work.

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We have to go to extremes to do this thing together—that is the truth of making art. Art-making has its disciplined middle ground where much of the work gets accomplished, but that balanced “healthy” working state is fed by highs and lows (in moderation; too much of either poisons the ground). The middle wouldn’t be tolerable without a dose of both extremities to modulate the flow, and help us to change course as needed, to keep us present to the present moment, the context of the larger environment in which this is all happening. To wake us from being lulled, attune us to the needs of those around us: our collaborators, our witnesses, our fellow artists, our co-creators, our questioners, our allies.

The middle ground is where the work gets done, and the extremes are where we change and grow. Cliches!!! Again, I know!

Upon reflection, I don’t want to live a completely balanced life. I want the challenge of SURPRISE, I want to be off-balance on occasion, so I can strengthen those muscles that keep me grounded; and I want also to feel so much joy and gratitude that I overflow in tears; to feel is a great gift.

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Summer holidays are here. I’m sick (again). I’m worn out. In need of replenishment. This summer, I want to dabble with a schedule that invites all the sensations and states, including rest. Focused reflection. Creation. I want the whole of my self, all my parts, integrated, as witnessed through the X Page. I want my life to make sense way down deep, the way that the X Page made sense on Wednesday night—Playfulness. DELIGHT. The power of mingling together grief and joy, friendship and frailty, generosity and autonomy, need and giving.

There are layers of deep structural muscle built and maintained over time that create a framework of strength, patient knowledge, and experience from which to build relationships of abiding trust.

That word! TRUST! Trust the process, we repeated, and in the end, we believed it because it was true.

How can I trust the ground under my feet if on some deep level I do not trust myself?

In abiding trust is love. Judgement falls away. AMBITION becomes collective—ambition for mutual thriving, ambition for forums in which one’s strengths can be used, one’s gifts may shine. Ambition that is not for the self but for the healing of communal wounds, ambition that trusts in the power of story to repair. And story needs its tellers, story needs its voice; and it needs its listeners, its audience; story needs attention and care.

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A STORY exists in words. But also in the body, way down deep, and that’s where we’re going when we step into the X Page—underneath, to pause and sense the hum that is crying for attention, and quite possibly inflecting our interactions / lives / relationships with hurt and grief and pain. To repair is to relieve ourselves of suffering by aligning story with its container. Stories can be used for profit, to manipulate and harm, I know, I know; but so can every sacred thing be exploited and abused. So this workshop is a risky undertaking. I know, I know. It can’t be exactly all that I’ve claimed here, not all the time, nor to all.

Like all spiritual undertakings it eludes description. It could go sideways in so many different directions; when I lose trust, others step in because this is not a lonely undertaking.

Trust the process.

I believe. Story heals like nothing else on planet earth. Handled with attention and care, story is holy. I believe that.

xo, Carrie

How to begin again?

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When and how to begin with BEGIN?

BEGIN is the title of my next novel. I can’t even write that sentence without attempting to delete or amend it. BEGIN is the title of the novel I’m writing. But even that sentence requires amendment. It is the title of the novel I was writing (last touched in March), and will be writing again—though I haven’t dared open the manuscript for months. I can’t let myself visit the pleasure of it in the tiny jags of time available, just right now.

I will begin writing BEGIN again this summer. Soon. 

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My library job ends in two weeks.

As does my time-limited stint as “producer” (hapless producer, one feels at times) of the X Page Storytelling Workshop, season 6. Season 6???! Tickets for the performance are available here—it’s called “The truth is …” and it’s playing one night only at the Registry theatre in downtown Kitchener, Wed, June 25th, 7PM. Please come for stories, for the stories are life-giving.

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Look for me when school’s out in two weeks. I’ll be running out the doors with the kids, slipping off my sandals, standing in the grass, and maybe then, maybe then, my writing of BEGIN will begin again.

How will I parcel out my time? What do I need to write this book?

I have a publisher—Simon & Schuster Canada. (Yes, it’s official.)

More importantly, I have an editor—the brilliant poet and novelist, Katherena Vermette.

I have a pub date—fall 2027 (though those are always tentative).

I need a few intangibles, if I’m honest.

Health, sleep, sweat, rest. Dedicated time. Ear plugs?

Relaxation, intensity, hunger, delight.

Belief. Trust. Confidence—that too, especially that. You know this, don’t you, fellow writing friends? Maybe to that, I need, too, companionship that’s quiet and reassuring, and that would like to join in collective writing and drawing exercises after breakfast, before the work of the day begins …

I imagine for myself a near-hermit’s devotion to the hours, immersion in the subject, the playful giddiness that takes over when I’m making something that feels new or powerful or unexpected, that surprises me with some unearthed truth.

I can’t wait to begin.

Because I hope, I hope to finish what I’ve started. I hope to make good on what I find in the digging. 

xo, Carrie

PS If you know of places to rent/borrow/sneak into that would make for good writing intensive spaces, please let me know!
PPS The image at the top was spotted in Chicago, which I visited a few weeks ago with one of my kids, who was presenting at their first academic conference.

The creative life, blooming

I post a lot about the solitary writing life, but when surveying the overall trajectory of my hours and days, I see far more connection and overlap with the lives of others, doing and seeking out and creating and organizing activities that are meant to be shared collectively. I need alone time, surely. It’s also practical to avoid interruption when working deeply, whether it’s writing scenes in a novel, reading a book, or organizing a library space. But mostly, I’m actually with people. Not alone. (It helps to have 4 children, 4 siblings, a close set of families, to work in an elementary school where 250 kids troop through my library each week, a church community, an open-door/open-kitchen policy for our kids’ friends, and etc.)

2024-04-19_01-33-19A goal I often consider, when organizing group projects, is how to keep the experience / activities sustainable. It takes energy to make things happen. Pouring out creative energy to serve others’ creativity can be equal parts exhilarating and exhausting — I  love it, I absolutely love it, and I need more sleep when in the midst of it. So I savour it when it’s happening, and know how special the moment is.

2024-04-19_01-32-58I try to be thoughtful when committing to projects; I’m willing to test the waters and step back or rejig if it isn’t working (especially if it doesn’t feel sustainable). Projects with endurance are most often structurally cohesive, clear in their goals, and invitational to community-building. Sometimes, I can even think about my novel projects like this—or at least the structures I’ve built around my writing in order to make it sustainable and enduring. Looked at in this way, it’s not just about what I’m writing or about practicing the craft of writing—it’s about the relationships developed and strengthened and linked by writing; but made deeper by other experiences together too.

2024-04-19_01-33-58The X Page workshop is rolling, now in its fifth season: what a gift. I would describe the structure as highly collaborative, creative, spacious. During a recent workshop session, I felt transported to a more generous vision of relationships, and brought into intimacy with people who, though not strangers, were not known to me or to each other (many of them) just a few weeks ago. Magic. Human-made, transformative energized magic. Under the expert direction of our performance coach (who works with MT Space Theatre company), we watched and took part in the “sculpting” of a story. It came to life before our eyes. Or—it was already alive, but with each telling, each gesture played with, the story deepened before our eyes, layered with emotional weight, but also lightness. I felt transformed by the beautiful gift of the collective. Collective experience, collective effort, collective appreciation. And individual bravery, risk-taking. 

Arriving at this moment was not an easy or instant process. It has taken time, preparation, flexibility, expertise and creativity, trial and error, the generosity of many many leaders and participants and peers and mentors, over many years. Impossible to calculate the effort, and as impossible to measure the reward in terms useful for things like grant proposals. In those moments, watching this story form and deepen and bloom this week, I felt so gratified. I felt like this was the point of everything I’ve ever done. It was the very opposite of being alone. Or solitary.

It was special.

2024-04-19_01-33-26I also see that a moment like this is ephemeral. Art, experienced. Community, experienced. The creative life: blooming, brief, precious. I savoured it. I savour it.

xo, Carrie

Roots, old and new

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On April 1st, I started a 30-day journaling project (inspired by Suleika Jaouad’s Isolation Journals). What I’ve noticed so far is that prompts really help. On days when I try to jot down random thoughts, not much comes squeezing out. I’m preoccupied by surface tasks and must-dos, and a feeling of emptiness prevails. This is a most unpleasant feeling. So, today I said to myself, what advice would you give your students, if they were feeling stuck? You’d say, Stop trying to “journal” and do a daily diary (a la Lynda Barry), or an X Page prompt (ditto). Get out of your own head. Come alive by entering the world.

Other prompts have worked well too. My word-of-the-year group is spending April responding to each other’s words (we were each assigned someone else’s word to reflect on). My assignment was to reflect on the word ROOT. One of the associations that jumped out was “long-standing friendship.” A long-standing friendship, like a long-standing tree, has deep roots, has weathered many storms, and has had good fortune.

Reflecting on this imagery, related to ROOTS, and separate from the word-of-the year assignment, I landed on a journaling prompt: What roots in your own life are long-standing? And also, what roots are tender and new? It’s spring, after all! People are planting seedlings, tiny buds are opening. Feel free to use this prompt if it sparks something in you, too.

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Long-standing roots

Words unfurling across a page, a screen, scrawled in the margins and end pages, marking time, holding ambition, bright with rage, lyrical, lyrical, lyrical

Born family, brothers and sister, all of us rooted in time, in blood and DNA

Music, song, rhythm, pulse

My feet walking, running, my body in motion, powerful, strong

Friendships that hold, light in the window, light at the door, and bread, and wine, and laughter and forgive me

Performance, putting on a show

Reading, imagination’s flow

The trees themselves, and water, mud, grass under bare feet

A big appetite, hoarding, cheapness, knowing best

A quietness amidst chaotic flow

The impulse to make places home

Loneliness, fear of not belonging

Thrift against decadence, earnestness

Wanting to make people laugh, to entertain, to put at ease, and yet aloof, sharp edges

Horses, dogs, children

Memory, curiosity, mystery, questions without answers

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Tender new roots

Medication to lift the load

Healing estrangements, more trust, talking about tough stuff, tender stuff too

Kids moving home and away, vegetarian meals

Big job interview, looking for work that satisfies my need to earn a living and to feel/be purposeful

Transitioning X Page workshop to a sustainable long-term project

Parenting teenagers and young adults

Spending time with little kids again, delighting in their presence

Library skills

Getting reacquainted with teaching

Practicing social skills and conflict resolution

Expanding my skill set, seeing my skills as having other applications, exploring outlets for my desire to connect, create, be fruitful, self-sufficient, purposeful, to serve

Doing “the work” to counter harmful patterns and habits

Yoga and meditation—soaking it up!

Body awareness, body love, healing

Caring for elders, patience, tenderness, listening to the wisdom of elders

Honouring needs, resting, relaxing, spontaneity

xo, Carrie

Sharing good news

The X Page workshop’s 2022 performance of “Voices” is now available to view online. And the stories have been published online in The New Quarterly.

This year’s workshop ran from the beginning of May through the end of July. We met in person weekly, adapting to the changing pandemic protocols during those months. Miraculously, everyone was healthy and able to be present for our final performance at the end of July. It was momentous to be together again, and to experience the warmth and support of an in-person audience. The flexibility and generosity of everyone involved in this project made it all possible.

It is hard to say goodbye — there’s an intensity to the experience, collaboration and shared energy building toward a final goal. It’s thrilling and then it’s over.

We are always looking for ways to extend the project. Last year, we launched a monthly online “writing club,” and I’m looking forward to helping host those meetings starting in September. The writing club is open to all past, present (and future!) X Page participants and team members — essentially, those interested in staying connected or getting involved are welcome.

If you’d like to learn more about the workshop, please visit the website.

xo, Carrie

New things, big things

20220708_202220Summer so far …

New things. Wandering around in this time and place, stumbling a bit. Travelling to the countryside. Trying to stay organized inside my mind even for a few moments. Answering “emotional emails” (not necessarily bad; just responses that require emotional energy, as I seek to connect with another human being through text and screen). Texts, texts, texts. Fun texts with friends, family. Emojis. Organizational texts. A few calls here and there. Outsourcing tasks that are overwhelming (like figuring out how to order more copies of my new novel from a warehouse in the United States; thank you, Kevin!).

Two big events coming up in the next week and a bit. Logistics. Planning. Invitations sent, vulnerable soft belly exposed.

Wow.

It’s been a lot.

No wonder I’ve felt overwhelmed at moments. The cure seems always to be to find a friend. Connect. Share (and receive). This morning: meeting for a walk that happened to pass by City Cafe, leading to coffee and a donut on the patio under an umbrella. Mood boosted (sugar + caffeine + good conversation).

2022-07-15_11-55-10To mark the moment of publication, and also because I finally felt ready to create permanent art on my body, I got a tattoo this week. (I could delve into this subject more, I think, about why now, and how my relationship to my body has changed; food for another time.) The artist modified a branch-like ornament that breaks up sections in chapters, in Francie. I love it. I’m already thinking about getting a second one. I think trees are my theme.

2022-07-15_11-54-57What else is new? Oh, Kevin, who thinks I’m a natural comedian, suggested I try out TikTok, which so far has been a genuinely weird experiment. I can’t figure out how to use it as a consumer in a satisfying way, but it sure is easy to post brief little videos. I don’t know whether I’ll stick around, but for now, it’s been like producing a visual diary entry, and I like that. I suspect finding a personal tone and style might take some time … as it has here.

I’m so comfortable when I open this page and write into the empty space. Arrange photos. Press “publish.”

I feel like a good version of myself, here.

20220702_165623How many versions of self are there? Quite a few, don’t you think? I know I’m a little bit different in different settings and relationships; never not me, but also, not quite the same. I like some versions of self more than others. I’m sure those who share space with me would agree. But all versions are part of my self, the good, the funny, the ridiculous, the trying, and the occasionally overwhelmed. The tinkering continues.

xo, Carrie