On Monday, I went for a solo run in the park. On Monday mornings, early, no matter the weather, no matter my mood, for weeks, months, years (more than a decade, at least), I’ve run or walked with my friend Nina, who has been our neighbour for 18 years, and my friend since we lived across the hall from each other on campus, our first year of university. This past weekend, she and her family moved away.
I’m still working out how to approach this absence.
I started by hand-writing Nina a letter and sending it in the mail. It felt like it approximated the feeling of the kinds of conversations we’ve had, over the years; the letter wasn’t about anything special, just the particularities of the now, and unlike an email or text, I folded it up and stuck it into the envelope and no copy was kept to remind me of what I’d said, it was of its moment, she was the recipient, no one else, and like our walks, it came and it went.
An observation: when I sat to write the letter, on paper with pen, it felt like Nina was present with me; I don’t get the same sensation when composing an email. (side note: Why is email so awful? I have a few theories …)
On Tuesday, a fox trotted near where I was stretching in the front yard; I feel that we know each other, as we see each other often, early in the morning. She’s very beautiful, her orange fur mottled with greys and blacks. She crossed the road, then sat for a moment, and watched me watching her.
That afternoon, I biked to pick up our first CSA box from Fertile Ground farm: greens, greens, greens! On Saturday, I’ll walk to pick up our first CSA box from Little Fields Farm, because, yes, for the second summer running, I belong to two CSAs; I am a fan of women-who-farm.
Please send salad recipes!
On Wednesday, everyone was out of the house, active, with friends. I took my mom to get her second dose of vaccine. The workshop session was an easy one for me: I got to watch my friend Melissa in action, vocal coaching. Mark your calendars: the X Page Performance “Little Things” will be live on Zoom, July 7th, at 7PM. Tickets are free, registration opens here on June 23!
On Thursday morning, I met my son in the park for a run. My grown son, who now lives away from home. I ate healthy food all day (greens for lunch, more greens for supper), but my back ached and I didn’t feel fabulous. Napped on the couch, groggy, too late in the day. Walked over to visit neighbours, still groggy. Trying to remember how to be social again. (Trying to remember what exactly I’m doing with my life, that too.)
After that, email. (Trying so hard not to start my days with email!)
Now this. Then lunch (more greens??). Laundry. Writing, revising. I want to cook lentils with spinach for supper, and braised bok choy on the side. But the kids will want to order in (our Friday ritual). Which of us will prevail?
I neglected to invite anyone over to our backyard this evening, a Friday ritual I’d intended to start again, and managed the past two Fridays in a row. But it’s raining, with a big thunderstorm forecast for this aft. Excuses, reasons: It’s raining. And inertia. And maybe social anxiety. Who knows? I’m trying to remember how to be in the world again, how to host, how to invite, how to converse, how to connect in real life, in ways that make sense and are sustainable. Y’know?
Today I went for a long bike ride on trails and paths around the city. I just kept going and going and going, seeing if I could find how the trails linked up, so I could go in a very big loop. The city is full of wildness, and birds.
I stopped to take photos, and I noticed that my mind and body and spirit were revelling in anything new. Turning down a path I’d never followed before. Discovering a street lined on both sides with flowering trees, in full bloom. Even a patch of construction gave me a sense of newness and discovery.
It’s what I crave, right now. How to exit from stasis, to experience my life in motion, as I know it to be, but do not often feel, right now. Time spins onward, but I’m like a stop-animation film performing a series of postures in my studio, my kitchen, my living-room, over and over and over. At night, the dreams have been difficult, sleep disturbed, as the day’s fears and anxieties try to untangle themselves.
Cruising slowly, gently on my bike today was pure bliss.
I think it helped to be part of the X Page workshop last night, too; to be in a space that is actively promoting the idea that the process is the experience, and the outcome or goal is a lovely result, but not the thing itself: the process is the thing. It is it. As we settled in to listen to each other’s stories, separated by our screens, by the occasional technological glitch, holding our elbows against a barrage of exceptionally sad, frightening, painful world news, the space became its own entity, and we were temporarily transported. What do I hear when I stop and listen, when I toodle along more slowly, when I take a new trail?
All day, I’m faced with choices. What if I kept turning again and again away from self-pity, away from anger, disappointment, away from the harsh self-talk that keeps me tangled in my own unhappiness. That voice will come, it will return, of course, but I have the choice to listen, notice, and say to myself, Is this what you want to do? Do you want to tell yourself you’re wasting your time, you’ve made the wrong call, you got it all wrong? Or do you want to say instead (or adjacent to, if instead is too challenging): Look what you’re making, be gentle, hold your heart dear.
In the words of Joy Harjo: “This is my heart. It is a good heart.”
Those are the opening lines of a poem / song, but I can’t find an accurate version of the text to share with you just now; below, a link to a YouTube video of Joy Harjo, the American poet laureate from the Muscogee (Creek) Nation, playing saxophone and performing the text as a song.
This is my heart. It is a good heart. Something changes in my body when I hear those words.
I haven’t taken many photos at the museum, where I’m spending my mornings. I mean to, and then get caught up in the work and forget everything else. I’ve been commissioned to write a completely open-ended piece that will be performed in the museum a week from Sunday (by an actress, not by me).
Here is my morning routine: I walk to the museum, enter at a back door that is unlocked and propped slightly open, climb a wonky circular staircase, which I swear is going to fall off the wall any minute, and ring the bell outside an industrial metal door on the second floor. Eventually someone comes to let me in, although I usually have to knock for awhile too, and one day had to wander around the grounds until the museum director happened by. Behind the door is a large room with big windows, big tables, shelves of books, filing cabinets, several desks, mysterious bubble-wrapped items, and a workspace where today a man was framing photographs: new prints made from old film (or would it be plates?), photographs originally taken in the late 1800s. These will be part of the exhibit too, which focuses on portraiture.
I follow the director down a hallway where he unlocks another door, this time to a small storeroom that has become very familiar. Here, I sit on a step-stool and write, while looking at paintings, photographs, etchings, sketches—whatever the director brings and props before me. His gentle delight when he offers me a new portrait has become familiar too. It is an astonishing and simple way to spend several hours. I sit, I study, I look, I think, I lean closer and examine, I wonder, I write. Out of this, I hope to make something new and original.
Adolphe Felix Cals, “Portrait de Leonie-Rose Davy,” 1874.
Today, I walked through several empty rooms in the museum below, where the director has taped paper print-outs of paintings on the white walls to indicate where the real paintings will be hung. The exhibit is due to open a week from Saturday. On one wall, I saw a print-out of the portrait, above. As we stood in the empty room, the director gestured toward the woman and said, “It is you!” I have not seen the painting in person, only in the catalogue. I have not studied her face up close, nor sat with her in the storeroom. I hope there will be time before the exhibit officially opens to stand in front of her and wonder about who she was.
After I left the museum, and walked to the boulangerie to buy half a baguette for lunch, and to the fromagerie to buy some very soft cheese to eat with the baguette, I came back to my apartment and looked up an old photo I remembered taking during my 365-project (when I took a self-portrait every day for a year): our expressions are so similar, it is uncanny. What do you think?
Sorry about yesterday’s long, rambling, complicated, sort-of-poem post. Note to self: don’t mistake a stream of consciousness “poem” for a blog post. I was trying to be efficient, kill two birds with one stone. I’ve got this project underway to write a poem a day, but you can see from yesterday’s example what these poems look like — journal entries, perhaps, or meditations, completely unedited and unmodified. Poured out, you might say. Which is swell for a private project, but less awesome for a public forum such as this.
Today I’m going to be efficient by telling you far less. Not sure I’ll have time to write the poem, but if I do, I won’t inflict it on you. In truth, a poem a day is aspirational at best.
I’ve got big aspirations. I love this time of year. I love the snow, the cold, the bright days. I love my new-year appetite and enthusiasm for big aspirations.
I love napping on the couch with the dogs.
The nap is my sweet reward for another aspiration: exercise five mornings a week. Early mornings. Five in a row. Not sure yet if I can hack it, but I’m going to try. Monday: spin/weights with group of friends. Tuesday: run/walk/yoga with long-time exercise friend. Wednesday: swim with daughter (!!). Thursday: run/walk with newer fast exercise friend. Friday: spin/boot camp with a couple of friends.
I’ve made it through Wednesday, peeps. (Why am I calling you peeps? Sleep deprivation, perhaps?) Swimming with my former swim-girl was pretty much bliss this morning. We swam for an hour. We shared a lane. She did her thing, I did mine. And Kevin made us a big pan of scrambled eggs when we got home.
Kids are practicing instruments. Meals are being made. Physio exercises in the living-room! Soccer skills in the basement! Reading in front of the fire!
And I’m being efficient because I’ve got writing to do. If you don’t hear from me as often here, assume the best: I’m writing something else! (And it’s probably not a poem…)
PS Physio exercises and laundry folding have been elevated to new heights by a) a subscription to Netflix, and therefore b) ten seasons of Friends available to watch on-demand. It’s the small pleasures, it really is.
Pouring my coffee this morning, I thought, this is my favourite moment of the day — the smell of the warm coffee, the anticipation of sitting down at my computer and tasting the first sip.
But then it occurred to me that my day is full of favourite moments.
Some are ritualistic in their daily repetition, such as the cup of coffee.
Others alight out of the blue, like sitting beside CJ on the stairs well after his bedtime while he tries to remember what worry he was going to ask me about, what worry is keeping him from staying in his bed and falling asleep, his face in profile to mine, fixed in thought, and it feels like I could go on looking at him forever without ever tiring of the sight of him in the late-evening half-light coming through the window. At last he says: “Why do we have to lose our baby teeth and then grow adult teeth? Why aren’t we just born with adult teeth?”
This is my favourite moment. And this. And this.
Leaping in the air to cheer my daughter who is suddenly rocketing into second place with a pure blast of speed as she comes around the bend at the end of the 800-metre race. Somehow, on the straightaway, her face turns toward mine, from the track to the stands, and it feels like our eyes lock and I can see the fatigue caused by her effort, and I am telling her that she can keep going, she can do it, and she is telling me that she already knows this, wordlessly, and the image becomes fixed in my mind in a way that feels quite permanent.
An email out of the blue from a senior editor at a major Canadian magazine, asking me to consider writing for them — goosebumps.
The light in the early morning as we approach solstice.
The scent of peonies in bloom.
Talking to a loved one, even though they’re not having a good day, knowing a loved one feels comfortable talking to me, even though they’re not having a good day.
Seeing a 4:10-kilometre split while out-running a thunder storm at soccer practice. Saying to my daughter after we’ve dashed to the car through driving rain, now I’m going to go for an under 4-minute kilometre. Just one. And she says, you can do it!
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My name is Carrie Snyder. I'm a writer of fiction and non-, reader, planner, dreamer, arts organizer, workshop leader, mentor/coach, forever curious. I'm interested in the intersection between art and spirituality. What if the purpose of life is to seek beauty? What if everyone could make art?