Category: Work
Friday, Oct 21, 2011 | Money, Work |
[Your eyes do not deceive you. This is not a photo of a cricket.]
**Morning-nap thoughts (yes, I take a 20-minute nap on the mornings I get up early to exercise; if perfectly timed, I lie down as soon as the kids have left for school, and I’m up before 9am) …
My poetry book club meets tonight. Spoiler alert, book club friends: I’m going to write about Mary Oliver in today’s post. Specifically, the poem that lay gently in my mind this morning while I drifted toward rest, which is titled “Song of the Builders,” and comes from her collection (fittingly, I see): Why I Wake Early. It is a poem, like most of her poems, set outdoors. In it, the poet sits in the grass and thinks about God while nearby a cricket moves grains of earth: “How great was its energy, / how humble its effort.” Of course, she is talking about herself, too. They are both at work, “building the universe.”
This poem came gentle to me this morning as I thought about work. Which you know I’ve been thinking about a lot lately. In my conversations with Kevin, we’ve come to some pretty comfortable conclusions, by which I mean we’ve settled, together, on things we can live with, happily. One is that there is work, and then there is a paycheque, and the two are easily confused but largely unrelated (but you wise people already knew that, didn’t you!) Kevin loves his work. He doesn’t feel burdened by it, and would do it, in one form or another, whether or not our family depended on the paycheque that comes with it. And that makes a difference. I have the desire to work; but it’s gotten muddled with a desire for a paycheque.
Money is such a complicated and powerful concept. I don’t have the time or brain power to address its many uses and seductions here. But suffice it to say, I am setting it aside in my considerations.
What is clear to me is that the work I long to do is available in many forms. It already exists, and I am already doing it. If a new opportunity calls me, and calls to my interests and abilities, I would leap to do it. But I respect and cherish the work I’m already doing.
What I love about Mary Oliver is her utter lack of interest in hierarchy. The work of the natural world is as fascinating, as valuable, as universe-building as any work that you or I could do. It’s really quite an anti-capitalist view, if you get right down to it. She has no interest in capital. I admire the poets who do not apologize for being poets. Who is to say that sitting quietly on the grass and thinking about God is not work? Such humility. Such stillness. Such grace and goodness. She’s not saying everyone should be a poet. She’s saying be who you are. If you are a cricket, you work like a cricket without worrying whether your work is valuable or necessary or useful.
I would like to work like a cricket. Or a poet. Or, more precisely, like myself.
And that is my drifting nap-time thought for the day.
Tuesday, Oct 18, 2011 | Feminism, Money, Mothering, Work, Writing |
How to pare down today’s thoughts into a blog-worthy parcel? First, I want to say thank you to the many who added their comments and experiences to the working-mom meets stay-at-home-mom post. So much food for thought. And I’ve been hungry. Here’s where your thoughts led me:
1. Six-and-a-half years ago, I read an essay by Carol Shields that both comforted me and rung true. In it, she offered the idea that there is enough time. She was writing the essay while dying of breast cancer, but even for dying, she wrote, there is enough time. When she was younger, she worried about fitting everything in, but in each stage of life, she discovered time enough. It wasn’t that she could do everything all at once, it was that she honoured and lived out each stage.
I loved that idea (still do). That I could enter fully into intense hands-on motherhood and take my time. And when the stage passed, I could enter fully into whatever came next. And in my untested theory, somehow those years of intense motherhood would be an asset to whatever came next: all the juggling of multiple demands and scheduling and coping with crises and being nurse / healer / calm-amidst-the-storm / psychiatrist / chef / chauffeur / event planner / and on and on as the moment required would be valued, and would add value to whatever I chose to do next.
A couple of big assumptions in my theory. a) That employers would value experience that couldn’t be validated or quantified. b) That careers could be built overnight or slipped into like a pair of shoes. c) That I would get to choose my career like an item picked off a menu. d) That I would have a clear idea of whatever came next. e) That the intense hands-on motherhood stage would pass.
Reading your thoughts, it struck me: my theory is entirely unproven. I’ve spent six years quietly and confidently assuming everything would fall into place at the right time. (And who knows, stranger things have happened.) But let’s just say things don’t. Let’s observe that intense motherhood doesn’t pass, exactly, things just calm down somewhat. Even a decade on, it’s still pretty intense (with children ages 10, 8, 6 and 3). Meeting their needs continues to occupy a large portion of my mind and my time. The stages of life, therefore, aren’t so clear-cut and tidy.
2. Beyond that, I’m feeling a deeper appreciation for the work that career-building takes. Success in a chosen field isn’t something you can step into. It’s a slow build, a steady climb; you have to be there in order to make connections and to stumble into the right place at the right moment. It takes hard work and commitment. And time. Time and commitment that I’ve chosen to put into my home life and my children. Not into a career.
3. But: At the expense of a career? I still refuse to believe that. Especially because I have been (slowly) building a career as a fiction writer, and, yes, it’s taken time and commitment. But as most writers of fiction will tell you, this ain’t a career known for wild profiting; or even, in all honesty, breaking even. Which brings me to …
4. How much do I prioritize financial independence? I am in a marriage with a supportive partner who has shouldered the burden of our expenses ever since we started having children (you could say, conversely, that I’ve shouldered the burden of caring for our children during that time; and that perhaps we both have made sacrifices–and gains–in this arrangement.) I realize that I’m fortunate even to be able to ask this question, but, if I had to choose between nurturing my creative life and becoming financially independent, which would it would be? Because, let’s be realistic, it may be that there isn’t time to be a mother, and a writer, AND a [fill in the blank] money-earner. At least not all at once.
5. Feminism. One reader commented that her mother strongly prioritized financial independence, for herself and by extension for her daughters; and I know my own mom was troubled by her lack of financial independence, and hoped for better for her daughters. I haven’t done much better, not yet. Why does this weigh on me? (Because it does.)
And, finally …
6. Experimenting freely. Does all of this worry and analysis leave out the most important part, the most exciting part, about where I stand, right this second? (Okay, I’m actually sitting.) Because there is so much possibility in the unknown. My imagination runs wild. Sometimes I’m afraid; but mostly, here’s how I want to frame this nebulous whatever comes next stage that no longer seems so well-defined and particular …
**Like I’m marching joyfully up a giant rock in my rubber boots to survey the fields all around.
**Like I’m climbing an old apple tree, not necessarily expecting to find edible fruit, but for the heart-pounding excitement of being up so high; and to test the branches, and my own bravery.
(Now, if you please … tell me what you think.)
Monday, Oct 17, 2011 | Publishing, Work |
**Mentioned/mentions: Obscure CanLit Mama was featured on the Fix It and Forget It blog (I wondered why a snack post from awhile back was suddenly getting so many hits). And, here I am on the Anansi web site. Still no book cover to show you, but you’ll be the first to know when the art arrives (and by first, I mean second or third right after husband and kids).
By the way, Anansi is up for a Booker prize tomorrow for Patrick deWitt’s The Sisters Brothers. Which is a Very Big Deal, and Very Exciting.
Thursday, Oct 13, 2011 | Kids, Mothering, Word of the Year, Work |
I didn’t write yesterday. That felt strange. But I didn’t have anything to say.
I’m not sure I have anything to say today, either. In truth, life feels a little wan this week, gloomy, rainy, pale, grey. Or is that the weather?
I am tired. I might have overdone it on the exercise front, though I don’t like to admit it. I didn’t rest after my trail race, but continued apace, training toward the marathon. And I didn’t rest after Sunday’s long run (the furthest I’ve ever run). By last night, my whole body ached in a way that was unfamiliar. It still aches this morning. I did not get up early to swim, though I dreamed it; even in the dream I didn’t make it to the pool, though in the dream, I got to lounge on a snowbank under a hot summer sun. Ah, dreams.
Before sleep, I am reading the poems of Mary Oliver for my poetry book club. I am searching my heart (it is impossible to read the poems of Mary Oliver without searching one’s heart). And I have some questions. The kind that can’t be answered by reading the horoscopes, though heaven help me, I keep reading those, too.
**Where am I heading, at my breakneck pace? **What am I failing to stop for? **What if I can’t squeeze every fascinating everything in? **What matters? **Will I always be so impatient? So goal-oriented? **Can I be both ambitious and content, or do those two states of mind cancel each other out? **Do I want to be at home, all day, every day?
That last question hangs around me this fall, dogging me. Look, there is the new porch, and at the end, there is the wall and the front window of my new office, which makes the house look unexpectedly much bigger than before. But is it big enough to contain me?
A friend from grad school wrote this heartfelt post about returning to work after spending the past year home with her son, who is now a year. I was riveted by the emotions her post raised in me. She’s a full-time working mother! She loves her job! It’s a whole new frontier! I want to know more in an almost clinical way: let’s dissect and analyze this. What do I feel, reading about her major life transition? I feel envy, longing. She is expressing her working self, participating in the larger world, working with others. But when she describes missing her son’s bedtime due to a late meeting, I am gripped by the same agony she expresses, a pit opening in my stomach: missing a whole day in his brand-new life!
It’s too late to wish I’d chosen otherwise: to wish that in the past decade I’d developed my working self. I didn’t want to at the time. Instead, I got to have all those bedtimes. So many that they blur together. They seem mundane. I didn’t/don’t appreciate them enough. All that time we’ve spent soaking into each other.
More questions.
**When I unpeel myself from them, who am I? **Who am I outside this home? And the question I’m most scared of, the one I really want to ask: **How do I begin to develop my working self, now, after a decade of being mom-at-home? (Some of you might be asking, too. If you are, or if you have ideas or encouragement or more questions, too, please respond.)
Tuesday, Sep 27, 2011 | The Juliet Stories, Work |
I’ve been thinking about that phrase: Seize the day! I’ve been thinking about it because it feels, sometimes, that the day has seized me, and not the other way round. What to do when a day is holding you hostage?
Do you know what I mean?
Yesterday was just such a day. I started with some good seizing of the moment, my alarm pattering at 5:15, in the pool swimming laps (with friends) by 5:45, enjoying a fantastic strong hour of back and forthing, working lungs and arms and legs. And then home, quickly, so my big kids and their dad could seize the day themselves. They headed off to the pool, and I made breakfast and supper, and everyone was eating porridge and eggs, awake and happy by 8am. What a great start to a Monday, one might have congratulated oneself.
And then, down came Monday. A load of lumber arrived. A pneumatic digging machine. A bunch of beefy guys (I’ve got to work beefy guys into my posts more often). Work on the porch footings began. The sun was shining. And suddenly, work came to a halt. I heard it, just like that. An abrupt stop. Unfortunate silence. And, after a couple of beats in time, someone hammering on the door.
This can’t be good, thought I.
It wasn’t. Soon, we had water in the basement, a busted pipe that couldn’t be stopped until the City showed up to stop it, and everyone on my front lawn looked very anxious indeed, and some came down to the basement to haul out rugs and move furniture and wield mops and apologize profusely while I felt like apologizing for the already disastrous state of our basement (do the kids really need to leave their socks EVERYWHERE?)
So … that was my yesterday. I was thankful to have gotten supper prepared before we had no water. I spent the day running up and down stairs to consult with various professionals, while trying to work. This is my writing day??? Thankfully, water was restored just before the kids arrived home from school, two friends in tow, hungry, tired, thirsty, and needing the bathroom.
Writing day and basement-flooding-day was over, and feeding-children-in-a-rush-at-a-ridiculously-early-hour began immediately thereafter. Just after 5pm, me plus three girls pulled out of the driveway to pick up more girls, off to theatre rehearsal. And then Fooey and I went on to her first Highland dance class (tell me she isn’t going to make a perfect little Scottish dancer!). And then I came home and ate supper. Realizing by the hole in my gut that I’d forgotten, in the rushing up and down stairs, to eat lunch. Good grief. It was time to pick Fooey up. Time to clean up from supper. Time to supervise homework. Time, please dear God, to go to bed.
And there I was, lights out, 9:40pm. Seized by the day, shaken and hauled off, and quite at the mercy of it. Just doing my best to stay calm and carry on.
::::
But good news arrived this morning, just a few moments ago, in fact. I’ve received, from my editor, THE FINAL DRAFT of The Juliet Stories. Did you read that correctly? Yes. The final draft. I shall be called upon no more to revamp these stories. They are done. (Well, the copy editing stage remains. But.) Juliet is ready to roll. Not sure where this fits into the seize/seizing equation. Maybe it doesn’t. Maybe on the rare occasion one gets to sit back and go ahhhhhhhh. And take a little moment to settle into the knowledge that something big has been completed. That was a whole lot of seizing, folks. A whole lot.
Friday, Sep 16, 2011 | Books, The Juliet Stories, Work, Writing |
The edits have arrived. So I’ll be back to Juliet for one last think before the copy editing stage. And you know, I’m feeling ready to say goodbye. I’ve been working away at the new book, and discovering new characters, and writing in a different way than I did with Juliet. It feels more free-flowing, less controlled, and more plot-oriented, but that’s okay. Different is good.
As I start this new book, and finish Juliet, I’ve been inspired by Miriam Toews’ career so far. I just finished reading Swing Low, her biography of her father, written and imagined in his voice; and before that gulped down Irma Voth, which was set in Mexico, in a Mennonite compound where a movie was being filmed. A couple of points here. Miriam Toews played a lead role in a movie made by a Mexican director set in a Mexican Mennonite compound (compound might not be the right term, but my sense is these farms are not like villages or towns). And her father died of suicide after a lifelong struggle with depression. What inspires me is that she found ways to incorporate real-life experience into her work. There is no straight line between fact and fiction; it’s threads spun and wound and sewn into beautiful fictional patterns. I suspect that she could not do otherwise. Her creative life is necessary, and can’t be separated from her life. I get a sense of urgency, poignancy, and necessity when reading her work.
And I also experience overwhelming gratitude: that her work exists, that she works so hard to create it, and that I get to read it.
She writes the kinds of books I hope to write … hope that I am writing. Not that I want to mimic her voice, but that I want to build a career out of the things that matter to me, and write books that are heartfelt, maybe even heartbreaking, but also hopeful. That I not fear the insistence of life experience nosing its way into my fiction; but that I not limit my imagination either. I aspire to variety backed by consistency. Which is not the same as predictability.
“Be careful, Carrie. You’re becoming predictable.” I remember a mentor telling me that, many many years ago. I would have been eighteen. I remember thinking that she had a point; and it frightened me. I knew she didn’t mean I should become erratic; no, she was cautioning me to stay creative, to continue to push my limits, not to rest easy.
Many years later, and I don’t rest easy. Except at night, when I sleep very deeply indeed. (Except for last night, when I didn’t. I didn’t rest easy, either metaphorically or literally. Too many thoughts — work, deadlines, food, scheduling — whirling through my mind).
