Category: Play

Trust the process: X Page Workshop, season 6

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Last Friday, I sat down and tried to write about the season’s X Page workshop. Our 6th season.

It is hard to pin down the value of this project, this PROCESS. You almost have to live it. It’s the truth of collaboration. It is not a solo journey. We are stronger together. Cliches!!! And yet — have I ever been hugged so fiercely? Have I ever shared such wordless pride? Leaning into Maha as we watched this season’s performers join hands and bow at the end, some faces beaming, others streaming with tears. I was weeping, almost sobbing, like a witness to a holy act.

I know. It sounds like an extreme response. But let me not back away from the ecstasy. Let me not minimize it when it reveals itself.

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In that discrete moment, I could see — or glimpse — at last, what I’d hoped to make, something much deeper than I could ever have imagined. It didn’t feel like I’d burdened anyone with a madwoman’s vision (which at times I’ve wondered about!); instead I understood the project’s POTENTIAL for profound meaningfulness in the lives of those who take the leap of faith and join the adventure.

The X Page Storytelling Workshop is a true ART project, truly multidisciplinary, truly ambitious, truly visionary, truly risky, demanding and hard. And. It has a pull, a light. It magnetizes its participants. And we are all participants — that’s the truth of it, and the magic.

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What we experience, as participants, is COLLABORATION—messy, risky, inefficient, complicated by conflict, conflicting ideas, competing visions, different ideas about what this all means or what it’s meant to represent and be. And yet somehow collaboration, through the vehicle of this project, also proves itself to have coherence, to be cohesive, durable, bound together by a shared goal and deadline—the performance!

Don’t get me wrong. The PERFORMANCE is not the whole of the project, but it is necessary. It gives purpose to our trials; energizes our efforts; lifts what we’ve tried to achieve into the light. Art wants this. It craves an outlet. It longs to be seen.

As a vision, the X Page workshop has a wholeness to it, a logic that is forceful. Yet its component parts are flexible.

It’s like seeing my self, my freed artist self, embodied in a process or EXPERIENCE that is translatable, intended for others to enter into. It’s not remote, or special, or precious; it’s invitational. Witnessing its phases and stages, its preparatory and planning periods, its hesitance, its fundraising efforts, its nervous energy, its excitement, its delight at welcoming each new cohort, its surprises, its endurance, its changes, its learning … it feels as though it’s given my life coherence. Or that its collective nature expresses a coherence that I can only glimpse with my solo work.

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We have to go to extremes to do this thing together—that is the truth of making art. Art-making has its disciplined middle ground where much of the work gets accomplished, but that balanced “healthy” working state is fed by highs and lows (in moderation; too much of either poisons the ground). The middle wouldn’t be tolerable without a dose of both extremities to modulate the flow, and help us to change course as needed, to keep us present to the present moment, the context of the larger environment in which this is all happening. To wake us from being lulled, attune us to the needs of those around us: our collaborators, our witnesses, our fellow artists, our co-creators, our questioners, our allies.

The middle ground is where the work gets done, and the extremes are where we change and grow. Cliches!!! Again, I know!

Upon reflection, I don’t want to live a completely balanced life. I want the challenge of SURPRISE, I want to be off-balance on occasion, so I can strengthen those muscles that keep me grounded; and I want also to feel so much joy and gratitude that I overflow in tears; to feel is a great gift.

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Summer holidays are here. I’m sick (again). I’m worn out. In need of replenishment. This summer, I want to dabble with a schedule that invites all the sensations and states, including rest. Focused reflection. Creation. I want the whole of my self, all my parts, integrated, as witnessed through the X Page. I want my life to make sense way down deep, the way that the X Page made sense on Wednesday night—Playfulness. DELIGHT. The power of mingling together grief and joy, friendship and frailty, generosity and autonomy, need and giving.

There are layers of deep structural muscle built and maintained over time that create a framework of strength, patient knowledge, and experience from which to build relationships of abiding trust.

That word! TRUST! Trust the process, we repeated, and in the end, we believed it because it was true.

How can I trust the ground under my feet if on some deep level I do not trust myself?

In abiding trust is love. Judgement falls away. AMBITION becomes collective—ambition for mutual thriving, ambition for forums in which one’s strengths can be used, one’s gifts may shine. Ambition that is not for the self but for the healing of communal wounds, ambition that trusts in the power of story to repair. And story needs its tellers, story needs its voice; and it needs its listeners, its audience; story needs attention and care.

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A STORY exists in words. But also in the body, way down deep, and that’s where we’re going when we step into the X Page—underneath, to pause and sense the hum that is crying for attention, and quite possibly inflecting our interactions / lives / relationships with hurt and grief and pain. To repair is to relieve ourselves of suffering by aligning story with its container. Stories can be used for profit, to manipulate and harm, I know, I know; but so can every sacred thing be exploited and abused. So this workshop is a risky undertaking. I know, I know. It can’t be exactly all that I’ve claimed here, not all the time, nor to all.

Like all spiritual undertakings it eludes description. It could go sideways in so many different directions; when I lose trust, others step in because this is not a lonely undertaking.

Trust the process.

I believe. Story heals like nothing else on planet earth. Handled with attention and care, story is holy. I believe that.

xo, Carrie

How to begin again?

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When and how to begin with BEGIN?

BEGIN is the title of my next novel. I can’t even write that sentence without attempting to delete or amend it. BEGIN is the title of the novel I’m writing. But even that sentence requires amendment. It is the title of the novel I was writing (last touched in March), and will be writing again—though I haven’t dared open the manuscript for months. I can’t let myself visit the pleasure of it in the tiny jags of time available, just right now.

I will begin writing BEGIN again this summer. Soon. 

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My library job ends in two weeks.

As does my time-limited stint as “producer” (hapless producer, one feels at times) of the X Page Storytelling Workshop, season 6. Season 6???! Tickets for the performance are available here—it’s called “The truth is …” and it’s playing one night only at the Registry theatre in downtown Kitchener, Wed, June 25th, 7PM. Please come for stories, for the stories are life-giving.

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Look for me when school’s out in two weeks. I’ll be running out the doors with the kids, slipping off my sandals, standing in the grass, and maybe then, maybe then, my writing of BEGIN will begin again.

How will I parcel out my time? What do I need to write this book?

I have a publisher—Simon & Schuster Canada. (Yes, it’s official.)

More importantly, I have an editor—the brilliant poet and novelist, Katherena Vermette.

I have a pub date—fall 2027 (though those are always tentative).

I need a few intangibles, if I’m honest.

Health, sleep, sweat, rest. Dedicated time. Ear plugs?

Relaxation, intensity, hunger, delight.

Belief. Trust. Confidence—that too, especially that. You know this, don’t you, fellow writing friends? Maybe to that, I need, too, companionship that’s quiet and reassuring, and that would like to join in collective writing and drawing exercises after breakfast, before the work of the day begins …

I imagine for myself a near-hermit’s devotion to the hours, immersion in the subject, the playful giddiness that takes over when I’m making something that feels new or powerful or unexpected, that surprises me with some unearthed truth.

I can’t wait to begin.

Because I hope, I hope to finish what I’ve started. I hope to make good on what I find in the digging. 

xo, Carrie

PS If you know of places to rent/borrow/sneak into that would make for good writing intensive spaces, please let me know!
PPS The image at the top was spotted in Chicago, which I visited a few weeks ago with one of my kids, who was presenting at their first academic conference.

Day 6 prompt for a creative pause

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Day 6 Prompt

Draw & write. What’s in your pocket and why?

Notes: Items are from the pockets of my pink ski jacket. Materials used: black pen, crayon, watercolours. Songs included “Landslide” by the Chicks, “Quiet – Stripped” by MILCK, and “Battlefields” by Twin Flames. I’ve been spending way more time, proportionally, on the drawing piece of each “pause”; drawing and colouring is such a peaceful activity. I wrote the answer to why these items might have been in my pockets on the following page (approximately 5 minutes; no music while writing).

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xo, Carrie

Day 4 prompt for a creative pause

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Day 4 Prompt

Draw & write. Something you asked for and did not receive. (Do you still want it?)

Notes: pen & watercolour; songs: “Basement Apartment” by Sarah Harmer and “Atlantic,” by The Weather Station. The text reads a bit like a series of grievances, which was not where I’d originally imagined this going. But I got somewhere interesting. The final scrawl on the page reads: I asked to not have to ask — and that did not happen.

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xo, Carrie

Prompts to begin: ten minutes of creative pause

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To begin: a summarized version of this post. December 1 – December 24, I’m planning to share a simple daily draw/write prompt, and my response to it.

Let me know if you’d like to be involved!

What you’ll need: notebook, pen, 10 minutes/day.

Read on for the longer version…

When the kids were little, I purchased an advent calendar from Ten Thousand Villages that has small pockets in which to place treats, or,—as I decided, as an ambitious young(er) mom—delightful, seasonal activities to be shared as a family. Cookie baking, dinner by candlelight, delivery treats to friends, for example. Aspirational, to be sure, and suffice it say, the only activity that actually happened with consistency was “hot chocolate for breakfast.” I’m pretty sure I gave up at some point and put chocolate coins into the pockets. Much more popular.

But a few years ago, when all the kids were still living at home (pandemic; it was cozy), we co-created family activities for the calendar—and it was genuinely successful. It only worked because we were cooped up and looking to add variety and entertainment, even on the smallest of scales, to our dull days. We scribbled ideas onto scraps of paper, which were distributed into the pockets, and every day there came a new surprise. The kids had the best ideas, of course. One favourite was to wear someone else’s clothes for the day. Another was to buy ice cream to deliver to grandparents within walking distance. We may not have succeeded in doing every single activity, but we came close, and it was fun.

This year, I’ve refilled the pockets with scraps of paper. The kids who want advent calendars will be getting chocolate/candy versions instead (honestly, it’s what they want!). 

This year’s calendar is for me, and for you, and for anyone who wants to join in and play along. Every scrap of paper has a draw/write prompt on it. Call it the “creative pause” version of an Advent calendar. All you’ll need is a notebook and a pen (add in some crayons if you want to make it extra exciting). My plan is for this to be interactive so you can share with me too. 

In theory, I’ll post a daily prompt, and my response to the prompt, mostly likely on Instagram… every day from Dec. 1 – Dec. 24 (though I could post it here as well if anyone requests it in the comments). 

In practice, I’ll do my very best to make it so!

The prompts are not related to Advent in any obvious way. These 24 days are merely an opportunity presented and (hopefully!) taken; I already have a calendar with pockets! It’s a busy season, and the light is diminishing. Let’s see if we can find 10 minutes a day to reflect, scribble, wander through the mind, and spark a small bright fire.

xo, Carrie

Spaciousness

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There is so little to say, and so much.

I want to express the ways in which I’m changing, the shifts occurring in my mind, and in my outlook—but it’s not entirely clear … I’m floating along a deep wide river. The way I understand my own identity is changing, changing, changing. For most of my life, I was focused on being a writer. And it became my defended self, a self that required defending because I had no sustained confidence in its heft or even its existence—prove yourself, said the voice in my head, over and over.

That voice has grown so gentle.

Now that voice in my head says, there’s more and more and more—more life, more love, more space, more time than you’d ever imagined. Soak it in. Float. Spread out of your arms. Watch the sky, the leaves and branches moving on the trees, listen to the wealth of stories pouring in. This generous world.

And how I wish and hope to be a generous being while I’m here.

Spaciousness.

I feel it within me, surrounding me, available at all times. So much spaciousness. A lack of pressure (not a lack of challenge).

How can I explain what is impossible to describe? It is not that I have more time, but that time itself expands to accommodate so many threads and layers and textures of experiences. When I am restless with my environment, the voice in my head says, be where you are right now.

And I breathe differently.

It is not always easy to be where you are right now. It might involve challenges like boredom or pain or discomfort. Yes. And when I am here right now those challenges shift and become otherwise—boredom may be a conduit to concentrated observation; pain may invite breath; discomfort illuminates emotion; love and patience and depth of understanding weave into the experience of being.

I have been learning this my whole life, with my whole body, which offers its sensations and movements and feelings to the interpretation of my mind, and which acts as a container for my spirit, that droplet of essence that connects me to all beings.

I arrived here on earth to learn, to soak in beauty in its rawest forms—taste, smell, touch, light and shadow, sound, rhythm, anchors to my place of being. I arrived with the desire to push my body to its limits (not always in healthy ways, but that’s part of learning). I wanted to feel everything. I wanted to experience everything. 

The impulse to make things, to respond to and to express all of this wonder at the beauty of it all—that has also been in me since the beginning. I arrived here on earth with the desire to make things (and make things up). I learned to nurture that part of myself—I practiced observation, through writing, playing with language and grammar and imagery. And I learned that to record requires of me a bifurcated attention, attention that must split itself between observing and recording (and interpreting). And I continue to learn that sometimes, sometimes, yes, I do not want to record or interpret what is happening, I want simply to be in the happening. I want to be in it and learn from being in it.

This summer has been a summer of being, not so much doing, and very little recording or interpreting of the doing and being. Hence, very little blog writing. But not never. Why lean on never, ever? There is time, there is time.

I arrived here on earth to learn. 

When I notice all the spaciousness around me, through which I move and breathe and live, I learn in ways that resist expression. I settle myself in deeper. Everything shimmers. Time expands. I am, you are, we are. Learning together.

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xo, Carrie