A friend has offered to redesign the banner on my website to remove the title “Obscure CanLit Mama,” which no longer fits so well. On a hot August morning in 2008, I titled the blog on a whim, and began sending out posts to the universe. My youngest was newborn. He’s now in high school. In those early days, I wrote a lot about the kids. I posted recipes and meal plans. I wrote about juggling constant stay-at-home childcare with attempts to steal even a smidgen of writing time. I’d published one collection of short stories, four years earlier. It seemed presumptuous to attach myself to CanLit as a participant (even an Obscure one). The Mama was the ascending identifying force in my life at that time.
I haven’t posted a recipe in a very long time.
I don’t write about my kids, except glancingly.
These days, I come here, to this familiar space, to reflect mostly on writing, but also on what seem to me to be ephemeral, spiritual matters: aging, artistic discipline, setting routines, learning new things, re-learning old things, the repetition of the seasons, creative practices, play, emotional weather / weathering emotions. Etc.
In the 14 years that this blog has existed, I’ve poured energy into being a writer, laying claim to that identity, earning grants, publishing three more books, teaching creative writing, organizing writing workshops, serving as a consulting editor with The New Quarterly, speaking, travelling, practicing the craft, seeking to keep my connection to my writing alive and thriving.
Obscurity is a self-effacing mindset (erasing? shrinking? minimizing? hiding?). I know that. But it was necessary protection as I tried to become / be a writer. I’ve been afraid of being a writer, of laying claim to this identity and its shifting cultural responsibilities. Since childhood, I’ve wanted to perform magic tricks with language, to conjure imaginary landscapes, converse with imaginary people, finding solace in their losses and successes. I did not aspire beyond that — that was a big-enough dream. I knew my writing wouldn’t be activist in nature, because I am not an activist by nature. I’m a ventriloquist, an observer, a performer, agnostic, hungry to learn, curious about the questions, less-so the answers, the mystery, not the proof.
It’s a rather exalted view of being a writer. Or maybe I mean ecstatic. Or impractical. But I admire it, I love what my former self was attempting.
I dipped into The Juliet Stories this morning, a book now ten years old, and the writing sang off the page, just like magic. I couldn’t remember the person who’d written it. It was like reading a stranger’s words. Did I know then what I’d made? No. I didn’t trust its worth. I didn’t need to. I just kept trying, year after year, focused on the writing, and eventually made something.
I want very much to be that same writer, to write with confidence, believing in the magic of language. “You know it’s not the same as it was”: this song came on my “Run Fast” playlist this morning (oh Harry! so nostalgic); maybe “As It Was” especially resonates in These Times, when we’re trying to remember who we were Before. But life is lived in the present, and time carries us onward. We change; and experiences change us. It’s not the same as it was. That’s a neutral statement, at heart. It doesn’t have to weigh heavily, though it’s tempting to roll around in those deliciously bittersweet emotions.
What’s next? What path am I running, where does it lead? I can’t see very far ahead of my feet. Whose hands am I holding? What’s pulling me onward?
What kind of a writer am I now? What kind of a writer do I aspire to be? Do I need to know? No. As Lynda Barry would remind me: it’s none of your business. Follow the energy, get comfortable in the not-knowing.
I don’t have a new title for this blog, just my name. Enough? Enough. Yes.
What a beautiful day. What a beautiful week it’s been. Each day has a slightly different rhythm, but throughout there have been conversations with friends, bike rides, walks, and several runs in the park.
How has your morning routine changed, as the new season begins?
For me, it’s meant waking up earlier, though I’m still figuring out how to get to sleep earlier to compensate. I’m prioritizing daily morning yoga. We are also walking Rose more regularly. After a close encounter with a skunk last month, Rose now has a curfew: she’s not allowed out after dark on her own. Ergo, more dog walks. Kevin and I like to end our evening with a walk around the block with Rose. We often walk together in the morning too, just around the block.
The first two hours of every day are devoted to exercise, yoga, and, often, connecting with friends. The house empties out by 8AM.
As this new season begins, the house feels so much quieter. Our two eldest are at university, and do not live at home. Our two youngest are now both in high school, and growing ever-more independent. So …
What am I to do? I’ve spent 21 years of my life devoted to looking after my children. Their needs are changing rapidly. In the midst of all this quiet, I’ve begun look around and consider what comes next. There is writing, of course, and there always will be. But I’d like to find a job, now, that offers stability and routine, preferably not writing-related, preferably with people. I really love being with people; I love writing solo in my little home studio, don’t get me wrong, but I’ve loved doing that all these years with a bit of cacophony in the background, a swirl of impending chaos. Maybe the disruption and interruptions have been as important to my writing process as the ear plugs.
Your thoughts, suggestions, advice, leads, encouragement would be very welcome, as I begin opening to this new direction, with some nervousness and hope.
In the meantime, on the book front, I’m keeping occupied with some readings, book clubs, and workshops. Links posted below!
Friday, Sept. 16, 7PM (tonight!) Bestival Reads with Wild Writers Literary Festival, tickets include snacks and a drink, with Emily Urquhart, Kimia Eslah, and Tanis Macdonald
Saturday, Sept. 17, 2PM (tomorrow!) The Village Bookshop, 24 Main Street North, Bayfield ON, reading and book-signing
Tuesday, Sept. 20, 6:30-8:30 WPL Eastside branch, The X Page Storytelling Workshop, with me and Anandi Carroll-Woolery, a mini-version of the workshop, open to all! Free, but you need to register at this link.
This is the lake into which I’ve dunked my full self every day for the past seven days. Some days it has been warm and sunny, even hot. Other days, like today, it is cool and windy, cloudy, rainy, almost cold.
Today, I went kayaking first, to warm up.
I never take my cellphone out kayaking (for obvious reasons), which means I’ve never gotten a photo of those rocks and trees visited only by water. I didn’t kayak the first few days here, because I was waiting to feel rested up and restless, and when that happened, it was bliss to be back out on the lake in the little blue kayak, wearing my baseball cap and favourite blue lifejacket.
I got a very large tattoo this summer (as well as a small one). When I catch a glimpse in the mirror, it gives me pleasure to think: this woman could be an aging rock star, or an aging artist! I still can’t give a particularly good reason for getting the very large tattoo, or even for the chosen image (an owl made of woven ribbons), other than I like it.
I like it. It makes me feel both more myself and more like a different, alternative self, living a much edgier, cooler, artistic life, that probably involves less cooking and cleaning, overall. Fewer challenging parenting decisions.
At the cottage, we mostly unplug and read. I’ve read all the August New Yorkers from cover to cover. I just finished my friend Emily Urquhart’s memoir, Beyond the Pale, which explores folklore and genetics. And I’m currently tearing through a novel called Nightbitch, by Rachel Yoder, a writer with whom I share Mennonite roots (she was raised in Ohio); the book seems to me to be an answer to the question: why is motherhood so confusing and impossible? Or, maybe it’s a theory of motherhood, or an abstract on how to respond to motherhood, including positing motherhood as intensely lived performance art. Whatever it is, it’s deeply weird, hilariously funny, and consoling. I keep reading lines out loud to anyone who will listen.
I recommend pairing Nightbitch with this New York Times opinion piece on the “mothering instinct.”
Bracing. Just like the cool lake water. Some summers I haven’t gone under the water even once. I used to swim no matter what, training and doing lengths back and forth in the deeper water, but after a near-drowning experience a few years ago, I’ve been cautious and nervous in the lake. This summer, I decided to try, at least, to walk in and go under, no matter the weather. I’m fascinated by people who’ve taken up immersing themselves in freezing cold water, hacking holes in icy lakes in the middle of winter. It seems to have become a popular thing during the pandemic. I don’t live close to a body of water that would qualify as a lake, but in truth, even if a handy icy lake existed nearby, I’m not sure I’d have the fortitude for it. My alter-ego with the owl tattoo totally would. But for now, I feel practically heroic for paddling around the shallows of this little bay on an overcast and cool day, limbs tingling and bright, and chasing it with a blissful hot shower, enjoyed outdoors under the pine trees.
Maybe this is where my owl tattoo self lives all the time. I love the sound of the lake water on the rocks at night. I love the isolation. Everything slows, here. My racing mind. Time. Longing. Experience. Expression. It feels like we could always be here, when we are here.
Quietly, quietly, the book slips into the world, into being, and there it is. Here it is. It’s hard to know what to do after that, as the writer. The author of that world. (It sounds so powerful — to author a world — but it’s actually mostly surrender to the forces that rise and compel a person to place words on the page; to go looking for shape and structure in a mess of accidental imagery.)
Just before the book came out, I did an interview with another writer. It’s always terrific to be interviewed by another writer, who is as curious about process as I am. Have a listen if you have time.
James Tennant · GET LIT E297 Carrie Snyder July 28
I’m also told that the audiobook is available everywhere you get those, if that’s your preferred mode of absorbing text. I voiced the audiobook version, and I loved reading for it, just like I loved being at the front of the room on Tuesday evening, in conversation with my dear friend Tasneem Jamal, talking about Francie and especially about the writing process. I think we managed to avoid any spoilers, and didn’t get lost in the weeds (or the labyrinth, as it were).
I’d like to share how I felt during the book launch: Alive. Comfortable. Myself, but as if my self were a source of light and lightness. Ease. Enjoyment. Delight. It was as if I were completely in tune with all the positive energy in the room. That good, deep, loving energy was almost visible to me, it felt so present. Time slowed. I could give and receive, relax, take all the time needed, I was aware of my feet on the ground, and my breath.
Most of all, I felt gratitude. Thankfulness. The warmth radiating from the open, generous faces of everyone who had taken time out of their day to come, in person, to share this moment with me. What a gift!
I’m beginning to understand that these experiences — like the X Page performance on Sunday, and the book launch — they don’t need to be anything else. They don’t need to build to something else, or become something else. They are whole, and wholly fulfilling in and of themselves. I love an experience. I love creating opportunities for flow. And it doesn’t have to be a heightened moment, either. I also love when an ordinary moment, seemingly every day and banal (like waiting in line for an appointment or stuck in the car in traffic), transforms in some way into an experience, a moment of flow.
It’s a way of being, of entering into relationship with the world, of allowing my joy to fly free, to freely express delight in being alive, without fear.
As I orient myself, today, I hope to find new and continuing ways to conjure and appreciate experiences, both ordinary and extraordinary, that make possible profound connection with others. I want to be open, always, to that swirl and whirl of delight in what is, that grounds us in what’s happening with joy, trust, light, and lightness.
That is my measure for success, for myself, now and always.
- barefoot in grass
- climbing a tree
- riding a horse
- playing piano (and singing)
- running (when nothing hurts)
- writing retreat (organized by me)
- fancy meal out with drinks and appetizers and coffee and dessert
- road trip
- live music, concerts
- getting dressed up
- a massage
- exploring on my bicycle
- standing around a campfire
- camping with friends
- sibs nights
- floating in a lake (preferably warm)
- seeing the ocean again
- Omega getaway (preferably Lynda Barry)
- acting, performing, being onstage
- throwing a party
- writing things I find funny and energizing
- one-on-one conversations with friends
- sabbatical in beach town, anywhere
- cooking what I want to eat
- being impulsive
- yoga outside (or anywhere, daily)
- going to the movies
- drawing (cartoons or otherwise)
- trying new things
- date night with Kevin
- a good night’s sleep (sleep sabbatical)
- surprising friends with small gifts
- planning events
- making TikTok videos for my own amusement
- driving late at night, listening to the radio
- playing games with family
- walking to city cafe for a treat
- memorizing a poem
- talking with my kids
- backyard drinks with friends
- dreaming, brainstorming, envisioning, imagining
- going with the flow
- reading for fun
- achievable adventures (like going to Nina’s farm / train to Toronto)
- shooting the shit
- inviting people in, keeping a welcoming house
- being entertained by podcasts, shows, music
I did it! I finished making my list of 50 fun things! (Although it’s the kind of list that should be infinitely added to, right?) Most of the things on my list are within reach, or pleasant just to dream about. It’s also a list of things I want to do more of, or as often as possible, like a map, or a way to stay oriented to what matters, which is really personal and would be different for everyone. (51. making lists of fun things). With thanks to my friend Marnie for the inspiration.
What’s on your list?
Summer so far …
New things. Wandering around in this time and place, stumbling a bit. Travelling to the countryside. Trying to stay organized inside my mind even for a few moments. Answering “emotional emails” (not necessarily bad; just responses that require emotional energy, as I seek to connect with another human being through text and screen). Texts, texts, texts. Fun texts with friends, family. Emojis. Organizational texts. A few calls here and there. Outsourcing tasks that are overwhelming (like figuring out how to order more copies of my new novel from a warehouse in the United States; thank you, Kevin!).
Two big events coming up in the next week and a bit. Logistics. Planning. Invitations sent, vulnerable soft belly exposed.
It’s been a lot.
No wonder I’ve felt overwhelmed at moments. The cure seems always to be to find a friend. Connect. Share (and receive). This morning: meeting for a walk that happened to pass by City Cafe, leading to coffee and a donut on the patio under an umbrella. Mood boosted (sugar + caffeine + good conversation).
To mark the moment of publication, and also because I finally felt ready to create permanent art on my body, I got a tattoo this week. (I could delve into this subject more, I think, about why now, and how my relationship to my body has changed; food for another time.) The artist modified a branch-like ornament that breaks up sections in chapters, in Francie. I love it. I’m already thinking about getting a second one. I think trees are my theme.
What else is new? Oh, Kevin, who thinks I’m a natural comedian, suggested I try out TikTok, which so far has been a genuinely weird experiment. I can’t figure out how to use it as a consumer in a satisfying way, but it sure is easy to post brief little videos. I don’t know whether I’ll stick around, but for now, it’s been like producing a visual diary entry, and I like that. I suspect finding a personal tone and style might take some time … as it has here.
I’m so comfortable when I open this page and write into the empty space. Arrange photos. Press “publish.”
I feel like a good version of myself, here.
How many versions of self are there? Quite a few, don’t you think? I know I’m a little bit different in different settings and relationships; never not me, but also, not quite the same. I like some versions of self more than others. I’m sure those who share space with me would agree. But all versions are part of my self, the good, the funny, the ridiculous, the trying, and the occasionally overwhelmed. The tinkering continues.
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