Week three of intensive revisions. It will take as long as it takes; but also, the work somehow needs to fit itself into the deadline. When I last revised this novel, it was pre-pandemic, and I had a ten-day window to overhaul the whole thing, and somehow I shifted into what in retrospect seems an improbable state of mind, in which I worked twelve hours a day or more, writing brand-new material, sometimes as much as 10,000 to 15,000 words a day. By the end of the process, I was pretty sure I was in an altered state, that I’d driven myself to the brink of madness, and that what I’d accomplished had been a feat of stamina and focus that seemed impossible (and unwise) ever to put myself through again.
So this round, I have more time, and I’m taking it.
I find that I can write for about 6 hours maximum, before my focus begins to wane, or my mind just shuts down, weary, out of gas, the errors and typos beginning to multiply. So I figure it’s best to stay within these limitations (which feel physical as much as mental). I’m trying to stay patient, I’ve got a solid road map to follow, and I keep assuring myself that the work will get done, it will get done. I just have to give myself space to rest, when I hit a tough spot, and time to relax in the off hours: I have to go for walks, runs, see friends. And I must use the golden hours of maximum attention for nothing but this work.
To this end, I’ve set up a vacation message on my email account, naming what I’m doing as a writing sabbatical. I’m at my desk, the message says, but I’m not available. The power of creating this message can not be understated. Why? Because it names what I’m doing as important, it outlines in simple terms my priorities. I think it’s a message to myself as much as to anyone who might be reaching out via email. The message says (to me): It is my responsibility to protect what matters. No one else will do it for me.
These photos are from this past weekend, when my daughter and I visited a friend’s new farm. It was a holiday, but I also took my laptop and worked in various locations, mostly in the car, while chauffeuring my daughter and her friends around.
When I got home yesterday evening, I finally turned down a volunteer opportunity that I’d been weighing, and really wanting to say yes to. But I realized that to say yes to this would be to squeeze my writer self. And she can only be squeezed so much before she begins to fade, to waver in her belief in herself, but also in her basic ability to get her work done. I am trying to take the lessons I’ve learned during the pandemic, which has been the most productive writing time of my entire life, and continue to apply them as the world opens: lessons about the cost of accepting (even seeking!) responsibilities atop responsibilities, commitments atop commitments. Lessons about the cost of squeezing out my writing self. Which is, at core, my fundamental self: the self I am that is not attached to anyone or anything else.
The pandemic freed me, quite a lot; it forced a change in long-held patterns. It jolted parts of me to life again. It reorganized my priorities.
I’ve seen this happen for many others, too, including my friend at the farm who until very recently was my neighbour; the leap she’s made is bigger and more challenging than the leap I need to make, to protect my space and time for writing. I watch her meet this amazingly brave and heart-led challenge and think: I BELIEVE.
“Little Things” with full cast; illustrations by Tarunima Mittal
Well, in truth I can hardly remember what happened yesterday, let alone these past few months, but apparently, during the blur of lockdown and walks around the block and waiting, a few remarkable things have happened, of which I’ve been a part.
The X Page Workshop is completing its season three run TONIGHT (July 7th, 2021) with a live performance on Zoom! Tickets are free and you can register to attend right up till it starts at 7PM. I am truly in awe of what’s been accomplished by this group in 12 short weeks … on a compressed schedule … in a virtual space … Live online means accepting that some unknowns are out of our control (like, should I start worrying about a massive thunderstorm that shuts off the power? Okay, just checked the Weather Network and it’s calling for light rain over that time); but we’ve done everything we can to prepare those elements over which we do have some agency. And I think that’s the key to life, isn’t it? Prepare, and also let go. Let it be what it will be.
And here’s what it already is:
Sixteen women from the community, writing, editing, and polishing their own original, personal story.
Rehearsing it, vocal coaching, staging it, practicing it in small groups and at home.
Learning framing, lighting, how to angle the camera, troubleshooting tech issues.
Negotiating with children and pets and housemates to create a stage on which to present.
Choosing photos, props, outfits, hairstyles.
Supporting everyone else on the team and in the cast with collaboration, creative ideas, presence, encouragement, cheers. Such generosity!
Not to mention all the behind-the-scenes work to create a slideshow, program, original artwork, cohesive script, extra rehearsal time, tech support, and clear communication to keep everyone rowing in synch.
And on a personal note, there’s more work in the works, for which I am over-flowing with gratitude. As soon as this project ends, I’ll be diving into revisions for my new novel, with a planned pub date of next summer. It’s called Francie’s Got A Gun, and I’m starting to believe it will be a real thing … but you can ask me again in a month or so, when the first round of revisions are due. I plan to dive deep and stay deep till that work is complete.
I’ve also received a second grant toward the project I’m working on with my grandma. Much of the research is complete, and writing has begun; but I will be setting it aside temporarily to finish Francie. One thing at a time. One big project at a time, anyway. (I think I can keep cooking dinner and fetching veggies and doing yoga and other good summer things.) At times, it feels like I’m half-asleep, working in slow-motion, digging my way through deep tunnels, burrowing into what seem like dead ends, and then I surface and wake in wonder at all that is being accomplished, even if the pace seems whimsical, even if I lose some of the good stuff underground. I don’t know how much time I’ll get in this life, but I hope to use it all up, and make (and discover) some beautiful things along the way — ephemeral as a performance, strong as a connection, life-giving as a community, sustaining as a story, well-told.
Hope to see you tonight. And if not there, then somewhere, sometime, virtually or in real life, soon.
For the past three years, I’ve been a part of a storytelling project that aims to foster connections between immigrant and refugee women in our region and the local arts community. The multidisciplinary workshop is named after the Lynda Barry writing exercise we use to find our way into the writing process: The X Page. Over twelve weeks, a group of women meets to write and revise original stories, collaborate on animating these stories through performance and artwork, and finally, to perform the stories for an audience.
This season, we’ve been transported by necessity into a virtual space, which has nevertheless felt like shared space, with room to explore, make connections, to listen, laugh, cry. For me, that’s the key to the whole project: to get to be taken inside someone else’s world, to hear what matters to them, the “little things” they’ve kept or lost along the way, and the themes to which they find themselves returning.
Lynda Barry’s exercise opens many pathways to the heart.
The trust involved in this process is immense. Each workshop session, I’m filled with gratitude for everyone’s efforts, kindness, generosity, and presence. This year, I’m working as the project’s coordinator, which involves me in almost every aspect of behind-the-scenes planning. We are in the homestretch now!!!! The performance will be live on the evening of Wednesday, July 7th, 7PM. Mark your calendars, register to attend (tickets are free, but registration is required), please come and please share news of this workshop with your friends.
The stories are beautiful. The art is beautiful. The connections are beautiful.
We chose the title “Little Things” for this season’s performance because the stories revolve around seemingly small moments, singular scenes, objects that have been kept and carried across borders, or lost along the way; and because even a little thing — held, cherished, and shared — is imbued with depth, meaning, promise, truth.
A story is a little thing. An offering. It is an invitation. Listen. Here I am. Here is something I’ve kept all this time, that matters to me, that I’ve carried all this way; do you see, do you understand? A story is a powerful little thing. Powerful good.
Today I went for a long bike ride on trails and paths around the city. I just kept going and going and going, seeing if I could find how the trails linked up, so I could go in a very big loop. The city is full of wildness, and birds.
I stopped to take photos, and I noticed that my mind and body and spirit were revelling in anything new. Turning down a path I’d never followed before. Discovering a street lined on both sides with flowering trees, in full bloom. Even a patch of construction gave me a sense of newness and discovery.
It’s what I crave, right now. How to exit from stasis, to experience my life in motion, as I know it to be, but do not often feel, right now. Time spins onward, but I’m like a stop-animation film performing a series of postures in my studio, my kitchen, my living-room, over and over and over. At night, the dreams have been difficult, sleep disturbed, as the day’s fears and anxieties try to untangle themselves.
Cruising slowly, gently on my bike today was pure bliss.
I think it helped to be part of the X Page workshop last night, too; to be in a space that is actively promoting the idea that the process is the experience, and the outcome or goal is a lovely result, but not the thing itself: the process is the thing. It is it. As we settled in to listen to each other’s stories, separated by our screens, by the occasional technological glitch, holding our elbows against a barrage of exceptionally sad, frightening, painful world news, the space became its own entity, and we were temporarily transported. What do I hear when I stop and listen, when I toodle along more slowly, when I take a new trail?
All day, I’m faced with choices. What if I kept turning again and again away from self-pity, away from anger, disappointment, away from the harsh self-talk that keeps me tangled in my own unhappiness. That voice will come, it will return, of course, but I have the choice to listen, notice, and say to myself, Is this what you want to do? Do you want to tell yourself you’re wasting your time, you’ve made the wrong call, you got it all wrong? Or do you want to say instead (or adjacent to, if instead is too challenging): Look what you’re making, be gentle, hold your heart dear.
In the words of Joy Harjo: “This is my heart. It is a good heart.”
Those are the opening lines of a poem / song, but I can’t find an accurate version of the text to share with you just now; below, a link to a YouTube video of Joy Harjo, the American poet laureate from the Muscogee (Creek) Nation, playing saxophone and performing the text as a song.
This is my heart. It is a good heart. Something changes in my body when I hear those words.
A few years ago, after returning from a three-week writing residency in France, I put an idea out into the universe: hey, universe, could you send more cross-disciplinary collaboration my way? I’d worked with a wonderful actor / writer / translator as part of the residency, and both of us hoped to find a way to create together again. The universe didn’t align for the two of us to reconnect, though we tried; however, as so often happens, another door opened. In fact, a few different doors, one leading to the next. The first was that I began spending several mornings a week with a young woman who had recently come to Canada with her husband and children; she couldn’t get into a language program, so I volunteered to help her with some English studies. Really, what I remember most about those mornings are our conversations. I realized that my neighbourhood, my work, my friend group, even my church was its own bubble, a comfort zone, and pretty homogenous; and that I had a strong desire to connect with people across the possible barriers of language, religion and culture. The idea for The X Page storytelling workshop grew out of this friendship.
And lo and behold, The X Page became a forum for cross-disciplinary artistic collaboration, as well as new friendships and connections. Our third season starts this week, and will happen entirely online. We’ve adapted, but the goals remain the same: artistic collaboration and exploration, and cross-cultural conversations and connections. It genuinely feels like I sent an idea out to the universe, and the universe answered.
Today, I’ve woken with another kernel of an idea: Hey universe, could I expand on the X Page workshop somehow, to make its goals available more broadly, to many more people? Here’s the spark: Before drifting off to sleep last night, I read a New York Times article about an Australian community-building concept called “The Shed.” Apparently, these “sheds” began as retreats for retired and out-of-work men, and only recently have women started their own “sheds.” The story is about women taking over part of an unused school building; their shed is run by volunteers who are also participants, and it’s a mix of socializing (playing games, eating together) and crafts/ skills, like sewing, painting, gardening, cooking, singing in a choir. It’s a mix.
When I woke up, I was still mulling over the idea of “the shed,” which sounds a bit like a community centre, but which also seems more ground-up, or holistically invented and sustained.
It’s also all very post-pandemic, and impossible right now: gathering together, in person. But hey, universe: is there something here? What do you think? Maybe it’s the idea of a shared project, like “the shed.” Maybe it’s the fact that it’s free for all. Maybe it’s the concept of having space for a variety of activities, which I’ve found makes connections across barriers easier. I’m feeling this rather urgently right now: somehow we have to find ways to make more connections, especially outside of our bubbles, in order to nurture our sense of collective care. We’ve got big urgent crises to cope with. We need to find ways to have difficult conversations, and common ground. Social media does not work for these purposes; it seems almost designed to push us to greater and greater extremes. Belonging comes from something else, I’m convinced of it—outside of algorithms that fail to surprise us, that try to sell us more stuff, and that compete for our attention by exploiting our emotional weak points.
My attention is invaluable. So is yours. It is our time here on earth. It’s what we’ve got to give.
So if you’ve spent a few minutes of your attention reading this post, I send you immense thanks. And to the universe, I send this flicker of an idea: in what ways can I deepen my involvement in building community and connection on the ground, in the real world, both now and whenever we can meet in person again?
Today was Kevin’s birthday. I picked up smoked salmon and bagels for a birthday brunch, and stopped by Mom’s on the way home to surprise her with a donut. She thought up the most lovely birthday surprise for Kevin — books delivered from Wordsworth. I wish my worries for her could be solved from within (myself, I mean). Looking at this drawing now, I can see exactly what I did wrong when drawing the stairs! It makes me happy to see it. Then I might see it differently when drawing stairs next time. (Chairs are another struggle …).
This drawing is based on the animation for Marie Howe’s poem “Singularity,”which features tea cups. I sent it to my word group for today’s moment of pause, during our tea cleanse. What if our molecules could remember when we were one? This morning, on our church’s Zoom call, my older daughter spoke movingly, and it sparked something in others, and things felt, briefly, hopeful.
Ugh. I hate everything about this drawing (almost everything). I spent today working on the first of two grant applications — painful writing. I’m tired, but that’s not the problem. The problem is a chronic pain issue that flares from time to time; like now. I drew a sad and ugly figure staring blankly at her cellphone, and then began to add in other tiny versions of me, trying to help the blue woman, soothe her, sit with her, check in on her. Plus there are those weird green legs lying on the floor. The whole time I was drawing, it felt like an argument with myself.
While waiting at the back of a long line outside a lab, I saw a woman break down when it was her turn to enter the building, and nurses from inside came out to help; I was too far to figure out what exactly was happening. The woman in front of me, who had come on her lunch break, finally gave up and left, she said she couldn’t keep waiting and waiting. I thought of her, for some reason, while doing kundalini this evening; it’s so novel to speak to anyone outside my family. I hope she’ll get in quickly when she goes tomorrow morning.
I took notes at an X Page meeting on Zoom this afternoon to plan for the smooth running of our spring workshop (season 3!!). I looked crusty and ancient on the screen. CJ forgot to do his piano lesson (also online) because I was in the meeting and wasn’t available to remind him. Instead, he was watching soccer highlights with Kevin in the living-room!! He was very sad when he told me he’d forgotten, just before supper. I sent a message to apologize to his piano teacher and she offered to do a lesson with him tonight. After drawing this, I was glad I hadn’t quit the project on Monday. (My plan is to review month-by-month, rather than committing to a particular length of time in advance; I think I’ll know when it’s served its purpose.)
I’m doing a lot of kundalini this week. I’d gotten a half-start on this drawing just before this evening’s class started, and while meditating, I kept thinking about what I wanted it to express. I spent this afternoon continuing work on grant-writing for this project I’ve started with my Grandma. In this drawing, I’m a ghost in the room, a time-traveller, observing, imagining a scene from someone else’s life — which never happened, mind you — but now feels as though it is real (to me).
I asked my younger daughter if I could go with her on her lunchtime dog walk. I haven’t been out during daylight much this week. There was a big snow storm last night. My older daughter went out and shovelled out walk. I worked on grant applications and X Page stuff all day. Never napped, though the hope of a nap was what got me out of bed this morning. Too much sitting. More kundalini tonight.
This is a visualization of my word of the year — SOURCE. It’s a mysterious word. It points to being at the origin, and to being inexhaustible, I can return again and again, drink of it, seek it, it refreshes, restores. I had a vision during kundalini last night of SOURCE as eternity, as the place from which I came and to which I will return. It was soothing. Today, I’m weighing another volunteer opportunity that’s arisen. I like being asked to serve. I feel most at home when volunteering; and I miss that from my soccer coaching, for sure. But any commitment needs weighing. I won’t commit unless I’m all in.
Last night at dinner, I asked how everyone was doing right now. Our eldest said it’s fine, but it’s boring. Every day is busy, he said, and passes quickly, but it feels the same. And I agree. And therefore, I see the usefulness of this daily cartoon project is its ability to capture, succinctly, visible to the eye, proof of tiny fluctuations within the sameness.
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My name is Carrie Snyder. I'm a writer of fiction and non-, reader, planner, dreamer, arts organizer, workshop leader, mentor/coach, forever curious. I'm interested in the intersection between art and spirituality. What if the purpose of life is to seek beauty? What if everyone could make art?