For the X Page workshop, I’ve been doing the writing exercises we assign and practice each week; I’ve always written along when leading workshops or teaching, mostly because writing something new is always an adventure and I don’t want to miss out on the experience. On Friday (May 14, 2021), I’ll be leading a writing workshop for the Canadian Nonfiction Collective’s conference, in which we’ll be doing some of these same writing exercises. (Check here, if you’re interested in attending!)
The exercises are based on Lynda Barry’s method of writing and drawing by hand: allowing the hand to be the eye that leads us into the story, and shows us the images that we’ve kept and may not even know are alive within us. I’ve seen this teaching method work over and over again to unearth stories, scenes, details, emotions and insights that would otherwise lie dormant. The process can also unearth material that’s painful or unexpectedly emotional, but what I’ve noticed is that the writing itself also seems to be a tool for healing — telling a story, letting it be shaped by our present self, can be healing.
Though we won’t be doing this is in either workshop, my personal temptation is to veer off into fictional territory, and expand the scene or story out into what could have been or could yet be, or swing into the viewpoint of another person. It’s a very malleable writing method.
(And of course I call on other methods and practices during different stages of the writing process; but even revision and editing can feel free-wheeling and surprising when I’m deep inside the process, which is always an adventure. Using Lynda Barry’s generous, expansive methods have helped me learn how to turn down the voice in my head that is telling me “this is good” or “this sucks.” That’s probably the most important lesson I’ve learned from this practice: that little voice is my ego, and my ego is terrified of making a mistake, and wants so badly to impress others that it is really not trustworthy.)
These days of lockdown and aimless waiting affect us all differently … but what I often feel is disconnected, lonely, a bit apathetic or lacking in energy or drive.
When I open my notebook and begin to write, something changes. It might only change for those minutes when I’m writing, but while engaged with the pen and the page, I go somewhere else in my mind. I travel. The monotony shifts, the day is different — it opens into a different place or time or perspective. And that’s a little gift to myself, which I hope to give to others, too.
Just need to check in and mark this day. Which contains some significant news.
First, my eldest child is moving out to his own apartment! Last night, his sister baked him “Goodbye Brownies” and while we ate them, we went around the table and took turns expressing what we’d miss about having him around the house. And I didn’t even need to initiate this lovely, heart-warming ritual — his siblings did it all! So I feel my work as a parent is basically complete.
I’m feeling proud of him, and excited for him, and aware that change is ever with me, and I will adapt even if it takes time.
Second, I got my first dose of vaccine today. I had to overcome my irrational fears of the rare clotting complication: the doctor who gave me the vaccine was very very kind and helpful in explaining the risks; and I feel … well … I feel like I’m on the way somewhere, not there yet, but on a path that will lead to different vistas. Not back to before. The landscape will be changed, but how, and for better? It’s not clear.
What a day!
I started it with a solo run in the park, not fast, stiff wind in my face, taking walk breaks as needed, enjoying the quiet and the cold, fresh air. I gave thanks for right now.
I’ll do it again. I give thanks.
Inquiries for the universe…
A few years ago, after returning from a three-week writing residency in France, I put an idea out into the universe: hey, universe, could you send more cross-disciplinary collaboration my way? I’d worked with a wonderful actor / writer / translator as part of the residency, and both of us hoped to find a way to create together again. The universe didn’t align for the two of us to reconnect, though we tried; however, as so often happens, another door opened. In fact, a few different doors, one leading to the next. The first was that I began spending several mornings a week with a young woman who had recently come to Canada with her husband and children; she couldn’t get into a language program, so I volunteered to help her with some English studies. Really, what I remember most about those mornings are our conversations. I realized that my neighbourhood, my work, my friend group, even my church was its own bubble, a comfort zone, and pretty homogenous; and that I had a strong desire to connect with people across the possible barriers of language, religion and culture. The idea for The X Page storytelling workshop grew out of this friendship.
And lo and behold, The X Page became a forum for cross-disciplinary artistic collaboration, as well as new friendships and connections. Our third season starts this week, and will happen entirely online. We’ve adapted, but the goals remain the same: artistic collaboration and exploration, and cross-cultural conversations and connections. It genuinely feels like I sent an idea out to the universe, and the universe answered.
Today, I’ve woken with another kernel of an idea: Hey universe, could I expand on the X Page workshop somehow, to make its goals available more broadly, to many more people? Here’s the spark: Before drifting off to sleep last night, I read a New York Times article about an Australian community-building concept called “The Shed.” Apparently, these “sheds” began as retreats for retired and out-of-work men, and only recently have women started their own “sheds.” The story is about women taking over part of an unused school building; their shed is run by volunteers who are also participants, and it’s a mix of socializing (playing games, eating together) and crafts/ skills, like sewing, painting, gardening, cooking, singing in a choir. It’s a mix.
When I woke up, I was still mulling over the idea of “the shed,” which sounds a bit like a community centre, but which also seems more ground-up, or holistically invented and sustained.
It’s also all very post-pandemic, and impossible right now: gathering together, in person. But hey, universe: is there something here? What do you think? Maybe it’s the idea of a shared project, like “the shed.” Maybe it’s the fact that it’s free for all. Maybe it’s the concept of having space for a variety of activities, which I’ve found makes connections across barriers easier. I’m feeling this rather urgently right now: somehow we have to find ways to make more connections, especially outside of our bubbles, in order to nurture our sense of collective care. We’ve got big urgent crises to cope with. We need to find ways to have difficult conversations, and common ground. Social media does not work for these purposes; it seems almost designed to push us to greater and greater extremes. Belonging comes from something else, I’m convinced of it—outside of algorithms that fail to surprise us, that try to sell us more stuff, and that compete for our attention by exploiting our emotional weak points.
My attention is invaluable. So is yours. It is our time here on earth. It’s what we’ve got to give.
So if you’ve spent a few minutes of your attention reading this post, I send you immense thanks. And to the universe, I send this flicker of an idea: in what ways can I deepen my involvement in building community and connection on the ground, in the real world, both now and whenever we can meet in person again?
When I was a kid, I would write myself letters — letters to my future self: “Dear Carrie Older Than Me …” I would put the letter into an envelope, seal it, and write the date on the front when I could open it and read it. Sometimes, when I’d open the letter, I’d write back to myself: “Dear Carrie Younger Than Me.”
I’d ask and answer questions.
Unanswerable questions. Mundane questions.
Sometimes, I’d forget to open the letter. It didn’t seem to matter much. The important act was writing the letter. I suppose this was a way to imagine myself as a changed but interested party. The difficulty was imagining beyond the limits of my current self. Yet I persisted in the attempt. Who am I writing to now? Who is this post addressed to? Maybe there is a sense of a future self in these words; but it’s always the present self who remains the curious one, the one searching around for a way to define her hopes, to express where she’s at, what she’s doing to sustain herself.
I wonder whether I’m persistently motivated by the idea that I will change, and become better? What would it feel like to be at peace with this imperfect self? (Funny that my assumption is that change will result in betterment; or that betterment requires change.) But here’s the truth revealed by the pandemic, in case I’d missed it: Change happens, no matter what. Time holds us to this promise. It’s strange, but I think waiting itself is a way to cope; but what am I waiting for? The pandemic reveals my relationship to time. If I’m waiting, I won’t be present. Presence can be painful, when the unknown is so clearly in charge; but the unknown is always before me. And presence is what I want, and it’s available. It’s here. Now.
Dear Carrie Older Than Me,
How are you doing? Are you floating along on the surface of things? Are you remembering to breathe? Are you being kind to yourself? Have you found a container for your fears?
Are you someone whose feet are on the ground, do you feel rooted and strong? Do you have the courage of your convictions? Do you shed your fears or do you live beside them?
Please write back in a year, or ten; or a hundred, or so.
xo, Carrie Younger Than You