Category: Reading

Summer, where to begin?

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Back yard, new “room,” eldest used this a lot to hang out with friends. Eldest is moving to Montreal in less than a week to start an MA at Concordia (in English Lit!).

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We made the annual trip to the farm, a bit later than usual, because a) I got sick as soon as school ended and b) the youngest had a soccer tournament. So this marks mid-July. No homework was burned, but we had a lot of fun playing Dutch Blitz around the kitchen table. We filled the bedrooms and a tent. It was ridiculously hot.

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Our first week at the cottage. I’d gotten a reasonable amount of writing / editing done during the week between farm and cottage, so I didn’t put pressure on myself to do a lot of “work.”

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We hosted guests — family — and we squeezed a lot of people into what amounts to 3 bedrooms and a bunkie. Still very hot. Ideal for kayaking and swimming. I got some good thinking done while out on the lake. Returned home inspired and with a map for finishing the final third of Begin.

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Immediately upon returning home from the cottage, I did a mountain of laundry and didn’t unpack my bag. Took off solo to stay at a friend’s cottage for a few nights. She made me dinner, and I spent an entire day (and evening) writing. Made enormous progress. Ate really good vegan meals. Soaked in Lake Huron. Forgot to take photos. I woke early on the final morning and sat in bed reading Jane Smiley’s A Thousand Acres till it was time to sort myself and head home. Lots of reading this summer. Reading upon waking is such a summer luxury … could be a Saturday luxury too, now that I think of it. What translates from summer to fall?

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This will seem like a minor accomplishment, but I am very proud of the fact that I cleaned the front porch. It was a boiling hot day and I scrubbed green mold till it was (mostly) gone. In the proud-of-it category, I also helped my mom with her move home after months at a rehab hospital, and took my dad to a bunch of medical appointments, and got my youngest up to camp for a counsellor-in-training program, and went to the dentist. I did not get a new job (despite some efforts in that direction; as I approach a return to the library this Monday, I’m feeling like all has turned out as it should).

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Got my youngest back to camp for a week of practicum. Saw a lot of rural Ontario from inside an air-conditioned vehicle this summer.

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My second youngest celebrated a big birthday, several times over. There was the ice cream sandwich celebration. There was also the family dinner out celebration and the made-her-own-birthday cake celebration, and probably a few more I’ve forgotten. She will be living at home this fall, going into her third year of university. We’ll have a small cohort of the two youngest kids and the middle-aged dog, and hopefully a lot of their friends will drop in and hang out and stay for supper (my favourite favourite thing about being a parent is feeding a bunch of young people a spontaneous meal; literally nothing can make me happier).

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Eldest moved a bunch of stuff to Montreal with his girlfriend. Luckily she has a vehicle. He will be taking his bike to Montreal, but won’t have a car of his own.

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Second eldest will have a vehicle – our little “chub-chub.” They’ve just moved (in the opposite direction and across a national border) to start a PhD in Medieval Studies at Notre Dame. South Bend, Indiana does not have the same public transit infrastructure as Montreal.

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Somehow, despite birthday dinners and moving and appointments, I got myself back to the farm with my friend Tasneem for a few days to finish the novel revision. Mission accomplished, and in good company. We even went to Lake Huron for an evening swim. It was very hot.

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Last week before work, back at the cottage with a slightly different configuration. A bit of hosting, multiple hot dog meals, my dad tagged along for the whole week. In my favourite chair in the back bedroom, I finished-finished Begin, going through every word with a fine-toothed comb, and when that was done, I sent it to my editor. Good job, sailor Carrie.

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Oh summer. I’ve soaked in the lake every day that I possibly can. I’ve journaled, and done art therapy, and eaten some fantastic peaches and tomato sandwiches. I’ve done yoga on the dock, spin classes, weight classes, pilates, and walked with friends. I haven’t water coloured as much as I’d hoped, but perhaps that will start again this fall, when I have a small and captive but appreciative audience of kindergarteners, and a bulletin board to decorate.

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My library hours this fall will give me an extra two hours each afternoon to write, and I aim to do so. It’s been delightful this summer to find strategies for writing and surviving the writing (it’s physical, my body gets incredibly restless sitting for hours, and my mind writhes with discomfort to be in-between and in-the-unknown; what I relearned this summer is that it’s all okay, so long as I release that energy in positive ways, and trust the process.)

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My favourite interchange this summer came when I was helping my mom up our front steps. She said, “You are so strong!” and my second eldest exclaimed, “Yes, isn’t she?” I felt seen and honoured, as I am this very moment in time; and that will change, but for now, I am filled with gratitude for the strength, physical, mental, spiritual, that helps me steady myself, and even sometimes, because I’m so very very fortunate, those around me. What privilege. What a luxury.

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The sun does its work, even in the hallway of a school. This was the bulletin board outside the library when I’d taken everything off from the past school year. What will replace it this coming school year? It’s just one of the little things I’m excited to discover, and looking forward to this fall. Let the brainstorming begin.

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xo, Carrie

How to begin again?

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When and how to begin with BEGIN?

BEGIN is the title of my next novel. I can’t even write that sentence without attempting to delete or amend it. BEGIN is the title of the novel I’m writing. But even that sentence requires amendment. It is the title of the novel I was writing (last touched in March), and will be writing again—though I haven’t dared open the manuscript for months. I can’t let myself visit the pleasure of it in the tiny jags of time available, just right now.

I will begin writing BEGIN again this summer. Soon. 

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My library job ends in two weeks.

As does my time-limited stint as “producer” (hapless producer, one feels at times) of the X Page Storytelling Workshop, season 6. Season 6???! Tickets for the performance are available here—it’s called “The truth is …” and it’s playing one night only at the Registry theatre in downtown Kitchener, Wed, June 25th, 7PM. Please come for stories, for the stories are life-giving.

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Look for me when school’s out in two weeks. I’ll be running out the doors with the kids, slipping off my sandals, standing in the grass, and maybe then, maybe then, my writing of BEGIN will begin again.

How will I parcel out my time? What do I need to write this book?

I have a publisher—Simon & Schuster Canada. (Yes, it’s official.)

More importantly, I have an editor—the brilliant poet and novelist, Katherena Vermette.

I have a pub date—fall 2027 (though those are always tentative).

I need a few intangibles, if I’m honest.

Health, sleep, sweat, rest. Dedicated time. Ear plugs?

Relaxation, intensity, hunger, delight.

Belief. Trust. Confidence—that too, especially that. You know this, don’t you, fellow writing friends? Maybe to that, I need, too, companionship that’s quiet and reassuring, and that would like to join in collective writing and drawing exercises after breakfast, before the work of the day begins …

I imagine for myself a near-hermit’s devotion to the hours, immersion in the subject, the playful giddiness that takes over when I’m making something that feels new or powerful or unexpected, that surprises me with some unearthed truth.

I can’t wait to begin.

Because I hope, I hope to finish what I’ve started. I hope to make good on what I find in the digging. 

xo, Carrie

PS If you know of places to rent/borrow/sneak into that would make for good writing intensive spaces, please let me know!
PPS The image at the top was spotted in Chicago, which I visited a few weeks ago with one of my kids, who was presenting at their first academic conference.

Begin and end with gratitude

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Note: This post was written several days ago. I kept my laptop off wifi in order to avoid distraction, so I’m posting it only now that I’m home again.

I’ve spent almost seven full days at the farm (my brother and sister-in-law’s, with all thanks to them for their generosity). These seven days have been a true retreat, for mind and body and spirit and emotions. I was close to breaking that last week of work before March break, ground down by responsibilities and duties and commitments, all of which I love and have chosen freely (nearly all!); but which require a volume of attention that even great discipline and desire cannot meet.

I came to the farm to write.

I came with a bit of a plan: a novel manuscript to revise, with, most blessedly, the support of a new editor and publisher (the deal has not been inked, so I will touch wood and wait to share more news till it’s official).

I also came to the farm depleted. Knowing I was depleted and exhausted and strained.

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I came to the farm wanting to play. I didn’t come to “work” on my book, I came to play with the material. And this book—my 16th century book, as I often call it—has so much material to play with. The language, the weather, the rhyming, the smells, the herbs, the meat, the smoke, the streets running with raw sewage, the animals, the screw press, the tenements, the lanes and alleyways, the river, the relationships, the sacred and the profane, art and authorship and anonymity.

A person can’t play if she’s depleted, exhausted, strained. 

Such weariness bleeds through the body, and numbs the senses. There’s a flatness, tears leak through, but feel obscure or obscuring, a disconnected release. In the week or so before coming to the farm, I’d noticed myself withdrawing, even from friends, as I put my head down and completed the basics (which include routines I consider to be healthy and caring, like starting the day with exercise and meditation, preparing good lunches to eat at work, and spending time with my family).

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I gave myself permission, when I arrived at the farm on Saturday, early afternoon, to slow down. 

And that has been at the crux of my reflections, here at the farm.

I noticed that it was difficult to slow down. I noticed that I wanted to fill the quiet with noise: podcasts, radio, YouTube. More than that, I wanted to be entertained. In stillness, in quiet, alone, I felt starved for some interruption that would distract me.

I noticed these needs and desires. I questioned them. There were times when I let myself be distracted. But I also encouraged myself to try going without the noise, even just for a few minutes. The minutes inevitably stretched. Gently, forgiving myself when I reached for my cellphone, I eased myself over the threshold into the quiet, again and again.

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This morning, my last morning here at the farm for awhile, I did yoga (my cellphone open, Yoga with Adriene guiding me through day 4 of her recent Prana series). As I do every morning, I followed my breath. I paired breath to movement. I noticed how much attention I could give to different parts of myself—my feet, my shoulders, my pelvis. Deep in this attention, my mind accepted the quiet. It always does. 

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For my meditation, I read a long chapter in Braiding Sweetgrass (the young adult version). It was like this chapter had heard me praying to slow down. The chapter is called “Allegiance to Gratitude,” and Robin Wall Kimmerer (and Monique Gray Smith, who adapted this version), and the illustrations of Nicole Neidhardt come together to illuminate the Haudenosaunee Thanksgiving Address. The author(s) ask us to consider what it means to start each morning with gratitude—with a ritual of thanksgiving for the land, each other, and all of creation. The ritual is slow. It takes the time that it takes. It is also punctuated with the refrain, Now our minds are one. “Imagine,” the author(s) write, “being raised in a culture in which gratitude is the first priority.”

Imagine.

Let me begin and end with gratitude.

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I am thankful for my brother and sister-in-law who open this farmhouse to me, and who restored it with such care, and who continue to care for this peaceful, cozy, calming, healing place. I am thankful for a family-sized lasagna that fed me almost the entire week. I am thankful for this table at which I’ve sat to eat and to read and to write. My eating and reading chair is to my right. I’m sitting now in the writing chair. Both face the same window, with plants on the sill, and flies buzzing in the sunshine. I am thankful for fresh air and a gravel road on which to walk, to clear my mind. I am thankful for winding down time in the warm living-room, with a puzzle and a deliciously silly Canadian TV show (Pretty Hard Cases; CBC, season 3 available on YouTube). I am grateful for sleep and rest.

I played a lot this week. I accomplished what I’d set out to do. The novel will take more time, more play, more squishing and shaping of its materials.

I’m preparing to pack up and return home, where I’ll again have too much to do—so much of which I love and cherish and don’t want to set down. Can I stretch time? Or slow it? Can I slow time for others, with whom I share space? What allows me to slow my mind, to listen deeply, to attend with love, and to resist distraction?

Begin with gratitude. Return to gratitude. Cherish and take responsibility for my gifts. Ask: I am grateful for____? Is ___ grateful for me in return? And if not, how can I balance that relationship, so that it becomes mutual?

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When I love my writing, and bring to it my attention, with appreciation for its delights, I sense it loving me in return, and filling me with joy. And that is what I want to share—deep abiding thanks for imagination, story, the healing properties of narrative and image, and the visceral sensual pleasure of language itself.

xo, Carrie

Day 8 prompt for a creative pause

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Day 8 Prompt

Draw an object from nature. Describe what it’s telling you?

Notes: This plant in my office, a succulent, reminds me of a plant at my brother and sister-in-law’s farmhouse, where I’ve gotten to go and write sometimes with my writing group. This plant reminds me of friendship and mutual support, and laughter, and how meaningful it feels to pause and breathe and listen to each other’s stories. Meaningful, too, to feel cared for and cherished and seen. I judge myself harshly and crave recognition (not all the time, but these temptations slip into my mind, these habits and patterns of thinking are hard to break). I long to be loved for my imperfect self and I long to be my best self as often as possible. Some days, this feels harder than others. But here is this plant. I’ve over-watered it and let it dry out way too much, and nevertheless it rewards my imperfect attention by continuing to exist. I am reassured by its presence on my desk.

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xo, Carrie

Spring burst

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As much as I long to find just a little more rhythm to my writing life, damn but it’s taken the pressure off to work in a school library. Childhood is bursting with magic. To be with kids is to be in the presence of pure creativity. When I was a child, we would visit the Nashville public library for their puppet shows. I remember being utterly entranced by the puppets. How were they speaking? Who was making them move? They seemed real — in some fundamental way, they were real to my imagination.

Now, on a very small scale, I get to participate in magic-making with the children who come into my library — it’s homemade, it’s improvised, it’s nothing fancy, but even the smallest surprise is sufficient to spark delight, curiosity, questions. Children are not fussy; the youngest of them pay the closest attention to the tiniest details. If you’ve ever read a picture book to a group of kindergarteners, you’ve been blessed by the deepest attention you’ll ever hope to receive. “Oh, those aren’t raindrops, those are tadpoles!” “How did Curious George jump higher?” “Why did he let go of the balloons?”

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On my story time bulletin board, I add characters or objects from books we’ve read. The seasons change. Nothing is static — things move around. Somehow, it’s more magical because it’s tactile. It isn’t digital. It isn’t online, or on a screen. It’s present with us, to be experienced and observed by all, as we gather in the same moment and place in time and space. We experience it collectively, from our different positions around the room, our different heights and ages. Like the magic of the puppet theatre, I don’t think this is repeatable, really, online. We don’t live solely in our minds; we live in our bodies, as sensory creatures.

In truth, however, my main job in the library is to maintain the collection — a tactile mode of interacting with this most beloved of mediums (beloved to me!): text and illustration bound up in pages. The sensation of handling books affects me similarly to doing a puzzle; it’s soothing and peaceful to create order.

As for the other hours in my days and weeks, I’m currently on a “spring burst.” I’m going to gym regularly to spin, sweat, lift weights, stretch, and take good care of this deep-into-midlife body (and mind). The X Page is entering its final month of preparation (!!): mark your calendars if you’re local. We’ll be performing this season’s stories on Sunday, June 16th at the Registry theatre in downtown Kitchener (more info coming soon). And my writing life is bursting with beautiful blooms too: seeing a dear friend’s book project come to fruition, editing stories, and dreaming up a new novel.

Come summer, I’ll have a two-month break from the library — writing sabbatical??? And time to repair, restore, relax, too. It’s been very non-stop. I keep thinking I’ll catch up, but there’s no up to be caught. The routine swings round and round.

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My instinct is to maximize efficiency on tasks. But more and more, I’m focused on making space to maximize enjoyment, no matter the tasks. What do I love doing? Mostly, really simple things that are easy to call forth, that don’t require a lot of extra planning or resources. I love sweating and the rush of endorphins. I love meeting new people and diving in deep. I love collaborating, learning new skills, appreciating the strengths and techniques and wisdom that others bring. I love grappling with text, creating narrative sequences on both the macro and micro scale that maximize pleasure for an audience. I love eating supper with my family and hearing about their days. I love stopping to smell blossoms on trees. I love blasting songs on the radio when I’m driving alone. I love making magic — out-of-time experiences, opportunities for surprise — through the simplest means possible: a drawing, a story, a group exercise. I love taking care of people. I love cooking (but only when I’m not rushing). I love being outdoors, walking, biking, running. I love creating order out of chaos. I love living in my imagination, in my many imaginary worlds. I love to dream.

Nothing is ideal. I love that too, the reassurance of it. I mutter this phrase to myself a lot — “This is not ideal!” —- and not negatively, but encouragingly. I mean it as a form of freedom. Nothing about this is ideal. (And it does not need to be.) This thing you’re doing, this thing you’re creating, this solution, this story, this hard conversation — whatever it may be — you’re doing it to the best of your abilities; be reassured. There are many possibilities, many directions, many discoveries, of which you will try one and then another and another, testing things out forever and ever, amen.

xo, Carrie

What inspires you to create?

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Spending time with children is a fabulous fortune. It’s pure gold. 

A friend and I were talking recently about older people whom we love and care about, whose lives have been robbed of dignity by ailments and illnesses, and we wondered what could be done for those we love, when the options for care are so limited? Long-term care: the place where nobody wants to go, nor enters willingly. Could multi-generational living situations be a solution, my friend wondered? But that would require women (most likely) in their prime earning years to become full-time caregivers; our North American culture and norms and the economy itself is not geared toward this, even if it were something women in their prime earning years would wish to do.

What about a dorm-like set-up where university students or young adults lived alongside elderly people, sharing common space and meals? And animals or pets were part of the picture too? Maybe even a nursery school? Personally, I can imagine moving more willingly into a care situation like that. (Yes, even with the germs!)

In the dominant North American culture, we tend to hive ourselves off into age groups. Think of university students who have a tiny window when they can live in dorms communally, then it’s over. We think of independence as living solo or with immediate family. There aren’t many opportunities to experience life as part of a multi-generational whole, and that’s challenging, I think. It’s alienating.

My children are now young adults, and soon they will be quite grown. I don’t want to relive those years again—caring for young children—but I’ve missed the generative energy of children. I’ve missed their naturalness and ease in conversation. I’ve missed their seriousness, too, and the way children pay attention. So it’s been good medicine to be working in an elementary school library. Not only do I get to be in a big quiet (sometimes!) room full of books, but I also get to open those books and read them out loud. Story time is a highly participatory experience (and I need to work on my pacing, to speed this part up a bit, for the teachers’ sake!). But I’m just about nearly as curious as the kids are to explore the effect of words and imagery on the pages. As I read the same book over and over to different mini-audiences, I gain deepening insight into what draws their interest and attention. What matters to them.

The details they notice in the illustrations are fantastic—they’re putting together narrative on a visual level. And they listen carefully to the words, making connections to their own experiences, wondering out loud. Trying to understand.

Working with children, being in their presence again, is like looking into a mirror of how I want to be (on a spirit-level). I hope I’ll always get to be with children, one way or another; or at least I hope I’ll feel free to approach everyone, no matter their age, the way I approach children—with openness and trust, attention, curiosity. It’s in this mind-space (spirit-space) that I am inspired to make things, to write, to draw, to create. It seems to me that the only way to survive being alive, surrounded by inequality, imbalance, suffering and pain—and as a participant in these pain-filled structures and systems too—is to make, to create, to mediate experiences through imagery. To go searching for beauty. And sometimes, to find it.

xo, Carrie

PS That’s me and my brother in Waterloo Park, when we were very young.