Category: Reading

Spring burst

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As much as I long to find just a little more rhythm to my writing life, damn but it’s taken the pressure off to work in a school library. Childhood is bursting with magic. To be with kids is to be in the presence of pure creativity. When I was a child, we would visit the Nashville public library for their puppet shows. I remember being utterly entranced by the puppets. How were they speaking? Who was making them move? They seemed real — in some fundamental way, they were real to my imagination.

Now, on a very small scale, I get to participate in magic-making with the children who come into my library — it’s homemade, it’s improvised, it’s nothing fancy, but even the smallest surprise is sufficient to spark delight, curiosity, questions. Children are not fussy; the youngest of them pay the closest attention to the tiniest details. If you’ve ever read a picture book to a group of kindergarteners, you’ve been blessed by the deepest attention you’ll ever hope to receive. “Oh, those aren’t raindrops, those are tadpoles!” “How did Curious George jump higher?” “Why did he let go of the balloons?”

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On my story time bulletin board, I add characters or objects from books we’ve read. The seasons change. Nothing is static — things move around. Somehow, it’s more magical because it’s tactile. It isn’t digital. It isn’t online, or on a screen. It’s present with us, to be experienced and observed by all, as we gather in the same moment and place in time and space. We experience it collectively, from our different positions around the room, our different heights and ages. Like the magic of the puppet theatre, I don’t think this is repeatable, really, online. We don’t live solely in our minds; we live in our bodies, as sensory creatures.

In truth, however, my main job in the library is to maintain the collection — a tactile mode of interacting with this most beloved of mediums (beloved to me!): text and illustration bound up in pages. The sensation of handling books affects me similarly to doing a puzzle; it’s soothing and peaceful to create order.

As for the other hours in my days and weeks, I’m currently on a “spring burst.” I’m going to gym regularly to spin, sweat, lift weights, stretch, and take good care of this deep-into-midlife body (and mind). The X Page is entering its final month of preparation (!!): mark your calendars if you’re local. We’ll be performing this season’s stories on Sunday, June 16th at the Registry theatre in downtown Kitchener (more info coming soon). And my writing life is bursting with beautiful blooms too: seeing a dear friend’s book project come to fruition, editing stories, and dreaming up a new novel.

Come summer, I’ll have a two-month break from the library — writing sabbatical??? And time to repair, restore, relax, too. It’s been very non-stop. I keep thinking I’ll catch up, but there’s no up to be caught. The routine swings round and round.

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My instinct is to maximize efficiency on tasks. But more and more, I’m focused on making space to maximize enjoyment, no matter the tasks. What do I love doing? Mostly, really simple things that are easy to call forth, that don’t require a lot of extra planning or resources. I love sweating and the rush of endorphins. I love meeting new people and diving in deep. I love collaborating, learning new skills, appreciating the strengths and techniques and wisdom that others bring. I love grappling with text, creating narrative sequences on both the macro and micro scale that maximize pleasure for an audience. I love eating supper with my family and hearing about their days. I love stopping to smell blossoms on trees. I love blasting songs on the radio when I’m driving alone. I love making magic — out-of-time experiences, opportunities for surprise — through the simplest means possible: a drawing, a story, a group exercise. I love taking care of people. I love cooking (but only when I’m not rushing). I love being outdoors, walking, biking, running. I love creating order out of chaos. I love living in my imagination, in my many imaginary worlds. I love to dream.

Nothing is ideal. I love that too, the reassurance of it. I mutter this phrase to myself a lot — “This is not ideal!” —- and not negatively, but encouragingly. I mean it as a form of freedom. Nothing about this is ideal. (And it does not need to be.) This thing you’re doing, this thing you’re creating, this solution, this story, this hard conversation — whatever it may be — you’re doing it to the best of your abilities; be reassured. There are many possibilities, many directions, many discoveries, of which you will try one and then another and another, testing things out forever and ever, amen.

xo, Carrie

What inspires you to create?

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Spending time with children is a fabulous fortune. It’s pure gold. 

A friend and I were talking recently about older people whom we love and care about, whose lives have been robbed of dignity by ailments and illnesses, and we wondered what could be done for those we love, when the options for care are so limited? Long-term care: the place where nobody wants to go, nor enters willingly. Could multi-generational living situations be a solution, my friend wondered? But that would require women (most likely) in their prime earning years to become full-time caregivers; our North American culture and norms and the economy itself is not geared toward this, even if it were something women in their prime earning years would wish to do.

What about a dorm-like set-up where university students or young adults lived alongside elderly people, sharing common space and meals? And animals or pets were part of the picture too? Maybe even a nursery school? Personally, I can imagine moving more willingly into a care situation like that. (Yes, even with the germs!)

In the dominant North American culture, we tend to hive ourselves off into age groups. Think of university students who have a tiny window when they can live in dorms communally, then it’s over. We think of independence as living solo or with immediate family. There aren’t many opportunities to experience life as part of a multi-generational whole, and that’s challenging, I think. It’s alienating.

My children are now young adults, and soon they will be quite grown. I don’t want to relive those years again—caring for young children—but I’ve missed the generative energy of children. I’ve missed their naturalness and ease in conversation. I’ve missed their seriousness, too, and the way children pay attention. So it’s been good medicine to be working in an elementary school library. Not only do I get to be in a big quiet (sometimes!) room full of books, but I also get to open those books and read them out loud. Story time is a highly participatory experience (and I need to work on my pacing, to speed this part up a bit, for the teachers’ sake!). But I’m just about nearly as curious as the kids are to explore the effect of words and imagery on the pages. As I read the same book over and over to different mini-audiences, I gain deepening insight into what draws their interest and attention. What matters to them.

The details they notice in the illustrations are fantastic—they’re putting together narrative on a visual level. And they listen carefully to the words, making connections to their own experiences, wondering out loud. Trying to understand.

Working with children, being in their presence again, is like looking into a mirror of how I want to be (on a spirit-level). I hope I’ll always get to be with children, one way or another; or at least I hope I’ll feel free to approach everyone, no matter their age, the way I approach children—with openness and trust, attention, curiosity. It’s in this mind-space (spirit-space) that I am inspired to make things, to write, to draw, to create. It seems to me that the only way to survive being alive, surrounded by inequality, imbalance, suffering and pain—and as a participant in these pain-filled structures and systems too—is to make, to create, to mediate experiences through imagery. To go searching for beauty. And sometimes, to find it.

xo, Carrie

PS That’s me and my brother in Waterloo Park, when we were very young.

May you live with ease

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I have been drawing and writing again: four weeks in my new position at a school library and creative energy has returned — it isn’t all being used on the job. In fact, working in the library seems to energize and soothe me in equal measure. The space is mine to play with, building on themes, displaying books, decorating with paper crafts (bulletin boards and such, see example above — not my forte, but I’ll learn!), reading stories to classes, and finding tasks for the many many library helpers (close to 30 grade 5/6 students) who the previous library clerk had brought in. The space has a wall of windows, and when I unlock the door and walk in every morning, I feel a sense of excitement and gratitude. 

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I love to put things in order. A library that is being used properly will forever give me things to put in order. And I LOVE reading to children and interacting with children.

Yet I also recognize and honour that the decision to change course took courage and did not feel straightforward or easy — it was painful to leave the students and staff and those fulfilling relationships at my previous school. I miss them. 

There are situations and experiences that may not be healthy for us, or suited to true needs, long-term, but may nevertheless be valuable and wonderful in the moment. To leave something is not to diminish its worth.

Last year (2022), I focused on what I was feeling, trying to understand better the underlying sensations and emotions that were fuelling my decision-making and moods and interactions (often without my awareness), and this year (2023) I’ve focused on identifying my needs—so that I am better able to meet those needs, and not expect others to meet them for me. It’s a bit counterintuitive, but when I know what I need, I become less needy. 

But I don’t always know what I need. Or I think I need a particular something, when really, what would satisfy and fill me is something else quite different.

I didn’t write much this fall; my creative spark vanished. I couldn’t find it, and didn’t even want to, particularly, or care much. All my creative energy went into problem solving at work—and I liked it, in many ways, because it made me feel useful and mildly heroic, which writing and drawing never really does, to be perfectly honest; but it was a sacrifice that ultimately was making me very sad, on some fundamental level. My rational mind didn’t notice or care, but my body did, my heart did, my guts did, my intuition noticed: and Sad Carrie was not really helping anyone.

What I was missing more than anything, what I needed, was my creative spark. I didn’t consciously know this till the spark reappeared. 

Every morning before going to my new library job, I have time (and energy and the desire) to draw and write—and so I do. And the pleasure it gives me is without measure. There’s no purpose to it other than joy. No use. No rational worth or monetary value.

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I’ve been reunited with this joyful part of myself.

To be joyful in the world is such a gift. Joy isn’t blind or ignorant, and joy doesn’t ignore suffering; it bubbles out of ordinary encounters, it is born of gratitude and grace, and interior space, which allows a person the bandwidth to be attuned outwardly, or open somehow, sensing and knowing the sacredness of every interaction and experience — that is what I mean by joy. 

Joy can’t be manufactured, but it can be quietly drained from the body and mind by overwhelm and exhaustion. You can’t meditate yourself into a place of joy when you are drowning. The collective message to people in overwhelm and exhaustion and burnout and grief, drowning under a weight of responsibilities and impossible tasks, is: save yourselves! Do some yoga, or be more mindful, or whatever “wellness” trend is being pushed at the moment. I love yoga, and I appreciate the value of mindfulness; but when drowning in overwhelm, there isn’t a person on planet earth who can meditate themselves back to joy. Maybe to temporary relief of symptoms; maybe to a hope for a different path, or a glimpse at possibilities; but when the light goes out, it’s dark.

What lights your creative spark? 

What are you feeling?

What are your feelings telling you about your needs?

What do you need?

Food, shelter, health, safety. What about ease? What brings you ease, and how does your ease express itself? How do you live when life is not such a struggle? How does your joy appear? How do you know when you are joyful? 

My ease bubbles out in laughter. My ease fills a page with colour and lines. My ease delights in reading a book to a group of children and listening to their comments and questions.

May you be be safe. May you be healthy. May you be happy. May you live with ease.

xo, Carrie

ask your heart a question

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My word of the year group met last night, despite the thundersnow storm, and we did a meditative exercise — we asked our hearts a question. First, we needed to find a question. Do you really want the answer to this question? our gentle leader asked. As instructed, each of us tried to clarify our own question. And then we closed our eyes and lowered our questions down to our hearts, and let them go.

We sat in silence, meditating as we wished, for 15 minutes. At first my mind was jumping all around, trying to get the wording just right on my question. But the right wording never quite materialized, so I dropped down a plea: What do I value? What matters to me, heart? Then I tried to follow the instructions and let the question go. Goodbye question. Off you go.

I began breathing in for a count of four, retaining breath for a count of four, breathing out for a count of four, holding at the bottom of the breath for a count of four — box breath, I’ve heard this called; I’ve been practicing it off and on for over a decade. This breathing pattern helps my body to relax, which helps my mind to relax. I’ve even tried it in the middle of the night for insomnia. And it does seem to stall a spiralling of 3AM thoughts — or any version of busy-mind thoughts, relentlessly turning around and around, scrabbling for answers in the walls of the mind. Breath is powerful.

After some minutes in box breath, I saw in my mind’s eye the library where I’ve been working regularly for a few months, the desk behind which I sit. A memory from the day unfolded, and I saw a child standing at the desk. I heard our conversation. Tears flowed down my cheeks through closed eyelids. That was all. Outside my friend’s house, a neighbour with a snowblower was clearing the sidewalk; I felt comfortable and relaxed, warm, calm. When the timer chimed, I took off my glasses and wiped my face, and we wrote in our journals for a little while.

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Do you trust your heart? Do I trust mine? When something unexpected invites an emotional response, do I pay attention to the cues? Does my response say more about how I’ve been socialized, my unconscious biases, my hangups and desires than about some pure and true core of self singing? I am sentimental about things that do not make me proud. For example, I habitually prefer to see myself in the role of “helper.” Is this why the library image moved me? Or was it something else — or that, but also something else?

I do like to help people. I especially like solving small problems. That’s not what this image showed me, however. I wasn’t solving a small problem, I was listening to a little story. Brief window. Glimpse. Delight and joy animating a child’s face.

I like considering that there is a “wise watcher” within me, paying attention, ever-present, not judging, not criticizing, just watching. I think this wise watcher’s calm presence supercedes my interior critic, if given the chance. With practice, I hear her voice more clearly than the clamouring cruel critic who also takes an observer’s role (the voice I connect to shame, to roiling stomach, closed-up throat). Maybe this wise watcher is connected to my heart. I would like to imagine that. The wise watcher is the calm presence in the room of the self. I would like to imagine that everyone has a wise watcher within themselves. Everyone has a quiet place of respite that belongs only to them.

In writing this out, I sense what matters to me — that I nurture the capacity to embody the wise watcher, to be a calm presence in the room. Not directing, not manipulating, not telling, not wanting, just requesting permission to be present, and to be with.

Work that invites me closer to this possibility? My heart overflows with thanks.

xo, Carrie

You know it’s not the same

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A friend has offered to redesign the banner on my website to remove the title “Obscure CanLit Mama,” which no longer fits so well. On a hot August morning in 2008, I titled the blog on a whim, and began sending out posts to the universe. My youngest was newborn. He’s now in high school. In those early days, I wrote a lot about the kids. I posted recipes and meal plans. I wrote about juggling constant stay-at-home childcare with attempts to steal even a smidgen of writing time. I’d published one collection of short stories, four years earlier. It seemed presumptuous to attach myself to CanLit as a participant (even an Obscure one). The Mama was the ascending identifying force in my life at that time.

I haven’t posted a recipe in a very long time.

I don’t write about my kids, except glancingly.

These days, I come here, to this familiar space, to reflect mostly on writing, but also on what seem to me to be ephemeral, spiritual matters: aging, artistic discipline, setting routines, learning new things, re-learning old things, the repetition of the seasons, creative practices, play, emotional weather / weathering emotions. Etc.

2022-09-26_01-35-05In the 14 years that this blog has existed, I’ve poured energy into being a writer, laying claim to that identity, earning grants, publishing three more books, teaching creative writing, organizing writing workshops, serving as a consulting editor with The New Quarterly, speaking, travelling, practicing the craft, seeking to keep my connection to my writing alive and thriving.

Obscurity is a self-effacing mindset (erasing? shrinking? minimizing? hiding?). I know that. But it was necessary protection as I tried to become / be a writer. I’ve been afraid of being a writer, of laying claim to this identity and its shifting cultural responsibilities. Since childhood, I’ve wanted to perform magic tricks with language, to conjure imaginary landscapes, converse with imaginary people, finding solace in their losses and successes. I did not aspire beyond that — that was a big-enough dream. I knew my writing wouldn’t be activist in nature, because I am not an activist by nature. I’m a ventriloquist, an observer, a performer, agnostic, hungry to learn, curious about the questions, less-so the answers, the mystery, not the proof.

It’s a rather exalted view of being a writer. Or maybe I mean ecstatic. Or impractical. But I admire it, I love what my former self was attempting.

I dipped into The Juliet Stories this morning, a book now ten years old, and the writing sang off the page, just like magic. I couldn’t remember the person who’d written it. It was like reading a stranger’s words. Did I know then what I’d made? No. I didn’t trust its worth. I didn’t need to. I just kept trying, year after year, focused on the writing, and eventually made something.

2022-09-26_01-34-58I want very much to be that same writer, to write with confidence, believing in the magic of language. “You know it’s not the same as it was”: this song came on my “Run Fast” playlist this morning (oh Harry! so nostalgic); maybe “As It Was” especially resonates in These Times, when we’re trying to remember who we were Before. But life is lived in the present, and time carries us onward. We change; and experiences change us. It’s not the same as it was. That’s a neutral statement, at heart. It doesn’t have to weigh heavily, though it’s tempting to roll around in those deliciously bittersweet emotions.

What’s next? What path am I running, where does it lead? I can’t see very far ahead of my feet. Whose hands am I holding? What’s pulling me onward?

What kind of a writer am I now? What kind of a writer do I aspire to be? Do I need to know? No. As Lynda Barry would remind me: it’s none of your business. Follow the energy, get comfortable in the not-knowing.

I don’t have a new title for this blog, just my name. Enough? Enough. Yes.

xo, Carrie

Woman with the owl tattoo

2022-08-26_03-35-52This is the lake into which I’ve dunked my full self every day for the past seven days. Some days it has been warm and sunny, even hot. Other days, like today, it is cool and windy, cloudy, rainy, almost cold.

Today, I went kayaking first, to warm up.

I never take my cellphone out kayaking (for obvious reasons), which means I’ve never gotten a photo of those rocks and trees visited only by water. I didn’t kayak the first few days here, because I was waiting to feel rested up and restless, and when that happened, it was bliss to be back out on the lake in the little blue kayak, wearing my baseball cap and favourite blue lifejacket.

2022-08-26_03-35-32I got a very large tattoo this summer (as well as a small one). When I catch a glimpse in the mirror, it gives me pleasure to think: this woman could be an aging rock star, or an aging artist! I still can’t give a particularly good reason for getting the very large tattoo, or even for the chosen image (an owl made of woven ribbons), other than I like it.

I like it. It makes me feel both more myself and more like a different, alternative self, living a much edgier, cooler, artistic life, that probably involves less cooking and cleaning, overall. Fewer challenging parenting decisions.

2022-08-26_03-33-32At the cottage, we mostly unplug and read. I’ve read all the August New Yorkers from cover to cover. I just finished my friend Emily Urquhart’s memoir, Beyond the Pale, which explores folklore and genetics. And I’m currently tearing through a novel called Nightbitch, by Rachel Yoder, a writer with whom I share Mennonite roots (she was raised in Ohio); the book seems to me to be an answer to the question: why is motherhood so confusing and impossible? Or, maybe it’s a theory of motherhood, or an abstract on how to respond to motherhood, including positing motherhood as intensely lived performance art. Whatever it is, it’s deeply weird, hilariously funny, and consoling. I keep reading lines out loud to anyone who will listen.

I recommend pairing Nightbitch with this New York Times opinion piece on the “mothering instinct.”

Bracing. Just like the cool lake water. Some summers I haven’t gone under the water even once. I used to swim no matter what, training and doing lengths back and forth in the deeper water, but after a near-drowning experience a few years ago, I’ve been cautious and nervous in the lake. This summer, I decided to try, at least, to walk in and go under, no matter the weather. I’m fascinated by people who’ve taken up immersing themselves in freezing cold water, hacking holes in icy lakes in the middle of winter. It seems to have become a popular thing during the pandemic. I don’t live close to a body of water that would qualify as a lake, but in truth, even if a handy icy lake existed nearby, I’m not sure I’d have the fortitude for it. My alter-ego with the owl tattoo totally would. But for now, I feel practically heroic for paddling around the shallows of this little bay on an overcast and cool day, limbs tingling and bright, and chasing it with a blissful hot shower, enjoyed outdoors under the pine trees.

2022-08-26_03-33-56Maybe this is where my owl tattoo self lives all the time. I love the sound of the lake water on the rocks at night. I love the isolation. Everything slows, here. My racing mind. Time. Longing. Experience. Expression. It feels like we could always be here, when we are here.

xo, Carrie