Today, this month, I turn and return to gratitude. I’ve been looking for poems about thanks and thanksgiving for a church service I’m helping to plan, and I’ve noticed the poems that draw me are tempered with grief, there are many colours woven into the fabric of the experience of thanks they describe. I’ll post one, by Jane Hirschfield, below.
Monday morning thank-you list:
1. Kasia’s yoga class this morning, and her invitation to greet the day by saying, “Good morning, I love you,” to ourselves. (Wow! That changes the wake-up script!)
2. Enough time to work on revisions. Solitude.
3. Invitations to speak. Connection.
4. New projects, old projects, ongoing projects.
On the “new projects” front, in addition to the novel, I’ve got a couple of creative non-fiction pieces being published in anthologies, this year and next. Both are very personal, and a bit raw — “In This River” has just been published in an anthology called Impact: Women Writing After Concussion. Here’s me talking about my concussion (oh, soccer!) and reading an excerpt from my piece. I also “composed” and played the music that accompanies this video (“composed” in quotation marks because it’s just pure improv). A strange after-effect of the concussion: I was able to improvise very freely on the piano; more to do with rhythm than melody, almost as if some interior barrier had been breached.
video edited by Jun Kim
(Monday morning thank-you list, cont.)
5. Stretching myself, learning new skills … like the opportunity to make the recordings, above.
As I think about my relationship to my writing life, I am aware that publishing is a piece of it, and that means a different kind of work and effort and engagement with the world: presenting, public speaking, sharing. Looked at from one perspective, publicity work terrifies me, I’ll be honest. I’m terrified of feeling exposed, of being drained, of being judged wanting, of feeling ashamed. But looked at through the perspective of thanks, everything changes. Good morning, I love you! What if THANKS were the baseline I returned to many times each day?
Thanks brings me closer to wonder and admiration. Thanks brings me closer to patience, calm, the ability to pause. Thanks brings me closer to others. It’s a lens of perspective that gives me a different relationship to time and to self.
(and one last thank-you on the Monday morning thank-you list)
I love these things because they make possible my engagement with everything else. I don’t want to live an entirely interior life — I love that part, it comes easily for me; but I want to be in the world, I want to connect, share, respond, serve, workshop, teach, coach, relate, cradle, hold, feed, nurture, offer of what I’ve been given. You know? It’s a short life. I want to live in it.
"When Your Life Looks Back," by Jane Hirshfield
When your life looks back —
As it will, at itself, at you — what will it say?
Inch of colored ribbon cut from the spool.Flame curl, blue-consuming the log it flares from.Bay leaf. Oak leaf. Cricket. One among many.
Your life will carry you as it did always,
With ten fingers and both palms,
With horizontal ribs and upright spine,
With its filling and emptying heart,
That wanted only your own heart, emptying, filled, in return.
You gave it. What else could you do?
Immersed in air or in water.
Immersed in hunger or anger.
Curious even when bored.
Longing even when running away.
“What will happen next?” —
the question hinged in your knees, your ankles,
in the in-breaths even of weeping.
Strongest of magnets, the future impartial drew you in.
Whatever direction you turned toward was face to face.
No back of the world existed,
No unseen corner, no test. No other earth to prepare for.
This, your life had said, its only pronoun.
Here, your life had said, its only house.
Let, your life had said, its only order.
And did you have a choice in this? You did —
Sleeping and waking,
the horses around you, the mountains around you,
The buildings with their tall, hydraulic shafts.
Those of your own kind around you —
A few times, you stood on your head.
A few times, you chose not to be frightened.
A few times, you held another beyond any measure.
A few times, you found yourself held beyond any measure.
Mortal, your life will say,
As if tasting something delicious, as if in envy.
Your immortal life will say this, as it is leaving.
We’re in such a trippy time warp here in continuing lockdown (with cases heading in the right direction again, so there’s hope). But there’s always hope! And I’m noticing that hope comes in the form of a small change or surprise or pleasure that can be found, really, in any day. Even the dullest of days.
For example: supper! It happens every single day, but we all look forward to it. I currently have the time to put more thought and preparation into the evening meal, and it is worth it. We gather, talk, eat good food. It’s simple, it’s satisfying.
Another example: snow falling from the sky!
And: the days getting incrementally longer. It’s 5:19PM as I type this and it’s still light out!
Also: group activities!
With my word group, I’m doing a 2-week tea-cleanse, in which we brew and sip teas throughout the day, and connect with our words and with each other via email, and maybe, too, via psychic powers.
With my family, we are doing reward charts! Who knew? It began when I offered to print up a chart for our youngest, who needed encouragement to practice more often (online school is sapping his motivation). As soon as people spotted his reward chart, it quickly spiralled. Now everyone has one (mostly with the goal of practicing a musical instrument every day, although Kevin gets a pass—he’s drawing instead). When everyone earns 10 stars, we get a pizza party! Individuals can earn a separate reward for every 25 stars. The rules and rewards were discussed and agreed upon and planned for at some length; and tonight is the night: Pizza Party! Whoo-hoo! We even had a sign-up sheet so people could bring something extra (like a fruit tray, or Scotch mints, or a cake). We’re planning to watch a movie too (“Soul”). [Update: What a wonderful movie to share as a family; laughter, music, and the exploration of big existential questions. You should watch it too!]
Finally, on the group activity front, I’m connecting virtually as much as possible through yoga classes on Zoom, texts with friends and family, Zoom calls with my Grandma, and writing time with imaginary characters (that counts too, right?). Today I tried a midday movement class out of New York city that, frankly, seemed to be inviting me nap for an hour on my heated studio floor while making fractional movements with my arms and legs. So maybe that was a one-time thing. But I tried it!
Explore: that’s what’s giving me hope, and purpose, and spark right now. Try it, sign up, reach out, say yes to something different and new, even if it’s just challenging yourself to cook a meal with the weird passed-over ingredients haunting your cupboards (my supper plan for Thursday!).
I’d love to hear what’s giving you hope, in small surprising ways, right now.
I write this on Election Day in the United States, November 3rd. Yet I passed today much like I do every other week day. I got up at 6:30, brushed and flossed, did my comical warmup exercises, which include 10 burpees, and then went for a run in the park. It wasn’t dark, due to the time change, and I decided that I prefer running in the dark, even though it’s a bit creepy. When it’s dark I’m not distracted by the scenery. I don’t keep wanting to stop and take photos. In the dark it feels like I might still be asleep, in a dream-state. There are sections where the path is completely unlit and I can’t see the terrain, and it feels like I’m floating rather than running, because I have no idea where or when exactly my feet will land. If that sounds terrible, it’s not. It’s a sensation quite lovely and strange. Lovely because it’s strange.
Where will my feet land?
Oh, to circle back to those burpees: I’ve been doing 10 burpees a day since July and they are EXACTLY as hard to do as they were on day one. I’m literally getting no better at burpees.
On my run, I listened to my “Run Fast” playlist. This morning’s favourites included The Weeknd’s “In Your Eyes,” and “House Party” by Neon Dreams. I stretched back at home, feeling some familiar twinges in my lower back and hip. Ugh. Then it was yoga in the living-room with Kevin and Annabella, who had just finished exercising with the Wii: Just Dance has suddenly become popular in our house. You never know what a day will bring.
Hope? Hope? Hope?
Shower, breakfast (porridge), listened to part of The Daily, read the Globe and Mail, coffee. Laundry. Watched Seth Meyers. Settled into office. Promptly exchanged texts with friends who were also trying to settle into their offices. At last, put on headphones and tuned into my “Lynda Barry playlist,” which helped me to tune out everything else. Sort of.
More laundry. Lunch was leftovers. I did some stretching on my office floor while watching Colbert.
I’m working on revising my novel and to my great surprise, I actually managed to find my way into it. Granted, the work I did today is probably crap, but at least I was there, in that other world, and I stayed there for a few hours.
Emails. Talked with various children as they wandered into my vicinity.
Angus is cooking supper. He’s been cooking every Tuesday this fall, gaining new skills each week. Last week, he learned how to cook beans from scratch and made refried beans. He’s also learned how to make lentil soup; lasagna; oven-fried chicken with waffles; a roux; and some other things I’m forgetting. Tonight, he’s making fresh rolls with tofu and a peanut sauce.
That catches us up. I haven’t checked the news for hours. But I’ll be tuning in soon enough. It’s almost time to take off my headphones.
Hey. I’m okay, you’re okay. When all the excitement and fuss is in the past, no matter the results, we’ll still have to figure out how to talk to each other, listen to each other, care about people other than our nearest and dearest, make reparations for our wrongs, and try not to destroy this planet we live on even further. We’ve got a lot to do. My work matters, your work matters. Distractions can’t fool us into thinking otherwise.
I’ve been pausing to take photos of the morning, the early morning light and sky and trees, as they change. The days are shorter, and now I run in darkness especially when it’s recently rained, as it had last night. This morning I’d already decided that I would stop at the bottom of a hill on the opposite side of the park, to get a different view than I usually do. I’d pulled out my cellphone when the sky filled up with birds. They flew toward me and then on and on, a great stream of them; it looked like they were heading north, not south.
I don’t wear my glasses to run, and the result is photos that are often slightly (or wildly) out of focus.
But my writing life feels more in focus, both this week and last. I’ve been working on revisions, and have been grateful for the energy to be methodical in my planning and execution. Last week, when I was feeling so low, the novel was a complete escape; I needed it, I could see that. I needed something big and whole to tether me to purpose, something outside of myself, that would carry me out of my body and mind into the bodies and minds of other people. Characters. Avatars embodying my questions and testing my theories about how to be (or not to be).
Fiction is escape. Writing fiction is immersive. Like plunging into another bloodstream, or being set free into a new landscape that isn’t mine to tend and repair, only to wander through like a voyeur. Looking through windows. Inside cupboards. What’s on the bathroom floor? I don’t have to pick it up, clean it up, I just get to snoop through imaginary rooms, imaginary weather, climb imaginary trees, hum imaginary tunes in someone else’s dreamy voice. Feel imaginary sadness; that too. And I get to come through it, by piecing together a puzzle so all the edges fit and make sense, the way real life never does, never can.
This morning, I was wearing headphones, listening to my “Run Fast” playlist. Missy Elliot was playing. But I could hear the birds.
(As I ran on, up that hill and turned down a very dark stretch, and the birds kept coming, all I could think was: Please don’t poop on my head!)
We all need things to look forward to. Things to plan for. Events that lift us out of our ordinary lives and routines.
Our house, on Friday evening, was transformed into an event venue for our family’s Fake Prom 2020: Starry Night.
The party was magnificently planned by our younger daughter, who is a natural boss, with an eye for detail. Everyone was given a job. I was the DJ, Kevin was the bartender, our eldest did the menu planning and food prep, and the other two assisted with cleaning and decorating.
We were to appear at the venue, at 7PM, dressed to the nines. Furniture had been moved. Photos were taken.
Eating, drinking, dancing and lounging followed, supplemented by several rounds of back yard volleyball. The first round, I wore my jean jacket due to pure vanity (45-year-olds can still be vain), but for the second midnight round, I was in my actual winter coat! Kevin burned some stuff in our old fire pit. We attempted to see where the ball was going. Hilarity ensued.
DJ Carrots and Beats had everyone jumping with some dance classics, and relaxing at the after-party with a more mellow vibe. Canadian Trivia was featured at the after-party. I tossed in a late-night load of laundry. Ate a big bowl of late-night pasta salad.
The only melancholy note was the recognition that this would have been a really kick-ass party to host for friends. We miss you friends!
The next day, we all slept in and lazed around. There were snow squalls, so it was kind of the perfect day for that. (Side note: Are we in Narnia? Is it still March?)
Tell me, friends, what are you planning and looking forward to right now? Ideas to share?
Like many of you, my days — their very substance — have changed. And I’m finding comfort in a daily drawing and writing session, the results of which I’ve been sharing here. Will it last? I don’t know, but I’m debating whether these cartoons and poems should replace the ordinary content of my blog, which is more like this … more like me talking to you (rather than me talking to my notebook), more conversational, a little more “newsy.” The writing I’ve been doing in my notebook is closer to fiction or poetry; and its tone might not fit the blog’s, perfectly.
But, still. I’m making it, and I enjoy sharing it. I will keep sharing it for the time being, and perhaps find another way to do so, in order to preserve this space for, well, this.
How are you? I hope you’re finding ways to enjoy your days, which may feel extra-long and extra-slow; the stretched-out passage of time, in the absence of much happening, reminds me of my days spent parenting small children.
We are good, here. Our eldest returned from his trip to Montreal (where the city had shut down around them); he’s restless, and has yet to settle in to the strangely calm routine the rest of us have invented for ourselves. Kevin is our designated leave-the-house-for-supplies-person. We are grateful for our big back yard. There’s room to kick a soccer ball. Room to refinish a coffee table. My office is an oasis of peace. I’m mainlining meditation, and have been tuning in every evening at 8PM to my friend Kasia’s livestream kundalini session on Facebook. At some point this week, I baked a double batch of cinnamon raisin bread that was divine. Yesterday, I wiped down every major surface with a bleach solution, a tedious and wearying project that opened my heart with gratitude and amazement for everyone whose job it is to wipe down surfaces, to keep us safe. My admiration and thanks are with each and every worker on the front-lines, putting themselves at risk, doctors and nurses, and also cashiers and cleaners. My job by comparison is ridiculously easy: stay home, stay calm. I think often of those who have lost work, who fear the immediate future, the basics of survival. A couple of weeks ago, I was mercifully awarded a major grant from the Canada Council for a novel I’m working on, the timing of which has been a major relief; I’m certain we’ll be okay even if the kids can’t work their summer jobs, even if Kevin’s business shrinks in the near-term. I feel fortunate, too, to share my home with five other people, plus dog. We might irritate each other from time to time; but we also have close companionship. Staying connected, generally, has taken on increased significance. I enjoyed tuning in to my church’s virtual service this morning. Last week, my sibs and I met for drinks via Zoom.
The forced presence and stillness suits me, at least for now. But, as you’ll see from my “poems” below, I’m also aware of underlying anxiety, of uncertainty, of the fear of the unknown that seems to be floating through the atmosphere, bubbling up from the depths.
Below, you’ll find samples of my drawing and writing from the past couple of days. Feel free to read, or skip, as you wish. Sending you presence, light, hope, stillness, and, in place of anxiety, free-floating poetry.
PS Add this to your recommended reading list: Washington Post article about a poet in Southern Italy who shared his personal cellphone number on social media, offering to talk to anyone who wanted to call. As Seth Meyers would say: this is the kind of story we need right now.
Thursday’s cartoon was drawn to Lindi Ortega’s “Fires.” I think it’s a double self-portrait, of me, right now, waving to me, from a time before coronavirus. But who knows? These portraits seem to draw themselves.
What’s on your mind?
Today’s poem comes to you from a land of uncertainty where nothing and everything has changed from one moment to the next, and the landscape looks the same, only bleaker, and the world is windswept and bleary, all crispness reduced to the edges of dried grass rustling as we shuffle past, keeping a safe distance from one another. When our hands brush briefly, accidentally, before parting, I flinch as if I’ve touched fire, fever, the source of fever — or is it I who am a danger to you? Either way, I bear responsibility for the possibility of infection, and this reminds me that we must be guarded and vigilant, we must restrict our children’s movement and our own.
Is twenty seconds long enough to thoroughly clean my hands?
The pressure in my chest expands. I sneak into the bathroom to take my temperature again, momentary reassurance that I am well. But is this well? I stand in the bathroom looking at the number that presents itself to me, a neutral number, on a neutral device of measurement, and I ask, what about the invisible suffering parts of us, how can we measure and assess those fevers and chills and aches?
There is so much surface that needs to be disinfected, vast and spreading; what’s underneath must be even vaster, almost infinite, the darkness we fall into, the anxious pain that presses against the ribs, trying to get out. I see it everywhere, written on everyone, muted, uneasy, restlessly awake now.
We knew we would die one day.
We thought we would know better what we had dominion over, what we could control. These depths bubbling like lava, like an eruption at the bottom of the sea, like rumour — are not the message we’d been awaiting. We want instruction. A six-step undertaking to cleanse our surroundings. A bleach solution (9 parts to 1).
A tincture, an inoculation. A cure.
Friday’s cartoon was drawn to Bill Withers’ “Lovely Day.” A friend observed that the past two portraits seem to be expressing a fractured self; in any case, the figures are all boxed up and separated, though some of them are reaching out.
What’s on your mind?
My mind empties out and I see behind the overcast grey sky a clean-swept blue; now hidden, but still there, and I imagine the wind pushing at the clouds and opening a smear of light; the clouds torn like paper, ripped like fabric.
Experience has the same effect, working on my mind to rub away the clouds of certainty. In its place, a frayed understanding — that nothing holds, and that certainty is less desirable than I’d imagined, that instead I am happy to settle for being useful, for finding myself, occasionally, in the right place at the right time.
I see that vulnerability is like an invitation, while certainty silences. The rip in the massing clouds reveals the sky, blue, which was always there, if I’d known to open myself, frayed, worn, fragile, as I’ve always been, whether I knew it or not. I let myself be seen. And in return, I see you.
Saturday’s cartoon was drawn to Tom Petty’s “Running Down a Dream.” I drew it with my eyes closed. I took the theme rather too literally, which is why I’m running, sort of, though I couldn’t visualize what dream, exactly, I was running down. So I drew a few little star-like flowers that can be seen near my right elbow, like the flowers I noticed on the spider fern whose tendrils are hanging over our sink (pictured at the top of this post).
What’s on your mind?
This time is this time is this time of now and now and now and it is almost impossible to be anywhere else or with anything else but what’s before me.
I notice the spider fern is flowering, tiny delicate blooms hanging over the sink.
I notice my son’s head smells like sweat, and my daughter’s head smells like coconut oil. I touch their hair.
My hands smell of bleach, though I used gloves, and I wonder if the smell is real or remembered, is it in my nostrils or just the memory of it, the way I can smell cigarette smoke from someone else’s car even after I’ve rolled up my window and driven away, even after I’ve left my car in the parking lot to sit outside the door of my daughter’s piano lesson, how even here I think I can smell the stranger’s cigarette smoke in my hair — and by extension, her poor decisions and regrets and longing; which are, of course, my own.
The piano studio has locked its doors.
We live inside.
We do not drive anywhere. We are in a time of plague and even yesterday seems very far from today, estranged from today.
Now. Now. Now. The sound of my pen scratching — too fast, sloppily — across the page. I’ve only just noticed that I grip it as near to the tip, the nib, as is possible. I only just see it — my pen — as an instrument I am playing, an extension of my body, a tool encircled by five tips of fingers, each with a half-moon circle of curved, opaque nail. There are no straight lines on my hand. The pen is straight and hard and useful to me, it is made for this task and nothing more; but I am made for bending, praying, curling, holding, I am made for giving way. I am made for praise. For contorting myself anew.
I am made for change and ever-change, evermore, now, as before.
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My name is Carrie Snyder. I'm a writer of fiction and non-, reader, planner, dreamer, arts organizer, workshop leader, mentor/coach, forever curious. I'm interested in the intersection between art and spirituality. What if the purpose of life is to seek beauty? What if everyone could make art?