Category: Organizing

Trust the process: X Page Workshop, season 6

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Last Friday, I sat down and tried to write about the season’s X Page workshop. Our 6th season.

It is hard to pin down the value of this project, this PROCESS. You almost have to live it. It’s the truth of collaboration. It is not a solo journey. We are stronger together. Cliches!!! And yet — have I ever been hugged so fiercely? Have I ever shared such wordless pride? Leaning into Maha as we watched this season’s performers join hands and bow at the end, some faces beaming, others streaming with tears. I was weeping, almost sobbing, like a witness to a holy act.

I know. It sounds like an extreme response. But let me not back away from the ecstasy. Let me not minimize it when it reveals itself.

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In that discrete moment, I could see — or glimpse — at last, what I’d hoped to make, something much deeper than I could ever have imagined. It didn’t feel like I’d burdened anyone with a madwoman’s vision (which at times I’ve wondered about!); instead I understood the project’s POTENTIAL for profound meaningfulness in the lives of those who take the leap of faith and join the adventure.

The X Page Storytelling Workshop is a true ART project, truly multidisciplinary, truly ambitious, truly visionary, truly risky, demanding and hard. And. It has a pull, a light. It magnetizes its participants. And we are all participants — that’s the truth of it, and the magic.

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What we experience, as participants, is COLLABORATION—messy, risky, inefficient, complicated by conflict, conflicting ideas, competing visions, different ideas about what this all means or what it’s meant to represent and be. And yet somehow collaboration, through the vehicle of this project, also proves itself to have coherence, to be cohesive, durable, bound together by a shared goal and deadline—the performance!

Don’t get me wrong. The PERFORMANCE is not the whole of the project, but it is necessary. It gives purpose to our trials; energizes our efforts; lifts what we’ve tried to achieve into the light. Art wants this. It craves an outlet. It longs to be seen.

As a vision, the X Page workshop has a wholeness to it, a logic that is forceful. Yet its component parts are flexible.

It’s like seeing my self, my freed artist self, embodied in a process or EXPERIENCE that is translatable, intended for others to enter into. It’s not remote, or special, or precious; it’s invitational. Witnessing its phases and stages, its preparatory and planning periods, its hesitance, its fundraising efforts, its nervous energy, its excitement, its delight at welcoming each new cohort, its surprises, its endurance, its changes, its learning … it feels as though it’s given my life coherence. Or that its collective nature expresses a coherence that I can only glimpse with my solo work.

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We have to go to extremes to do this thing together—that is the truth of making art. Art-making has its disciplined middle ground where much of the work gets accomplished, but that balanced “healthy” working state is fed by highs and lows (in moderation; too much of either poisons the ground). The middle wouldn’t be tolerable without a dose of both extremities to modulate the flow, and help us to change course as needed, to keep us present to the present moment, the context of the larger environment in which this is all happening. To wake us from being lulled, attune us to the needs of those around us: our collaborators, our witnesses, our fellow artists, our co-creators, our questioners, our allies.

The middle ground is where the work gets done, and the extremes are where we change and grow. Cliches!!! Again, I know!

Upon reflection, I don’t want to live a completely balanced life. I want the challenge of SURPRISE, I want to be off-balance on occasion, so I can strengthen those muscles that keep me grounded; and I want also to feel so much joy and gratitude that I overflow in tears; to feel is a great gift.

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Summer holidays are here. I’m sick (again). I’m worn out. In need of replenishment. This summer, I want to dabble with a schedule that invites all the sensations and states, including rest. Focused reflection. Creation. I want the whole of my self, all my parts, integrated, as witnessed through the X Page. I want my life to make sense way down deep, the way that the X Page made sense on Wednesday night—Playfulness. DELIGHT. The power of mingling together grief and joy, friendship and frailty, generosity and autonomy, need and giving.

There are layers of deep structural muscle built and maintained over time that create a framework of strength, patient knowledge, and experience from which to build relationships of abiding trust.

That word! TRUST! Trust the process, we repeated, and in the end, we believed it because it was true.

How can I trust the ground under my feet if on some deep level I do not trust myself?

In abiding trust is love. Judgement falls away. AMBITION becomes collective—ambition for mutual thriving, ambition for forums in which one’s strengths can be used, one’s gifts may shine. Ambition that is not for the self but for the healing of communal wounds, ambition that trusts in the power of story to repair. And story needs its tellers, story needs its voice; and it needs its listeners, its audience; story needs attention and care.

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A STORY exists in words. But also in the body, way down deep, and that’s where we’re going when we step into the X Page—underneath, to pause and sense the hum that is crying for attention, and quite possibly inflecting our interactions / lives / relationships with hurt and grief and pain. To repair is to relieve ourselves of suffering by aligning story with its container. Stories can be used for profit, to manipulate and harm, I know, I know; but so can every sacred thing be exploited and abused. So this workshop is a risky undertaking. I know, I know. It can’t be exactly all that I’ve claimed here, not all the time, nor to all.

Like all spiritual undertakings it eludes description. It could go sideways in so many different directions; when I lose trust, others step in because this is not a lonely undertaking.

Trust the process.

I believe. Story heals like nothing else on planet earth. Handled with attention and care, story is holy. I believe that.

xo, Carrie

Roast a pumpkin, write a blog post

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My to-do list for the next hour—

roast a pumpkin

write a blog post

Soooooo… the Canada Reads adventure is over for Girl Runner. It was truly lovely while it lasted. Here are the books that were chosen for the 2025 shortlist. Check them out!

I had advance warning that I wasn’t on the shortlist (call it reading the tea leaves; nobody reached out to inform me otherwise, but there were logical signs).

Ergo, my plan for “surviving” yesterday’s announcement (and I do say that tongue-in-cheek!), was to throw myself with gusto into my usual Thursday routine. I walk with a friend at 6AM, head to a pilates class at 7AM, spend the day at work in the library, come home for a bit of a nap and some laundry, then return to the gym for the evening with my daughter who is also a gym rat. We do weights, spin, and blissful slow flow yoga to finish it off, then come home to eat a late supper and completely unwind. I love this routine. It’s the only evening I spend at the gym, and the physical exertion helps me grind out my emotions about the week, empties my mind, and takes me deeper into my body, which connects me to the world. I feel very alive and purposeful on Thursdays. So I wasn’t worried about the residual effects of the announcement, in all honesty.

And then. My day took a turn. Literally.

Midway through our walk, my friend and I dashed across a busy street to beat the traffic, and I stepped in a pothole, turned my ankle, and heard a series of snaps and pops. Having turned my ankle before (playing soccer), I knew exactly what was going down. The walk home was painful and longer than we would have liked, but my friend entertained me with conversation and it felt okay to keep moving and putting some weight on that foot. At home, in the front hall, I briefly debated continuing to pilates class, as planned, and then a voice of reason spoke (strangely enough, it was my own voice, out loud), and I said, “What would I tell a good friend in this situation?” And I replied, “Do not go to pilates. Take off your boots and take care of yourself.”

So that’s what I did.

To summarize, that is how I spent yesterday. I took care of myself.

I booked off work, made an appointment to get the ankle checked, dressed in comfortable clothing, elevated the leg, iced the ankle, surrounded myself with reading material, snuggled with the dog, drank tea, did not do a scrap of laundry, and rested. A day on which I’d strategized to distract myself from potentially painful feelings became a day of reflection. And it was good. It was needed, I think.

For years, when I “failed” to achieve some goal, particularly related to writing, I’d be overwhelmed with shame, expressed like this: I’ve disappointed everyone. I’ve disappointed my publisher, my editor, my agent, my family, my friends, basically everyone who cares about me. Yesterday, this thought rose up, in ghostly form. You’re a disappointment. You’ve disappointed people [in this instance, by not making the shortlist of Canada Reads].

“That’s interesting,” I replied (out loud! As if talking to a friend!). “Tell me, assuming that’s true, what could you have done to avoid disappointing them?”

After a pause, during which I scrolled backward in time through all the choices that were mine to make regarding this particular “failure,” I said, “Not write the book?”

How funny that sounded.

“Maybe,” my wise interlocutor self said, “maybe you’re the one who is disappointed, not everyone else?”

Hmmm… And in that moment, I gave myself permission to feel disappointed.

Ahh. That’s what it feels like. It feels different from shame. It’s sadness, a big sigh, letting go of what could have been (the imagined version, of course, which is never the same as what is). 

“What are you disappointed about?” my wise questioner asked.

And out poured my feelings of loss: I thought it would have been really fun … to get to experience new things, meet new people, have some interesting conversations, make new connections … add a little zing of adventure and the unknown into my comfortable routine.

“Yes. That sounds disappointing. It’s okay to be disappointed …. Did you know that?”

Maybe, in fact, I didn’t know that. Maybe this has been a valuable revelation.

It’s disappointing, but it’s not the end of the world, or the end of my career as a writer, of the end of anything, except this potential experience.

Relief and ease poured through me. I read the opening chapters of On Freedom by Timothy Snyder, learning about the German words for body: Leib and Körper, and feeling seen and known. (As I understand it, in Snyder’s reading, a Leib is a body that is alive, limited by mortality, yet free to choose; a Körper is a body that is dead, or seen and treated as an object by others or even by the self; there’s so much more to these ideas and as soon as Kevin got home from work, I peppered him with observations, which I tend to call “revelations!” As in, “I’m having a revelation!” Which happens far too often for them to qualify as such, see above; but that’s how I relish seeing things—as constantly changeable and unfolding and re-forming and illuminating.) Anyway… I also napped for awhile. My ankle ached and turned purple. 

By evening, I was restless.

Today, I woke wanting my ankle fully healed. Revelation: healing doesn’t happen overnight.

Slow down, dear friend. Take it one step at a time. Literally.

xo, Carrie

PS If all goes as planned, the roasted pumpkin will be turned into a peanut stew by suppertime.

Day 6 prompt for a creative pause

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Day 6 Prompt

Draw & write. What’s in your pocket and why?

Notes: Items are from the pockets of my pink ski jacket. Materials used: black pen, crayon, watercolours. Songs included “Landslide” by the Chicks, “Quiet – Stripped” by MILCK, and “Battlefields” by Twin Flames. I’ve been spending way more time, proportionally, on the drawing piece of each “pause”; drawing and colouring is such a peaceful activity. I wrote the answer to why these items might have been in my pockets on the following page (approximately 5 minutes; no music while writing).

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xo, Carrie

Prompts to begin: ten minutes of creative pause

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To begin: a summarized version of this post. December 1 – December 24, I’m planning to share a simple daily draw/write prompt, and my response to it.

Let me know if you’d like to be involved!

What you’ll need: notebook, pen, 10 minutes/day.

Read on for the longer version…

When the kids were little, I purchased an advent calendar from Ten Thousand Villages that has small pockets in which to place treats, or,—as I decided, as an ambitious young(er) mom—delightful, seasonal activities to be shared as a family. Cookie baking, dinner by candlelight, delivery treats to friends, for example. Aspirational, to be sure, and suffice it say, the only activity that actually happened with consistency was “hot chocolate for breakfast.” I’m pretty sure I gave up at some point and put chocolate coins into the pockets. Much more popular.

But a few years ago, when all the kids were still living at home (pandemic; it was cozy), we co-created family activities for the calendar—and it was genuinely successful. It only worked because we were cooped up and looking to add variety and entertainment, even on the smallest of scales, to our dull days. We scribbled ideas onto scraps of paper, which were distributed into the pockets, and every day there came a new surprise. The kids had the best ideas, of course. One favourite was to wear someone else’s clothes for the day. Another was to buy ice cream to deliver to grandparents within walking distance. We may not have succeeded in doing every single activity, but we came close, and it was fun.

This year, I’ve refilled the pockets with scraps of paper. The kids who want advent calendars will be getting chocolate/candy versions instead (honestly, it’s what they want!). 

This year’s calendar is for me, and for you, and for anyone who wants to join in and play along. Every scrap of paper has a draw/write prompt on it. Call it the “creative pause” version of an Advent calendar. All you’ll need is a notebook and a pen (add in some crayons if you want to make it extra exciting). My plan is for this to be interactive so you can share with me too. 

In theory, I’ll post a daily prompt, and my response to the prompt, mostly likely on Instagram… every day from Dec. 1 – Dec. 24 (though I could post it here as well if anyone requests it in the comments). 

In practice, I’ll do my very best to make it so!

The prompts are not related to Advent in any obvious way. These 24 days are merely an opportunity presented and (hopefully!) taken; I already have a calendar with pockets! It’s a busy season, and the light is diminishing. Let’s see if we can find 10 minutes a day to reflect, scribble, wander through the mind, and spark a small bright fire.

xo, Carrie

We Belong

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The X Page performance, season 5, was this past Sunday: “We Belong.” Season 5 proved to be the luxury version of the workshop, with excellent snacks and food, great sound, professional lighting, and a real stage. It was also a delight to behold—the stories came into focus, and the performers were, each one, spotlit and magical as they offered their generous gifts to the audience (a full house!). 

For me, this project is about the process. At times, it’s messy, it’s a big commitment, it’s demanding and occasionally frustrating, not to mention that it’s also an over-the-top ask: to write an original story, memorize it, take it into your being, and perform it on stage in front of a live audience. Many of the women complete this remarkable task in their second or even third language. 

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As with any intense project, the end, when it comes, feels abrupt. All this effort and excitement, nerves and energy, ramping up considerably as the date of the performance comes closer and closer—and suddenly, arrives. And then time flies. The production is over almost as soon as it’s begun.

One of the women said, as she was leaving the theatre, “No one told me about this part—the part where it ends.”

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It’s true. It does end. There will be a cast picnic, and of course, everyone is welcome to join our online writing club that meets monthly to do a Lynda Barry exercise and read our freshly discovered stories to each other. 

But yes, the process, this specific process, meeting this specific goal, with this specific team, and these specific individuals—that does end. A chapter closes.

Just like my peonies have bloomed and are now wilting in the heat. I bend down to breathe in their scent every time I pass by, but they are going, going, nearly gone.

What I wonder is—how will each of us be changed by our experience? (Not by the peony sniffing, although I’m sure that has an effect too! I mean by being part of the X Page workshop.)

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I believe that I am changed in ways both subtle and profound. 

In the hours after the performance, I became aware of an unfamiliar feeling in my body—fulfillment. I felt fulfilled. The feeling lingered, and it remains. I felt, I feel, like I’d done what I was called to do, done it well and to the best of my abilities, forgiving myself along the way for missteps, open to learning from everyone I met, and committed fully to the process and these people, individually and as a whole. I did not (do not?) feel anxious about what might come next. I felt, instead, sufficient. Fed, serene, blessed, grateful.

I was (am?) affirmed as a communicator—verbally and emotionally, as much as through the written word. I was (am!) proud to have been a part of such a special and unique project. It helped (helps) me to see that while writing has been a large piece of my identity, it is not my whole self, nor need it be. It may, instead, be a pathway or a door opening into a different way of being in the world, rich with overlapping communities, strong relationships, communal experiences, and my own personal values lived out in full.

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What a gift. What generosity pouring from all to all. What enormous goodwill and care. Imagine a world where all would be encouraged and rewarded and admired for approaching each other with grace, with understanding. Imagine a world where we’d have the support and time and energy and emotional bandwidth to care for each other’s voices and stories as much as we do inside this welcoming x page space—I do. I imagine it. I want to practice living in that space, of grace, as often as I can.

I wonder what will unfold for everyone involved in this project. I wonder what threads they will take with them, what emotions and sensations will remain in their bodies long afterward, and what they’ll want, how they’ll be changed, as they step back into their lives, seeing themselves just a little bit differently, now.

xo, Carrie

Spring burst

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As much as I long to find just a little more rhythm to my writing life, damn but it’s taken the pressure off to work in a school library. Childhood is bursting with magic. To be with kids is to be in the presence of pure creativity. When I was a child, we would visit the Nashville public library for their puppet shows. I remember being utterly entranced by the puppets. How were they speaking? Who was making them move? They seemed real — in some fundamental way, they were real to my imagination.

Now, on a very small scale, I get to participate in magic-making with the children who come into my library — it’s homemade, it’s improvised, it’s nothing fancy, but even the smallest surprise is sufficient to spark delight, curiosity, questions. Children are not fussy; the youngest of them pay the closest attention to the tiniest details. If you’ve ever read a picture book to a group of kindergarteners, you’ve been blessed by the deepest attention you’ll ever hope to receive. “Oh, those aren’t raindrops, those are tadpoles!” “How did Curious George jump higher?” “Why did he let go of the balloons?”

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On my story time bulletin board, I add characters or objects from books we’ve read. The seasons change. Nothing is static — things move around. Somehow, it’s more magical because it’s tactile. It isn’t digital. It isn’t online, or on a screen. It’s present with us, to be experienced and observed by all, as we gather in the same moment and place in time and space. We experience it collectively, from our different positions around the room, our different heights and ages. Like the magic of the puppet theatre, I don’t think this is repeatable, really, online. We don’t live solely in our minds; we live in our bodies, as sensory creatures.

In truth, however, my main job in the library is to maintain the collection — a tactile mode of interacting with this most beloved of mediums (beloved to me!): text and illustration bound up in pages. The sensation of handling books affects me similarly to doing a puzzle; it’s soothing and peaceful to create order.

As for the other hours in my days and weeks, I’m currently on a “spring burst.” I’m going to gym regularly to spin, sweat, lift weights, stretch, and take good care of this deep-into-midlife body (and mind). The X Page is entering its final month of preparation (!!): mark your calendars if you’re local. We’ll be performing this season’s stories on Sunday, June 16th at the Registry theatre in downtown Kitchener (more info coming soon). And my writing life is bursting with beautiful blooms too: seeing a dear friend’s book project come to fruition, editing stories, and dreaming up a new novel.

Come summer, I’ll have a two-month break from the library — writing sabbatical??? And time to repair, restore, relax, too. It’s been very non-stop. I keep thinking I’ll catch up, but there’s no up to be caught. The routine swings round and round.

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My instinct is to maximize efficiency on tasks. But more and more, I’m focused on making space to maximize enjoyment, no matter the tasks. What do I love doing? Mostly, really simple things that are easy to call forth, that don’t require a lot of extra planning or resources. I love sweating and the rush of endorphins. I love meeting new people and diving in deep. I love collaborating, learning new skills, appreciating the strengths and techniques and wisdom that others bring. I love grappling with text, creating narrative sequences on both the macro and micro scale that maximize pleasure for an audience. I love eating supper with my family and hearing about their days. I love stopping to smell blossoms on trees. I love blasting songs on the radio when I’m driving alone. I love making magic — out-of-time experiences, opportunities for surprise — through the simplest means possible: a drawing, a story, a group exercise. I love taking care of people. I love cooking (but only when I’m not rushing). I love being outdoors, walking, biking, running. I love creating order out of chaos. I love living in my imagination, in my many imaginary worlds. I love to dream.

Nothing is ideal. I love that too, the reassurance of it. I mutter this phrase to myself a lot — “This is not ideal!” —- and not negatively, but encouragingly. I mean it as a form of freedom. Nothing about this is ideal. (And it does not need to be.) This thing you’re doing, this thing you’re creating, this solution, this story, this hard conversation — whatever it may be — you’re doing it to the best of your abilities; be reassured. There are many possibilities, many directions, many discoveries, of which you will try one and then another and another, testing things out forever and ever, amen.

xo, Carrie