Today, I quit caffeine, cold turkey. I mean, I like ginger-turmeric tea … but this morning I missed my frothy mug of coffee, made by Kevin. Caffeine makes me jittery, so it’s the right choice. It will be worth it, once I get through this ugly headache.
I notice that I’m struggling with how to use this blog as a creative space, now that I’m focused on my cartooning project. I could post each cartoon here, daily, but I worry that my blog subscribers won’t want their inboxes inundated with daily posts. (Our inboxes are all full enough, right?)
Currently, I post the cartoons daily to Facebook and Twitter. (Although after a recent conversation with a good friend, also a writer, I’m considering quitting Twitter cold turkey, just like I’m quitting caffeine.)
I like publishing daily. The cartoons feel of the moment, and I enjoy sending them out in the world almost as soon as they’re made (I’ve given myself a buffer zone of one day, so yesterday’s cartoon gets published today).
I notice, too, that the cartoons are capable of holding a lot of thought, distilled into a few lines, and they seem to be taking the place of my blog, in terms of being a satisfying investment of creative energy, a comforting location for thinking out loud, for marking the moment. I just like making them. I like using this method to reflect on my day: by drawing scenes from it and distilling its meaning into a few sentences, a single theme or image. My journal pages are sloppy and untended, dumping grounds, piles that contain trash and beauty and who can tell which is which in all the mess? The cartoons are contained and coherent.
Life it not always coherent. The purpose of art is to give life shape, and meaning.
So making a cartoon feels strangely purposeful.
My question is: Should I be publishing my cartoons daily on this blog? I’m not sure. I suppose I could publish a cartoon and also write a blog post, should the desire overtake me…
Thinking out loud. Your thoughts?
A funny thing happened yesterday morning. I started reading old blog posts, from 2009/2010, and F and CJ sat down and read along with me. They loved the photos, but they also loved the snippets of dialogue and descriptions of our daily life — adventures in which they played starring roles as 1 and 4 years olds. We were in stitches laughing and remembering. I mean, I’d almost forgotten about our “cooking with kids” experiment, and how we would hold family meetings using a “talking crayon.”
I’d forgotten, too, how openly I wrote about my own writing struggles. This was a quiet and difficult time in my writing career. I was three years away from publishing The Juliet Stories, and five years from having published Hair Hat, at the time, my only book. Yet I shared when I finished a new draft of a manuscript — even though the manuscript would ultimately be sent back to the drawing board by my kind agent. I shared when I felt aimless and unsure. I shared the small joys, too. I didn’t seem afraid to let others see me fail.
I’m much more afraid now, I understand.
Why haven’t I shared my ups and downs since publishing Girl Runner? Why hold my cards so close to my chest? I would like to be as brave as my former self. I would like to tell you when I’m excited about a new manuscript, even though it may never be published.
I am excited about a new manuscript, even though it may never be published. It sprung from out of an abandoned idea, and tapped me on the shoulder, and I worked on it in a torrent of concentrated obsession for the past number of months, in locations that seem woven right into the book, in my mind: beside several different soccer fields, sitting in my little white car, or the camping chair I keep in the trunk, or at a windblown picnic table, and in a cool calm classroom in New York State that allowed me to find an ending. I wrote some of the book by hand. I drew cartoons of the main characters. I drew sequences and storyboarded scenes. It was fun. It was super-fun.
And I want to share that with you, whether or not the manuscript is ultimately destined to be published. Because it’s part of the story.
Because the writing felt like play. Because I’ve had a sense of well-being as I’ve worked on this manuscript, and that is a good, good thing. Because I’ve had a sense of spaciousness, of enough, but not too much, these past few months.
Now to go walk the dogs around the block with my Fooey and CJ, who have grown to the enormous ages of 11 and 8. Wow. I love that I can learn from my former self. I love that my kids have this virtual scrapbook to flip through, if and when they’re interested. And I’m glad, glad, glad it’s still summer.
PS Home again. CJ led us in an around-the block heptathlon. He got gold, Fooey got silver, Suzi took bronze. DJ didn’t appear to have Olympic ambitions, and I blame my sandals for my poor showing. That, and the late-afternoon inertia. We were having a grand old time right up until CJ stepped in dog poo (not ours) on the sidewalk, which Fooey found disproportionately amusing, which in turn put CJ into an even worse mood. “This is just a bad day,” he said, although he did take my hand as I tried to cheer him up, to no avail. By the time we reached our back yard, he was so mad that he took off his hat and kicked it into a small tree. The hat-kicking had a salubrious effect on his system. He and Fooey are friends again, and they are playing at the dining-room table with a craft kit dug up from heaven-knows-where that can be used to make miniature cakes and pastries, and probably, also, a major mess. What is this stuff? “It smells terrible,” says CJ. “Don’t worry,” says Fooey. “We’re using it all up.”
Where I’m at, in fifteen minutes or less.
Office, desk, laptop. Dog sleeping pressed up against my right foot. Peppermint tea at my elbow instead of coffee; liking it better this week than last.
Went for a short run this morning. Enjoyed the lightening sky and the birds. Stretched on the front steps.
Kundalini yoga during meditation.
I keep setting timers to keep myself on track. A timer for the run, timer for the yoga, timer for this post.
Writing, writing, writing. That is almost all I’m doing with my days.
In Girl Runner news, tonight I’ll be in Brampton at the library, reading and speaking. Check my events page for more info.
In soccer news: Tomorrow evening, I’ll be at a four-hour coaching course, which ironically means that I have to miss coaching the U16 Boys in a playoff games. On the weekend, I’m spending Saturday and Sunday in Hamilton to complete another coaching course. Last night, I completed an online course, mandatory for coaching certification. So, yes, it’s quite a commitment, let’s be frank. Every time I start feeling weary, I think, I’m doing this for my kid. And that gets me back on track.
In other Girl Runner news, that’s the Italian cover!
Time’s up. Happy Monday!
Holidays. We’re screaming toward them at breakneck speed and despite there being no snow yet this December, Christmas is coming. Christmas will come. I’ve ordered a turkey.
Accomplishments in recent days include: remembering to order a turkey; not forgetting to go to CJ’s open house at school; not forgetting to pick up AppleApple from yoga; and sorting through our mail pile (overflowing the ample basket in which we toss everything), and my kitchen pile (papers that are too important to recycle, but not important enough to tend to or file immediately). I also created a brand new file folder into which I put random professional items that need attention…eventually). I’m calling this my “Friday morning to do” folder.
It’s Friday morning. I didn’t do any of what’s in there.
Just saying. But at least I got the damn piles sorted.
I also finished marking and submitted my grades. Bittersweet, but there it is. Done with teaching, for now.
I’ve already found a replacement for my teaching energies (unpaid, however; if it’s unpaid, I will excel at it). A week ago, I was given the head coach job of my daughter’s U11 rep soccer “development” team (they don’t call it a “C” or “B” team, but that’s what it is). It’s her first time playing rep soccer, and it’s my first time coaching on the rep side. And I’m going to need a special folder to keep that part of life organized. Or a time slot. How to partition off the various sections of my life, so I can stay focused on whatever I’m focused on? I’d like to complete a few things, in addition to rolling along in the usual way, immersed in all tasks that have no end.
More meditation? Problem with meditation right now is that I drift off; meditation becomes nap time. Not kidding.
I’ve also been helping, to a small degree, to find and prepare housing for the refugee family our neighbourhood association has sponsored. But this morning, I’m not at the new apartment with some of the others from our group, who are cleaning and sorting and sewing; this morning, I’m cleaning and sorting at home, and then I’m going to spend a few hours with friends before racing off to complete a rather daunting list that must be done before our first Christmas begins: around 3PM this afternoon, with the arrival of Kevin’s family.
Why am I blogging?
Because in all of this remembering to do things, and creating lists, and flurry of emails and information and errands and doing and hopping out of bed and going to bed too late, I haven’t been chronicling. Maybe that’s okay; I don’t need to press publish on every last thing that happens. But I do need to write. I need to write.
Tonight is my last creative writing class of the term. Because I’m a sessional lecturer, with a contract that expires at the end of each term, there’s no guarantee of teaching a next class. And so there’s no way around this: I’m feeling blue.
When I started teaching three years ago, I didn’t expect I would come to love it. But I have. I will miss working with students when this term ends. I will miss the interaction, the opportunities to relate, to respond, to collaborate, to light a spark, or even just to be present in someone else’s life in a different way than I can be when I’m here in my home office, slumped over the keyboard. (Posture, Carrie, posture!) I will miss what I learn from my students, too. Once upon a time, I would have said that writing fiction is all I know how to do, but I don’t think that’s true, actually. I’m proud of the work I’ve done in my fiction-writing career, but when I send a book out into the world, there it goes, no longer mine. I can’t change what I’ve made. It’s gone from me, and exists at a remove from the present tense. Teaching is almost the opposite experience: it’s about sharing ideas with others in a present, real, interactive, reactive, responsive, empathetic way. I love my quiet space here at home; but I also love being with people, people who are learning skills and becoming themselves, and developing rich inner lives, confidence, a voice. It’s been a privilege to be a teacher. I hope the opportunity comes around again.
A blog reader recently asked me: who or what is your centre?
I would like to consider this thoughtful stranger’s question. Who or what is my centre? Who or what is all of this energy emanating from? Who or what are my guiding principles and goals? Perhaps I’m being too scattershot in my approach at present. Perhaps I need some kind of guiding light, guiding mission statement, coherent ideology. I’ve been less and less willing to put these musings out into the universe, to publish them on the blog; but in silence there is no possibility for connection. I thought of this as I ran with the dogs this morning; it was still dark. We were running down a big hill, and I thought, I fear saying too much, but by saying nothing, I offer nothing. What are photographs, what are blog posts, what are stories if not an attempt to preserve the present moment? But is it preservation I’m after? No, more accurately, it’s being a witness. It’s trying to put into order what I’m seeing. And I’m compelled to share what I see. I want to apologize for my urge to share. But there it is. I’ll admit it motivates me. Is this the what at my centre?
Who or what is my centre? I think of the divine, a connection that unites every living thing, and perhaps every thing that ever lived or will lived. I think of powers beyond my understanding. I think of grace. And spirit.
And I think of presence.
I am motivated by the desire to be present, wholly present, no matter what I am doing.
I am motivated by the idea that play is holy, sacred, a space of safety and learning, a space where imagination and improvisation are celebrated, and all are urged to play along, no matter the skill level. Cooperation amidst competition. Play as learning. Learning as play.
Writing is play: that’s what I hope my students know, too.
I don’t want to be so serious that I lose the lightness of being alive.
There are times when the world is too much with us, and a gut response is not sufficient, what’s needed is time and reflection and perspective. I’m not ignoring what’s happening in the larger world. I’m interested, I’m engaged, I’m paying attention, but I don’t have anything useful to say about it, here.
As of today, I’ve got two teenagers under this roof, and I think their growing independence and autonomy is stoking my growing impulse to step back into the shade of obscurity. I don’t know what the purpose of this blog is anymore, which is why I post here more and more rarely.
I still want to keep this space open, for when I do have something to say. But I don’t want to say something just because this space exists.
Today, I want to tell you about the wonderful books I’ve been reading.
I finished My Brilliant Friend, by Elena Ferrante, and immediately dove into the second book in the four-book series, translated from the Italian. I’ve heard this series compared to Karl Ove Knausgaard’s My Struggle, but to my mind, they are unrelated. Ferrante has a wider world view than Knausgaard, even if she is examining in detail a very particular time and place: she is depicting the assertion of power itself through the generations. It is the story of a friendship, and of two girls (now young women, in the second book), and it is told from the perspective of one of the women, but it is not about the rigidity of an individual point of view (which Knausgaard’s series seems to be explore), but about the flow of power and knowledge and ritual that shape an individual in ways that are beyond her control, even if she is aware of them. Ferrante observes patterns, large and small. The patterns of place. The patterns of family, of neighbourhood, of wealth and poverty, of knowledge, of culture. This is extremely rich and immersive writing, but it is also propulsive in its pacing. I won’t be reading another book until I’m finished the whole series, but at the same time, I don’t want it to end. It will be like saying goodbye to a friend.
I am thinking of My Struggle in relation to this book because I recently finished reading the third book in that series, Boyhood Island. I can’t read this series quickly. It’s like being trapped inside someone’s mind, someone who has a limited understanding of how he is being received in the world around him, and the effect is claustrophobic, and sometimes even alarming. But I remain interested. I will continue reading through this series, but at a much slower pace. I have no sense of urgency in my quest. It’s more of a commitment to see a thing through.
Another recommendation: Outline by Rachel Cusk. She is the British writer who was born in Canada and whose book was a finalist for two major Canadian prizes this season; there were complaints about how Cusk scarcely qualifies as a Canadian, and that may be true, but I’m glad she made the lists or I wouldn’t have discovered her. I devoured this book. I loved it unreservedly. It is highly stylized, enormously intelligent, and although told in the first person almost erases that person entirely, so that everyone around her leaps into the world fully fleshed, but she never becomes more than an outline on the page. It is the strangest feat, an accomplishment of great discipline. It made me question the purpose of the first person narrator, and the purpose of the writer, too.
Meanwhile, I’ve been reading out loud to the kids in the evenings: especially the two youngest (ages 7 and 10). So far we’ve read Tales of a Fourth Grade Nothing by Judy Blume, and we’re nearly through From the Mixed Up Files of Mrs. Basil E. Frankweiler, by E. L. Konigsburg, both set in New York City, both stories about siblings.
All for now.
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