I’m sitting on Great-Aunt Alice’s tiny rocking chair, wearing wool socks and a scarf, hoodie up, half-frozen; but the window is open because it’s September! Because I need fresh air. My studio is a different space than it was just a week ago, when I still called it “my office.”
Last Friday, I spent the entire day reading my friend Emily Urquhart’s new book, The Age of Creativity, which is part-memoir, part-exploration of the idea that age does not destroy or diminish creativity, even as it may alter it in significant ways. The book is about Emily’s relationship with her father, a visual artist. I was struck by the detail that, no matter where he’s lived, her dad has an ever-present corkboard on which he pins sketches and ideas for works-in-progress; I like that it is always hung on the wall beside where he eats his meals, a sign, for Emily, that he never really stops practicing his craft.
Last Saturday, I biked across town to celebrate the launch of Emily’s book, at a delightful event in her driveway. Emily shared early scenes from the book with me and Tasneem (all of us, above, at the launch), and it was wonderfully exciting to discover how Emily had structured the book in full; equally fascinating to discover — what was left out of the final version. Proof that letting go of material is as important as managing smooth transitions (note: these two elements may be the most challenging of any revision; and Emily has accomplished both brilliantly).
What’s the difference between an office and a studio?
When I decided on a whim last weekend to buy some paint and make myself a yellow door, I wanted to create a space that invited me in; the opposite of “going to work.” My studio, I hope, will be welcoming, rich with changing visual inspiration, with space to stretch and do yoga, and to spread out and draw with crayons, too; but also, organized, tidy, holding just the essentials (as defined by me!). On Saturday, I cleaned out files and drawers. I said goodbye to some projects that have aged past their time; now stored on shelves in the attic. And on Sunday, I reunited with my younger self, the self who moved often, and who always claimed her new space with a few coats of fresh paint. I painted for hours, finding the joy in the task, letting my inner-perfectionist take over; while I worked, I listened to 1619, an essential podcast from The New York Times that centres slavery at the violent heart of American history.
The new yellow door belongs to a studio.
So does the corkboard wall, the final piece to the puzzle, installed just last night by Kevin, who also researched it for me, and found a Canadian company that makes and sells all things cork. As you can see, I haven’t been brave enough to fill it with much, yet. But I hope to, and hope, too, that I will be brave enough to remove sketches and ideas when they’ve grown past their time.
Knowing what to remove, what to take down, what to edit out is as essential to completion as invention itself.
Completion is not something I’ve gotten a handle on, recently (or even in the last number of years). I’ve been making, making, making new things, raw and muddled and messy. Now to learn (re-learn) how to finish projects, too.
Welcome to my studio.
A friend said she’s noticed she’s not feeling so anxious anymore. I think this is true. We’ve travelled into the boring part of this experience. The part where we still don’t know what exactly will happen, or when; but the novelty, such as it was, is gone. And a dullness, a bleh feeling prevails.
I’m continue to enjoy at-home yoga, riding the spin bike, baking bread (it’s so easy), and gathering to eat supper together every night. The things I look forward to in a day are pretty basic: food, food, food; sometimes I even look forward to cooking the food.
I’m writing (fiction) quite a lot. That’s lovely.
I try to get outside for a walk every day. It’s validating (as a parent) to see the kids develop their own routines and healthy survival strategies. Jogging. Homework. Baking. Quiet time. Naps. I try to lie on the couch with a book a few times a week.
There is very little to report.
Nevertheless, at supper, I like to go around the table and find out what everyone did that day. I spend large chunks of my day in my office, so even though we’re all together under the same roof, I’ve missed things. I like how leisurely it feels, chatting around the table at suppertime. We’ve nowhere special to get to. After supper, the kids do the dishes and Kevin and I walk the dog around the block. And it isn’t hard to find ourselves saying: well, this part is pretty nice.
The kids don’t like when I report what would have been happening on any given day. So I’ve stopped. What’s the point of being sad about something that isn’t going to happen? Anyway, we’ve given ourselves a few things to look forward to in May. 1. My mom’s birthday: we’ve got plans to bake a cake. 2. Prom. We are doing prom, just us; everyone has a role, and mine is DJ!! The theme is “Starry Night.” The chaperone (Kevin) is going to have to keep a sharp eye on Kevin — if anyone’s going to spike the punch, it’s him. 3. Our eldest’s birthday. It’s a big one (19), so we’ve got plans to turn our living-room into a nightclub.
However, we aren’t making any such plans for June. According to one teenager, it’s too depressing to think of still being stuck with one’s family in June. Basically, we get through this one day at a time.
Like we always have, except now we know it for sure.
In summation: less anxiety; more boredom; even more bread. The days, they blur. Drifting awake this morning, I thought it was Sunday. Definitely not Saturday, I told myself, Sunday.
Friends, it’s Tuesday.
Joy. Gratitude. Thanksgiving.
As I’ve written about in previous posts, my moods are not exactly fixed at the moment, nor do they tend toward neutrality. There are wild swings, some into dark regions of the soul. But also, and as wildly, toward delight, pleasure, and even joy. Take Thursday. I got up at 5AM for a sunrise kundalini yoga class, live on Zoom, led by my friend Kasia. I lit candles and sat in the dark, feeling connected to the others who were out there, sitting in the dark, doing this practice together. The movement from darkness to light was gradual, as night turned to dawn and moved toward morning. It was a rainy morning, if I remember correctly, so the light never got very bright, but it came. It came.
I did a lot of writing on Thursday. Journal writing. Reflecting. Working through the unpleasant emotions that had been bubbling up all week. It felt like grief had taken me over and was spilling into bitterness. There were some big and hopeful things I’d been working towards, which were coming to fruition, and which had stopped, suddenly, like almost everything else has stopped, suddenly.
I hadn’t let myself name those losses — others have lost so much more; I have so much to be thankful for.
And that is true, but it is also true that naming what I’ve lost (temporarily or permanently) turned out to be a helpful exercise. I’d been wallowing blindly, and on Thursday I laid it all out — here’s what I don’t have; here’s what I can’t do; here’s what may not happen — and I saw that my fears were interconnected, that I wasn’t angry at anyone, not even myself, or even disappointed, exactly. I was longing for someone to promise me that everything would be okay.
And no one can do that.
No one ever could, really. As a parent, I know what it’s like to be on the other side — the side that is in the position to make promises of safety, security, comfort. I know how impossible it is. I know that instinctively, during these times, I want to hold my child close, and the words that I whisper are “I love you. I’m with you. I’m here. I won’t leave you. It will be okay.” But the “it will be okay” part isn’t a promise that it will be as we wish it to be, rather that sorrow / pain / sickness is part of life, that everyone feels despair, and that this too shall pass.
Victor Frankl wrote about finding meaning and purpose amidst tragedy. Resilience and hope come not from ease but from challenge, from a focus beyond ourselves and our own needs and fears.
On Thursday, I wrote all this down, I baked another loaf of sourdough and cooked a delicious meal for my family, but I was still feeling mostly wretched; irritable, restless, cramped and sour. I knew my friend Kasia was leading a second class that evening, so I decided to do it. It felt excessive, needy and messy, embarrassing to turn up again on Kasia’s screen, hey I’m back for more of your medicine, and it also felt necessary. (Find what your prayer is, and pray — to paraphrase Brother David Steindl-Rast, interviewed on the latest On Being podcast.) Again, I lit candles. This time, the light outside the windows turned by invisible gradations to darkness. I’d seen it come and I’d seen it go.
I emerged from my office cave/yoga studio brimming with energy. I’m tempted to call it hope. It definitely felt joyful. I’d thought some big and comforting thoughts. I’d written them down. (Another form of prayer, for me.)
Love the form, container, body you’re in.
Fear is the self trying to protect the self.
No to anticipatory suffering
Yes to anticipatory joy
Reality will look, feel, be different anyway.
I don’t know, these thoughts seemed big in the moment.
How to live the big thoughts? Isn’t that what we’re all trying to figure out how to do? Make manifest what burns bright within us?
Well, here’s what I did on exiting my cozy office: I went to the living-room to have a beer and some popcorn with Kevin. And I started live-streaming my sister Edna’s concert, which she was performing in her living-room (as part of a line-up of DJs). Edna’s music is for dancing, so instead of sitting down with my glass of beer, I started dancing. My kids, as they wandered in, were all combinations of horrified, intrigued, embarrassed, amused. Kevin plugged in our disco light. We pushed back the couches. Sock feet slid best on the wood floorboards. By the time Edna’s set ended, we were six dancers dancing. And didn’t I feel it all — joy, gratitude, thanksgiving!
The joy builds inside, to paraphrase Brother David Steindl-Rast again, and it has the opportunity to spill out into thanksgiving, which is what you share with everyone around you.
Don’t keep it in. Don’t hide it. Don’t feel guilty for feeling it. Don’t be parsimonious with your joy, it’s a renewable resource. You can’t be happy all the time, and you can’t be grateful for all moments, but all moments are opportunities for gratitude.
from On Being’s newsletter “The Pause”
This photo is completely unrelated to this post, and purely for your amusement (or, if you don’t much like dogs in glasses, mine).
This morning, sitting cross-legged and meditating in my friend Kasia’s virtual-yet-live yoga class, my head was quiet with deep and peaceful thoughts. Hours later, though I scribbled a cue for myself in my notebook, the same head seems to be noisy with surface natter.
We’ve entered our fourth week in lockdown, or whatever this is called.
There are times, like during this morning’s meditation, when I feel grounded and calm. But I think my family would likely point to all the times I’ve appeared wild-eyed or grim, or perhaps both in delightful combination.
I’ve been thinking about how I’ve always intended to improve as life goes on; and how it’s pleasant to consider that hard times can be improving times; but, let’s be honest, hard times also expose fundamental personal weaknesses and flaws in the most obvious and predictable ways. For example, pre-children, I was a terrible hypochondriac. Post-children, I was merely a mild hypochondriac, too focused on my kids’ needs and on our packed schedule to be obsessively tracking and self-diagnosing my own (mostly psychosomatic) symptoms. In the midst of this pandemic, and in the absence of meaningful service beyond the walls of this house, the terrible hypochondriac in me has returned, and she turns up most regularly in the middle of the night.
So … am I improving as life goes on? Or am I regressing?
Am I helper or do I desperately need help?
Maybe it’s both; and maybe it always is, always was, always will be.
This was not the post I’d intended to compose. Instead, as happens when I come to this space, this is the post that wants to be written. This is how writing works, in my experience. It is always a surprise, and, crucially, it’s never a painful or disappointing or scary surprise. I just find it interesting; curious; the strangeness of what’s lurking in my subconscious amuses me. Discovering it makes me feel better.
Recommended new podcast: Sugar Calling (NYT), which is Cheryl Strayed talking to writers, starting with George Saunders, who read out a letter he’d written to his students in which he told them that the job of the writer continues even now (and that we can all do this job): be a witness to this moment. Now isn’t the time for interpretation or elucidation; it’s the time to pay attention to your interior emotional life, to the things you notice around you, to the details. (Honestly, it’s always that time, for a writer; but now is even more keenly the time.)
In that spirit, to finish this post, here are a few small details I’ve recently observed about this time.
I open the snack drawer, hoping to find a stray chocolate almond. I know there won’t be any; they were finished off days ago and Kevin won’t be shopping till at least tomorrow. But I open the drawer in hope. And lo — I discover the very large bag of dried apricots! I’d forgotten about the apricots! The apricots are orange and bright and sweet. And I am happy.
When I wander to the living-room to narrate, unprompted, this tiny emotional journey to my (mostly indifferent) daughters, the elder child lights up: she’s experienced the same hope / disappointment / surprise / happiness each time she opens the snack drawer too.
(At this time, I often wander into rooms to narrate, unprompted, my mundane experiences to whoever is sitting there. I don’t always get a reply.)
A second observation, which I haven’t yet dumped on my children (because I think they will mock me for it), is this little oddity: I’m actually enjoying washing my hands. Multiple times a day. For at least twenty seconds each time. I’ve always washed my hands somewhat obsessively, but after watching a how-to video, I knew I could do even better; however, the thought of all that hand washing, and the actual fact of it, was almost overwhelming. The way thinking about changing your baby’s diapers day after day after day can feel overwhelming if you let your mind go there. The endless futility of the task! Standing there, doing the same thing over and over and over again. I felt impatient every time I squirted soap on my hands, washing, washing, washing.
But more recently, in the past few days, I’ve noticed that the hand-washing ritual has become almost welcome. It feels like a deliberate pause, a gentle self-massage, a quiet moment to myself. I plant my feet, and breathe deeply (our soap smells really good). Weird, huh.
My mantra these days (whispered only to myself) is: What’s your rush? What’s your hurry?
That feeling of impatience that arises at various moments throughout the day — I know it’s not coming from my circumstances, because there’s literally nowhere to rush to. So it must be coming from deep within my self. (Where do I think I’m going? Why do I need to get there? What could be better than here and now?) And if I notice this, I can feel my way through it, somehow, to a place where at least for a few breaths, I’m in no hurry at all.
I thought I’d wasted the day. I was lying on the couch under a blanket, feeling so tired, waking after a nap, a needless nap in the middle of the day, with sun pouring through the windows. I’d woken when an alarm went off on my phone: the province of Ontario alerting all travellers returning home to go home and stay home. A few minutes later, the alarm sounded again: same info, this time in French.
The dog lay atop the couch, stretched out. I stared at the wall. Is this a panic attack? But it didn’t feel dire, it felt like being flattened by something, unable to rise. My eldest son appeared on the scene. “Oh, are you napping?” “No, just lying here doing absolutely nothing,” I said. He accepted this at face value. He’d been cleaning his room, and wondered where to put some stuff he didn’t need anymore — boxes, binders. I was able to assist him while still prone. “Could you bring me the New Yorker magazine that’s open on the table?” I asked him. It was the latest issue, open to the fiction, a short story about tennis, of all things.
I read the whole story. It was a long story.
Soon after that, I got up off the couch. In the bathroom, I surreptitiously took my temperature. Normal. Then I went to my office, plugged myself into my Lynda Barry Spotify playlist, hit shuffle play, and wrote in my notebook for the next hour: a brand new story for a book I’d been working on diligently before … before … all of this; it seemed so long ago.
After that, I met a friend for a walk. Keeping to a safe distance. Dodging others on the Iron Horse Trail.
Home again, I returned to the story. I wrote more. My pen scratched away at the lines on the page, words flying from some unknown part of myself, turning visible, printed in block letters, the nascent form of something that might become something, someday; no, that already is. Forget someday, Carrie. It already is. This is.
When I finished writing the story, I sat back in my chair and almost cried. It felt like I’d connected with some distant memory of myself, some estranged part of myself in whose renewed acquaintance I was delighting — I remember you! Writing, through confusion, following the through-line of a plot, seeing the world through a character’s eyes instead of my own — I felt purposeful in a way I feel at no other time. Not purposeful in a practical way, like when I’m baking bread, or helping a child; but purposeful in the way of being used wholly. Not used in a bad way. Used entirely. All my parts work in concert to do this bright bruised blessed work that does not feel in any way like work.
It’s a good feeling.
Today was not wasted; I got up off the couch, but also, I let myself lay there. Maybe I needed to do both of those things to figure out how to write that story that now is, whatever it is, whatever it may be. I got it out of my head.
(These photos were taken immediately after I got up off the couch — and before I’d established that my temperature was normal. For some reason, I went to the back door by the garage, opened it and squinted into the sunshine. I just stood there on the stoop for awhile.)
spot the dog
While in this time of strangeness, isolation, social distancing, and hunkering down waiting, waiting, I’m trying to sort out how to get through each day intact, as whole as possible. I’ve been informed by my children that I must must must limit my intake of coronavirus news; and they’re right; and I’m trying.
But I’ve felt distracted, full of questions about what’s right to do, what’s wrong to do, and whether the decisions I’m making are harming or helping our collective cause, and the individual lives in our immediate family. Last week was a whirl of decision-making, including cancelling The X Page’s remaining workshop sessions and the performance, while making plans for publishing the stories. There was a constantly changing flow of information from public health officials and various levels of government. We found out on Thursday that schools would be closed at least till early April; all soccer cancelled too; just last night, it was recommended that all bars and restaurants in Ontario close or move to take-out or delivery only.
And I’m pretty sure the phrase “social distancing” entered my vocabulary less than a week ago, but now we all know it, and we’re trying to practice it, and to understand why, and to explain it to those people in our lives who don’t see what the point is, exactly.
It’s been a bit too much, while also being not nearly enough. Fears: diffuse; particular; unseen.
And now the late-night talk shows have gone off the air, just when I most need their mixture of news, satire, reassurance and comedy!
So here’s what I’m doing to stay afloat, mentally. I’m not saying it’s all working for me, just that these are the lifelines I’m grabbing hold of today, and did yesterday, and in all likelihood will again tomorrow.
Meditation. I have a kneeling bench that my dad made for me a few years ago, which is comfortable to sit on yet prevents me from falling asleep. (An habitual problem.) I recommend The New York Times’s guide to meditation, if you’re just getting started. There are also lots of apps to try out (I like Headspace; it’s not free, but you might be able to access a free trial to see if you like it).
Over on Instagram, Elizabeth Gilbert posted an easy-to-do meditation you can bring into any moment of your day, taking notice of a descending list of things all around you. This is my scribbled version, below, and it’s helped me at least once today when I was waiting to wash my hands, as there was a line-up for the bathroom, and I was feeling irrationally irritated about the waiting:
Podcasts. Below are a few. If you have a favourite, could you please leave your suggestions in the comments? I need more!
The Daily from The New York Times, a podcast that lasts just about long enough for a quick morning run (and, yes, it has been a lot about the coronavirus lately, but the info is solid and trustworthy, not inflammatory).
On Being, a podcast that I sometimes have patience for and sometimes not (it’s dense with spirituality).
Poetry Unbound, a podcast in which a poem is read, discussed, then read again. Episodes are about 11 minutes, the perfect amount of time to sit in quiet mediation.
Dog walks with Kevin and Rose have also been a balm. However, I cancelled a walk with a friend this morning, perhaps an over-reaction? I just don’t know. Does anyone?
Finally, here’s one last lifeline, which I’m hoping to share with my writing friends: daily drawing/writing in my notebook. I haven’t done this yet today, but it’s on my to-do list. (That’s yesterday’s cartoon, above.)
Follow this recipe for 10 minutes of bliss: Put on a song at random from my Lynda Barry playlist on Spotify (which has 64 followers at present!); draw a self-portrait to that song; then write for 3 minutes, answering the question: What’s on Your Mind? Or Why Did This Song Choose You Today?
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