What a beautiful day. What a beautiful week it’s been. Each day has a slightly different rhythm, but throughout there have been conversations with friends, bike rides, walks, and several runs in the park.
How has your morning routine changed, as the new season begins?
For me, it’s meant waking up earlier, though I’m still figuring out how to get to sleep earlier to compensate. I’m prioritizing daily morning yoga. We are also walking Rose more regularly. After a close encounter with a skunk last month, Rose now has a curfew: she’s not allowed out after dark on her own. Ergo, more dog walks. Kevin and I like to end our evening with a walk around the block with Rose. We often walk together in the morning too, just around the block.
The first two hours of every day are devoted to exercise, yoga, and, often, connecting with friends. The house empties out by 8AM.
As this new season begins, the house feels so much quieter. Our two eldest are at university, and do not live at home. Our two youngest are now both in high school, and growing ever-more independent. So …
What am I to do? I’ve spent 21 years of my life devoted to looking after my children. Their needs are changing rapidly. In the midst of all this quiet, I’ve begun look around and consider what comes next. There is writing, of course, and there always will be. But I’d like to find a job, now, that offers stability and routine, preferably not writing-related, preferably with people. I really love being with people; I love writing solo in my little home studio, don’t get me wrong, but I’ve loved doing that all these years with a bit of cacophony in the background, a swirl of impending chaos. Maybe the disruption and interruptions have been as important to my writing process as the ear plugs.
Your thoughts, suggestions, advice, leads, encouragement would be very welcome, as I begin opening to this new direction, with some nervousness and hope.
In the meantime, on the book front, I’m keeping occupied with some readings, book clubs, and workshops. Links posted below!
Friday, Sept. 16, 7PM (tonight!) Bestival Reads with Wild Writers Literary Festival, tickets include snacks and a drink, with Emily Urquhart, Kimia Eslah, and Tanis Macdonald
Saturday, Sept. 17, 2PM (tomorrow!) The Village Bookshop, 24 Main Street North, Bayfield ON, reading and book-signing
Tuesday, Sept. 20, 6:30-8:30 WPL Eastside branch, The X Page Storytelling Workshop, with me and Anandi Carroll-Woolery, a mini-version of the workshop, open to all! Free, but you need to register at this link.
This is the lake into which I’ve dunked my full self every day for the past seven days. Some days it has been warm and sunny, even hot. Other days, like today, it is cool and windy, cloudy, rainy, almost cold.
Today, I went kayaking first, to warm up.
I never take my cellphone out kayaking (for obvious reasons), which means I’ve never gotten a photo of those rocks and trees visited only by water. I didn’t kayak the first few days here, because I was waiting to feel rested up and restless, and when that happened, it was bliss to be back out on the lake in the little blue kayak, wearing my baseball cap and favourite blue lifejacket.
I got a very large tattoo this summer (as well as a small one). When I catch a glimpse in the mirror, it gives me pleasure to think: this woman could be an aging rock star, or an aging artist! I still can’t give a particularly good reason for getting the very large tattoo, or even for the chosen image (an owl made of woven ribbons), other than I like it.
I like it. It makes me feel both more myself and more like a different, alternative self, living a much edgier, cooler, artistic life, that probably involves less cooking and cleaning, overall. Fewer challenging parenting decisions.
At the cottage, we mostly unplug and read. I’ve read all the August New Yorkers from cover to cover. I just finished my friend Emily Urquhart’s memoir, Beyond the Pale, which explores folklore and genetics. And I’m currently tearing through a novel called Nightbitch, by Rachel Yoder, a writer with whom I share Mennonite roots (she was raised in Ohio); the book seems to me to be an answer to the question: why is motherhood so confusing and impossible? Or, maybe it’s a theory of motherhood, or an abstract on how to respond to motherhood, including positing motherhood as intensely lived performance art. Whatever it is, it’s deeply weird, hilariously funny, and consoling. I keep reading lines out loud to anyone who will listen.
I recommend pairing Nightbitch with this New York Times opinion piece on the “mothering instinct.”
Bracing. Just like the cool lake water. Some summers I haven’t gone under the water even once. I used to swim no matter what, training and doing lengths back and forth in the deeper water, but after a near-drowning experience a few years ago, I’ve been cautious and nervous in the lake. This summer, I decided to try, at least, to walk in and go under, no matter the weather. I’m fascinated by people who’ve taken up immersing themselves in freezing cold water, hacking holes in icy lakes in the middle of winter. It seems to have become a popular thing during the pandemic. I don’t live close to a body of water that would qualify as a lake, but in truth, even if a handy icy lake existed nearby, I’m not sure I’d have the fortitude for it. My alter-ego with the owl tattoo totally would. But for now, I feel practically heroic for paddling around the shallows of this little bay on an overcast and cool day, limbs tingling and bright, and chasing it with a blissful hot shower, enjoyed outdoors under the pine trees.
Maybe this is where my owl tattoo self lives all the time. I love the sound of the lake water on the rocks at night. I love the isolation. Everything slows, here. My racing mind. Time. Longing. Experience. Expression. It feels like we could always be here, when we are here.
I want to write about how to be, how to get through the days when I’m feeling weak, discouraged, overwrought (or perhaps under-wrought?), weighed down, anxious. I want to know how to be the kind of person who can experience such emotions and somehow surf atop the worries and fears and enjoy the day, nevertheless. There are many things to worry about, after all. The details may change, but there is always a list, available for the mind to scroll through, no matter the season.
Why are some days harder than others? Is it what’s happening externally, or is it how I’m framing things, seeing things, inside my own mind?
I don’t know.
But there is no perfect day, no perfect hour; that I do know. There is no reason to wait.
I lay out the template for survival, for dressing for the weather, for putting one foot in front of the other, over and over again. I step into it.
What am I missing? Can I fill a gap, answer a need? Is there something on my mind that I long to say to someone, a message I long to share that is waiting for the right moment to be spoken out loud … or let go of, maybe? Is the sense of fear or worry based on something real? And, if it is based on something real, is it something over which I have control? Would the problem, whatever it may be, be solved or helped by my immediate attention and focus?
Or, is everything actually okay, right now? Or, is it both? Not okay and okay.
How to clear a pathway for the mind to do its work, with clarity? How to be not okay and okay at once?
Not okay: The house smells like skunk and mothballs, the kitchen is somewhat torn apart, there is an excess of cucumbers and zucchini in the refrigerator, someone I love is in pain, I woke every hour last night.
Okay: The dog doesn’t smell too much of skunk, the neutralizing paste mixed up at midnight was quite effective, there is an excess of cucumbers and zucchini, the stove works, I walked with a friend this morning, yoga felt amazing.
The details of our days matter. It’s where we live, after all. Not in some theoretical place, but here, now, with whatever our bodies are telling us. I haven’t cracked the code for how to enjoy every bit of it; that bar is too high. So I tell myself: bring the bar down a bit lower … lower … lower yet … and appreciate what you’re doing on a small scale, how you broached a tough conversation, or bit your tongue, how you looked up new recipes, got creative, took a nap, did what you needed to be more kind.
How can I be more kind? To myself, to everyone else? This is where I begin, over and over again.
The secret to writing books is to give yourself a ridiculous expanse of luxurious empty time and space to dream, play, and not do anything that taxes the mind with external cares.
Is this true? Well, I’ve found it to be true.
It means you might not do much else with your day, your hours. You might cook dinner. You might go for a walk, or a run. You might see a friend. You might do a puzzle. You might scroll through Netflix watching the intros to thirty shows as entertainment before bed.
I struggle justifying how much time is spent on staring out the window. Or writing things that don’t turn out, writing draft after draft after draft. So many words assembled tenderly, hopefully, excitedly, only to be discarded.
If this is what it takes to write books, is it worth it? Who am I serving? Just myself?
Well, what if the answer is yes? Yes, I’m serving my writing, at the expense of many other things I could be doing with this one precious life.
What makes you feel purposeful, as you go about your day? What tells you, gut-deep: you are worthy? I don’t know. I’m asking.
It’s a funny thing to be a human, to want to be purposeful, to want to make decisions independently, freely, but to be inextricably embedded in a culture, context, generation, family structure, biology, language(s), place.
I notice that I easily accept the value of tasks or actions that measurably help someone else, like donating blood; concrete chores also have value, and doing them feels valuable, like laundry and cooking; it’s also easy to measure worth by monetary reward, doing X and receiving Y in return. In my experience, writing is generally untethered from any of these logical measurements. But I don’t believe anyone’s worth rests on external evaluation; or on evaluation, period.
You are worthy because you are fighting it out here on planet earth.
You are worthy because you are worthy.
I drew that cartoon a few days ago. I keep returning to look at it. There’s something there that’s whispering to me: peace, and calm, and acceptance, and worthiness. I’ve been drawing daily cartoons again, as a way of journaling. I draw a moment I want to remember, and on this particular day, the moment I wanted to remember was being asleep and dreaming about my new book, which has a tree on its cover — the dream vibe was contentment.
It’s too hot to think.
I’m as cranky as a baby with a heat rash.
Around 3:30AM, I lay awake and thought through how we might get air conditioning. It felt like the heat was lying on my chest, like it was a living creature, a pressure or weight that made it harder to breathe.
On Canada Day, we went to the beach. It felt safe, and it also felt like paradise, to be driving through lush Ontario countryside, undulating green, toward a deep, cold lake. It wasn’t that everything felt “normal,” but despite the differences between this summer and last summer — the complications of living in pandemic times — the possibility for adventure and temporary escape was proven to exist, too.
I’ve been running early in the morning, before it gets extra-hot. Despite all the stretching (dynamic pre-run; static post-run), my lower back aches as I sit here.
I’ve tried to write. But I’m not thinking in any organized fashion.
I’m going to take a trip to Dairy Queen this afternoon with a couple of the kids, we’ve made a plan, and part of my plan is to get a treat to deliver as a surprise to my mom … expeditiously, before it melts. She loves a strawberry sundae.
I’ve got a pile of rhubarb on the counter that needs to be made into something delicious. And loads of fresh greens in the fridge. Tiny eggs from Farmer Claire. Raspberry canes in the backyard loaded with fruit, on the cusp of ripening. Sprays of colourful flowers everywhere. This is a most bounteous season. But maybe not for story-writing.
It’s too hot to sleep.
It’s too hot to think.
I thought I’d wasted the day. I was lying on the couch under a blanket, feeling so tired, waking after a nap, a needless nap in the middle of the day, with sun pouring through the windows. I’d woken when an alarm went off on my phone: the province of Ontario alerting all travellers returning home to go home and stay home. A few minutes later, the alarm sounded again: same info, this time in French.
The dog lay atop the couch, stretched out. I stared at the wall. Is this a panic attack? But it didn’t feel dire, it felt like being flattened by something, unable to rise. My eldest son appeared on the scene. “Oh, are you napping?” “No, just lying here doing absolutely nothing,” I said. He accepted this at face value. He’d been cleaning his room, and wondered where to put some stuff he didn’t need anymore — boxes, binders. I was able to assist him while still prone. “Could you bring me the New Yorker magazine that’s open on the table?” I asked him. It was the latest issue, open to the fiction, a short story about tennis, of all things.
I read the whole story. It was a long story.
Soon after that, I got up off the couch. In the bathroom, I surreptitiously took my temperature. Normal. Then I went to my office, plugged myself into my Lynda Barry Spotify playlist, hit shuffle play, and wrote in my notebook for the next hour: a brand new story for a book I’d been working on diligently before … before … all of this; it seemed so long ago.
After that, I met a friend for a walk. Keeping to a safe distance. Dodging others on the Iron Horse Trail.
Home again, I returned to the story. I wrote more. My pen scratched away at the lines on the page, words flying from some unknown part of myself, turning visible, printed in block letters, the nascent form of something that might become something, someday; no, that already is. Forget someday, Carrie. It already is. This is.
When I finished writing the story, I sat back in my chair and almost cried. It felt like I’d connected with some distant memory of myself, some estranged part of myself in whose renewed acquaintance I was delighting — I remember you! Writing, through confusion, following the through-line of a plot, seeing the world through a character’s eyes instead of my own — I felt purposeful in a way I feel at no other time. Not purposeful in a practical way, like when I’m baking bread, or helping a child; but purposeful in the way of being used wholly. Not used in a bad way. Used entirely. All my parts work in concert to do this bright bruised blessed work that does not feel in any way like work.
It’s a good feeling.
Today was not wasted; I got up off the couch, but also, I let myself lay there. Maybe I needed to do both of those things to figure out how to write that story that now is, whatever it is, whatever it may be. I got it out of my head.
(These photos were taken immediately after I got up off the couch — and before I’d established that my temperature was normal. For some reason, I went to the back door by the garage, opened it and squinted into the sunshine. I just stood there on the stoop for awhile.)
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