I thought I’d wasted the day. I was lying on the couch under a blanket, feeling so tired, waking after a nap, a needless nap in the middle of the day, with sun pouring through the windows. I’d woken when an alarm went off on my phone: the province of Ontario alerting all travellers returning home to go home and stay home. A few minutes later, the alarm sounded again: same info, this time in French.
The dog lay atop the couch, stretched out. I stared at the wall. Is this a panic attack? But it didn’t feel dire, it felt like being flattened by something, unable to rise. My eldest son appeared on the scene. “Oh, are you napping?” “No, just lying here doing absolutely nothing,” I said. He accepted this at face value. He’d been cleaning his room, and wondered where to put some stuff he didn’t need anymore — boxes, binders. I was able to assist him while still prone. “Could you bring me the New Yorker magazine that’s open on the table?” I asked him. It was the latest issue, open to the fiction, a short story about tennis, of all things.
I read the whole story. It was a long story.
Soon after that, I got up off the couch. In the bathroom, I surreptitiously took my temperature. Normal. Then I went to my office, plugged myself into my Lynda Barry Spotify playlist, hit shuffle play, and wrote in my notebook for the next hour: a brand new story for a book I’d been working on diligently before … before … all of this; it seemed so long ago.
After that, I met a friend for a walk. Keeping to a safe distance. Dodging others on the Iron Horse Trail.
Home again, I returned to the story. I wrote more. My pen scratched away at the lines on the page, words flying from some unknown part of myself, turning visible, printed in block letters, the nascent form of something that might become something, someday; no, that already is. Forget someday, Carrie. It already is. This is.
When I finished writing the story, I sat back in my chair and almost cried. It felt like I’d connected with some distant memory of myself, some estranged part of myself in whose renewed acquaintance I was delighting — I remember you! Writing, through confusion, following the through-line of a plot, seeing the world through a character’s eyes instead of my own — I felt purposeful in a way I feel at no other time. Not purposeful in a practical way, like when I’m baking bread, or helping a child; but purposeful in the way of being used wholly. Not used in a bad way. Used entirely. All my parts work in concert to do this bright bruised blessed work that does not feel in any way like work.
It’s a good feeling.
Today was not wasted; I got up off the couch, but also, I let myself lay there. Maybe I needed to do both of those things to figure out how to write that story that now is, whatever it is, whatever it may be. I got it out of my head.
(These photos were taken immediately after I got up off the couch — and before I’d established that my temperature was normal. For some reason, I went to the back door by the garage, opened it and squinted into the sunshine. I just stood there on the stoop for awhile.)
I wasn’t in a good cartooning mood yesterday. But I wanted to capture this quotation from Elizabeth Strout’s novel My Name is Lucy Barton, which I was reading. So I sat down and wrote it out, arranging the words on the page as if they were a poem. I started by writing the words in non-photo blue pencil, and inked them in afterward. I was quite sleep-deprived, and realized only later, when reading over my efforts, how many “typos” I’d made. So it wasn’t a good cartooning day. To cartoon, you need patience, focus, concentration. In keeping with my word of the year, I’m trying to pay attention to what manifests, in order to understand what’s underneath. In all honesty, I might not have noticed I was lacking those traits yesterday if I hadn’t tried to cartoon.
In conclusion, I need more sleep. I have been trying to get 7 hours of sleep each night, consistently; trying and failing, I must add. I’m addicted to early morning exercise. It’s my bliss. And that means getting to bed earlier. Which means turning off my phone earlier, and climbing into bed with a book. Like the one in which I found the words I felt compelled to record, above. But I confess it’s a hard habit to change — to read a book instead of scrolling though social media feeds. The latter offers the illusion of connection, and sometimes, in the case of Twitter, a steady stream of outrage that temporarily livens my brain; but also drains me of real purpose, or the desire to act in real, tangible ways.
When I read, especially fiction, I transcend the body I’m in and become familiar with other bodies, other realities, through immersive sensory perceptions. I see through other eyes. And in this exchange, I often feel seen, or feel able to see myself more clearly. That is how I felt reading the passage above: It says what I cannot.
Reading it, I wanted to write out the words so I could keep them in tangible form. The words called out from me a response. Which led me here. Which is, where, exactly? Sitting at my desk on a dull Saturday afternoon, the first day of February, my fingers smelling of peeled garlic, not vacuuming or cleaning the bathrooms, composing a small gathering of thoughts for release, winging out into the ether.
One final thought: I write fiction to know how others are, in large part because “I realize I don’t know how others are.” But one of the oddest things I’ve discovered while writing a collection of autobiographical stories, is that I also don’t know how I am. Fiction is a necessary construction, and sometimes it becomes a mirror. A fictional character, like Lucy Barton, can say what we cannot because as a projection of her author’s imagination she is elaborately protected from the particular dangers of human pain, and this makes her free, as a character, to reveal what our human minds protect us from most vigilantly — her ambiguities, confusion, contradictions, the places where she gets stuck, the ways in which she hurts others, her lies and her truths. We see her, and we see ourselves more clearly for a moment, too.
I have a lot on my mind. And somehow that has translated into silence. How to sift through the jumble and identify items worthy of sharing? I seem to exist in a fog of confusion, at least right now.
Last week was absorbed by creating a roster for this season’s soccer team. A painful, heart-rending process, in all honesty. Humbling and bruising, too. A large part of me rebels against the levels imposed by competitive sport that claim to filter children into good, better, best. It isn’t an objective process, yet it’s treated as such; worse, there’s an implicit assumption that the teams themselves are good, better, best, based on level alone, and that a child’s experience would therefore be improved by moving up, and would deteriorate by moving down. I know what I can offer, as a coach, but within the competitive framework, it often feels like what I can offer doesn’t actually matter.
I’ve been waking in the middle of the night, unable to fall back to sleep. Mind racing. Body restless.
Not thinking about these things, exactly, but about the everything, the jumble, the chaos of a world that claims to be about one set of rules and values, while operating on a completely different set of tacit rules and values. Winning. Winning by any means. Power. Shows of dominance, especially rage. Shaming. Placidly public corruption. Lies. Assume everyone is lying to you, or you’re naive. Well, dammit, then I’m naive! The values we encourage our children to adopt could almost appear cruelly out of step in the context of this greedy, ego-ascendant world: be kind, share, be trustworthy. But that’s what I want to be and to do.
That’s the space I want to hold open.
I keep picturing the frame we teach players to make with their arms, to protect the ball and box out the pressure. It’s a strong stance, but not aggressive or violent or dirty — you don’t lift your elbow to hurt the attacking player, you simply use the steadiness of your body and of this frame you’re creating to hold your ground.
The conclusion I keep coming around to, amidst all the confusion and noise, is: I want to be kind. It’s actually almost the only thing I want to be. I don’t think much else matters to me, in the end, and in the right now. I accept that kindness can go awry, that the road to hell is paved with good intentions, that kindness, offered in ignorance, can cause suffering. And maybe I’m talking about something bigger, deeper, wider than kindness. Maybe I’m talking about love. Love; and attention. But it’s easier to start with kindness. Kindness is easier to grasp in the moment.
There is a mantra that’s been keeping me grounded, as much as it’s possible to be grounded, whenever it feels like I’m whirling away or spiralling down: I am loving awareness. It helps when I’m worrying about being judged, or am judging others, when I’m second-guessing my choices, or letting external pressures and feedback (real and perceived) affect my state of mind.
Here’s a ten-minute meditation to sit with.
(If the visuals in the video turn you off, just listen to the sound. Or don’t listen to anything at all, just repeat the phrase I am loving awareness, till you know it’s true.)
There are things that can’t be seen, but can be smelled. There are things that can’t be seen, but can be heard. There are things that can’t be seen, but can be felt.
Of things that can’t be seen, but can be smelled, I give you this: the place beside the porch where, last night, when cornered and harassed by our clearly not-that-bright dog, a skunk sprayed said dog and surrounding area. I don’t blame the skunk. In a way, I don’t blame the dog either. There’s no one and nothing to blame. It’s just that this is not the text a person wants to receive from her son, while driving back-country roads at around 11:30PM, returning home from a late out-of-town soccer game which one has spent standing, soaked to the skin, in intermittent pelting rain, beside a soccer field: I think Rose got skunked.
Yes, the evidence would have it. (Luckily for you, dear reader, this is not a scratch-and-sniff post.)
Of things that can’t be seen, but can be heard, I give you this: our refrigerator, roaring like a jet engine, despite having been “repaired” yesterday morning. We await the return of the repairman, who tightened the compressor and gave us a 90-day guarantee. I’m wearing ear plugs. They’re not working. The jet engine that now resides inside our refrigerator persists. (Click on photo below to play video of fridge-as-jet-engine.)
Of things that can’t be seen, only felt, I give you this (not pictured, naturally): the inside of my brain and body, exhausted from lack of sleep. It’s been hot, and I love love love the heat, but our house hasn’t been cooling down at night, and our sleep, even before the skunk and the fridge, has been restless. And so, I give you my stuporous mind. I give you my determined aching limbs, which rise every morning and run through the park, because they are certain, as am I, that the day will be better having done so, and worse having not done so.
I give you this: it’s smelly, noisy, sticky, messy in here; house and mind.
But this too, I give to you, and it’s no small thing, this thing that can’t be seen, only known: twenty years ago today, I got married, and twenty years later, we’re still married. There’s no way to see exactly what that means, but it’s plenty to live off of. It’s carried us through all the things. It’s carrying us even now.
Puppy photo unrelated to post. Rose with her best friend Murphy, who is six weeks older and three times bigger.
Hello, pleasant glass of white wine near the wrist. Hello, Saturday evening.
Hello, my lovely kind encouraging friends who somehow have found me here, in this online state in which I exist, occasionally, as if I’ve peeled myself apart to become a thing both corporeal and ethereal at once.
Today, this is what I did with a spare hour or so — drew a cartoon showing the Classroom Rules* for my new course. It seemed like a good use off my time. Why not? *with thanks to Lynda Barry for the inspiration
My new word of the year has arrived! Last night, I spoke it out loud at my Word of the Year group, so it’s official.
Another one-syllable word: FIRE, 2018; STAND, 2017; PEACE, 2016; LIGHT, 2015. I must be drawn the solidity of the single syllable, because the choice hasn’t been deliberate. I only just noticed. The word SPACE called out to me this past fall, when I felt overwhelmed with tasks and responsibilities. I was craving not physical space, but spiritual space, mental space, space to think clearly and slowly, space to formulate, to spread out my ideas and gaze upon them, space to be whole, calm, peaceful. It has emotional and figurative connotations for me, rather than concrete ones.
But a word has a habit of showing more of itself than one can guess.
What will I make space for, in my mind and in my heart, and in my days? A friend on FB posted 100 things she intends to do this year, but I don’t think my list is so long.
draw cartoons for class
draw cartoons for larger project
listen to music
find new favourite songs, add to playlist
revise / rewrite novel project
write new stories for a partly-completed collection
read peers’ work, share work with peers
apply for grants
go to Lynda Barry workshop this summer
retreat weekend solo
retreat weekend with friends
yoga in front of the fire
host a poetry night
eat dessert with my family
cuddle with Rose
go for walks, be outside
write in my notebook
play the piano and sing
visit my grandma
connect with people
cook vegetarian suppers
go to Spain
take a trip with my family
sit around a campfire
lie on my back and look at the stars
let myself dream
Today, I’ve done #1, #3, #16, and #28, and #16 is about to happen! (Panettone!)
PS Read this poem by a former student. It’s so beautiful, I keep reading it over and over. Sending huge gratitude to former students who continue to reach out to share their work with me. Thank you, thank you, a thousand times thank you.
Last night I dreamed I was being chased by a man with a gun. I ran and hid while he hunted me down.
I woke and all the hairs on my arms were standing on end. My mind was racing. I lay there in the dark, looking at the ceiling, trying to get the picture out of my mind—of a man with a gun, pointed at me. What I thought about, too, as I lay there, too awake and disturbed to sleep, was what it would be like to have experienced a situation like that for real, like the kids of Parkland. What a name. Parkland. Sounds like the name you’d give to a wholesome suburban community, though possibly a satirically wholesome suburban community. I thought about waking in the night to stare at the dark, mind racing, after being in lockdown in your classroom, after hearing gunshots in your school’s halls, after seeing someone shot and killed, after hiding, terrified, thinking you will die. And I thought, the March for Our Lives is not hyperbole for these kids. I thought, if someone with a gun has come into your school, you understand, in a way that others may not, how dire the situation is, how far gone, and you’d do anything, now, to prevent this happening to another kid, in another school.
I thought, this won’t end until enough people refuse to accept it as their reality.
I’m so glad I don’t live in the United States. It breaks my heart to say so, because I am a dual citizen, and because dear friends and family live in the States and love their country, and because there are so many good and wonderful things in the US. I grew up in the States. It was once my home. I remember when Canada seemed terribly foreign, even though my dad’s family had Canadian roots. Canada was cold and unknown, and I didn’t want to move here. I was ten. I’ve never moved back to the States. I’m almost wholly Canadian now. We have our own problems and even our own gun problem; but it doesn’t compare, nothing compares to the madness of the gun—the worship of the gun—in the United States of America. It’s almost as if guns are more sacred than life itself, in the USA. Certainly, the right to own and carry a gun is more protected than the right to be protected from gun violence. If the best answer politicians can come up with is more guns, arm the teachers, “harden” the schools into what amount to prisons—that’s not protection for the kids, that’s protection for the guns, again. Sell more guns.
I want to march. I want to go to Washington and march against the almighty gun.
The kids who are marching, the kids who’ve organized this, the brave outspoken truth-telling kids of Parkland feel like they’re living in a war zone. They’re living in a developed nation, a nation of enormous prosperity and wealth, yet they are not safe—they know they are not safe. They know this will happen again, and again, and again, in churches, in schools, in homes,on streets, and so they march. I hope they never give up hope. I hope they march and march and march for their lives until they change the course of history. I’d believed for so long that there was no changing this story—that mass shooting would follow mass shooting would follow mass shooting, with nothing but thoughts and prayers to comfort the survivors. But these Parkland kids, they give me hope. They’re changing the narrative. They’re digging in their heels.
I always thought the gun would win, because don’t people with guns always win?
But, no, they don’t. They don’t. Violence doesn’t always win. Power and bullying doesn’t always win. Money doesn’t always win. Oh, how I want to believe this.
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My name is Carrie Snyder. I'm mother of four, writer of fiction and non-, dreamer, contemplative, mid-life runner, coach, forever curious. I'm interested in the intersection between art and spirituality. What if the purpose of life is to seek beauty? What if everyone could make art?