I’m sitting at my desk listening to the voices of my sons behind me, as they play a game together—spontaneously, after supper. It is a Saturday night in mid-October, and I am sick (literally, not figuratively) with something most likely picked up in the germ-swirl that is an elementary school’s main office.
In my dream last night, I was laughing/lamenting that my talent is for making these rectangular objects filled with words, but another part of me said, no, your talent is for taking real life and converting it into something tangible that others can understand and feel too—an image. In the dream, I could see that it wasn’t the book-shaped piles of words that were important, but the images themselves, the core pieces of representation that shine on in the imagination, that last or spark or make meaning inside the consciousness—who knows why?
Images that I’m carrying right now—too many to count, stuck to me like burrs, alive and imagined, some from my own experience, some utterly invented.
Have you watched Reservation Dogs? It’s in its final season (of three), and I can’t bear to think of it coming to an end. Each episode is a jewel. I end each one weeping (but it’s oh so full of laughter too). An image I’m carrying comes from season two, when an elder, a grandmother, is dying in her home, and the house fills up with relatives and neighbours, food, stories, silence, words. Nothing is rushed, and there is time to let this singular passage unfold.
Another image I’m carrying is happening in a room I’ve never seen, where a person very dear to me is lying in a bed with the lights turned down, beside a beeping bright hallway, dozing on and on, sick and frail and afraid. She is not alone, but she feels alone. I can’t reach her, I am not able to reach her right now. There’s more that I could see, or imagine, but for now, I hover merely in the conjured room. It’s where I am, it’s where things are. Liminal space.
Unfinished stories. Fragments. Is that what images are?
To write a whole book—it’s within my capacity, I can do it, I have done it, and almost to my own satisfaction. But it does cost me—it costs me living in the real world, living my whole life. My whole life is too full right now—full of experiences I’m living through and in and among, experiences that may never be translated into words placed inside a rectangular object, to try to keep. I want to keep the things I love. (Wasn’t that my calling—to fight to observe and preserve the things I’ve loved and love?) But not everything can be kept, or contained, or held. Not even the most precious, the most wondered-at and cherished. (It has to be changed to be kept, in any case. It has to be turned into something else—an image, alive but only in the mind.)
And most things are carried away, let go. Here and felt, but not kept. Ephemeral.
I’m about to start week four of my new job. It’s intense and lively and challenging for brain and body and spirit — and I love that. It is also consuming of energy and focus. And it’s what I wanted and needed, I feel that deeply. I thrive on friction and have sought it out in various ways, from kundalini yoga classes to filling my house with four children to taking on volunteer roles that threw me into situations with high learning curves and the reward of appreciation and adventure (think — soccer coaching, or co-founding and running the storytelling workshop).
Now I’ve found myself a job where I get paid to enter into a swirl of friction: activity, human interaction, conflict and attempts at resolution. Everything I’ve learned in my life leading up to this moment feeds my ability to thrive and respond with integrity and kindness (while setting firm boundaries) in a constantly changing, constantly interrupted environment of constant problem-solving. But it’s early days! I recognize that such jobs can also, over time, create calluses for protection and self-preservation, which outwardly can look like cynicism, burnout, detachment, depression.
So I’m testing out ways to build in channels for release, for rest, to make space for ongoing enjoyment.
NEED is my word of the year. Attuning to my needs has been such a helpful guide! What do I need to set myself up for success? Each one of us will need something a bit different — or a lot different. I’m relishing the opportunity to test out my needs and my ability to meet those needs, with the focus of the job as an anchoring point.
I need: healthy food and hydration; cardio; yoga and meditation; time with Kevin; balanced connection with my kids (meeting them where they’re at); the give and take of strong friendships; sleep and rest; friction and challenge; to learn new things; creative outlets; appreciation for my work; compensation for my work; a sense of adventure and discovery; to feel purposeful and useful; joy and humour; spiritual connection.
My new job meets the following needs (just by showing up, these needs are met! Amazing!): friction and challenge; to learn new things; appreciation for my work; compensation for my work; a sense of adventure and discovery; to feel purposeful and useful; joy and humour. I sense that friendships may develop through this job as well.
So what’s left out? What needs are not being met at my job and can I find ways to meet these needs in other ways?
Well, I’ve been biking to work — there’s cardio, and I’m planning to get up extra-early to fit in a 30-min run a few times a week on days when I don’t feel like biking. Packing myself good lunches and keeping a water bottle at my desk; plus cooking as therapy when I get home for work — there’s healthy food and hydration. Kevin and I do yoga and meditation together almost every day, first thing in the morning, last thing before bed, and we walk the dog most evenings — there’s time with Kevin, and yoga and meditation, and spiritual connection (at least to some degree). I reach out to friends by text (it’s a great way to stay in touch, especially from afar, and with kids too), and arrange times to meet in person, like a Friday after-work drink, or an early morning walk. Our family eats most suppers together (those living at home, that is). So a lot of the bases are being covered.
Rest and sleep — working on it! I’m aiming to leave most weekends and evenings relatively open and free. This means cutting back on almost all volunteer work. Cutting out activities that drain my energy, or that I simply don’t have time to complete.
I’m missing creative outlets.
I have two writing weekends at the farm planned for this fall — so that’s something. But what about daily creative connection? Connection to my writing self? What’s happening in that part of my self? I haven’t felt the urge to write, to start something new, or even to finish the novel project that’s underway. I’ve got a completed manuscript waiting for an editor to read it and reject or accept; touching that part of my life hurts, sometimes. Or I anticipate that it will be painful. Too hard. Unnecessary pain.
But writing and drawing bring me joy — I know that!
So I’m going to test out writing/drawing for 15 mins during my lunch break (first I have to take a lunch break, but this will be motivation!). Rest and restoration — much-needed to avoid burn-out. I’d like to make myself a list of 20 or so prompts that I can cycle through, for days when I’m not feeling inspired to get started (which is most days, these days!).
I’ll post some prompts here too (next time). Maybe you have a favourite prompt you return to? Let me know, please.
xo, Carrie
Lyrics in my head right now: “Life is a balance, you lose your grip, you can slip into an abyss…” J. Cole, “False Prophets”
A friend has offered to redesign the banner on my website to remove the title “Obscure CanLit Mama,” which no longer fits so well. On a hot August morning in 2008, I titled the blog on a whim, and began sending out posts to the universe. My youngest was newborn. He’s now in high school. In those early days, I wrote a lot about the kids. I posted recipes and meal plans. I wrote about juggling constant stay-at-home childcare with attempts to steal even a smidgen of writing time. I’d published one collection of short stories, four years earlier. It seemed presumptuous to attach myself to CanLit as a participant (even an Obscure one). The Mama was the ascending identifying force in my life at that time.
I haven’t posted a recipe in a very long time.
I don’t write about my kids, except glancingly.
These days, I come here, to this familiar space, to reflect mostly on writing, but also on what seem to me to be ephemeral, spiritual matters: aging, artistic discipline, setting routines, learning new things, re-learning old things, the repetition of the seasons, creative practices, play, emotional weather / weathering emotions. Etc.
In the 14 years that this blog has existed, I’ve poured energy into being a writer, laying claim to that identity, earning grants, publishing three more books, teaching creative writing, organizing writing workshops, serving as a consulting editor with The New Quarterly, speaking, travelling, practicing the craft, seeking to keep my connection to my writing alive and thriving.
Obscurity is a self-effacing mindset (erasing? shrinking? minimizing? hiding?). I know that. But it was necessary protection as I tried to become / be a writer. I’ve been afraid of being a writer, of laying claim to this identity and its shifting cultural responsibilities. Since childhood, I’ve wanted to perform magic tricks with language, to conjure imaginary landscapes, converse with imaginary people, finding solace in their losses and successes. I did not aspire beyond that — that was a big-enough dream. I knew my writing wouldn’t be activist in nature, because I am not an activist by nature. I’m a ventriloquist, an observer, a performer, agnostic, hungry to learn, curious about the questions, less-so the answers, the mystery, not the proof.
It’s a rather exalted view of being a writer. Or maybe I mean ecstatic. Or impractical. But I admire it, I love what my former self was attempting.
I dipped into The Juliet Stories this morning, a book now ten years old, and the writing sang off the page, just like magic. I couldn’t remember the person who’d written it. It was like reading a stranger’s words. Did I know then what I’d made? No. I didn’t trust its worth. I didn’t need to. I just kept trying, year after year, focused on the writing, and eventually madesomething.
I want very much to be that same writer, to write with confidence, believing in the magic of language. “You know it’s not the same as it was”: this song came on my “Run Fast” playlist this morning (oh Harry! so nostalgic); maybe “As It Was” especially resonates in These Times, when we’re trying to remember who we were Before. But life is lived in the present, and time carries us onward. We change; and experiences change us. It’s not the same as it was. That’s a neutral statement, at heart. It doesn’t have to weigh heavily, though it’s tempting to roll around in those deliciously bittersweet emotions.
What’s next? What path am I running, where does it lead? I can’t see very far ahead of my feet. Whose hands am I holding? What’s pulling me onward?
What kind of a writer am I now? What kind of a writer do I aspire to be? Do I need to know? No. As Lynda Barry would remind me: it’s none of your business. Follow the energy, get comfortable in the not-knowing.
I don’t have a new title for this blog, just my name. Enough? Enough. Yes.
What a beautiful day. What a beautiful week it’s been. Each day has a slightly different rhythm, but throughout there have been conversations with friends, bike rides, walks, and several runs in the park.
How has your morning routine changed, as the new season begins?
For me, it’s meant waking up earlier, though I’m still figuring out how to get to sleep earlier to compensate. I’m prioritizing daily morning yoga. We are also walking Rose more regularly. After a close encounter with a skunk last month, Rose now has a curfew: she’s not allowed out after dark on her own. Ergo, more dog walks. Kevin and I like to end our evening with a walk around the block with Rose. We often walk together in the morning too, just around the block.
The first two hours of every day are devoted to exercise, yoga, and, often, connecting with friends. The house empties out by 8AM.
As this new season begins, the house feels so much quieter. Our two eldest are at university, and do not live at home. Our two youngest are now both in high school, and growing ever-more independent. So …
What am I to do? I’ve spent 21 years of my life devoted to looking after my children. Their needs are changing rapidly. In the midst of all this quiet, I’ve begun look around and consider what comes next. There is writing, of course, and there always will be. But I’d like to find a job, now, that offers stability and routine, preferably not writing-related, preferably with people. I really love being with people; I love writing solo in my little home studio, don’t get me wrong, but I’ve loved doing that all these years with a bit of cacophony in the background, a swirl of impending chaos. Maybe the disruption and interruptions have been as important to my writing process as the ear plugs.
Your thoughts, suggestions, advice, leads, encouragement would be very welcome, as I begin opening to this new direction, with some nervousness and hope.
In the meantime, on the book front, I’m keeping occupied with some readings, book clubs, and workshops. Links posted below!
Saturday, Sept. 17, 2PM (tomorrow!) The Village Bookshop, 24 Main Street North, Bayfield ON, reading and book-signing
Tuesday, Sept. 20, 6:30-8:30 WPL Eastside branch, The X Page Storytelling Workshop, with me and Anandi Carroll-Woolery, a mini-version of the workshop, open to all! Free, but you need to register at this link.
First park run this morning after spending several weeks away, resting legs and lungs: instead of feeling out of shape, out of breath, I feel strong, my stride free and easy. The rest has done my body so much good.
Rest. It’s such a gift.
Every year it’s the same. I come home and want to replicate that feeling of being away, especially being somewhere with limited access to the internet and email, isolated, quiet. Trying to pin down what feels hard about coming home — it’s the restlessness. At the cottage, I don’t feel restless. I accomplish very little, but I feel content. Here at home, it’s the opposite. I accomplish more, and yet feel anxious and unproductive. I can see the world hurrying by, and time seems like a leaking bucket; maybe I’m more likely to fall into the trap of comparison.
One of my favourite cookbooks is called “More with Less.” It’s a Mennonite cookbook from the 1970s. I’ve always appreciated that ethos: more with less.
At the cottage, away, I’m content with less. Can I carry that concept home?
What’s precious, in a life? In an hour? In a season? What matters to me? I’m the only one who can answer that question for myself. Each of us would have a different answer; and maybe our answers change at different times in our lives, at different ages.
Right now, my wish is to tread lightly on this earth, and in other people’s lives. Do as little harm as possible. Share the joy. Be generous with what I have on hand.
xo, Carrie
PS Thankful for a beautiful review of Francie in The Miramachi Reader. The reviewer summarizes the plot brilliantly without giving anything away (not an easy feat).
As promised, November has been busy — so busy that I’ve hardly noticed or mourned the shrinking of the light, or the encroachment of the cold and snow.
I’ve mentioned here before that I’ve been doing therapy regularly since the summer. It’s been, if I dare say so, essentially transformational. I wish therapy were affordable and accessible for everyone, anytime. I’ve definitely gone without therapy due to cost (for years and years), and it feels like a complete splurge even now; but it’s getting me through some challenging times, so it’s become a priority. Another priority is twice-weekly kundalini classes. These, combined with walks / runs with friends, solo runs, yoga and stretching are my go-to sustainers for body and mind.
Yesterday’s prompt from my art therapist was this: When do you feel your inner light shine brightest?
At first, I couldn’t feel my inner light shining at all. Then, I saw myself with eyes closed in my studio space right here, in the dark, with the moon shining through my window, practicing kundalini yoga. Here in the dark, inside myself, I can come and sit no matter my energy level (tired, anxious, jittery, exhausted); here, no matter what’s happening in the rest of my life, I can sense my inner light flowing forth: a restorative activity, a practice that renews, comforts, meets me wherever I’m at. Gradually, other moments of inner light shining brightly emerged, and I drew them, one by one, smaller figures embedded in the world being conjured and held by the brightly shining meditative central figure in the drawing.
I saw an inner light communicating with the page, through words, as I worked on a manuscript: such a deep radiant concentrated focus.
I saw myself speaking in front of an audience, in the spotlight, being seen, but also radiating outward in connection with the energy and attention I was receiving: magnetic energy.
I saw myself having fun with my kids on a road trip, a loose goofy say-anything lightness: riffing off each other, appreciative, a curious attention, relaxed yet attuned to adventure.
And I saw myself with a raggedy light that was a bit of a blaze, honestly, an energy of determined persistence that engulfed me and pushed me toward a goal and wouldn’t quit till I got there: usually in service of someone else’s needs.
What I recognized through this work was that my inner light has the capacity to shine brightly in many situations; but there is payment afterward (or before) when that energy burns. Or, it’s simply not always accessible. Inhabiting fun isn’t always an option (but could it be more often, if I recognized my capacity to invent it?). Speaking in front of people, or managing within a larger group can be affirming and exciting and energizing; but I have trouble coming down, turning down the temperature afterward, which means I tend toward of a crash on the other side (could I learn better how to manage these fluctuations in attention?). I love my writing days, I love being pulled deeply into other worlds and bodies and times and spaces; but it’s hard to drag myself out, I struggle to return, to re-engage with the real needs of those around me (there may not be a solution to this, rather more of an acceptance, and a structuring of the writing times to acknowledge this reality). Finally, the energy of determination gets shit done; but I risk burn-out in this mode. I’ve seen it happen again and again.
The final thing we talked about in our session yesterday was how I envisioned my ordinary, every day inner light. An image came to me immediately: as a pilot light, patiently burning, not noticeable but ever-present, steady, reliable.
When I turn down the other flames, the pilot light remains. I’d like to learn more about how my body functions in these heightened environments and relationships, as I seek to support both my children and my elders, to serve my writing and career, and to prepare for publicity work in support of the new novel. I don’t want to dread any of these tasks I’m being called to do. It’s occurred to me that what I dread isn’t the tasks themselves, but how my body responds to them — in preparation, in the moment, or afterwards. Being drained is a real feeling. So is being burnt-out. So is being eaten up by anxiety. So is frustration, impatience, grief at what you’re not able to accomplish when you’re focusing on a necessary task. Being amped up and super-high and hyper-distracted is also a real feeling, which doesn’t fit with early morning responsibilities and regular life.
Wherever you've come from, wherever you're going, consider this space a place for reflection and pause. Thank you for stopping by. Your comments are welcome.
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About me
My name is Carrie Snyder. I'm a fiction writer, reader, editor, dreamer, arts organizer, workshop leader, forever curious. I believe words are powerful, storytelling is healing, and art is for everyone.
