Yesterday, whilst braving the mall in search of nice jeans for work (you have to try on jeans, you cannot order them online), I stopped by the Indigo bookstore and signed new paperback copies of Francie’s Got a Gun. And then this morning, I biked down to the CBC-KW studio for a live interview on our local morning radio show. It was fun; in fact, both experiences felt easier and lighter than promotional work has in the past.
Biking home, I was bursting with gratitude. Gratitude to all my wise counsellors, therapists (official and otherwise) and friends. Gratitude to an ongoing meditation and movement practice that reminds me to breathe and be inside my body. I would not wish to suggest that I am content with my life all of the time. But I am ever more at peace with what I can and cannot give and receive from being a writer. Let my writing be ever more integrated into the fullness of the ordinary; integrated, not elevated. Integrated and enjoyed and appreciated.
Getting to be alive, to breathe and move and help and hug and hold and care and learn and grow and fall and be held—what I hope for is the chance to say THANK YOU for all of this through writing; but there are other ways to say thank you, too, which I’m getting to know and appreciate all the more, through every day ordinary experiences. “Ordinary Wonder Tales,” as per the title of my friend Emily Urquhart’s wonder-filled book of folklore mingled with memoir.
My sense of purpose and gratitude is activated through my job-job, and elsewhere in other points of connection, the little confluences and bumps and unexpected interactions that come along the way, especially as I’ve been willing to be in the world. Listening. Asking questions. Acts of service and kindness. Kindness to myself radiating outward. Paying attention. Solving small problems. Lowering the bar. Prayer. “Joy snacks.” Presence.
I know caring isn’t super-cool. But when have I ever been cool?? (If you want to feel very old and very not-cool, go to the mall, go into a store selling jeans, and try on a bunch while asking for sizing advice from a genuinely kind young man who is approximately the age of your own children, and you will actively achieve humility.) In any case … the truth is that I really do care about the people I’m with and the energy I exude.
And I’m thankful, heart-deep, for the wonders of getting to be alive in this broken, challenged, grieving, complicated and beautiful world. I’m in awe of what we get to do here on planet earth, in the little scrap of time we’re given. It’s kind of amazing, isn’t it?
Summer Carrie is here. Summer Carrie is traveling, swimming, reading, hanging laundry on the line, doing copious amounts of yoga, walking with friends, hosting family, eating entire cucumbers, picking backyard berries, and soaking in the sunshine (and rain).
Will I finish my summer writing project? Will I learn how to watercolour flowers? Will I eat enough cherries to last me all year? When will I see the Barbie movie? Can anyone slice a watermelon better than my dad? Why are so many people from my past visiting in my dreams? Do the ones I love know that I love them, do I tell them often enough, and in languages that speak directly to their hearts? Should I aim for more sleep and rest, or more play and fun? Am I brave enough to do all the things I’ve said yes to?
I’ve spent March break catching up on course-related work and preparing for a couple of presentations next week. I also worked on my taxes. But you know, the pace has been forgiving. I’ve cooked some excellent meals, walked as much as possible, rested more. I even got a haircut.
Next week, Thursday, March 23, 4PM, I’ll be giving a public lecture at Western University in London (Ontario). If you’re interested in attending, it will also be live streamed; register here. The remarks I’ve prepared feel like the culmination of all my years of experiencing life as a writer — aspiring writer, struggling writer, published writer, uncertain writer, obscure writer, hopeful writer, thankful writer. This is an opportunity to express my deep appreciation and love for the act of writing itself, which is magical, healing, and so very alive.
But I’m currently distracted by the young people passing on my sidewalk whooping and shouting and wearing tiny green hats. St Patrick’s day is here, blowing through our city despite the rain and melting shit-speckled piles of snow. Everything is everything. It really and truly is.
Another friend helps me dig into my worry that writing has served as a form of therapy, lo these many years, and with medication now lowering my anxiety to levels previously never experienced, I wonder, will writing still come to me, will I still feel the urge if it’s not an obsessive impulse?
I am collecting the wisdom of the sisterhood. I made my birthday (December 29th) into an opportunity to connect and confer and laugh and reunite and relax with friends and family, near and far. In fact, the whole of this holiday season has been about this: connection, and ease. Sleep when tired. Rest when the stomach flu takes you down. Let someone else (Kevin! Angus!) cook the big turkey dinner. Bake in concert with kids and kids’ friends. Knead sticky bun dough for a good half hour while listening to a meditation. Walk through the snow storm. Snuggle the dog. Savour the warmth. Sing carols and hymns for hours. Be clear of mind. Drink in the kindness of others. Pour out what you can. Invite. Delight. Say yes, and thank you, and welcome, and thank you, and eat till you’re filled to the brim.
I’ve often been more reflective on birthdays past. This birthday, I chose to socialize all day long.
Can a woman contented with her life still be a writer? I woke up this morning and thought: I wouldn’t trade this contentment, this inner peace and delight that flickers with promise and hope, in order to write another book. But why am I building a case for either / or? Surely there are other paths in. I could argue as effectively that I’ve written books in order to be published, as some kind of proof of belonging, or proof of a longed-for identity (though that’s not how belonging works, nor grounding in identity; another hard-won revelation this year).
I’ll be teaching creative writing again this winter, and I’m interested in exploring what writing feels like now, again, anew; what feeds the urge to create; what sates it; what can I learn with / from my students?
If I’m not writing to ease my anxiety … if I’m not writing in order to be published … what sparks the desire to write a-whole-nother-book? It’s gruelling work that doesn’t quite make sense, as those close to me have observed — the effort I put into draft after draft can’t be paid off in the resulting novel. Effort and result are disconnected; even, I’d argue, unrelated. I’ve experienced book-writing as a painful process, I guess I’m confessing. It hasn’t made logical sense, not from a financial perspective, nor from an artistic perspective either, really; which is why I’m curious to know: will I still be able to make a beautiful book, with alive characters, built on an elaborate structure I see in my head, if I’m not obsessed, or in pain, or seeking to soothe deep anxiety? I’m hopeful. I am.
And I’m willing to shed all ambition to be a person with delight in her voice, and love in her throat, and patience in her bones.
What a wild experiment this living is.
What a lucky woman I am, to get to live in concert on this planet with so many wise, kind, generous spirits and friends. What a wonderful year this has been of feeling intensely (gratitude, shame, pride, uncertainty, clarity, anger, delight and so much more) and of paying attention to what the feelings are telling me; of making mistakes and being forgiven; and of seeing Francie in the world. The feeling I’m feeling right this very second is GRATITUDE! I’m thankful for a new job that brings me satisfaction and delight (as a temporary secretary / library clerk in the public schools); and for everyone who loves me as I am, a mess of flaws and inadequacies and intentions and goofiness. I carry you somewhere inside me, everyone who’s walked even a step with me on this path. Thank you for letting me give, when and what I could, and thank you for the gifts you offered me, whether I deserved them or not. I am a grateful, humbled recipient.
Please forgive me the times I let you down, or was too inward-looking to notice what you needed; or stuck in my own head, or protecting my pride. (I’ll forgive myself too; I’ll try.)
Boundaries are love!! Do I know what this means? I’m learning / unlearning, but I get it muddled often enough to cause pain.
Well. I’m human. Let’s all be human together. We’re so interesting and strange and difficult and curious. But we’re not disappointing! Not really, not truly, with a shift of perspective.
Wishing you time for reflection and / or fun as you look toward a whole new year.
Super thrilled to discover this review of Francie’s Got a Gun, on Kerry Clare’s blog, Pickle Me This. I respect Kerry’s keen reader’s eye immensely, and I’m overflowing with gratitude for her deep and layered reading of the novel. As book-coverage shrinks in traditional media outlets, reviews like Kerry’s are ever-more meaningful and important (as are reader reviews on sites like Goodreads, Amazon and Indigo). Kerry’s long been a terrific booster of Canadian writers and writing, not to mention she’s a talented novelist herself (Waiting for a Star to Fall).
Here’s an excerpt.
I loved Francie’s Got a Gun, a new novel by Carrie Snyder…. It’s a taut, tension-filled story of a young girl who’s running with a gun in her hand, the question of “where did she come from” taking precedent over “where is she going?” because maybe the ending it inevitable. But is it? … I started reading this book and found it hard to put it down, but refrained from posting about it until I’d reached the very end, so I’d be able to tell you with certainty that Carrie Snyder has pulled off, with flawless execution, a rich and sprawling story, and she really, really has.
A friend has offered to redesign the banner on my website to remove the title “Obscure CanLit Mama,” which no longer fits so well. On a hot August morning in 2008, I titled the blog on a whim, and began sending out posts to the universe. My youngest was newborn. He’s now in high school. In those early days, I wrote a lot about the kids. I posted recipes and meal plans. I wrote about juggling constant stay-at-home childcare with attempts to steal even a smidgen of writing time. I’d published one collection of short stories, four years earlier. It seemed presumptuous to attach myself to CanLit as a participant (even an Obscure one). The Mama was the ascending identifying force in my life at that time.
I haven’t posted a recipe in a very long time.
I don’t write about my kids, except glancingly.
These days, I come here, to this familiar space, to reflect mostly on writing, but also on what seem to me to be ephemeral, spiritual matters: aging, artistic discipline, setting routines, learning new things, re-learning old things, the repetition of the seasons, creative practices, play, emotional weather / weathering emotions. Etc.
In the 14 years that this blog has existed, I’ve poured energy into being a writer, laying claim to that identity, earning grants, publishing three more books, teaching creative writing, organizing writing workshops, serving as a consulting editor with The New Quarterly, speaking, travelling, practicing the craft, seeking to keep my connection to my writing alive and thriving.
Obscurity is a self-effacing mindset (erasing? shrinking? minimizing? hiding?). I know that. But it was necessary protection as I tried to become / be a writer. I’ve been afraid of being a writer, of laying claim to this identity and its shifting cultural responsibilities. Since childhood, I’ve wanted to perform magic tricks with language, to conjure imaginary landscapes, converse with imaginary people, finding solace in their losses and successes. I did not aspire beyond that — that was a big-enough dream. I knew my writing wouldn’t be activist in nature, because I am not an activist by nature. I’m a ventriloquist, an observer, a performer, agnostic, hungry to learn, curious about the questions, less-so the answers, the mystery, not the proof.
It’s a rather exalted view of being a writer. Or maybe I mean ecstatic. Or impractical. But I admire it, I love what my former self was attempting.
I dipped into The Juliet Stories this morning, a book now ten years old, and the writing sang off the page, just like magic. I couldn’t remember the person who’d written it. It was like reading a stranger’s words. Did I know then what I’d made? No. I didn’t trust its worth. I didn’t need to. I just kept trying, year after year, focused on the writing, and eventually madesomething.
I want very much to be that same writer, to write with confidence, believing in the magic of language. “You know it’s not the same as it was”: this song came on my “Run Fast” playlist this morning (oh Harry! so nostalgic); maybe “As It Was” especially resonates in These Times, when we’re trying to remember who we were Before. But life is lived in the present, and time carries us onward. We change; and experiences change us. It’s not the same as it was. That’s a neutral statement, at heart. It doesn’t have to weigh heavily, though it’s tempting to roll around in those deliciously bittersweet emotions.
What’s next? What path am I running, where does it lead? I can’t see very far ahead of my feet. Whose hands am I holding? What’s pulling me onward?
What kind of a writer am I now? What kind of a writer do I aspire to be? Do I need to know? No. As Lynda Barry would remind me: it’s none of your business. Follow the energy, get comfortable in the not-knowing.
I don’t have a new title for this blog, just my name. Enough? Enough. Yes.
Wherever you've come from, wherever you're going, consider this space a place for reflection and pause. Thank you for stopping by. Your comments are welcome.
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My name is Carrie Snyder. I'm a fiction writer, reader, editor, dreamer, arts organizer, workshop leader, forever curious. I believe words are powerful, storytelling is healing, and art is for everyone.