Category: Publishing
Sunday, Mar 24, 2024 | Art, Big Thoughts, Books, Fire, Francie's Got A Gun, Girl Runner, Manifest, Peace, Play, Publishing, Source, Spirit, Success, Writing |
I’ve been thinking about a book of linked stories that I wrote around 2014-2015, immediately before and after publishing Girl Runner, the novel that at this point in my career seems likely to be my biggest hit, as it were. Girl Runner sold internationally, was translated into a number of languages, and people still invite me to come to their book clubs to discuss it (which means it’s being read, which is quite remarkable, honestly, for a book that celebrates its tenth birthday this year). In short, that book changed my life; but not in ways that I could have predicted, and I’m curious to re-read stories written in the aftermath of success, because what I remember from that time is that I did not feel successful. I felt estranged from myself. I was stressed and under pressure. I fully expected to build on the success of Girl Runner to publish more and bigger; but nothing came. It wasn’t that I was blocked—I wrote a lot—novel drafts, short stories. It’s that what I wrote wasn’t … well, it’s hard to say this out loud, but it wasn’t what was wanted.
I don’t know if I have a gift for writing, but I have a love for it, and a desire to do it—and so I write. For a little blip of time, a decade ago, I could imagine that the foundation was set, and I could spend the rest of my life writing and publishing books, and, crucially, making a living from that work. This hasn’t been the story, though; this hasn’t been the arc of the plot. I’m no longer grieving this as a loss; but I did, and I think a version of that grief is contained in that short story collection (which I titled Why Give Yourself Away?). Why Give Yourself Away was so unwanted, perhaps so unlikeable, that an editor made the assumption I’d submitted the manuscript in order to break a two-book contract. Yikes. When I heard that, a few years after the fact, it was real blow. Because I’d been serious—that book of stories was exactly what I wanted to write and to publish at that moment in my career. I’m not commenting one way or the other from this perspective—was it better for my career that those stories remain in my attic, or would they have been a worthy contribution to my overall published work? I have no idea. Francie’s Got A Gun probably wouldn’t have existed had that project been published, for the plain and simple reason that I wouldn’t have needed to write Francie—I walked through fire for Francie, and that’s something you only do when the need is obsessive and otherwise insurmountable. Writing Francie was a feat of endurance and single-minded optimism. Not hope—hope is softer and more organic, elegant. Francie exists because I was irrational in my need for her to exist.
(And perhaps I love Francie all the more for it.)
Nevertheless, those old stories intrigue me. I wonder what’s captured there—a mortifying self-pity? A Karen-like whine that the world isn’t bending to my will? Something’s in that collection that made an editor cringe. Yet I recall the stories in my mind as almost magical; maybe writing them was medicinal. It got me through. As writing always seems to. It gets me through.
What fascinates me about structuring a narrative is how crucial the unravelling is—the when and the shape of the viewpoint. Am I more ruthless when following a linear structure? I suspect so. Those stories were linear. The project began as an attempt to record in immense detail a single day, on the day that it was happening. The narrator (a version of myself) was unsparing to the point of cruelty to herself. But if I were to return to that narrator now, wouldn’t I see her actions differently? In returning—in recasting the structure as circular—forgiveness, gentleness, curiosity can’t help but creep into the perspective. I have kind feelings toward my younger self. Sometimes, I pause to thank my younger self for her courage, her wild leaps of imagination, her insistence on becoming, and for her mistakes.
If I am fortunate, I will grow old, I will become elderly, and I will thank all my younger versions of self for their persistence and doggedness and belief that everything they did mattered. No matter how small. No matter the visible result.
Think of everything you’ll do in your day that is unseen or unnoticed or unrecognized. Hold a few of these in your mind for a moment, cup your hands around the small actions, gifts and gestures. I did not know the answer to the question Why give yourself away? when I was writing those stories, but the question itself landed differently in my ear at that time. I thought I was giving away pieces of my life to fiction or poetry, or flaying myself open as a means of creating art, and you know, maybe I was, and maybe that’s exactly what it meant at that moment to give myself away.
I won’t rewrite those stories. They stand, as they were, of that time. But I might write a new book with that title. Maybe. Honestly, who knows? I circle, I alight, I take flight.
Why give yourself away? The question lands differently in my ear now—I hear giving as ongoing life-affirming generosity that returns to you a thousand fold, because now I believe that my self is formed of a deep well, a source that is infinite, and that source is love. Unconditional ocean-like, star-like love. “Not the sad edge of surf, but the sound of no shore.” I can’t always access this love, nor am I always in tune with it, but that’s okay. I’m moving in that direction; I’m circling it, in fact. The tree in Francie represents that circling motion—accumulation of experiences, young/ancient core protected and held by rings of capacity.
Why give yourself away? What choice do you have? What you keep, what you hold tightly and cling to, will wither and harden, or pain you for being unspent. The hours are brief, and what you give will be returned to you in another form that you likely won’t be able to see, but you’ll feel and know because those around you will respond to it. If what you give is harmful, you’ll know that. (And by the way, I believe that even if what you’ve given is harmful, by giving it, you’ve opened yourself to the possibility of change—to give is to transform.) If what you give is greater than yourself, you’ll know that too.
This is not about giving everything to everyone, spilling your guts or breaking boundaries: Love the self you are giving away, meet yourself in unconditional love, begin there and expand ever-outward.
Why give yourself away? Because it’s how you find your way back to your source. But that answer is a bit too long.
Because, love.
xo, Carrie
Saturday, Mar 16, 2024 | Adventure, Art, Big Thoughts, Fun, Good News, Peace, Play, Publishing, Source, Space, Spirit, Success, Word of the Year, Writing |
Contrast. What joy this word brings me.
Contrast isn’t about what’s better or worse, or right or wrong, it’s not about comparing one thing to another — instead, I think about vibrancy, colours, shadow, texture, depth and height, the common structures of my everyday, and how routines and patterns might be shifted to bring even more enjoyment, pleasure, delight to my mind.
Beauty is in the eye of the beholder. Contrast too. My own taste matters in this exercise. What’s delicious for me, attractive, appealing may be off-putting, strange, and discomfiting to you. Maybe I’m not seeking a universal aesthetic. But I confess to wanting to communicate clearly with everyone I meet.
I’m thinking about writing, of course. All the more so, having spent the past four days writing, solo, at my brother and sister-in-law’s farmhouse. Unimpeded, I got a glimpse into my own eccentricities, and let’s just say, I vacuumed obsessively in between focused spells of writing and revision. I ate nothing but cornmeal porridge for the better part of one day. I read what I’d written out loud in wildly dramatic tones, and I talked to myself pretty much non-stop. Muttering about word choices, testing out dialogue, reassuring myself that the scrabbling break-in noise I’d heard was just a squirrel (a manic and possessed squirrel, hanging upside down and staring in at me from a window, sure, but still just a squirrel), that I could do this, I could finish this book, and that at a certain point a person should really take a small break and make herself a cup of tea.
It was delightful, in short.
And it was terrifically fun, and I found myself overwhelmed with gratitude and joy, that my “hobby” or “life’s-calling” (either work, quite honestly!) allows me to retreat from everyday circumstances and escape into an imagined world that seems to live and breathe and dance and shout and bend and twirl purely to bring me delight. I feel very connected to my child-self when playing in my imagination. And yet I appreciate the skills gained over years of practice that facilitate the ease with which timelines unfold, and structure ascends, and characters enter and exit and become.
The hope, as always, is that what pleases me will also please others.
It’s a pretty grand hope, when stated bluntly—maybe even grandiose. Delusions of connection—the belief that the contrasts that soothe my fears, break my heart, speak to my spirit, raise my blood, and make me laugh might do the same for you. That’s a writer dream, to be perfectly frank.
But if it doesn’t happen? Well, I suppose it’s hardly a tragedy, nor cause for giving up the craft! Surely, surely, my optimism assures me that I’ve made a thing that others will enjoy, but way down here at the foot of another yet-climbed mountain (let’s call it Publishing), I’m wrapped up beside a little fire of my own stoking, whistling a happy tune, because I’ve had the pleasure of making something. I’m laughing just to think of it! Such great joy in invention. And come Monday, I’ll be back in the library with the children, soaking up their energy, and being reminded (by them!) of how to live my happiest life: ask lots of questions, be where you are, give your attention to what’s before you, and keep puzzling it out and trying your best to make connections, and understand.
Home again, I’m carrying the residue of concentrated delight and invention, I’m fresh with the contrast—having been away, writing and, yes, finishing the book, and having returned, every hour seems, just now, precious and lit up with all different colours and emotions, aching to be enjoyed. It’s just so darn interesting to be in the world.
xo, Carrie
Saturday, Feb 24, 2024 | Art, Big Thoughts, Confessions, Family, Feminism, Friends, Fun, Meditation, Organizing, Parenting, Peace, Publishing, Sleep, Space, Spirit, Success, Weekend, Winter, Writing |
Life feels softer, fuller, rounder. Sometimes this feels just right—for my age, my ambitions. Sometimes my eyes ache behind my glasses. I am softer, fuller, rounder. I don’t like this so much. It’s partly body dysmorphia and partly not—I am larger than I used to be, objectively speaking. I have had to upsize my pants. There are days when I don’t even go for a walk, because I can’t squeeze it in, let alone one of those hard runs I used to rely on to keep me sane, and fit, and possibly also fitting in those pants of the past. My body has fluctuated and changed over these nearly five full decades on planet earth. Pregnancies will change a person’s body. And endurance training. But so will mid-life hormones, and aging, and a myriad of other factors that are beyond my control. Out of control is what I feel sometimes, when squeezing into my upsized pants. Yet, since when am I in control?
Control is an illusion, a fable told to comfort myself—that I am choosing for my body to be the way that it is, at any given stage in my life and development. Our bodies, ourselves—caught in time, turning and turning.
But my head, my outlook, my mind—softer, fuller, rounder? Yes. And how do I feel about that? I don’t entirely know. I’ve had practice accepting change, loosening my hold on expectations, letting go, you might say, or holding lightly (parenting gives a person practice; being a writer, too). But practice doesn’t necessarily ease the challenge, in real life situations. It is easier to breathe when there’s breathing room. It is easier to accept what’s happening when it’s pleasant or hoped for.
I try to go into new situations without writing the script beforehand; but how does that fit with my love of plotting and planning and dreaming big? Maybe it’s both/and, not either/or.
Which brings me around to the softness in the structure of my life right now, its curves and rounded edges. There is time for all things, but not all at once. This new year, I’ve completed two workshops in conflict management, and I’m considering working toward certification as a mediator. But I don’t know where it might lead, in truth, nor how these skills might be applied. At the library, I pad around in my “librarian sandals,” and enjoy creating moments of surprise and delight and welcome for the students (and maybe for the teachers too, at least some of them!). I’m building relationships there; but also trying to apply boundaries, and keep the job easy and light, as it should be. I’m on board for another season of the X Page workshop, starting very soon; I’ll be an editor and lead some of the writing exercises, but others are taking on the more substantial leadership roles; I felt a lightness at our recent planning meeting. This has given me room to take on more of a leadership role at my church, which is small and relies on volunteers; this Sunday I’ll be preaching—a new genre for me. It took me weeks to write a 15-minute sermon, but I enjoyed the layers of exploration that came from a close reading of text.
Where in this is my fiction writing? Still very present; just not occupying my mind as an identity that I should be fulfilling at all times, lest it slip from my grip. Hold lightly. I’m approaching writing no differently from these other facets of commitment, responsibility—I want to enjoy myself while doing all these things, even committee meetings! And the quickest path to enjoyment (in my experience) is full immersion.
Dive in.
Basically, I put my phone away. Often it is out of sight, especially when I’m in a meeting or at work or writing. That limits distractions. Any task on which I’m fully focused is a task I’ll genuinely enjoy, or find interesting in some way—my brain is hungry for the details, for sensory information, for connection. Often, this actually feels like I’m leaning back in a comfy chair, taking everything in, hyper-aware of the nuances, the emotional tones; or my mind in its relaxation will see big-picture structures as clearly as if they were architectural drawings.
I love structure so much. Design. Sequence. Noticing how these things work in practice, or do not work, and investigating changes to systems. I like figuring out the pacing and rhythm; how these ephemeral/practical/felt structures support the why of what is being made—its desired outcome—whether it’s a worship service, or a novel; there’s not a single or “right” answer, of course, which is what makes it so fascinating. Endlessly fascinating.
How does writing fit into the systems and structures of my life? Like any task, I need to make room for it, make practical plans, and I need to seize the moments. Occasionally, I’ve been able to write with focus after work, or into the evening, but that requires a) being well-rested, b) someone else cooking supper, c) no evening meetings or obligations. It’s rare. So mostly, I’m setting aside chunks of time—like last weekend at the farm with my writing friends. Nothing on the schedule except writing, eating, talking, sharing our writing. I love when we read to each other in the evenings. Our times together are so cozy, so warm and peaceful; conducive to writing, but also to fostering a relaxed state of mind in which creativity thrives. I might not get to do this very often, but it’s a wonderful state in which to write. As proof, each of us has finished at least one major book-length project during our several years of writing together that we’ve either published, or will be publishing soon. Amazing!
Blogging, when it happens, fits into the in-between times. Like this post, written almost entirely on a Friday afternoon, sitting overlooking an indoor soccer field, feet up, travel mug of tea nearby, and my laptop open; but finished the following afternoon, because the previous sentence is where my writing stopped, when I turned to chat with a parent—a dad who was open to talking soccer with a woman, which is not, I must tell you, always the case. So I relished the opening, and went with it.
xo, Carrie
Friday, Feb 2, 2024 | Big Thoughts, Death, Dream, Family, Friends, Fun, Library, Manifest, Organizing, Publishing, Source, Spirit, Stand, Word of the Year, Work, Writing |
My Grandma, who died in October, gave me a wonderful gift—a project whose resonances continue to unfold. Over many months (years, actually), she gave me her story. She thought it might make good material for a novel, and we had a lot of fun together, exploring, talking through ideas, and trying to dig down into what it meant to write fiction using biography.
But.
I’m coming around to believing that what Grandma was trying to teach me, or tell me, was something maybe greater, definitely more subtle. Yes, there was the gift of her story; and there was the gift of trust—that told me implicitly that she believed I could make something of the material. But through the time we spent together, in our roles—me as listener, she as storyteller—she offered something different, too, valuable and profound. I did not see it at the time. I was focused on trying to map out her story, to imagine it into a fictional form, to gather imagery, to play with structure, and to dig into what mattered to her.
So many wonderful clues.
So many wonderful conversations on Zoom.
The novel exists now. It has been deemed by an important editor to be “too quiet.” But I don’t want to dwell on failure, or rejection, because I don’t see this project in those terms, or even on a particular timeline of known outcome or goal.
Grandma gave me her story and her trust, and I believe she trusted me to find the gold at the centre of our conversations—the conversations themselves.
Grandma reminded me that other people are the gold in my life. She reminded me of the gifts within that I had been overlooking—the capacity to listen deeply, for example. The capacity to give my time and attention to others. To create welcoming spaces. To invite response. The joy in that exchange.
My writing life has represented a longing for meaning and purpose. I wanted it to be a calling, I think—a universal longing, no doubt. Meaning and purpose is an answer to pain of all kinds: loneliness, fear, stasis. Grandma reminded me, over and over, in words and in deeds, that meaning and purpose isn’t found in rumination, but in participation. What I learned during our conversations was to notice my own desire, perhaps a very primal need, to share time with others.
My writing life alone has not been the answer to this longing for meaning and purpose. This has been hard for me to accept, or even to see.
Grandma’s mantra, her life’s focus, was helping others—she advised me pretty constantly to practice this too. When in doubt, when down and out, do something for someone else. Take your mind off your own troubles and busy yourself trying to ease someone else’s. This could hold negative connotations: distracting oneself or meddling or avoiding personal reflection. But I don’t think the one cancels out the other. In fact, deeper personal reflection is facilitated within relationships. And reflection deepens the capacity to walk with others in times of need.
And there is need! People have cares and troubles!
And we all, each one of us, have valuable gifts to share.
I believe that Grandma was trying to teach me this: find ways to share your life and share your gifts. The act of sharing helps you see that you do have gifts to share that are appreciated (and maybe not the ones you’d thought), and this lifts you into an ease within your own bones and bdy that others experience in your presence—a state of welcoming.
When I spent those mornings “interviewing” Grandma, I was learning how to listen deeply, with honour and care—and her appreciation fed me, in return. Ultimately, our interactions nudged me to get out of my own head, and go exploring in the world.
Would I be working in a school library if I hadn’t spent that time with Grandma? Something about our conversations, and her example, gave me permission to not be so precious about my writing life. What was I trying to protect, by wrapping my hands around its specialness? Writing is a durable craft to be held lightly. So many of the things I told myself about my writing wasn’t true: that it required sacrifice, that if I wasn’t doing it every day, I wasn’t a writer, that I would squander my purpose if I did not bow down before this apparent gift that I had been given.
It wasn’t writing I was (have been, am) wrapping my hands around. It was (has been, is) ego, fragile and important, surely, but painfully self-involved, performative.
I’m settling into a new perspective on projects themselves, a delightful sense of give and trust to the time they take in their unfolding. I love a project, it must be said. I love a goal; but the path to discovery is not direct. I’m aware, now more than ever, of the gentle unfurling of projects, letting them become inside my mind before I attempt to bring them forward—or just the pieces or parts that come to the fore, and mix with available materials and the response of others. I relish responses. In this way, a project becomes, it lives. This is the opposite of creating in a panic, or with anxiety, or focused on outcome—a project can be like a magnet, pulling in ideas. A project is of its moment, too, its time, its place, its surroundings, dependent on its context and relationships. A project is responsive.
It is not a lonely undertaking. Grandma knew that, surely.
Oh beautiful improvisation. Beautiful congregation.
xo, Carrie
Monday, Sep 26, 2022 | Adventure, Art, Big Thoughts, Blogging, Books, Confessions, Dream, Fall, Family, Fire, Francie's Got A Gun, House, Kids, Manifest, Play, Publishing, Reading, Source, Success, The Juliet Stories, Work, Writing |
A friend has offered to redesign the banner on my website to remove the title “Obscure CanLit Mama,” which no longer fits so well. On a hot August morning in 2008, I titled the blog on a whim, and began sending out posts to the universe. My youngest was newborn. He’s now in high school. In those early days, I wrote a lot about the kids. I posted recipes and meal plans. I wrote about juggling constant stay-at-home childcare with attempts to steal even a smidgen of writing time. I’d published one collection of short stories, four years earlier. It seemed presumptuous to attach myself to CanLit as a participant (even an Obscure one). The Mama was the ascending identifying force in my life at that time.
I haven’t posted a recipe in a very long time.
I don’t write about my kids, except glancingly.
These days, I come here, to this familiar space, to reflect mostly on writing, but also on what seem to me to be ephemeral, spiritual matters: aging, artistic discipline, setting routines, learning new things, re-learning old things, the repetition of the seasons, creative practices, play, emotional weather / weathering emotions. Etc.
In the 14 years that this blog has existed, I’ve poured energy into being a writer, laying claim to that identity, earning grants, publishing three more books, teaching creative writing, organizing writing workshops, serving as a consulting editor with The New Quarterly, speaking, travelling, practicing the craft, seeking to keep my connection to my writing alive and thriving.
Obscurity is a self-effacing mindset (erasing? shrinking? minimizing? hiding?). I know that. But it was necessary protection as I tried to become / be a writer. I’ve been afraid of being a writer, of laying claim to this identity and its shifting cultural responsibilities. Since childhood, I’ve wanted to perform magic tricks with language, to conjure imaginary landscapes, converse with imaginary people, finding solace in their losses and successes. I did not aspire beyond that — that was a big-enough dream. I knew my writing wouldn’t be activist in nature, because I am not an activist by nature. I’m a ventriloquist, an observer, a performer, agnostic, hungry to learn, curious about the questions, less-so the answers, the mystery, not the proof.
It’s a rather exalted view of being a writer. Or maybe I mean ecstatic. Or impractical. But I admire it, I love what my former self was attempting.
I dipped into The Juliet Stories this morning, a book now ten years old, and the writing sang off the page, just like magic. I couldn’t remember the person who’d written it. It was like reading a stranger’s words. Did I know then what I’d made? No. I didn’t trust its worth. I didn’t need to. I just kept trying, year after year, focused on the writing, and eventually made something.
I want very much to be that same writer, to write with confidence, believing in the magic of language. “You know it’s not the same as it was”: this song came on my “Run Fast” playlist this morning (oh Harry! so nostalgic); maybe “As It Was” especially resonates in These Times, when we’re trying to remember who we were Before. But life is lived in the present, and time carries us onward. We change; and experiences change us. It’s not the same as it was. That’s a neutral statement, at heart. It doesn’t have to weigh heavily, though it’s tempting to roll around in those deliciously bittersweet emotions.
What’s next? What path am I running, where does it lead? I can’t see very far ahead of my feet. Whose hands am I holding? What’s pulling me onward?
What kind of a writer am I now? What kind of a writer do I aspire to be? Do I need to know? No. As Lynda Barry would remind me: it’s none of your business. Follow the energy, get comfortable in the not-knowing.
I don’t have a new title for this blog, just my name. Enough? Enough. Yes.
xo, Carrie
Friday, Sep 16, 2022 | Adventure, Art, Books, Confessions, Dogs, Dream, Exercise, Fall, Family, Francie's Got A Gun, Kevin, Kids, Morning, Publicity, Publishing, Readings, Running, Sleep, Spirit, Work |
What a beautiful day. What a beautiful week it’s been. Each day has a slightly different rhythm, but throughout there have been conversations with friends, bike rides, walks, and several runs in the park.
How has your morning routine changed, as the new season begins?
For me, it’s meant waking up earlier, though I’m still figuring out how to get to sleep earlier to compensate. I’m prioritizing daily morning yoga. We are also walking Rose more regularly. After a close encounter with a skunk last month, Rose now has a curfew: she’s not allowed out after dark on her own. Ergo, more dog walks. Kevin and I like to end our evening with a walk around the block with Rose. We often walk together in the morning too, just around the block.
The first two hours of every day are devoted to exercise, yoga, and, often, connecting with friends. The house empties out by 8AM.
As this new season begins, the house feels so much quieter. Our two eldest are at university, and do not live at home. Our two youngest are now both in high school, and growing ever-more independent. So …
What am I to do? I’ve spent 21 years of my life devoted to looking after my children. Their needs are changing rapidly. In the midst of all this quiet, I’ve begun look around and consider what comes next. There is writing, of course, and there always will be. But I’d like to find a job, now, that offers stability and routine, preferably not writing-related, preferably with people. I really love being with people; I love writing solo in my little home studio, don’t get me wrong, but I’ve loved doing that all these years with a bit of cacophony in the background, a swirl of impending chaos. Maybe the disruption and interruptions have been as important to my writing process as the ear plugs.
Your thoughts, suggestions, advice, leads, encouragement would be very welcome, as I begin opening to this new direction, with some nervousness and hope.
In the meantime, on the book front, I’m keeping occupied with some readings, book clubs, and workshops. Links posted below!
xo, Carrie
Friday, Sept. 16, 7PM (tonight!) Bestival Reads with Wild Writers Literary Festival, tickets include snacks and a drink, with Emily Urquhart, Kimia Eslah, and Tanis Macdonald
Saturday, Sept. 17, 2PM (tomorrow!) The Village Bookshop, 24 Main Street North, Bayfield ON, reading and book-signing
Tuesday, Sept. 20, 6:30-8:30 WPL Eastside branch, The X Page Storytelling Workshop, with me and Anandi Carroll-Woolery, a mini-version of the workshop, open to all! Free, but you need to register at this link.
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