Day 7 Prompt
Draw & describe yourself through someone else’s eyes.
Notes: Rushed and messy, just like today. Amazed I even got it done, just like today. Grateful for the small acts of kindness I saw reflected and refracting back through this brief but powerful exercise, just like today. Materials: crayons and black pen. Songs: “Delicate Transitions” by Gavin Luke and “World Without Tears” by Lucinda Williams.
xo, Carrie
There is so little to say, and so much.
I want to express the ways in which I’m changing, the shifts occurring in my mind, and in my outlook—but it’s not entirely clear … I’m floating along a deep wide river. The way I understand my own identity is changing, changing, changing. For most of my life, I was focused on being a writer. And it became my defended self, a self that required defending because I had no sustained confidence in its heft or even its existence—prove yourself, said the voice in my head, over and over.
That voice has grown so gentle.
Now that voice in my head says, there’s more and more and more—more life, more love, more space, more time than you’d ever imagined. Soak it in. Float. Spread out of your arms. Watch the sky, the leaves and branches moving on the trees, listen to the wealth of stories pouring in. This generous world.
And how I wish and hope to be a generous being while I’m here.
Spaciousness.
I feel it within me, surrounding me, available at all times. So much spaciousness. A lack of pressure (not a lack of challenge).
How can I explain what is impossible to describe? It is not that I have more time, but that time itself expands to accommodate so many threads and layers and textures of experiences. When I am restless with my environment, the voice in my head says, be where you are right now.
And I breathe differently.
It is not always easy to be where you are right now. It might involve challenges like boredom or pain or discomfort. Yes. And when I am here right now those challenges shift and become otherwise—boredom may be a conduit to concentrated observation; pain may invite breath; discomfort illuminates emotion; love and patience and depth of understanding weave into the experience of being.
I have been learning this my whole life, with my whole body, which offers its sensations and movements and feelings to the interpretation of my mind, and which acts as a container for my spirit, that droplet of essence that connects me to all beings.
I arrived here on earth to learn, to soak in beauty in its rawest forms—taste, smell, touch, light and shadow, sound, rhythm, anchors to my place of being. I arrived with the desire to push my body to its limits (not always in healthy ways, but that’s part of learning). I wanted to feel everything. I wanted to experience everything.
The impulse to make things, to respond to and to express all of this wonder at the beauty of it all—that has also been in me since the beginning. I arrived here on earth with the desire to make things (and make things up). I learned to nurture that part of myself—I practiced observation, through writing, playing with language and grammar and imagery. And I learned that to record requires of me a bifurcated attention, attention that must split itself between observing and recording (and interpreting). And I continue to learn that sometimes, sometimes, yes, I do not want to record or interpret what is happening, I want simply to be in the happening. I want to be in it and learn from being in it.
This summer has been a summer of being, not so much doing, and very little recording or interpreting of the doing and being. Hence, very little blog writing. But not never. Why lean on never, ever? There is time, there is time.
I arrived here on earth to learn.
When I notice all the spaciousness around me, through which I move and breathe and live, I learn in ways that resist expression. I settle myself in deeper. Everything shimmers. Time expands. I am, you are, we are. Learning together.
xo, Carrie
Who were you, just over four years? Who were you, before the pandemic (those blank months/years of stasis we none of wish to recall and scarcely can)? This morning, I found some writing and drawing published on my blog from March 2020, immediately after we were sent home to wait out the pandemic. Immediately after everything stopped.
I had been running so hard, working so hard, treading water but barely. Coping, but worn thin.
And suddenly all of my responsibilities, save for the ones contained and held inside my house, were suspended. I was no longer a soccer coach. I was not leading a storytelling workshop. I wasn’t driving children to lessons and practices, nor was I going to the gym in the early morning to work out.
I was home with my family, cooking, baking, cleaning and disinfecting, mainlining the news, but also—I remember this—writing. Writing was my solace and comfort, my escape.
And reading over these reflections now, in my post-pandemic, post-artist life, I find a welcome rebuttal to my current strain of cynicism and doubt regarding the usefulness of writing. Personal passion project, I wrote of my devotion to fictional characters in my previous post here (just yesterday), as if in scorn. Without irony, this morning, I chose to pick up a pen and draw and write, in the lined pages of my notebook: “Now, I enter my listening era. I seem to have the lost the desire to watch fireflies in the back yard and make meaning of them—or to describe their pop of light, brief luminescence, in other terms. I watch them. My heart slows.”
In other words, I wrote about those fireflies.
Maybe I don’t always need writing (watching the fireflies last night, I didn’t think that I did), or maybe I won’t need it in every era of my life, but by God, writing has been a balm. Let me pledge to honour my impulse to write, when it arrives, which it will, which is does.
Here are some beautiful words I found in that post from March 21, 2020.
“The sound of my pen scratching—too fast, sloppily—across the page. I’ve only just noticed that I grip it as near to the tip, the nib, as is possible. I only just see it—my pen—as an instrument that I am playing, an extension of my body encircled by five tips of fingers and thumb, each with a half-moon circle of curved, opaque nail. There are no straight lines on my hand. The pen is straight and hard and useful to me, it is made for this task and nothing more; but I am made for bending, praying, curling, holding, I am made for giving way. I am made for praise. For contorting myself anew.
I am made for change and ever-change, evermore, now, as before.”
I am made for praise.
I am made for contorting myself anew.
I am not the same person that I was four years ago: I’d just won a major grant in support of writing Francie’s Got a Gun; I had confidence in my writing that seems to have diminished; I can recognize this change, but not fully explain it. I suspect that without the pandemic to interrupt my whirlwind of activities, I would have rolled onward. It would not have occurred to me to get a job in an elementary school.
I don’t want to lose touch with that self who wrote those words: I am made for praise.
Because we all are, aren’t we? And there are many ways to offer praise. Sitting in the near-dark watching the fireflies, just watching, sometimes that’s fully enough. And sometimes it’s not—and that’s when the impulse to write, to record, to transform, to imbue, to capture, to contort, to burnish, to imagine pushes its way to the surface and I pick up a pen, this instrument, and let my hand play music that seems to come directly from the universe; a universal impulse to make and re-make anew.
xo, Carrie
PS My career—such as it is!—is featured in a post today on Conrad Grebel University College’s website (where I lived during my first year as undergrad), one of 60 alumni featured in honour of Grebel’s 60th anniversary.
I have been drawing and writing again: four weeks in my new position at a school library and creative energy has returned — it isn’t all being used on the job. In fact, working in the library seems to energize and soothe me in equal measure. The space is mine to play with, building on themes, displaying books, decorating with paper crafts (bulletin boards and such, see example above — not my forte, but I’ll learn!), reading stories to classes, and finding tasks for the many many library helpers (close to 30 grade 5/6 students) who the previous library clerk had brought in. The space has a wall of windows, and when I unlock the door and walk in every morning, I feel a sense of excitement and gratitude.
I love to put things in order. A library that is being used properly will forever give me things to put in order. And I LOVE reading to children and interacting with children.
Yet I also recognize and honour that the decision to change course took courage and did not feel straightforward or easy — it was painful to leave the students and staff and those fulfilling relationships at my previous school. I miss them.
There are situations and experiences that may not be healthy for us, or suited to true needs, long-term, but may nevertheless be valuable and wonderful in the moment. To leave something is not to diminish its worth.
Last year (2022), I focused on what I was feeling, trying to understand better the underlying sensations and emotions that were fuelling my decision-making and moods and interactions (often without my awareness), and this year (2023) I’ve focused on identifying my needs—so that I am better able to meet those needs, and not expect others to meet them for me. It’s a bit counterintuitive, but when I know what I need, I become less needy.
But I don’t always know what I need. Or I think I need a particular something, when really, what would satisfy and fill me is something else quite different.
I didn’t write much this fall; my creative spark vanished. I couldn’t find it, and didn’t even want to, particularly, or care much. All my creative energy went into problem solving at work—and I liked it, in many ways, because it made me feel useful and mildly heroic, which writing and drawing never really does, to be perfectly honest; but it was a sacrifice that ultimately was making me very sad, on some fundamental level. My rational mind didn’t notice or care, but my body did, my heart did, my guts did, my intuition noticed: and Sad Carrie was not really helping anyone.
What I was missing more than anything, what I needed, was my creative spark. I didn’t consciously know this till the spark reappeared.
Every morning before going to my new library job, I have time (and energy and the desire) to draw and write—and so I do. And the pleasure it gives me is without measure. There’s no purpose to it other than joy. No use. No rational worth or monetary value.
I’ve been reunited with this joyful part of myself.
To be joyful in the world is such a gift. Joy isn’t blind or ignorant, and joy doesn’t ignore suffering; it bubbles out of ordinary encounters, it is born of gratitude and grace, and interior space, which allows a person the bandwidth to be attuned outwardly, or open somehow, sensing and knowing the sacredness of every interaction and experience — that is what I mean by joy.
Joy can’t be manufactured, but it can be quietly drained from the body and mind by overwhelm and exhaustion. You can’t meditate yourself into a place of joy when you are drowning. The collective message to people in overwhelm and exhaustion and burnout and grief, drowning under a weight of responsibilities and impossible tasks, is: save yourselves! Do some yoga, or be more mindful, or whatever “wellness” trend is being pushed at the moment. I love yoga, and I appreciate the value of mindfulness; but when drowning in overwhelm, there isn’t a person on planet earth who can meditate themselves back to joy. Maybe to temporary relief of symptoms; maybe to a hope for a different path, or a glimpse at possibilities; but when the light goes out, it’s dark.
What lights your creative spark?
What are you feeling?
What are your feelings telling you about your needs?
What do you need?
Food, shelter, health, safety. What about ease? What brings you ease, and how does your ease express itself? How do you live when life is not such a struggle? How does your joy appear? How do you know when you are joyful?
My ease bubbles out in laughter. My ease fills a page with colour and lines. My ease delights in reading a book to a group of children and listening to their comments and questions.
May you be be safe. May you be healthy. May you be happy. May you live with ease.
xo, Carrie
I’ve started my new job. It is in fact a different position than I’d anticipated holding; but a (nearly) full-time secretary position opened up at one of my favourite schools, and I applied, got an interview, and was hired in a matter of days. Like, just last week. So this is all very fresh and I’m knee deep in learning approximately a thousand new systems and codes and protocols, all while helping to get the school ready for teachers and students to return next week. Today, in the supply room, I purged a multi-coloured mash of plasticine that was full of toothpicks, for example.
My job has nothing to do with my career as a writer, in that it’s not a spin-off that builds on any specific skills or connections that come from being a writer (like my teaching did, and my work with the storytelling project, or even as a school librarian would); this is a different path, different trajectory. There’s very little overlap in tasks and duties. It’s freeing.
Back in June, I set a few goals that pointed toward a changing horizon. Softer, maybe, and calmer and gentler and as beautiful as the view across the lake from the sunset deck at my stepsisters’ cottage. The sky at sunset is always different but familiar, different but known, different if you take time to sit and savour it each evening. Otherwise, you might believe you’d see the same sunset and sky over and over again, and you might be bored by what you think of as repetition. But it’s not repetition, it’s texture and nuance and depth. It’s a groove, not a rut, as my friend Lisa says.
I’m coming to know (not just believe, but know) that enjoyment is in the moment, in living in each moment, your senses absorbing the beauty, resting in the moment, marinating in the feelings. Going with the flow. Getting into it. Like revelling in the colours and patterns and shifting light and sounds all around you, when you’re out for a walk around the block, or floating in a cold lake, or riding a bike.
Here’s what I wrote in my notebook, dated June 10:
If I want new goals, what might they be??
- To bike to work — to find a job that allows me to bike
- Permanent hours in a school I want to be in
- Regular massages
- Visits to the farm (writing retreats)
- Yoga
- Eating good food
- Travel experiences with friends and family
I am still in awe that I can bike to work now! The route is almost entirely on paths and separated bike lanes. I’m there in under 20 minutes. Pure bliss. And permanent hours—yes. At a school I know and care about, with people I know and care about—yes!
The massages are yet to be regular, but will be made possible by benefits.
Every item on this list is within reach, it’s within the realm of possibility (whether occasionally like travel or everyday like yoga and good food). Every item was chosen because it brings me pleasure. And I can do the things that make these goals possible. I’m just now noticing that on this list, success is measured differently (differently than I often measure it, anyway). I wonder whether I could set goals for my writing that are closer to these goals, above, more in line with a changing horizon. I need to sleep on it, let these experiences settle into my bones, know them inside out.
Always learning!
xo, Carrie
With this new job, I now have summer holidays. Today I’ll be visiting the school where I’ll be running the library this fall (and I’m ridiculously excited about this). I’m going to count the bulletin boards and start making plans for displays, and visualize the layout, and check on the supply of book tape, and who knows what else. Maybe I’ll aim to get some plants if there are nice windows.
Re this blog: I will be stopping in to post whenever the spirit moves me, and maybe it will move me a bit more in the summer. I’ll have time, and that makes a difference.
Also in the time department: I won’t be teaching creative writing this coming year. There is a freeze on hiring Arts sessionals at the University of Waterloo, so I’m out. I’ve never climbed above the level of sessional lecturer here. I will miss the students (and spending time with young people), but will be busy with my new job (and spending time with even younger people).
I wonder whether I’ll want to pursue something else on the side, if I’m not teaching—say, a library tech degree (?!) or a watercolour class just for fun, or yoga teacher training, or … no idea really, just curious to discover whether some other interest will bubble up and fill in the spaces that remain. Something creative or academic to stimulate other parts of myself? Or will I leave the spaces as spaces and just breathe?
In the meanwhile, I’ve been making a summer to-do list.
The first three items:
* Rest
* Sleep
* Read
Aren’t rest and sleep the same thing? I wondered, writing them down.
My kids tell me I’m not good at relaxing. They might be onto something. Except at the cottage, where relaxing is all that I do. So I’m trying to figure out why that time feels so different—why I’m able to rest, sleep, read and relax, without feeling guilt or a nagging sense that I should be doing something else (cleaning something, most likely). Cottage Carrie sleeps for the first few days upon arrival. I sleep in, I take naps, I sleep and sleep and sleep till I’m filled up and fully rested. Only then might I do a little bit more—kayak, swim, read without instantly falling asleep (this is an every day problem!).
So maybe that’s the key: rest and sleep as a way to get into the summer groove. Rest, sleep, read.
After that, my to-do list says: yoga, bike everywhere, nail polish, eye doctor and dentist, shop for “mom jeans” and work tops, shop for child who is moving into university residence this fall, hang out with friends, time with kids, dog walks, park walks, lunch with Dad, occasional run.
I’m not in the summer groove quite yet. Today, the idea of summer holidays almost terrifies me, this emptiness; I want somewhere to go when I wake up in the morning, I want tasks to do, the security of a routine.
But tomorrow I’ll try. Tomorrow is the official start to my holidays. Tomorrow I’ll sleep, rest, read. Or something like that. I’ll make an attempt. Who knows, by the end of this summer, maybe I’ll have mastered the art of relaxing. I’ll be the best relaxer ever! A meditating puddle of zen bliss. Hey, a person can dream.
xo, Carrie