Inquiries for the universe…
A few years ago, after returning from a three-week writing residency in France, I put an idea out into the universe: hey, universe, could you send more cross-disciplinary collaboration my way? I’d worked with a wonderful actor / writer / translator as part of the residency, and both of us hoped to find a way to create together again. The universe didn’t align for the two of us to reconnect, though we tried; however, as so often happens, another door opened. In fact, a few different doors, one leading to the next. The first was that I began spending several mornings a week with a young woman who had recently come to Canada with her husband and children; she couldn’t get into a language program, so I volunteered to help her with some English studies. Really, what I remember most about those mornings are our conversations. I realized that my neighbourhood, my work, my friend group, even my church was its own bubble, a comfort zone, and pretty homogenous; and that I had a strong desire to connect with people across the possible barriers of language, religion and culture. The idea for The X Page storytelling workshop grew out of this friendship.
And lo and behold, The X Page became a forum for cross-disciplinary artistic collaboration, as well as new friendships and connections. Our third season starts this week, and will happen entirely online. We’ve adapted, but the goals remain the same: artistic collaboration and exploration, and cross-cultural conversations and connections. It genuinely feels like I sent an idea out to the universe, and the universe answered.
Today, I’ve woken with another kernel of an idea: Hey universe, could I expand on the X Page workshop somehow, to make its goals available more broadly, to many more people? Here’s the spark: Before drifting off to sleep last night, I read a New York Times article about an Australian community-building concept called “The Shed.” Apparently, these “sheds” began as retreats for retired and out-of-work men, and only recently have women started their own “sheds.” The story is about women taking over part of an unused school building; their shed is run by volunteers who are also participants, and it’s a mix of socializing (playing games, eating together) and crafts/ skills, like sewing, painting, gardening, cooking, singing in a choir. It’s a mix.
When I woke up, I was still mulling over the idea of “the shed,” which sounds a bit like a community centre, but which also seems more ground-up, or holistically invented and sustained.
It’s also all very post-pandemic, and impossible right now: gathering together, in person. But hey, universe: is there something here? What do you think? Maybe it’s the idea of a shared project, like “the shed.” Maybe it’s the fact that it’s free for all. Maybe it’s the concept of having space for a variety of activities, which I’ve found makes connections across barriers easier. I’m feeling this rather urgently right now: somehow we have to find ways to make more connections, especially outside of our bubbles, in order to nurture our sense of collective care. We’ve got big urgent crises to cope with. We need to find ways to have difficult conversations, and common ground. Social media does not work for these purposes; it seems almost designed to push us to greater and greater extremes. Belonging comes from something else, I’m convinced of it—outside of algorithms that fail to surprise us, that try to sell us more stuff, and that compete for our attention by exploiting our emotional weak points.
My attention is invaluable. So is yours. It is our time here on earth. It’s what we’ve got to give.
So if you’ve spent a few minutes of your attention reading this post, I send you immense thanks. And to the universe, I send this flicker of an idea: in what ways can I deepen my involvement in building community and connection on the ground, in the real world, both now and whenever we can meet in person again?
When I was a kid, I would write myself letters — letters to my future self: “Dear Carrie Older Than Me …” I would put the letter into an envelope, seal it, and write the date on the front when I could open it and read it. Sometimes, when I’d open the letter, I’d write back to myself: “Dear Carrie Younger Than Me.”
I’d ask and answer questions.
Unanswerable questions. Mundane questions.
Sometimes, I’d forget to open the letter. It didn’t seem to matter much. The important act was writing the letter. I suppose this was a way to imagine myself as a changed but interested party. The difficulty was imagining beyond the limits of my current self. Yet I persisted in the attempt. Who am I writing to now? Who is this post addressed to? Maybe there is a sense of a future self in these words; but it’s always the present self who remains the curious one, the one searching around for a way to define her hopes, to express where she’s at, what she’s doing to sustain herself.
I wonder whether I’m persistently motivated by the idea that I will change, and become better? What would it feel like to be at peace with this imperfect self? (Funny that my assumption is that change will result in betterment; or that betterment requires change.) But here’s the truth revealed by the pandemic, in case I’d missed it: Change happens, no matter what. Time holds us to this promise. It’s strange, but I think waiting itself is a way to cope; but what am I waiting for? The pandemic reveals my relationship to time. If I’m waiting, I won’t be present. Presence can be painful, when the unknown is so clearly in charge; but the unknown is always before me. And presence is what I want, and it’s available. It’s here. Now.
Dear Carrie Older Than Me,
How are you doing? Are you floating along on the surface of things? Are you remembering to breathe? Are you being kind to yourself? Have you found a container for your fears?
Are you someone whose feet are on the ground, do you feel rooted and strong? Do you have the courage of your convictions? Do you shed your fears or do you live beside them?
Please write back in a year, or ten; or a hundred, or so.
xo, Carrie Younger Than You
A good writing day is like manna, like heaven on earth, like a happy dream. You feel purposeful, adventurous, inspired. You’re carried along, you’re surprised and delighted by what you find.
But that’s not today.
Today’s revelation comes from a different place: Today was a slog.
You weren’t very happy with the bones of the story you’d laid out yesterday, and it felt insurmountable — the problems to overcome, the incoherent structure, the didactic tone, the clumsiness, the exposition. But you went ahead and tried, anyway, to dig into the story. To write.
And guess what! Note to self!: Even a writing day that feels like a slog is a glorious accomplishment. Maybe even more than the day that felt easy. Because you didn’t give up. Because you were kind to yourself. When you read over the ragged sentences, you didn’t say: this is crap! (Even if it was.) You said: this is a very rough draft. All drafts start out rough.
This is what a rough draft looks like.
This is a start. You start by telling the story to yourself.
Then you dig in, you get your hands dirty, you notice what’s alive and you go there and pay attention, and gradually these piles of bones begin to fit together, to fill out into a story that you can do something with.
Revise, play, revise, play.
It’s play, this process. Like playing imaginary games as a child, where there were rules but you were making them up as you went, and there were always more possibilities, depending on who or what drifted into the scene, and you got to get dressed up and be someone else, a changeable someone depending on what was needed, and you packed a snack, and you climbed a tree, and you sat up there, pretending till it seemed the world was yours to make and make up.
The slog is all of this. So don’t fear it, jump in.
Yesterday afternoon, I set out solo in the sunshine. I love the people in my house and I love my house; yet the need to escape was powerful. To move.
On the busier sections of path, snippets of conversation floated past:
“The single-best way to leave a legacy, guaranteed, is to have a lot of children—” (Spoken by one young man to another, both wearing sunglasses, coming toward me on the trail.)
“Actually, I had a bit of a set-back this week. My tennis friend called and said ‘I have bad news….'” (Two women crossing my path diagonally.)
The sun was so warm, I took off my scarf and hat, unzipped my jacket.
On the quiet stretches of path, I told myself stories about who I wanted to be, who I remembered being. Who knows what a calling is anyway? I miss interacting with people. I miss working with students, I miss coaching. I said this out loud, so I could really hear it.
I listened to an On Being podcast three times yesterday, while mixing and kneading bread dough, doing laundry, searing a small roast, chopping veggies (though not while out walking): Krista Tippett’s conversation with Ariel Burger. I listened and listened and listened, trying to absorb the wisdom.
Do not let anyone be humiliated in your presence.
It sounds very basic: a recipe for being a witness, not a spectator.
I wondered what to do if the person being humiliated was yourself; what then? (The podcast does not discuss power.) I see people who are hurt and wounded by their interactions with systems designed to crush and humiliate them, hurt by people acting within those systems, and I think: what protection is there against this cruelty, injustice? We are asking too much of individuals to fight for themselves, by themselves.
Maybe that’s the power of witness? If you can, if you are able, be a witness, a true witness, and do not let anyone be humiliated in your presence.
Be a blessing.
Be a blessing? How? Alone in my studio, writing stories? With my family? Reaching out to friends?
We are also called to be as strangers to each other, to recognize and acknowledge that others can and will surprise us, if we allow them to. If we approach each other (strangers, family, friends) neither from a place of fear, nor from a place of over-familiarity, what will we learn?
To be a blessing is to push against, as well as to meet. My ideas, experiences, perspective, beliefs will not match up perfectly with yours, no matter how we might wish it. Unity is not conformity.
The divine in me sees the divine in you.
But you are not me. I am not you.
To be blessed is to be given something to carry. A blessing can be heavy. It can ask a lot of the other, the one who is seen. As a coach, as a teacher, as a parent, what I hope to communicate is the deep value in trying; not striving, necessarily, it doesn’t have to be so strenuous; trying. To say: I tried, is to acknowledge your own effort. To say: You tried, is to see someone else’s, to name it.
There’s a lightness to trying. There’s acceptance that trying doesn’t always lead to success. There’s room for surprise. Experiment. Consider. Be blessed. Leap. What if you try and you discover something different, something unexpected, something you weren’t looking for? Isn’t that wonderful too? To try is to leave room for curiosity.