I’m in between, right now.
In between tasks, in between seasons. Maybe it’s always this way? Maybe I’m always in liminal space, in flux, free-floating. I do set goals and meet them. But I also set daily practices, which don’t necessarily develop into full-fledged goals other than hoping to experience discoveries that slowly accrue and weave themselves into my way of being in the world.
I don’t set a goal unless I believe it’s something I have the will, time, energy, drive and desire to accomplish. A practice is lighter: it’s exploration, experiment, play; it’s something that draws my interest, that feeds my body, soothes my mind.
Writing can be either, for me: goal or practice; and these get tangled up and confused.
I set goals for my writing; but it’s really more fundamentally a basic practice, a constant companion and comfort. I’ve earned money from my writing; but in a nonsensical way, or impractically, unpredictable and sometimes completely disconnected from time and effort expended. Writing has opened other doors — to teaching and participating as an artist in the community, for example; but I don’t come to writing from a logical place, nor as a transaction. I don’t often exchange my writing for a tangible reward; mostly, I can’t, even if I wanted to. Anyway, that’s not how a practice works —
And I know that’s what my writing actually is.
It’s a practice. It’s not a vocation, it’s not a career, it’s not a way to get ahead or succeed, it’s not a means to an end. It’s how I function in the world, it’s kept me whole, it gives me clarity and release and it helps me — especially fiction — to organize my panicked, irrational, awestruck, mysterious, and otherwise unknown and unseen underworld.
The practice of writing radiates back so many life-giving things. Friendship. Connection. Challenge. Adventure. Doors open and doors close. Writing continues the conversation.
Like how … I needed to write this, this morning.
How it’s helped me refocus on what matters; on the real goal that pulls me onward. That goal is to connect. It’s not my word of the year (that’s “feel”), but the principle of connection is guiding most every decision that I make right now, as a parent, a friend, a community member. It helps me make moral choices, too. When I boil down what I believe and what guides my every action, it’s to build, strengthen, and maintain connections. The starting place is to feel — connecting to others is rooted in connecting to self, by knowing what’s inside of me, what I truly want to do.
Feel = Connect = Enjoy
Maybe that’s true? It feels true.
I started this post by writing: I’m in between, right now.
I meant: I don’t know what to do next. My big project for these past many years, my overwhelming goal, has been to publish another novel. It’s coming soon. I don’t really have much left to do, to prepare. It’s out of my hands now.
It’s not that I’m not writing fiction. I am, in volume and with great enjoyment. Yet, I don’t seem to have that combo right now of will, drive, energy and desire, or not directed toward the goal of publishing another novel. I’m not even sure anymore that it’s a healthy goal to take on; to be frank with you, the publishing part of the equation was, is, and will always be out of my hands. And that’s scary, honestly. What am I doing, trying to forge a career on such unstable earth? That’s a question asked by fear. I ask it, because I am that person, I have such fear. But I’m also a person with a practice. A career is a thing outside myself; a practice dwells within.
The practice asks: What’s drawing your attention? The practices reminds me: Follow the energy, write toward that. Trust this time, be in between. Feel, connect. Feel, connect. Be where you are. What’s enjoyable, here, right now? (Oh, so much! Plenty! Enough, and more! Maybe I’ll write about that next time?)
This is an early save-the-date notification for the upcoming launch party for Francie’s Got a Gun, which is being planned to coincide with the pub date, even though that happens to fall on a Tuesday in July.
July 26th to be precise.
Mark your calendar! Do it now!
Please come to the brand-new Eastside branch of the Waterloo Public Library at RIM Park, on Tuesday, July 26th, 7-8PM. We are planning a celebratory event, including a conversation between me and my dear writing friends, Tasneem and Emily, who have shared the ups and downs of this ongoing adventure that is the writing life for the past number of years. Who knows exactly how we’ll boil down our conversation, but I promise that it will be fun. I’ll do a brief reading from the new novel. And Wordsworth Books will be on hand to sell copies (and of Tasneem and Emily’s books too!).
All are welcome.
Let’s see if we remember how to do this???
I have a wise future self, who I consult sometimes through drawing or writing, or meditation. But I also have a wise past self, who reminds me that there is wisdom in that which has already been discovered, and which I’ve lost track of along the way.
From my notebook, April 10, 2016, written on a writing residency in France:
There should be art for all occasions. Sometimes we want to laugh, sometimes we want to be entertained, sometimes we want to cry, sometimes we need to be challenged. Whatever are you make, celebrate its potential to meet someone else in the occasion of their need. Don’t wish you were writing something different. Be at peace with whatever comes from you.
On July 26, I’ll be publishing my new novel, Francie’s Got a Gun, which has a title that’s a little bit terrifying to me, I’ll be honest; but it’s also frank and open about a particular theme that obsessed me when I was writing the very first draft and persisted into the iteration that is coming into existence at the end of next month. The novel is an anti-gun allegory, but the gun also serves as a metaphor for danger, for adult failure, for a problem that’s bigger than a kid can solve. And it asks something else too: Can adults solve these big problems? How do we respond, as a collective, and as individuals, when a child, children, are struggling?
When I wrote the first draft, I had no inkling that a pandemic would disrupt our lives. Even when I wrote the final draft, last summer, I didn’t fully grasp the reverberations and costs of being distanced from each other, so profoundly, for so long. It is only in returning to more normalcy that I can sense my own grief, especially for my children who have had several important years of development stalled or disrupted; I wonder what the consequences are; and I hope for reunion, for occasions at which we can come together, collectively, to celebrate and have fun and be together. Be together. Feel together. Pull together. Thrive together.
Francie’s Got a Gun is about people trying their best, individually, and collectively, to respond to challenges in their midst — within their own families, their closest relationships, their friendships, and their community. They are flawed, or distracted, or struggling, or sheltered, or raw, or imaginative, or hungry, but they’re all hopeful in some way; and they are trying to come together.
This is what I’m thinking about today, on the last day of the month of May, when usually I’d be writing my “May Reflections.”
Here they are, in brief:
What felt good this month? Running in the park. Feeding lots of people around the table. Writing funny scenes in a new novel.
What did you struggle with? How to parent. Setting boundaries. Waking in the middle of the night, mind racing. Disaster thinking.
Where are you now compared to at the beginning of the month? Less certain. More questioning, more worried than I’d like to be. Thankful for my notebook. Thankful for habits that re-set my mind, and direct my focus toward my heart.
How did you take care of yourself? Drawing, writing, attempting to get to bed on time. Good food. Walks with friends. Laughter. Listening to music. Running and yoga. Planting seeds for future social events, big and small. Pouring out my thoughts on paper. Weighing my words and actions. Participating when invited.
What would you most like to remember? What it feels like to soak in the atmosphere at a big, collective event organized for young people: to be specific, yesterday, at my youngest’s junior high track meet — the first meet that’s been held (for my kids anyway) since 2019!
This tangential post is brought to you by an x page exercise, written during last week’s workshop (week 2 of 12), in the company of other women, in response to the prompt word: PARTY. It must have tapped some essential emotion, because I came home and kept writing till it felt done. I’d like to call this fiction, but maybe more accurately it’s a version of poetry, instead. (Where were you at age 20, and what were you doing, and hoping, and dreaming of?)
Phil’s $1.50 drinks
I am at Phil’s, an underground bar where the pipes overhead are wrapped in asbestos and the drinks are $1.50 on Wednesdays, but they must really water them down because I need to drink at least four to feel anywhere near tipsy. I’ve invited everyone I can think of, I’ve telephoned, left messages all over town. Friends are here, some have come, but no one is happy. The bar is too empty, the friends have no money either. Wet salt patches melt from our boots on the floor.
I had forgotten, or wanted to forget, why I used to love this place—because I’d come here during the day when I was a first year student, with a friend, Rich. (Now I’m in third year.) I had a car and he did not, even though I was no more than 17 or 18, and he was 21 or so. I would pick him up in my red Honda Civic, and I’d do my laundry (maybe he would too, but I don’t remember that now), and we’d sit by the pool tables and play cards in the middle of the day, drinking coffee. Gin rummy was our favourite game. It felt like we were the only people there and maybe we were. The good feeling I had on those afternoons seems irreplaceable, now. A feeling of possibility, excitement, tenderness, desire, amiable companionship. Rich was funny and he made me laugh, he never made me feel like I was wrong to be a goofy silly earnest person.
I’d forgotten all of this till exactly now, and now the friends I’m with don’t satisfy me—we’re too much the same in our longings and dissatisfaction—I want different, other, more, but Rich doesn’t live here anymore, and anyway, he never loved me like I loved him, if obsession counts as love, which I seem to think it does. What do I know about it? About love? I’ve mixed it all up with other things. Obsession feels like I think love should—dangerous, exciting.
I’m 20 now and feel so old when I look in the mirror. I finish my diluted drink and go to the gross damp women’s washroom, where one time I saw the lead singer of the Cowboy Junkies washing her hands, and I stand in front of the mirror and check my own eyes—not drunk enough, not interesting enough (as if these were the same thing). I see fine wrinkles around my eyes—could it be? “I’m getting so old!” I go back out and shout to my friends over the music. But they are too. We are so old! And we maybe hardly know each other really at all, we’re just proximate to each other, accidentally revolving around each other. We are so lost. Lonely. Alone.
In this mood, I take my misery to the little raised dance floor, even though no one is dancing, and I dance holding onto a fresh drink, gin and tonic in a flimsy plastic cup with a slice of lime floating in the bubbly mixture. I’ll promise anyone anything to get them to join me at this party that is not a real party. I’ll promise, but I won’t follow through. I can’t drink enough to get myself drunk, so I throw it down on the dance floor, metaphorically, to make myself feel something, anything, in my lungs. I’m smoking, at that time. You can smoke, at that time, indoors. Soon, this will end too, like everything else. I can see all of us dispersing, shot wide into the rest of our lives, fanning out in different directions, toward the parts of our other selves that are drawing us like magnets, while we, we, we, a mere two decades into inhabiting our bodies, prepare to part from whatever this era is, a time of loss, and exploration, poverty, and unrecognized riches.
My coat is ugly and it slips to the floor and gets stepped on, spilled on, but I’ll have to wear it home at the end of the night. I’ve spent my money on drinks, tomorrow I will eat a packet of Mr Noodles and lie on my mattress on the floor of the basement apartment I share with my brother (it will flood come spring), and I’ll read all of Pride and Prejudice, cover to cover, just for fun, laughing and crying and yearning and dreaming. I haven’t met the man who will become my husband yet. I don’t have an email account. I can’t imagine a cellphone and we have no tv. I have my books, a telephone with an answering machine, and enough money in savings to get myself partway to drunk on Wednesdays at Phil’s (I’ll buy cigarettes but can’t afford cheese; I have these priorities).
But every night, even on this night, after brushing my teeth and before going to bed, I sit at my desk and write poetry. I write about the things that happen to me, and the things that I wish would happen to me, and the language, words, images entrance me, as if they were magical forms, and I were a witch casting spells on myself, I were a person from another time come to bring myself back to earth, inside my body, filling all of it with the silly goofy earnestness that is actually my version of joy (though I don’t know it yet), whispering you are enough, you are sufficient, you are alive, you are not alone.
You are a whole person, or you will be; no—you are, you already are.
What felt good this month?
Taking the train to Toronto for vocal cord physio, and seeing my sister: this was the best day all month, because it felt like an awakening. The day landed out of the blue, following a couple of weeks of recovering from covid, wearing a mask all day long to avoid getting family members sick, and missing out on fun activities. I was in a bit of a self-pity slump. Pushing myself out of my comfort zone felt amazing, important, necessary, medicinal. We had an open house for the X Page workshop; family came for Easter; I went on a weekend writing retreat; I’ve been driving to Stratford to record my audiobook. The 100 day creativity project has been an anchor too. I’ve been writing a lot, and playing the piano too. I love when the house is full of people, especially the kids’ friends. I’ve missed that so much.
What did you struggle with?
The first couple of weeks of April were lost to covid. I got it, Kevin got it, the kids seemed to escape. We ate so much take-out. I was tired for several weeks, and hoarse. Right now, at the end of the month, I’m struggling to meet all of my commitments. I’m most productive when focused on just one thing. I don’t want to let anyone down. I would love to be running more often. I ran two mornings this week and felt amazing — endorphins. But I was too tired the other mornings; so that’s a struggle. Trying to calibrate my biological limitations with my duties and responsibilities. The weather has also been very cold!! ARGH!
Where are you now compared to the beginning of the month?
My life has opened up, almost miraculously. I’m feeling relaxed and accepting. I’ve got things to do and places to go; I feel purposeful. I’m letting myself say what I need, more often, more easily. I’m patient with the things I can’t control (most of the things, honestly). I’ve had a few experiences this month that made me think maybe my calling is to be an emotional support person. Just be there, when someone else is going through something, not trying to change things or giving advice, just be there. I keep seeing how strange the world is, how out of my grasp.
How did you take care of yourself?
Sticking with the 100 day creativity project, even when I wasn’t feeling remotely creative (today was day 30). Organizing a writing retreat. Being with friends. Asking others to help out. Looking for clothes that fit. Letting myself be where I’m at. Getting my glasses fixed. Mediative puzzling (I’m doing them slowly these days, taking my time). Opening the house to friends and family. Recording the audiobook has been a gift to myself too: not easy, but a jolt of something new, different, creative, that taps into my acting self from long ago.
What would you most like to remember?
See above. How I took care of myself this month is also what I would like to remember. Stopping at the plant shop up the street with my sister-in-law was fun, delightful, even. Parking practice with my sixteen-year-old. An unexpected reunion with high school friends. Doing voice exercises while listening to my favourite playlist, driving through countryside.
What do you need to let go of?
This practice of letting go of a need for control is revolutionary. I’ll just keep doing that. Because every time I remind myself of what I can’t control by worrying or holding on or dictating or insisting upon or fretting over or demanding or clutching or clinging to, I’m able to stop doing those things. I can stop and just be. More than that — I can be thankful. Being thankful also comes from knowing my own boundaries are firm, and my needs are being clearly articulated (to myself, to those around me who are affected when I’m filled with resentment or fear). It helps to say: I’m okay, right now. That’s quite grounding. It also helps to place my feet solidly on the ground and breathe deeply.
Today, I’m attempting my routine. I got up early, went for a run, slow and short, around the park. It felt amazing. It was chilly and there weren’t many people up and about, but the sky was already light. Spring is coming.
April is half-done and I can’t remember much about the past two weeks. Not much to keep. We ate a lot of take-out and the kids went grocery shopping for us. I did two puzzles. I also wrote a fair bit, and started a 100-day creativity project, inspired by The Isolation Journals with Suleika Jaouad. I appreciate the length — not too long, but long enough to test a person’s discipline. You really get to know yourself when you practice something creative every day; I’m keeping it simple, writing briefly and then drawing / watercoloring to music. The point is not to get “good” at the thing, the point is to do it and through doing to discover yourself, your daily fluctuations, where your mind is at. I also find it helps me escape the ordinary, and focus my mind and body in a different way.
I like that it isn’t about achievement, it’s about discovery.
One day at a time.
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