Running with a friend. A dear friend. Every Monday morning, 6AM, for the past decade, maybe longer. Time adds up. Conversations accrue. We change. We don’t change. We agree. We don’t agree. We listen. We understand. We’re gentle with each other, even when we don’t understand. It’s early. It’s dark. It’s light. It’s dark again. We see the stars. The sunrise. We talk. We’re quiet. We feel heroic. We’re tired. We’re energized. We ask questions. We tell stories. Share ideas. Consider options. Imagine what comes next, or many years from now. We remember. We celebrate.
Earlier this fall, I told her that I’d had a revelation, that I’d woken up in the middle of the night, and I’d thought — It’s okay to enjoy life.
And because she knows me so well, she understood the significance.
I said, I know it sounds sort of minor and obvious, but it really feels like a revelation — that it’s okay not to strive so hard all the time. That life should be enjoyed, as often as possible. That I don’t have to feel guilty about not feeling stressed out.
I said, The thing is that I realize that I’m really enjoying my life right now.
(Side note: I’m almost too superstitious to let that last sentence stand, but I’m going to put it out there into the universe, in recognition of the ebbs and flows, the waves that carry us closer to shore and back out again; I accept that not every day will I really enjoy my life; but also that I want to celebrate each day and hour that fills me up and makes those other times survivable.)
This morning, Monday morning, we ran again, for the five-hundredth time or so. Out to where the sky opens up and we can see the stars (except not this morning; it was overcast, snow on its way). As it happened, I felt more interior and listened more. But in her presence, I was reminded again that it’s possible and good and okay to enjoy my life: I gave myself renewed permission. I thought: What a gift it is to feel pleasure. To look forward to a blissful morning such as this very morning, beginning in the company of friendship, and moving through the usual morning routine surrounded by family — a shower, poached eggs on toast and a homemade mocha, reading the newspaper, the sound of a child playing the piano, the house gradually emptying out — and then, a quiet dog walk in the snow, returning home to quiet, where I’ll read, I’ll nap, I’ll write. And I did and it was.
Snow falling, falling, falling out the windows. A soft light. Living in my mind, feeling alive through characters, visiting other times and places, and yet anchored here in warmth. The best day I can imagine.
And so I say to you, too: Go ahead. Enjoy your life. You have permission! It’s okay! No matter how quiet, no matter how undramatic, no matter how small the victories. Enjoy. Whenever possible, love what you’ve got — life. Taste it. Feel it. See it. Embrace it. Let it be what it is, something that doesn’t quite belong to you, but is of you. It lives in you, through you, you are your own expression of this difficult wonderful gift.
This year is almost over, and here we are, wandering into the arms of a chilly month, narrowing light, naked branches, the hunt for snow boots that fit and mittens that match, while California burns, and the glaciers melt, and Jane Fonda gets arrested week after week pulling the fire alarm on the climate emergency. Yet I continue to drive an SUV. My son graduates from high school and observes from the back seat, on the way home, holding his cap, that he’s missed a lot of opportunities, that others took more chances, joined more clubs, showed up, shared their interests, while he … played video games, I guess, he said. (In fairness to him, he’s worked at least one part-time job since age 15.) But it’s not too late to show up, I said. What interests you? What pulls you?
How do we make meaning in our lives? How do we induce momentum? How do we change trajectory?
Am I flywheel set into a track and spinning of its own weight, or am I bird, catching the air currents, or am I free, fundamentally? What I see is that we obey laws that are beyond us, even while we attempt invention, innovation, revolution. The bird can dive through air currents, perhaps, to find others, but she’s still going where the wind blows her. She’s pulled by instincts that are collective rather than individual, needs that are seasonal. We set limitations as cultures, as civic systems, as families, as collectives; but we also long to see ourselves as living outside of those boundaries, as having free will, as being in control of our destinies.
I struggled to go to the Wild Writers Festival last weekend as Carrie Snyder, writer, because I’m not publishing and haven’t published [a novel] for so very long. It’s become ancient history. I’ve passed into the past. But I’m still present. Maybe we are all longing to be relevant.
I want to wear my own face, not a mask. I want my public voice to be my private voice. I want to step forth as vulnerable as I am grounded, as transparent as I am polished. Is it possible to be vulnerable and clear? Is it possible to perform transparently?
There’s a tug-of-war between exhausting precious personal resources in an effort to be relevant and wanted and needed (taking on responsibilities, saying yes when asked to participate), and guarding space so that quieter creative work can flourish (saying no, assessing offers through a different lens, basing decisions on a formulation that acknowledges the siren song of doubt and ego and the desire to be important, that taps into grounding foundational personal principles — a personal mission statement).
Maybe I need to rewrite my mission statement for this new stage in my life.
What needs to take priority? What boxes do I want to check? What do I want to do with this one wild and precious life? Like my son, how do I get involved, sign up, figure out what matters to me, what interests me, and devote my time to doing things that are challenging, not always what I “feel” like doing, and hopefully help feed and create community for others, too? How do I do all of this and yet stay true to what’s burning bright inside … the desire to hibernate, to close the door, to write and nothing more.
I’m fascinated by stories of people who are artists or who belong to other devotional professions that demand extreme discipline to a practice or a cause. I just finished reading a story in The New Yorker about the artist Vija Celmins, a woman now in her 80s, who paints, sculpts and draws the same subjects over and over again, sometimes for years at a time. She made bronze casts of 11 stones, for example, and spent years painting them so that they would like the exact replicas of the original stones. When she put the sculptures on display beside the original stones, people couldn’t tell them apart. Years! She also did a long series on spider webs, in which she would use an eraser to etch the web on a black/grey surface. She’s done paintings of the night sky, paintings of sand in the desert, paintings of small sections on ocean water, over and over and over again.
It’s funny, but I had a flash while staring at the lake last month, thinking about how impossible it was to try to capture the movement of water — yet that’s what she set out to do. I was mesmerized by the pattern on the surface of the lake, these symmetrical moving shapes, almost like ovals, all connected, that spread out across the surface of the water and both held and did not hold as they seemed to move and move and move, but also not change.
I can’t describe it in words.
I knew I’d need a photo, and also that a photo wouldn’t suffice, and I was tempted to try to draw it, but I couldn’t imagine the water holding still for me to be able to draw it. I would need the water to hold still. And I guess that also got me thinking about how impossible it is to describe a moment, even though that’s what I set out to do in the story collection I’ve been working on for five years now — trying to describe the intricacies of a sequence of moments. It all just falls to pieces. There isn’t time to grab everything. By the time I’d describe even a fraction of a moment, the moment would be very far behind me, and I wouldn’t be able to return to it. So it’s been an interesting exercise, but perhaps not one that can succeed. But I’m veering in the wrong direction. Success or failure doesn’t seem to be the point of what Vija Celmins (and others) are attempting in their devotion to a particular craft. Instead, there’s a common desire, shared by artists across mediums, to capture something ineffable by repetition. Or by a series of actions that will deepen our knowledge and experience of something particular, which can’t otherwise be named or known.
I don’t know.
Despite everything, something inside me still finds the stories I wrote vital and compelling. I continue to return to them, to work on them. Maybe they’re like the poems that I wrote all those years ago in young motherhood (never published) — necessary to my own survival, dull to anyone else. Who knows what pulls a person in, or why a subject demands one’s attention. It doesn’t have to be because it needs to be seen or known by anyone else.
Just now, in looking up more information about this artist, Vija Celmins, I came across this video of her talking about her work (link below). Listen to this: “Sometimes I think that the only part I think is of any value is the making itself. And the things about it that is — that are — interesting is that you’re making something that is basically unsayable.”
Is it strange to believe that sometimes a story can say the unsayable too?
Spending today drawing cartoons. Today, life is lovely and good, serious and moving, challenging and spacious. And slow. The pace is really really slow.
My word of the year is SPACE. What I didn’t expect to find within this word is its companion, SILENCE. Silence can be a challenging state to sit within. I don’t always want to hear my own thoughts so clearly, or recognize the distracted and tumbling, tangled nature of my own interior life.
We spent last week, the last week before school started, at the cottage that belonged to my stepmom, and still feels like hers, even though she’s been gone for more than a year now. We love going there, love being there. It’s been a gift to have this place in our lives, and the kids have memories that go back, now, 11 summers. It’s the kind of place that has become a touchstone, and returning is a kind of pilgrimage. Returning is a measure of time passing. While we’re there, though only for a week at most, it feels like we’ve always been there and will always be there.
You can only get there (easily, practically) by boat. About five years ago, Kevin developed an inner ear disturbance that’s triggered by boat rides, and each year the after-effects would last longer and longer (months, even), so for the past two summers, he’s hiked in on a path that literally no one else uses. It’s overgrown. It takes him about an hour and a half. And this year, it was occupied by swarms of insects. He arrived at the cottage looking like a wild man. He wasn’t sure he could manage the hike out, but on Monday, he and Rose trekked the path again, to save his brain.
The corollary to his necessary hike is that I’ve had to learn how to drive a boat (not high on my list of things I wanted to learn how to do). We do what needs doing to get us to this place.
There is plenty of space at the cottage. Space for the kids to play. A big lake for kayaking and adventuring, alone or together. Star-gazing at night. Shelves of books. Late, lazy mornings. Late-night all-family card games. We never seem to need anything more than what we’ve got. Even when meals get creative, by necessity.
Space, silence. Quiet.
I tuned out from the news, from podcasts, from the internet almost altogether. But I did listen to one podcast, On Being, on Sunday. The title was: Silence and the Presence of Everything.
Isn’t that something? How the themes of our lives get tied together by invisible thread? I’d been worrying about space and silence. Silence as a negative. Silence as too much space for my mind to listen, anxiously, to itself.
Silence. Presence. Everything.
“Silence and the Presence of Everything” was about listening. Not active listening for a particular thing you expect to hear, or have been told to listen for, or pay attention to. Listening to what’s there to be heard. Listening without judgement.
An interesting thing happened at the cottage. I managed to write a bit every afternoon, when no one was paying attention; no one even really noticed. What was strange and thrilling was how I would fall into the writing (fiction), almost as if by drifting toward an idea. An image would surface. I would let it drift. I would be resting or sitting by the water. And some small fragment would drift toward me. And then I would get up and write. The writing felt similar to listening.
It didn’t feel active. It didn’t feel forced. It felt like I’d tipped sideways into another time and place and body, and I was just there.
Now I’m here, home again. Dreading a root canal tomorrow morning, but otherwise glad for a day, today, in which I’ve done exactly what I want to do with all my new-found, new-made space: I wrote. I’d gotten up early to exercise with friends and by 10AM when everyone had left the house and the laundry was underway, I felt tired. So I meditated/napped for 10 minutes. And then I got up and wrote. I told myself: Remember to meditate/listen/nap before writing. Drift into what you’re about to do. Listen. It’s okay if listening turns into dreaming. Let yourself drift.
Space = silence. Silence = listening. Listening = drifting. Drifting = door opening to fictional world. Step inside. Space = writing.
Also, space = rest.
I’ll write another blog post (maybe) about what it feels like to let go of the need to pay attention to a particular something, and just be. It’s almost the opposite of striving. I’m such a striver. To be without purpose, listen without demand; it eliminates the task of waiting. It makes silence okay. Drifting toward mystery. Because mystery is okay too.
Saturday morning. Nowhere to be, nothing to do. Reading the paper, talking to kids, braiding someone’s hair, letting the dog in and out and back in again. Drinking coffee.
A flash of an idea for a new project skitters through my mind. I see myself, on a morning when the children are all in school and I’m alone, sitting at this same table, notebook open, exploring the idea, following the surprising places it could take me, just like I did at Lynda Barry’s workshop.
A counter-thought arises instantly: What would be the point?
Virtually every day, this tiny interior voice of judgement natters anxiously inside my head: What’s the point?
This morning, almost as instantly, a rebuttal: None of your damn business. Just do the work.
“None of your business.” -Lynda Barry
I think, in some profound way, this mantra is the foundation of Lynda Barry’s workshops and teaching; it’s why I knew I needed to go back again this summer, to drink from her clean, clear well of wisdom. You can waste a lot of time not making the perfect thing you think you should be making. “At a certain point, the question of good or bad becomes obscene,” she says. Placing value and expectations on the thing you are making, a something that communicates in images, that communicates, period, is obscene. Further to that, it’s not up to you to decide.
This is a hard lesson to absorb. And ever-useful.
What is this thing I’m making? What does it mean? What does it matter? Is it good? Do I like it?
None of your business. None of your damn business.
The thing you’re making is its own separate entity. It’s not you. It’s alive in its own way. And it can only exist if you make it. So make the flawed something that wants to made. Get out of your own way. What’s the point? None of your business. Repeat as often as needed.
I’ve been away. Now I’m back. I feel filled up, and in a laidback frame of mind, and body. My posture seems more generous, my thoughts move more easily toward making space for others, rather than pinging with desperation about the lack of space this might leave for myself. I also feel a little bit worn out, and tired, but not exactly anxious about this state of affairs. It’s a manageable level of tired, the kind that can be remedied with an afternoon nap (note to self: take one).I was in Rhinebeck, New York last week with Kevin and our youngest. We camped. Kevin and I attended Lynda Barry’s workshop. We wrote, we drew. We played tennis and basketball. We played cards. We farted with alarming frequency, because of the food, which didn’t convert anyone to veganism, I’m afraid; rather the opposite. On the rare occasions when cookies were served, or chicken, the joy of the diners was palpable, as was the greed; at one meal, my own husband turned into a cookie hoarder and ate so many, he felt sick.I read a freshly written story out loud on the last morning that felt like it was both mine and yet weirdly not mine; maybe it belonged to the collective imagination.A list of the wildlife we saw: a cicada coming out of its shell; a large black rat snake (almost stepped on it); deer (several); groundhogs (many); a beetle much bigger than my thumb (in the washhouse sink); chipmunks and squirrels (of course); we also smelled a skunk outside our tent, and heard the scritching of tiny paws on the walls all through the night.Back home in Canada, I spent the weekend at a soccer tournament. Our team went all the way to the finals, playing through pouring rain, ridiculous humidity, and hot hot heat. Somehow we also had a regular-season game to play on Monday night, about an hour outside of town. By which point, everyone was hurting, including yours truly. (I need a root canal, but that’s another story.)This is the first fall I won’t be teaching in six years. My approach toward September seems measurably different this summer — I scratch and paw at the absence of anxiety, admiring it, wondering if this is what ease feels like, and will it stay and play?
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