Category: Writing

Good news to share

Well, this happened!

I have no idea how it happened, though I’m inclined to think it was all Aganetha’s doing. Aganetha, you may be the lead character in a book called Girl Runner, but your youth is only a piece of your story. You are a woman who endures through all seasons, and who is still running even if only in your mind as your days near their end. You are a character who must have come from me, somewhere inside, or through me, as if channeled; however it happened, I learned from your experiences, your innocence, your fierce fight, your pride. And I learned from your existence in a book that changed my life.

A few days ago, I was contacted with a confidential and completely unexpected heads-up about this news, and I kept it close, almost like I used to keep my Easter candy, tucked away in the back of a drawer, to look with pleasure, but not to eat. I enjoyed, then as now, sensing the presence of a treat, knowing that it was there, and wanting to savour the experience.

Today, I spent my day in the library reading Owl Moon by Janet Yolen to classrooms of children, who seemed as enchanted by the poetic language and the night-time adventure as I was. And then I came home and shared this news. I felt, I feel, such delight. I’m thinking about Aganetha, and remembering the process of writing Girl Runner, and thinking about our great good fortune, me and Aganetha, together. A book that is ostensibly about a young woman, a girl, seems more and more to be about her older, aging self; about endurance, longevity, a spirit that moves and pushes continually onward, restlessly, and through pain, and awe, toward a sense of peace and purpose and belonging.

xo, Carrie

Read the story on the CBC here.

Glueing books back together

2025-01-03_03-21-05

Happy new year!

January 1, 2025 to do list

Yoga + meditation

journaling prompt + word of the year

walk with Nina

set up new laptop

I’ve been in a reflective, searching, yet celebratory mood. Starting on New Year’s Day, I’ve been doing Yoga with Adriene’s brand-new 7-day Prana series with Kevin before breakfast, after which we’re sitting in meditation for 10 minutes, focused on a short reading from Richard Wagamese’s Embers. After breakfast, I’ve been doing the Isolation Journals’ writing prompt (that one requires signing up and paying for Suleika Jaoud’s Substack newsletter, which I’ve been dipping in and out of for several years now). Such is the luxury of a full two weeks off!

I’ve been seeing friends, going to easier classes at the gym (yoga, pilates, and something called “total tone.”). For my 50th birthday, I gave myself a new laptop, which will make writing blog posts easier again (my old laptop, which I love dearly and have used for over a decade, has been struggling with updates, freezing, balking, lying down and refusing to get up again; it was time to stop asking her to climb mountains, or even to carry me on a flat path into town. I will put her out to pasture, with gratitude for all the books and art we made together).

I think that I’m struggling with writer’s block — that is my diagnosis. Oof. It makes me almost breathless to admit it out loud. It is a profound blockage and it is painful, manifesting in nausea, dread, anxiety that paralyzes my mind. I’ve tried shifting this block through a variety of means (including therapy). I’ve tried turning away from writing, declaring my writing-self toxic, comparing my relationship with writing to a dysfunctional or even an abusive relationship — all compelling and maybe necessary stories I’ve told myself. But not necessarily true or accurate. I’ve tried to bash my way through these blocks (they’re in the shape of books, by the way, unpublished manuscripts). I’ve tried ignoring them. I’ve tried re-envisioning my life without writing playing any part in it. None of this has shifted the dread. If anything, it seems to be intensifying, and my solution has been avoidance, an almost violent turning away.

Avoidance doesn’t work, you know it, I know it. If anything, it has amplifies, as the thing / sensation avoided seeps through the cracks into other parts of one’s life, or bubbles up in unpredictable and harmful ways.

So … and this is where all the reflecting and seeking comes in, I’d like to try something completely different. Something hopeful that does not ignore the problem, but names it — writer’s block — and also names the need to sit in the not-knowing. To sit in circle with what’s here, much of it beyond words.

In response to one of the Isolation Journals prompts, I wrote that I am afraid of becoming content, too content to want to create and make things; and that I want to be content. A circle that can’t be squared. On the first day of the new year, I chose my new word of the year, not long before my walk with Nina. I wrote down a few ideas — settle, free, ground … and then the word HUM arrived, without bidding or prior notice. HUM? I surrounded the word with associations, including “music” and “playful” and “hummingbird” and “energy around and within”. Nina gave me an association that popped into her mind: hum-drum. I found that ho-hum was there too. My initial response was, oh dear, not that! But I’ve been playing with hum-drum and ho-hum atop HUM, and I’m strangely, unexpectedly, contented by those words. Soothed.

Ho-hum is average, basic, dull; in my understanding of the state, so is contentment. Is that true?

When the kids were little, they would complain about being bored, and I’d wax on about “inner resources.” Find your inner resources, I’d tell them! I’ve been thinking about “glueing books back together,” which I often find myself despairing over, when bent to the task (it’s quite endless in the library — the glueing and taping and cleaning and shelving); a voice in my head says, this is my life? “Woe is me” thoughts. In these moments, I long for a bigger stage, for more authority, a bigger platform for my voice. And yet — what happens when I’m glueing books back together? My hands are busy and my mind is free to wander, daydream; the best kind of idleness. Off-line. Undistracted. Just me and my thoughts.

What if this work, menial and impossible ever to finish, is a gift? What if “glueing books back together” gives entry into a state that brings me into alignment with my inner life — nurturing and strengthening my inner resource through the practice of discipline, resistance to distraction, and attention to my own whirling, humming feelings and thoughts, sometimes uncomfortable, difficult to face.

Thoughts will come and thoughts will go. Flickers of dissatisfaction, of envy, and jealousy, yearning for a big stage and recognition; those thoughts grow in the garden of my mind, but in stillness and quiet, I know they aren’t me. My thoughts are not my reality. I don’t have to pick them up and carry them, or look through them at the world around me. I can observe their comings and goings as my hands do their tasks. And maybe in this ho-hum-ness, this hum-drum-ness, I’ll find a path back to peace with the not-knowing, again. Writing and revising require a person to exist in the not-knowing, to thrive there! Writer’s block is a state of intolerance for the not-knowing; a real terror arises. If I can practice being at peace with the not-knowing, maybe these books that I’ve written, that I love very much, won’t look like stones in my path, but like something else. Something I haven’t imagined or discovered yet.

xo, Carrie

Day 8 prompt for a creative pause

2024-12-07_11-43-28

Day 8 Prompt

Draw an object from nature. Describe what it’s telling you?

Notes: This plant in my office, a succulent, reminds me of a plant at my brother and sister-in-law’s farmhouse, where I’ve gotten to go and write sometimes with my writing group. This plant reminds me of friendship and mutual support, and laughter, and how meaningful it feels to pause and breathe and listen to each other’s stories. Meaningful, too, to feel cared for and cherished and seen. I judge myself harshly and crave recognition (not all the time, but these temptations slip into my mind, these habits and patterns of thinking are hard to break). I long to be loved for my imperfect self and I long to be my best self as often as possible. Some days, this feels harder than others. But here is this plant. I’ve over-watered it and let it dry out way too much, and nevertheless it rewards my imperfect attention by continuing to exist. I am reassured by its presence on my desk.

2024-12-07_06-45-24

xo, Carrie

Prompts to begin: ten minutes of creative pause

2024-11-24_03-44-58

To begin: a summarized version of this post. December 1 – December 24, I’m planning to share a simple daily draw/write prompt, and my response to it.

Let me know if you’d like to be involved!

What you’ll need: notebook, pen, 10 minutes/day.

Read on for the longer version…

When the kids were little, I purchased an advent calendar from Ten Thousand Villages that has small pockets in which to place treats, or,—as I decided, as an ambitious young(er) mom—delightful, seasonal activities to be shared as a family. Cookie baking, dinner by candlelight, delivery treats to friends, for example. Aspirational, to be sure, and suffice it say, the only activity that actually happened with consistency was “hot chocolate for breakfast.” I’m pretty sure I gave up at some point and put chocolate coins into the pockets. Much more popular.

But a few years ago, when all the kids were still living at home (pandemic; it was cozy), we co-created family activities for the calendar—and it was genuinely successful. It only worked because we were cooped up and looking to add variety and entertainment, even on the smallest of scales, to our dull days. We scribbled ideas onto scraps of paper, which were distributed into the pockets, and every day there came a new surprise. The kids had the best ideas, of course. One favourite was to wear someone else’s clothes for the day. Another was to buy ice cream to deliver to grandparents within walking distance. We may not have succeeded in doing every single activity, but we came close, and it was fun.

This year, I’ve refilled the pockets with scraps of paper. The kids who want advent calendars will be getting chocolate/candy versions instead (honestly, it’s what they want!). 

This year’s calendar is for me, and for you, and for anyone who wants to join in and play along. Every scrap of paper has a draw/write prompt on it. Call it the “creative pause” version of an Advent calendar. All you’ll need is a notebook and a pen (add in some crayons if you want to make it extra exciting). My plan is for this to be interactive so you can share with me too. 

In theory, I’ll post a daily prompt, and my response to the prompt, mostly likely on Instagram… every day from Dec. 1 – Dec. 24 (though I could post it here as well if anyone requests it in the comments). 

In practice, I’ll do my very best to make it so!

The prompts are not related to Advent in any obvious way. These 24 days are merely an opportunity presented and (hopefully!) taken; I already have a calendar with pockets! It’s a busy season, and the light is diminishing. Let’s see if we can find 10 minutes a day to reflect, scribble, wander through the mind, and spark a small bright fire.

xo, Carrie

Spaciousness

2024-09-05_05-44-16

There is so little to say, and so much.

I want to express the ways in which I’m changing, the shifts occurring in my mind, and in my outlook—but it’s not entirely clear … I’m floating along a deep wide river. The way I understand my own identity is changing, changing, changing. For most of my life, I was focused on being a writer. And it became my defended self, a self that required defending because I had no sustained confidence in its heft or even its existence—prove yourself, said the voice in my head, over and over.

That voice has grown so gentle.

Now that voice in my head says, there’s more and more and more—more life, more love, more space, more time than you’d ever imagined. Soak it in. Float. Spread out of your arms. Watch the sky, the leaves and branches moving on the trees, listen to the wealth of stories pouring in. This generous world.

And how I wish and hope to be a generous being while I’m here.

Spaciousness.

I feel it within me, surrounding me, available at all times. So much spaciousness. A lack of pressure (not a lack of challenge).

How can I explain what is impossible to describe? It is not that I have more time, but that time itself expands to accommodate so many threads and layers and textures of experiences. When I am restless with my environment, the voice in my head says, be where you are right now.

And I breathe differently.

It is not always easy to be where you are right now. It might involve challenges like boredom or pain or discomfort. Yes. And when I am here right now those challenges shift and become otherwise—boredom may be a conduit to concentrated observation; pain may invite breath; discomfort illuminates emotion; love and patience and depth of understanding weave into the experience of being.

I have been learning this my whole life, with my whole body, which offers its sensations and movements and feelings to the interpretation of my mind, and which acts as a container for my spirit, that droplet of essence that connects me to all beings.

I arrived here on earth to learn, to soak in beauty in its rawest forms—taste, smell, touch, light and shadow, sound, rhythm, anchors to my place of being. I arrived with the desire to push my body to its limits (not always in healthy ways, but that’s part of learning). I wanted to feel everything. I wanted to experience everything. 

The impulse to make things, to respond to and to express all of this wonder at the beauty of it all—that has also been in me since the beginning. I arrived here on earth with the desire to make things (and make things up). I learned to nurture that part of myself—I practiced observation, through writing, playing with language and grammar and imagery. And I learned that to record requires of me a bifurcated attention, attention that must split itself between observing and recording (and interpreting). And I continue to learn that sometimes, sometimes, yes, I do not want to record or interpret what is happening, I want simply to be in the happening. I want to be in it and learn from being in it.

This summer has been a summer of being, not so much doing, and very little recording or interpreting of the doing and being. Hence, very little blog writing. But not never. Why lean on never, ever? There is time, there is time.

I arrived here on earth to learn. 

When I notice all the spaciousness around me, through which I move and breathe and live, I learn in ways that resist expression. I settle myself in deeper. Everything shimmers. Time expands. I am, you are, we are. Learning together.

2024-09-05_05-44-51

xo, Carrie

Music from the universe

2024-07-15_12-51-13

Who were you, just over four years? Who were you, before the pandemic (those blank months/years of stasis we none of wish to recall and scarcely can)? This morning, I found some writing and drawing published on my blog from March 2020, immediately after we were sent home to wait out the pandemic. Immediately after everything stopped.

I had been running so hard, working so hard, treading water but barely. Coping, but worn thin.

And suddenly all of my responsibilities, save for the ones contained and held inside my house, were suspended. I was no longer a soccer coach. I was not leading a storytelling workshop. I wasn’t driving children to lessons and practices, nor was I going to the gym in the early morning to work out.

I was home with my family, cooking, baking, cleaning and disinfecting, mainlining the news, but also—I remember this—writing. Writing was my solace and comfort, my escape.

And reading over these reflections now, in my post-pandemic, post-artist life, I find a welcome rebuttal to my current strain of cynicism and doubt regarding the usefulness of writing. Personal passion project, I wrote of my devotion to fictional characters in my previous post here (just yesterday), as if in scorn. Without irony, this morning, I chose to pick up a pen and draw and write, in the lined pages of my notebook: “Now, I enter my listening era. I seem to have the lost the desire to watch fireflies in the back yard and make meaning of them—or to describe their pop of light, brief luminescence, in other terms. I watch them. My heart slows.”

In other words, I wrote about those fireflies.

2024-07-16_02-16-06

Maybe I don’t always need writing (watching the fireflies last night, I didn’t think that I did), or maybe I won’t need it in every era of my life, but by God, writing has been a balm. Let me pledge to honour my impulse to write, when it arrives, which it will, which is does.

Here are some beautiful words I found in that post from March 21, 2020.

“The sound of my pen scratching—too fast, sloppily—across the page. I’ve only just noticed that I grip it as near to the tip, the nib, as is possible. I only just see it—my pen—as an instrument that I am playing, an extension of my body encircled by five tips of fingers and thumb, each with a half-moon circle of curved, opaque nail. There are no straight lines on my hand. The pen is straight and hard and useful to me, it is made for this task and nothing more; but I am made for bending, praying, curling, holding, I am made for giving way. I am made for praise. For contorting myself anew.

I am made for change and ever-change, evermore, now, as before.”

I am made for praise.

I am made for contorting myself anew.

I am not the same person that I was four years ago: I’d just won a major grant in support of writing Francie’s Got a Gun; I had confidence in my writing that seems to have diminished; I can recognize this change, but not fully explain it. I suspect that without the pandemic to interrupt my whirlwind of activities, I would have rolled onward. It would not have occurred to me to get a job in an elementary school.

I don’t want to lose touch with that self who wrote those words: I am made for praise.

Because we all are, aren’t we? And there are many ways to offer praise. Sitting in the near-dark watching the fireflies, just watching, sometimes that’s fully enough. And sometimes it’s not—and that’s when the impulse to write, to record, to transform, to imbue, to capture, to contort, to burnish, to imagine pushes its way to the surface and I pick up a pen, this instrument, and let my hand play music that seems to come directly from the universe; a universal impulse to make and re-make anew. 

xo, Carrie

PS My career—such as it is!—is featured in a post today on Conrad Grebel University College’s website (where I lived during my first year as undergrad), one of 60 alumni featured in honour of Grebel’s 60th anniversary.