Category: Writing

Right now right now right now

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Truth is, I have too much to say and too little, at once.

I haven’t been doing nothing, though it can feel like it. I’ve composed and submitted two grant applications, I’ve revised a new essay that’s been accepted for publication, I’ve written new material, I’ve read some good books (The Past, by Tessa Hadley and The Cold Millions, by Jess Walters), I’ve worked on projects close to my heart. I’ve volunteered my time, I’ve earned next to nothing (okay, nothing), I’ve done a shit-ton of yoga (shout-out to my friend Kasia’s brilliant life-saving kundalini classes, a source anyone can now tap into as they’re all online), I’ve watched a lot of Murdoch, plus, with other family members: All Creatures Great and Small, Call My Agent, and The Bureau. I’ve cooked some decent meals, mostly vegetarian; more accurately, I’ve cooked a lot of meals, decent or otherwise. I’ve tried. I’ve cleaned the kitchen. Again and again.

I’ve showered almost every day. My hair keeps growing. Somehow, I’m getting pimples and developing jowls. I’ve played piano (mostly Bach), and drawn cartoons (but I’ve given up the latter, at least temporarily, because it was starting to feel more like a chore than a joy). I’ve reached out to friends. I’ve gone quiet. Reached out again. I’ve watched two of my kids return to school. I’ve upgraded our mask collection. I’ve ordered new tea towels, another pair of sweatpants, and I’ve signed up for two summer CSAs.

I’ve gone for walks, some long, some really short. I’ve laid on my studio floor in the dark. I’ve tried out scented candles. I’ve set a Tuesday morning standing date with my Grandma, who lives in Indiana, on Zoom. I’ve avoided looking at myself on Zoom. I’ve taken copious notes. I’ve drunk a shit-ton of tea (shout-out to my sister-in-law’s fabulous tea blends: I recommend most highly the Cosy Cottage Blend, Rose-Coloured Glasses, and Ginger Chew; and she’s got a sale on right now, too).

I’ve stretched. I’ve vacuumed (but only rarely). I’ve noticed the light changing and the changing shape of the moon in the sky. I’ve watched the trees fill with crows, hordes of crows rising, settling, cawing, skating on the wind in the middle of a snow storm. I’ve learned what a raccoon’s tracks look like. I’ve sprouted new plants from cuttings and hung them in windows, in pretty clay pots. I’ve asked a lot of questions about what I’m doing here on earth. I’ve settled on: this. At least for now.

xo, Carrie

 

Mirage of sameness

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Today was Kevin’s birthday. I picked up smoked salmon and bagels for a birthday brunch, and stopped by Mom’s on the way home to surprise her with a donut. She thought up the most lovely birthday surprise for Kevin — books delivered from Wordsworth. I wish my worries for her could be solved from within (myself, I mean). Looking at this drawing now, I can see exactly what I did wrong when drawing the stairs! It makes me happy to see it. Then I might see it differently when drawing stairs next time. (Chairs are another struggle …).

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This drawing is based on the animation for Marie Howe’s poem “Singularity,”which features tea cups. I sent it to my word group for today’s moment of pause, during our tea cleanse. What if our molecules could remember when we were one? This morning, on our church’s Zoom call, my older daughter spoke movingly, and it sparked something in others, and things felt, briefly, hopeful.

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Ugh. I hate everything about this drawing (almost everything). I spent today working on the first of two grant applications — painful writing. I’m tired, but that’s not the problem. The problem is a chronic pain issue that flares from time to time; like now. I drew a sad and ugly figure staring blankly at her cellphone, and then began to add in other tiny versions of me, trying to help the blue woman, soothe her, sit with her, check in on her. Plus there are those weird green legs lying on the floor. The whole time I was drawing, it felt like an argument with myself.

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While waiting at the back of a long line outside a lab, I saw a woman break down when it was her turn to enter the building, and nurses from inside came out to help; I was too far to figure out what exactly was happening. The woman in front of me, who had come on her lunch break, finally gave up and left, she said she couldn’t keep waiting and waiting. I thought of her, for some reason, while doing kundalini this evening; it’s so novel to speak to anyone outside my family. I hope she’ll get in quickly when she goes tomorrow morning.

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I took notes at an X Page meeting on Zoom this afternoon to plan for the smooth running of our spring workshop (season 3!!). I looked crusty and ancient on the screen. CJ forgot to do his piano lesson (also online) because I was in the meeting and wasn’t available to remind him. Instead, he was watching soccer highlights with Kevin in the living-room!! He was very sad when he told me he’d forgotten, just before supper. I sent a message to apologize to his piano teacher and she offered to do a lesson with him tonight. After drawing this, I was glad I hadn’t quit the project on Monday. (My plan is to review month-by-month, rather than committing to a particular length of time in advance; I think I’ll know when it’s served its purpose.)

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I’m doing a lot of kundalini this week. I’d gotten a half-start on this drawing just before this evening’s class started, and while meditating, I kept thinking about what I wanted it to express. I spent this afternoon continuing work on grant-writing for this project I’ve started with my Grandma. In this drawing, I’m a ghost in the room, a time-traveller, observing, imagining a scene from someone else’s life — which never happened, mind you — but now feels as though it is real (to me).

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I asked my younger daughter if I could go with her on her lunchtime dog walk. I haven’t been out during daylight much this week. There was a big snow storm last night. My older daughter went out and shovelled out walk. I worked on grant applications and X Page stuff all day. Never napped, though the hope of a nap was what got me out of bed this morning. Too much sitting. More kundalini tonight.

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This is a visualization of my word of the year — SOURCE. It’s a mysterious word. It points to being at the origin, and to being inexhaustible, I can return again and again, drink of it, seek it, it refreshes, restores. I had a vision during kundalini last night of SOURCE as eternity, as the place from which I came and to which I will return. It was soothing. Today, I’m weighing another volunteer opportunity that’s arisen. I like being asked to serve. I feel most at home when volunteering; and I miss that from my soccer coaching, for sure. But any commitment needs weighing. I won’t commit unless I’m all in.

Last night at dinner, I asked how everyone was doing right now. Our eldest said it’s fine, but it’s boring. Every day is busy, he said, and passes quickly, but it feels the same. And I agree. And therefore, I see the usefulness of this daily cartoon project is its ability to capture, succinctly, visible to the eye, proof of tiny fluctuations within the sameness.

xo, Carrie

January reflections

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January Reflections

  1. What felt good this month? It’s February 1st, and the beginning of January seems eons ago. I’m grateful to my cartoon journal entries for recording the emotional ups and downs — but especially the ups. Otherwise, I might forget that January was a productive writing month, for example, or that our family looked forward to fun activities, which brightened the overall dulling effect of our generally similar days. In January, I’ve started charting out daily/weekly aspirational goals in my notebook (a messy page of activities that I can check off): these include things I value but might not otherwise prioritize, like reaching out to friends and family, or reading, or playing piano. I’ve been giving myself permission, and even incentive (three cheers for reward sheets!), to follow through on aspirational goals that have little worldly value, but feed me in every other way: spiritually, creatively, and in relationship with others.
  2. What did you struggle with? Career stall-out; stasis. It helps that there’s been a spotlight in Canada on the plight of artists, including writers, during the pandemic; I’m not the only one with a pushed pub date, or other delays and disappointments. But here’s the thing: the struggle has felt surface level, ego-level. Underneath, I’m full of hope and belief in my writing direction, in the research I’m doing, and in nurturing this life-long habit of curiosity and exploration, no matter the outcome. Process interests me, rather endlessly. So how could I complain or worry, when I’m able to tick through that list of entertaining and enriching daily aspirational goals and activities?
  3. Where are you now compared to the beginning of the month? I have no idea. This question is impossible! I’m relieved that the US has a new president. That happened! I’m a month older than when we last checked, and I feel essentially the same in terms of goals, hopes, dreams, concerns. I waver between, it’s going to be okay, eventually, isn’t it, right?, and, be here now, that’s what matters. I live in the latter as often as possible.
  4. How did you take care of yourself? I’m trying to notice my irritating flaws (pretty easy to spot when confined in tight quarters with five others + dog), name them, and laugh at myself when I notice I’m going down one rabbit hole or another. Should it irritate me so much that Kevin leaves the cupboard doors open? Or that people let the dog out but never back in again?
  5. What would you most like to remember? That I can trust myself to make decisions that support those I love, and myself, even when the conversations are challenging.
  6. What do you need to let go of? Timelines. Control over timelines. The paralyzing idea that I’m losing time to this pandemic, that my life is suspended in some fundamental way; that as the months tick past and nothing changes, I’m aging past relevance. Whoa, I’ve named a lot of fears here. Now to let them go … I think the checklist of aspirational activities helps with the letting go: when I sit at the piano and play Bach, I don’t think, you are wasting time. I just sink into the moment and concentrate on what I’m making, and feeling, and hearing, and experiencing — time travel through music, connecting across the centuries with other minds and hands and ears. And these moments are always available, maybe even especially right now! I’ve only got to give myself over to them, and let go of my need to predict the future. (BTW, this is my favourite question, every time! It’s so cathartic to name the thing that needs letting go, often something that catches me by surprise. I highly recommend answering it for yourself, and all the better if you write it down.)

Onward into February!

xo, Carrie

PS Here’s a sample aspiration chart …

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My most recent list of categories goes like this: cardio; yoga; get outside; stretch; extra exercise; piano; cartoon; nap; read; meditate + “Source” (my word of the year, 2021); write; transcribe; revise; research; grants; cook/bake; clean; orders; family time; friends; sibs/parents; fun; thankful; X page.

How to step into the river: personal artistic practices

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Two years ago, I was preparing to teach the graphic-art-based creativity course at St. Jerome’s, which was really a class about developing an artistic practice, setting goals, and staying open to how a project may change and grow as it unfurls. There’s discipline, the verb, and discipline, the noun, and together they sustain an artistic practice. The hope is that the practice will hold and develop over a lifetime, unique and personal: a pathway into the flow, a mindset, a series of ever-renewing explorations that feed on curiosity and feed curiosity.

If all things flow, I can never step into the same river twice; yet I yearn to find ways to fix experience as it flies. That’s the paradox of being alive, existing inside these breathing time-stuck human bodies: how to occupy the liminal space between immersion and interpretation, how to dance between these ways of being in the world; liminality is what art emerges from, the desire for engagement mixed with the need for something more than preservation — for response, for improvisation, for metaphor, image, song. My practice(s) is a way to step into the river, and also a means of capturing what’s here to be found.

I started a new notebook this morning. To mark the first page of each new notebook, I trace my hand and write my birth date and today’s date, a ritual I learned in a Lynda Barry workshop. As I traced my hand this morning, using a brush rather than a pen, I thought: I love the artistic practices I’ve created. They are cobbled together from different times, teachers, discoveries, experiments, using different mediums, tools and technologies; and they do change as I change and adapt, but they are unique to me and durable.

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I love writing by hand, even though I don’t always use it as a method of writing new material. There are easier ways to write, but some stories and reflections call out to be discovered by hand.

I love the playfulness of crayons, which I’m using in my current daily drawing project, begun on December 1st as a month-long trial, and which I’m considering continuing into January, maybe beyond. (I’m also considering scanning these cartoons + captions and posting them weekly on the blog; this will only work if it’s easy. That’s one of the principles of my personal practices, the ones that have stuck: they’re easy to maintain, the materials are easy to acquire, the technology is easy to access.)

I love my studio, this lively yet meditative space that I use daily, which is a retreat, a place I look forward to being in, comforting, cozy, tidy, organized, small, contained yet spacious (the high ceiling, the white walls).

There isn’t much movement out there. We are locked down again in Ontario. There isn’t much movement anywhere, on any front, not in my own personal or professional life. But in this studio space, on the pages of these notebooks, there is movement. There is a river ever-flowing, into which I can step, and be transported.

And that is a gift.

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My project ideas for 2020 have changed quite a bit; some came to fruition, others vanished almost as quickly as I’d conceived them. Now, I’m planning my projects for 2021, and looking forward to sketching out new ideas and goals on a fresh index card, and glueing 2020’s into this latest notebook. How will 2021’s projects grow, change, develop? Only time will tell. But they’ll exist, in nascent form, in ripening and in bloom, inside these notebooks, in crayon drawings, in pen, in Scrivener and Word files, and here, online. Sharing what I’m making is an important facet of my practice, too; thank you for being out there.

If you’ve got a moment, drop me a line or leave a comment and tell me about your artistic practices, what you’re doing right now to step into the river, both to enter the flow and to fix experience as it flies.

xo, Carrie

Listening to Joni Mitchell’s River

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Listening to Joni Mitchell’s River.

I listen to this song even when it’s not the Christmas season. They’re cutting down trees, they’re putting up reindeer, and singing songs of joy and peace. Oh I wish I had a river I could skate away on.

Oh, Joni. I recently read a profile about her early songwriting in the New York Times and then drifted over to read another piece in The New Yorker from 2012 by Zadie Smith about becoming a Joni convert. I’d already read the Zadie Smith essay, maybe when it was originally published, but I read it again. The internet will give you so many windows and doors to open, chasing ideas that you might tell yourself are inspirational or aspirational, when really, you just want to be as original and seemingly free as Joni Mitchell. But it’s okay just being you. Isn’t it?

I’ve started a new project that I’m planning to do every day in December, and possibly beyond. It’s a way of crossing the threshold from the every day into the imagination, a daily portrait and caption, created in about 20 minutes or so, while listening to music. I draw a portrait on an index card in pen, then colour it with crayons (an important part of the playful process!), then write a few lines about whatever’s on my mind, giving myself no more than 3 minutes for the text so I don’t start sweating over it. Like this:

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Here are a few other good things and random thoughts, on this Friday afternoon when I’ve run out of steam and am about to turn to fun videos on youtube while doing my stretching routine on the office floor, which isn’t a half-bad way to spend half an hour, truth be told — maybe I’ll count that as one of the random good things going on right now. I’m also attempting to do sets of 10 burpees whenever I think of it throughout the day. While waiting for lunch to heat in the microwave, for example. Before bed. The goal is to raise my heart rate in spurts throughout the day, maybe to compensate for not running right now (though I do ride the spin bike pretty frequently). Whatever. It lifts my spirits every time. I finish my burpee set and throw my hands in the air in victory! Yes! (I should draw that.)

Other daily goals: Go outside! Every day.

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And: Flip my current pattern of writing in a frantic panic late in the afternoon, and write in the mornings instead (answer email only after I’m all written-out). The daily portrait and caption kickstarts this goal, and so far it’s worked wonders. Start with something fun and easy, something I look forward to doing, and suddenly I’m pitched into writing new material without even thinking twice.

Also: Work harder. (Weird, I originally wrote “Word harder.” That works too.) Work/word harder is my main life goal. But I mean that only insofar as I mean work harder to dig in, commit, finish projects, even if I don’t know what will happen to them. Hard things are hard. Curiosity is my fuel. Patience is a gift but also can be a weakness if it turns into numb acceptance. Grit is necessary. Add it to your breakfast. Relish and savour what you’re doing because you never know what you’re making. Or what will stick, what will matter, what others will appreciate.

For example: A student sent me a message this week, writing: “I also wanted to tell you that as a graduate, I still appreciate your class. I’ve read books a little differently since, with more compassion, and more interest in the beauty of the work.” How could I guess that a student would come away from a writing class with a new lens on reading? What a gift. I love thinking about the accident of connections, about the things we keep that perhaps someone else has given us, but they don’t know.

Okay, one more goal: Reach out with appreciation for the gifts received from others. I might also add, if there’s a teacher who’s helped you in some way, let her know. Especially now. Any teacher who can engage her students through the screen or the mask is working at a level of commitment and energy and preparation that is almost impossible to understate.

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In conclusion, as this seems to be a post that has brought up boundless wells of inner gratitude, I’m grateful for a friend’s idea to create our own collectively brainstormed advent calendar of family activities. As a family of six, each of us contributed four ideas which were randomly sprinkled into the calendar’s pockets. Day 1: decorate Christmas cookies (made by F); Day 2: breakfast for dinner (waffles, made by me); Day 3: ice cream delivery to grandparents; Day 4: games night. (Days 1 and 2 shifted the responsibility to the baker and the cook, and both of us were slightly crusty about this; as a result, we’ve also created a bunch of back-up activities to be accessed should one idea not work out on a particular day).

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I’m grateful for a little surprise to look forward to every day of advent.

And I’m grateful to you, my friends who read this blog. It gives me a little boost knowing you’re out there. Connections. They’re harder to come by right now, and I cherish them all the more for that.

xo, Carrie

 

November reflections

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November Reflections

  1. What felt good this month? This month has been a bit of a blur, and I’ve spent half of it thinking it’s already December, but there have been some genuine highlights. Unexpectedly warm weather early in the month made possible some spontaneous outdoor gatherings. I’m especially grateful that my siblings and I were able to gather with both my dad, and my mom. The last time we gathered together with either parent, all of us, was last Christmas, and we know this Christmas will be challenging. So that was a real gift. Another highlight was watching Kamala Harris speak after the election was declared — especially awesome because we watched outside in our backyard shack with friends. I’ve been looking after my physical body, with physio, chiro and massage, and daily stretching and exercise. While I wait to hear back from my editor, I’ve been writing new stories using cues learned from Lynda Barry. And I continue to connect with friends in person, outdoors, which keeps me going.
  2. What did you struggle with? This month was better than last, in terms of my mental state. I seem to be more settled into established routines, and accepting of this liminal state we’re all in. In some strange way, I’m thankful to be in a rather unambitious mindset at present, and therefore don’t have specific goals that are being thwarted by the circumstances. Nevertheless, I’m trying to use my time fruitfully even if I don’t know what will come of it. I’ve noticed that it cheers me to share what I’m doing with others; if I have any goal, it’s figuring out ways (perhaps new and creative) to share my writing, meditations, stories, photos, cartoons, musings with others. I’ve also loved getting opportunities to read and comment on and engage with other writers’ work. Reciprocity and community feels critical to a sustainable path as a writer/artist. I need to foster more of that, somehow.
  3. Where are you now compared to the beginning of the month? Better. At the beginning of the month, the American election was weighing on me, plus I was feeling pretty bummed about trying to invent a Christmas experience in a pandemic. But my awesome little family has been brainstorming and getting creative, planning for different kinds of celebratory and brightening activities, throwing out expectations and starting fresh, which is a wonderful gift in and of itself. More on this in a future post. Basically, I’m feeling sturdier than I was at the beginning of November. Calmer. (Although my daughters have both informed me, separately, that I’m the most impatient person in the house.) As I reflect on this, I realize that I’m looking forward to things without wishing everything were different; let’s call this stage “acceptance.”
  4. How did you take care of yourself? Plugging into my Lynda Barry Spotify playlist, drawing, writing. Tara Brach meditations. Being kind to my body. Getting outside. Remembering to text friends. Checking into literary events on Zoom. Sibs nights. Popcorn and shows with Kevin (this month we watched Ted Lasso, The Morning Show, and we just started Steve McQueen’s Small Axe). Redecorating the living-room with Kevin (a work-in-progress).
  5. What would you most like to remember? That I am alive in my body and in my mind. That connecting with others is the necessary spark to feeling and being alive (especially thinking of this in the context of my writing life). That I love reading, responding, editing, digging into ideas and images. That food for the mind is as necessary as food for the body. That the jolt and challenge of the unexpected encounter is something I’m often missing right now, and craving.
  6. What do you need to let go of? Good intentions. That just popped up, and I’m going to let it stand. Maybe what I mean is, I need to let go of superficial attempts to be helpful, and respond and act from somewhere deeper, more grounded, more raw, more real instead. I’ve been saying yes every time it feels like it’s coming from a place of genuine yes-ness! (And saying no when I know the answer is no, no matter how painful or uncomfortable.)

xo, Carrie