Category: Poetry

Abandoned twitter thread

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The darkest hour is before the dawn (says who?), but I don’t think we’re there yet. Our planet flares with alarms, and I keep scrolling the news like it’s entertainment. Like it’ll make a difference to know more and more, somehow. Like I’ll reach the end and go: there, done, at last, problem solved! 1

(Anonymous commenter: “The darkest hour is actually midnight.”)

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The equality we’ve fought for is tenuous, incomplete, and may erode further. What hope is there that we humans on planet Earth will work together, pull together, row in a direction that honours difference, blesses the frail, lifts up everyone who is in pain? Where does it hurt? What’s your story? 2

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Vote? Of course! I’ve got my ballot filled in, ready to mail back to Ohio. I will take deep breaths and hope. One voice, one gesture, one act of faith. But VOTE is not enough to fix what’s broken. Dividing, degrading, self-dealing; cynicism. What does democracy mean? For the people, by the people? Also, a corporation is a person?? Also, send more money? 3

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Don’t pretend the end justifies the means. We live in the means! If you lie and cheat to win, you’re not a winner, you’re a liar and a cheat. If the only way to win is at all-costs, I’d rather be the sucker who spoke her heart and lost. 4

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My heroes are the ones who saw the long road ahead and walked onward toward a light and promise they knew wouldn’t be found in their own lifetimes. Or maybe ever. But they saw it and articulated it. Our better selves. Where everyone will have enough, and dignity too. 5

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Where love not greed rules. What I see: my brothers sisters friends strangers the ground underfoot the air trees stars the living oceans are of me and I of them. All of us humans are flawed, broken, in need. To share is to receive but also to give. 6

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Look at this bountiful world. End

xo, Carrie

The kind of story we need right now

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The Sunflowers, by Mary Oliver

Come with me

into the field of sunflowers.

Their faces are burnished disks,

their dry spines

creak like ship masts,

their green leaves,

so heavy and many,

fill all day with the sticky

sugars of the sun.

Come with me

to visit the sunflowers,

they are shy

but want to be friends;

they have wonderful stories

of when they were young —

the important weather,

the wandering crows.

Don’t be afraid

to ask them questions!

Their bright faces,

which follow the sun,

will listen, and all

those rows of seeds —

each one a new life!

hope for a deeper acquaintance;

each of them, though it stands

in a crowd of many,

like a separate universe,

is lonely, the long work

of turning their lives

into a celebration

is not easy. Come

and let us talk with those modest faces,

the simple garments of leaves,

the coarse roots in the earth

so uprightly burning.

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Say you were invited to hold a sunflower, and examine it, while reading and thinking about these words in Mary Oliver’s poem. Say you were invited to respond by asking questions of the sunflower, or listening to the sunflower ask you questions. What would come into your mind, and onto the page? On Friday evening, outside around a fire pit, my friend Jen led a small group of us in this meditation. It was already, newly dark, and we used cellphones to illuminate the page and look at our sunflowers. which another friend had cut down and brought from her yard. Several of us found bees nestled into the flowers.

This is what I wrote.

“… the long work / of turning their lives / into a celebration / is not easy. / Come //”

Some solutions seem so simple

I will paint my office door the bright yellow

of this sunflower’s petals

I will spend the whole day reading a book

I will stretch and breathe

But when restlessness turns inside me

what should I do then, Sunflower, tell me?

When I am afraid

that my service is too meagre

and I can’t think what to do to be a

better person — what should I do, Sunflower?

The restlessness, the sense of longing

of energy unused or squandered

The list of all the harms I’ve caused

shuffling round and round inside me —

Tell me, what should I do

to fix these feelings, Sunflower?

It is true I hear you humming

Too tall, cut down, a living

bee nested in your blossom that has not (will not)

bloom(ed), tucked beneath the brighter face of you

You are humming not an answer

but a blessing with a sting:

Get on with living

You are not between two points

like a traveller on a train stalled between

destinations, you are in the only place

in which you are as you are — alive

and very you

Do you remember when you saw a whole

field of us, sunflowers, calling you

and you drove on, you said, It’s not

my field, I would be a trespasser?

You were right enough

But we’ve found you anyway, again

as you are. Come

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Tomorrow, I would like to write a post about the new colour of my office door, and the books I’ve been reading, and the ways I’m seeking to connect, and to learn and listen, and find antidotes to fear and despair, but for today, I invite you to find your own sunflower and ask it some questions. Whimsical, fanciful? Yup. Uncomfortable, weird? Maybe. Silly, frivolous? Try it and see for yourself.

xo, Carrie

What’s on your mind?

 

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Like many of you, my days — their very substance — have changed. And I’m finding comfort in a daily drawing and writing session, the results of which I’ve been sharing here. Will it last? I don’t know, but I’m debating whether these cartoons and poems should replace the ordinary content of my blog, which is more like this … more like me talking to you (rather than me talking to my notebook), more conversational, a little more “newsy.” The writing I’ve been doing in my notebook is closer to fiction or poetry; and its tone might not fit the blog’s, perfectly.

But, still. I’m making it, and I enjoy sharing it. I will keep sharing it for the time being, and perhaps find another way to do so, in order to preserve this space for, well, this.

How are you? I hope you’re finding ways to enjoy your days, which may feel extra-long and extra-slow; the stretched-out passage of time, in the absence of much happening, reminds me of my days spent parenting small children.

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We are good, here. Our eldest returned from his trip to Montreal (where the city had shut down around them); he’s restless, and has yet to settle in to the strangely calm routine the rest of us have invented for ourselves. Kevin is our designated leave-the-house-for-supplies-person. We are grateful for our big back yard. There’s room to kick a soccer ball. Room to refinish a coffee table. My office is an oasis of peace. I’m mainlining meditation, and have been tuning in every evening at 8PM to my friend Kasia’s livestream kundalini session on Facebook. At some point this week, I baked a double batch of cinnamon raisin bread that was divine. Yesterday, I wiped down every major surface with a bleach solution, a tedious and wearying project that opened my heart with gratitude and amazement for everyone whose job it is to wipe down surfaces, to keep us safe. My admiration and thanks are with each and every worker on the front-lines, putting themselves at risk, doctors and nurses, and also cashiers and cleaners. My job by comparison is ridiculously easy: stay home, stay calm. I think often of those who have lost work, who fear the immediate future, the basics of survival. A couple of weeks ago, I was mercifully awarded a major grant from the Canada Council for a novel I’m working on, the timing of which has been a major relief; I’m certain we’ll be okay even if the kids can’t work their summer jobs, even if Kevin’s business shrinks in the near-term. I feel fortunate, too, to share my home with five other people, plus dog. We might irritate each other from time to time; but we also have close companionship. Staying connected, generally, has taken on increased significance. I enjoyed tuning in to my church’s virtual service this morning. Last week, my sibs and I met for drinks via Zoom.

The forced presence and stillness suits me, at least for now. But, as you’ll see from my “poems” below, I’m also aware of underlying anxiety, of uncertainty, of the fear of the unknown that seems to be floating through the atmosphere, bubbling up from the depths.

Below, you’ll find samples of my drawing and writing from the past couple of days. Feel free to read, or skip, as you wish. Sending you presence, light, hope, stillness, and, in place of anxiety, free-floating poetry.

xo, Carrie

PS Add this to your recommended reading list: Washington Post article about a poet in Southern Italy who shared his personal cellphone number on social media, offering to talk to anyone who wanted to call. As Seth Meyers would say: this is the kind of story we need right now.

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Thursday’s cartoon was drawn to Lindi Ortega’s “Fires.” I think it’s a double self-portrait, of me, right now, waving to me, from a time before coronavirus. But who knows? These portraits seem to draw themselves.

What’s on your mind?

Today’s poem comes to you from a land of uncertainty where nothing and everything has changed from one moment to the next, and the landscape looks the same, only bleaker, and the world is windswept and bleary, all crispness reduced to the edges of dried grass rustling as we shuffle past, keeping a safe distance from one another. When our hands brush briefly, accidentally, before parting, I flinch as if I’ve touched fire, fever, the source of fever — or is it I who am a danger to you? Either way, I bear responsibility for the possibility of infection, and this reminds me that we must be guarded and vigilant, we must restrict our children’s movement and our own.

Is twenty seconds long enough to thoroughly clean my hands?

The pressure in my chest expands. I sneak into the bathroom to take my temperature again, momentary reassurance that I am well. But is this well? I stand in the bathroom looking at the number that presents itself to me, a neutral number, on a neutral device of measurement, and I ask, what about the invisible suffering parts of us, how can we measure and assess those fevers and chills and aches?

There is so much surface that needs to be disinfected, vast and spreading; what’s underneath must be even vaster, almost infinite, the darkness we fall into, the anxious pain that presses against the ribs, trying to get out. I see it everywhere, written on everyone, muted, uneasy, restlessly awake now.

We knew we would die one day.

We thought we would know better what we had dominion over, what we could control. These depths bubbling like lava, like an eruption at the bottom of the sea, like rumour — are not the message we’d been awaiting. We want instruction. A six-step undertaking to cleanse our surroundings. A bleach solution (9 parts to 1).

A tincture, an inoculation. A cure.

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Friday’s cartoon was drawn to Bill Withers’ “Lovely Day.” A friend observed that the past two portraits seem to be expressing a fractured self; in any case, the figures are all boxed up and separated, though some of them are reaching out.

What’s on your mind?

My mind empties out and I see behind the overcast grey sky a clean-swept blue; now hidden, but still there, and I imagine the wind pushing at the clouds and opening a smear of light; the clouds torn like paper, ripped like fabric.

Experience has the same effect, working on my mind to rub away the clouds of certainty. In its place, a frayed understanding — that nothing holds, and that certainty is less desirable than I’d imagined, that instead I am happy to settle for being useful, for finding myself, occasionally, in the right place at the right time.

I see that vulnerability is like an invitation, while certainty silences. The rip in the massing clouds reveals the sky, blue, which was always there, if I’d known to open myself, frayed, worn, fragile, as I’ve always been, whether I knew it or not. I let myself be seen. And in return, I see you.

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Saturday’s cartoon was drawn to Tom Petty’s “Running Down a Dream.” I drew it with my eyes closed. I took the theme rather too literally, which is why I’m running, sort of, though I couldn’t visualize what dream, exactly, I was running down. So I drew a few little star-like flowers that can be seen near my right elbow, like the flowers I noticed on the spider fern whose tendrils are hanging over our sink (pictured at the top of this post).

What’s on your mind?

This time is this time is this time of now and now and now and it is almost impossible to be anywhere else or with anything else but what’s before me.

I notice the spider fern is flowering, tiny delicate blooms hanging over the sink.

I notice my son’s head smells like sweat, and my daughter’s head smells like coconut oil. I touch their hair.

My hands smell of bleach, though I used gloves, and I wonder if the smell is real or remembered, is it in my nostrils or just the memory of it, the way I can smell cigarette smoke from someone else’s car even after I’ve rolled up my window and driven away, even after I’ve left my car in the parking lot to sit outside the door of my daughter’s piano lesson, how even here I think I can smell the stranger’s cigarette smoke in my hair — and by extension, her poor decisions and regrets and longing; which are, of course, my own.

The piano studio has locked its doors.

We live inside.

We do not drive anywhere. We are in a time of plague and even yesterday seems very far from today, estranged from today.

Now. Now. Now. The sound of my pen scratching — too fast, sloppily — across the page. I’ve only just noticed that I grip it as near to the tip, the nib, as is possible. I only just see it — my pen — as an instrument I am playing, an extension of my body, a tool encircled by five tips of fingers, each with a half-moon circle of curved, opaque nail. There are no straight lines on my hand. The pen is straight and hard and useful to me, it is made for this task and nothing more; but I am made for bending, praying, curling, holding, I am made for giving way. I am made for praise. For contorting myself anew.

I am made for change and ever-change, evermore, now, as before.

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Never in extremity it asked a crumb of me

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Today is my birthday. It’s family tradition that we get to do what we like on our birthdays (within reason). Among my wishes was that I wanted to go to church: my dad’s band was playing at the service. I love the band’s mellow folksy sound — Dad plays the piano, and there’s a banjo, guitar, fiddle, and voices in harmony. The whole family came along, which was also my wish.

It was the last service of the year, and instead of listening to a sermon, the congregation was asked to reflect silently on two questions: what experiences in your life this past year have been life-giving; what experiences in your life this past year have been life-draining? I found myself turning away in my mind from labelling any experience as negative, or draining. Why? Because there is a part of me that remains forever hopeful, optimistic that any conflict or trial could be transformed by attention and care, or could be transformative in ways that can’t be guessed in the painful, hard moment of its happening.

But in truth, some experiences are draining. And I do try to pay attention to those, too.

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Life-giving experiences this year: as I let my mind wander through memory, I saw images of connection. Sitting at the end of the dining-room table, poring over the novel I’m working on, feeling like an antennae connected to the universe, pinging with focus and energy. Eyes closed, doing yoga, sitting cross-legged on soft sheepskin surrounded by music. In my body, running in the early dark morning. With my family, around the table. With my soccer team, outdoors on summer evenings. With my writing group sitting at the table. With my word-of-the-year group. Listening to stories being shaped and coming alive. We are all raw material, and yet we are also all capable of transforming into exactly what others need, at any moment in time.

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Life-draining experiences: I did not dwell on these heavily. But I acknowledge these were also a part of my year. I would call them: broken connections. Relationships in flux or turmoil. The distractions of the constant stream of information and news, the scroll of social media, disconnecting me from my body and mind, and from those who are present with me. Times when I lacked focus. Days when I was unable to write for lack of focus, or care. Frazzled energy. Fears too dark to name. Times when I felt overwhelming anxiety, paralysis, over everything I can’t control (which is, let’s be honest, most everything).

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Connection / broken connections.

To be grounded is to be rooted, is to feel oneself sturdy, energy flowing directly to and from an idea, a cause, a project, a desire. To be grounded is to feel connected to place, connected to self, to body, to spirit, to feel whole. It may not be possible to feel this way always. But even to feel like this sometimes is wonderful. It’s good to remember that it’s possible to feel this way, at times and on days and in hours when I don’t.

Connection / broken connections.

There will always be broken connections. Broken connections remind us that we are needed, that our creativity is needed, that our love is needed, our attention is needed, that our hope is needed, crucial, essential. We can’t fix a lot of things that are broken. That’s a hard human truth to learn. Maybe we aren’t meant to do that, we humans — go around fixing things all the time. This isn’t to discount the importance of policy-making in shaping our lives; what I’m talking about seems more personal. What I’m talking about is loving awareness. Maybe loving awareness is about acknowledging hurt, pain, brokenness, and making connections despite our fears, despite the risks. Maybe it’s letting go of the expectation that we can fix anything at all, and just listening, trying to hear and feel underneath to what this broken connection is telling us. (Put down your phone? Go for a walk? Write in your journal? Sit with yourself? Hold someone’s hand? Ask someone to hold your hand?)

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Letting go of the idea that you can control what happens doesn’t mean you give up hope.

Hope is not the same as expectation. Hope seems much richer, much deeper, much more flexible and open to the air. Emily Dickinson says it much better than I can.

Hope is the thing with feathers

 

“Hope” is the thing with feathers —

That perches in the soul —

And sings the tune without the words —

And never stops — at all —

 

And sweetest — in the Gale — is heard —

And sore must be the storm —

That could abash the little Bird

That kept so many warm —

 

I’ve heard it in the chillest land —

And on the strangest Sea —

Yet — never — in Extremity,

It asked a crumb — of me.

 

xo, Carrie
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