Random-ish post as I’m packing up and readying to head home tomorrow.
One of the books I found at the British Library was: THE GOOD HUSWIVES HAND-MAID, FOR COOKERIE IN HER KITCHEN IN DRESSING ALL MANNER OF MEAT, WITH OTHER WHOLSOM DIET, FOR HER AND HER HOUSHOLD, &C. (Note: They went in for the thorough title in 1595). Yes, it was a recipe book.
So, herewith, a recipe from THE GOOD HUSWIVES HAND-MAID, to share with you.
To boile mutton for a sicke bodie.
Put your mutton into a pipkin, seeth it, and scum it clean, and put thereto a cruste of bread, fenell roots, parsly roots, currans, great raisons (the stones taken out), and hearbs, according as the pacient is. If they be cold, hot hearbes may be borne: if they be hot, cold hearbes may be best, as Endive, Sinamon, Violet Leaves, and some Sorell: let them boyle together. Then put in Prunes, and a verie little salt. This is broth for a sick bodie.
So there you have it.
I don’t know what a pipkin is, offhand, and haven’t had time to look it up. (“Seeth it” means simmer it, if context can be trusted.)
Here is an actual email message I actually received yesterday from an actual child, who shall remain nameless: “Do not forget about the souvenirs. Love, Child-Who-Shall-Remain-Nameless.”
One more random anecdote before I sign off. I spent yesterday evening with my host’s children and we did some very fun activities, like riding the bus to a nearby centre and eating pub food and shopping for souvenirs in the confectionary section of a grocery stores (souvenirs? what souvenirs?), and sitting in the upper deck of the bus on the way home, just because it seems like one should, while in London. After which we were going to have a fun movie night, but the Netflix movie wouldn’t work, and the kids were having a hard time picking one from the shelf that they both wanted to watch, and I was wracking my brain for alternate fun things to do, and here is what I said (sadly, in all seriousness, because Fun is truly my middle name): “I could read out loud to you from a book, if you’d like.” There was a beat of silence. And, like magic, the kids were suddenly agreeing on a movie both wanted to watch.
Speaking of Fun According to Carrie: being at the British Library was so fun. It was more than fun. It was soothing, it was peaceful, it rewarded my curiosity richly; it was a happy place to spend three days and if home weren’t calling me, I could move right in.
But home is calling me. And I need to go before I buy out all the souvenirs. (Buying souvenirs is also surprisingly fun. I haven’t really had occasion before.)
DJ is posing for the camera, which we’re all finding hysterical
Somehow, last week’s brief thaw fooled me, despite knowing better, into thinking that spring-like conditions were in the offing. I keep stepping outside and registering the cold as a shock — as a personal affront — as if it weren’t absolutely to be expected at the end of February. The windchill registered at -21C on my run this morning, for heaven’s sake! AppleApple has told me that on April 1st, she is wearing a sweater to school no matter how cold it is. I was just glad she didn’t set that particular deadline for March 1st.
To further gather my thoughts regarding yesterday’s post on fear and unwinding, I would like to observe that there’s a fine line between acknowledging and reflecting on one’s fears, and becoming mired and stuck in an introspective feedback loop of one’s fears. I feel like I’m atop a small hill that I’ve been climbing for awhile, and this is a good place to pause and acknowledge that it was hard to trust my brain post-concussion. It was hard, and it was scary, but I don’t want it to colour my life. I’ve got other hills to climb.
That’s why I played soccer a few weekends ago. That’s why I write every day. That’s why I meet friends. That’s why I want to go out dancing and do kundalini yoga again and get a decent pair of snow pants and maybe some cross country skiis so I can play outside whatever the weather — take that, February! I’m a huge believer in imagining your way to success. You have to know where you want to go or you’ll never get there.
Writing and meditation and reflection are expressions I’m naturally drawn to as an introspective person. It’s why I’m a writer, I am sure. But life is lived concretely. It’s hands in bread dough. It’s running as the sky grows light. It’s vacuuming the dog hair (or teaching the five-year-old how to vacuum the dog hair).
Here’s what I’m visualizing. And doing.
My big (overarching) goals for the year:
* write the first draft of a new novel
* promote Girl Runner
* create a solid curriculum for my creative writing class
My small (everyday) goals for the year:
* write daily meditations
* run, weight lift, yoga, spin, bike, dance, play soccer
* help and support my family
* give the kids more responsibilities around the house
* offer and accept invitations to spend time with friends
* play the piano and sing
I could go on. But that’s a good start.
two Saturdays ago: this was taken after we all pitched in to clean the house together; I hope to blog more about this new plan, if all goes well
A total side note that spoke to the fitness guru in me: I read in yesterday’s newspaper that sprinting is more beneficial to the aging body than distance running (the caution being that you need to be a strong runner, and probably a distance runner, before attempting sprints, because non-fit sprinting an excellent way to injure yourself.) No wonder I love soccer so much — it’s basically sprinting, except you get to chase a ball.
I also read that going for a walk has an almost medicinal effect on the mind and body. Why don’t we build our cities and communities around that simple concept? Imagine the health benefits. Imagine how we’d all be walking off the edges of our worries. Wouldn’t that be a wonderful thing?
I just accidentally erased the most darling photos of CJ, taken by AppleApple, after Fooey had styled his hair into a swoop across his forehead. I’ve lost other things over the years, too, to digital carelessness or breakdown. It’s always hard to believe something’s gone, when it’s gone. But those comical photos are gone. Loss is a painful emotion, complicated by regret. I’ll get over it in a moment. This post will suffer from their absence, however. Photos affect tone, and those were really funny photos. But these photos are lovely too, taken during a recent fitting; my mom is making AppleApple a dress with puffed sleeves and a puffed skirt (that she might wear to my sister’s wedding this summer).
There’s a commercial running during the Olympics right now with the tagline: Your someday is here. It shows athletes ready to compete, while in the background run faded film scenes of their child-selves, practicing their sport. I find myself curiously affected by these ads; I’m not moved to tears, I’m moved to a faint frisson of panic. Your someday is here. Yikes. Talk about pressure. It also whispers to me: your time will be here and gone before you know it. (I’m obviously in a cheery headspace.) Because doesn’t it also shout: Everything you’ve worked for has brought you here! Celebrate! Enjoy the fruits of your labours!
This week, the Globe and Mail ran a comprehensive obituary on Mavis Gallant. It was heart-breaking to read that she spent her last decade “plagued by ill health and poverty.” Poverty. That word guts me. I reflect on the number of times I read and re-read Gallant’s stories during the past decade, for inspiration, for pleasure, and to admire and try to parse her technical skill as a writer, and how that pleasure received should have been repaid, somehow. Yes, I’ve bought her books over the years. But considering how many times I’ve read them, those purchases were bargains. How to repay a writer for her gift? How to offer appreciation that affords a great writer simple comforts as she ages? Gallant said in an interview in 2006 that “luckily” she had the temperament to be a fiction writer: “I never wanted to own anything — like a bird on a branch.” So maybe I’m projecting my own worries about future financial stability onto a writer who perched above all that, like a bird on a branch. She always noted that her name, Mavis, meant song-bird.
Mavis Gallant was 91 years old when she died.
It’s hard to believe she’s gone. Loss is a painful emotion, complicated by regret.
“People who think poetry has no power have a very limited conception of what power means.” – this, and all subsequent quotations, from Christian Wiman’s My Bright Abyss
I’ve been sitting, every morning this week, and reading this book, by Christian Wiman. I can’t take in more than a few chapters during a sitting, and even then, I’m certain I’m not taking everything in. The book is mostly about faith and Christian faith specifically. I find myself not looking to those parts, or shrugging them off; yet I know deep down that faith is an intrinsic part of my outlook, that it is where I come from and where I write from. I believe in something bigger than myself. I believe in infinite wholeness expressed somehow in every living thing, and utterly inexpressible. Most of all, I believe in the power of connection, wherever that is found. I believe, in all seriousness, that there are times when I write that I am receiving a gift by grace.
“A poem, if it’s a real one, in some fundamental sense means no more and no less than the moment of its singular music and lightning insight; it is its own code to its own absolute and irreducible clarity.”
What does this mean — if it’s a real one? That strikes me as being unfair and judgemental. But isn’t it true? When you read a real poem, you know it. You just do. And isn’t the paradox of writing the need to get beyond one self while staying true to oneself? There is magic in pinning down a moment of singular music and insight; and there is failure, too, because it is an impossible task.
“… existence is not a puzzle to be solved, but a narrative to be inherited and undergone and transformed person by person.”
And yet, to write a story is to participate, actively, in inventing puzzles to be solved. Somehow to be human is to long for puzzles to solve, to crave them. The solution is never as satisfying as the mystery.
“Behind every urge to interpret is unease, anxiety. … The trouble comes when the effort to name and know an experience replaces the experience itself.”
How to answer this? Isn’t this what I’m involved in daily, as I blog and photograph my life?
I was thinking again about the movie we watched on the artist Andy Goldsworthy, and my impatience with his observations about time — time like tide that inexorably rises and time like a river that won’t quit its rushing, and how we are caught up in it. His work relies on using time combined with elements from the natural world. I wanted to yell at him: who needs icicles and the sun, when you’ve got children to pick up for piano lessons? My every day is a study on the relentlessness of time.
I want a study on peace within the relentlessness. Or harnessing the relentlessness to make something bigger and wilder and rockier and freer than one could have imagined, given the boundaries imposed. Maybe that’s what he’s trying to do too. I couldn’t say. I have enough washing away as it is. I want to make time expand.
Here’s a small thought that arose this morning, as I sat and read: Restlessness is a gift. It’s a gift to luxuriate in our imaginations, in possibilities unachieved, in dreams that lie before us and that we are still fortunate enough to dream. That is the meaning on which our lives balance. It is our fortune.
And this post is out of time.
I would like to announce that this blog post is being written while my feet are in motion. I’m going nowhere, but that’s the beauty of a treadmill desk. I can walk while writing. I can’t walk particularly quickly, lest I get all caught up in a thought and forget where I am (dangerous), and also because for reasons of practicality I can’t really type while sweating and moving my arms, as one does while pacing at a good clip. So I’m trying out a conservative pace of 1 mile an hour.
One nice thing I’ve noticed so far: I often drift off while writing, and need to stare out the window and wait to figure out what comes next. Now I can drift off and yet my feet keep moving, so there’s a sense of continuity, of going somewhere. I am a woman who loves motion.
One not-so-nice thing I’ve noticed so far: I tend to feel a little nauseated for the first few minutes after I step off the machine. I do tend toward motion sickness, and can’t read while in the car, or even turn around to fetch drinks or settle disputes, which is why I am the driver on long trips, and Kevin is the mediator/snack-dispenser. The queasy feeling doesn’t last long, so I’m optimistic that I will get my sea legs, so to speak. My treadmill desk legs. If not, this set-up will still work just as well as a standing desk. The point is not to sit all day.
Photos have been requested. AppleApple took these this morning.
It’s surprising how easy it is to type and walk. But I hope that by typing while walking I will not limit myself to typing about walking, if you know what I mean. I do not intend to announce my writing location every single time I get on here to write.
I want to thank the many people who responded to my blog post on making mountains out of piles of dirty laundry. Seems I’m not alone in my parenting angst. To update you: little has changed regarding the bedroom floor, but it has been nice to talk about other things with said child. And said child did spontaneously remove clean folded clothes from the laundry basket and deposit clothes into their proper drawers without being asked. So there’s hope.
I feel like this blog is kind of a many-headed monster. It roams the court. One day, you check in and it’s nothing but cute photos of my kids. The next, I’m deep into writer-territory. I get philosophical at times, and at other times I aim to entertain. I have no idea what’s going to come out when I
sit down stand up to write. That’s the joy of writing a blog, although I suppose it keeps this blog from being neatly categorized as one thing or another. On FB I follow the Canadian writer Richard Wagamese whose poetical and inspirational status updates are well worth receiving on a daily basis. He posted lately about giving yourself permission to write spontaneously on any subject that comes to you for 15 minutes every day: a writing practice, if you will.
That’s what this blog is, really. A writing practice.
I’ve spent the day doing chores. It’s made me nothing but grumpy. I’ll never be done. And the house will never quite be to satisfaction no matter how much I do. I did cut one son’s hair, which felt like an accomplishment (that he didn’t hate it felt like an even greater one). But the rest of it: changing bedding, vacuuming under things, sorting and discarding and filing and emptying and washing and folding. Argh!!!!! That sums up my feelings on the subject. The day began with the dogs whining before 7am, so I got up and walked them, hoping the rest of the house could sleep a bit longer. Me and two little eager doggies traversing the neighbourhood through freshly fallen snow. I’ll admit I enjoyed it. But I started at 7 with duties and responsibilities and it’s been nothing but duties and responsibilities ever since. Sometimes I don’t feel like an adult at all.
Or maybe it’s that I’m tempted to play the artist card — as in, should I really be spending my precious time on drudgery! Last night, the two older kids and Kevin and I watched part of a movie on the environmental artist Andy Goldsworthy (AppleApple is doing a school project on environmental/nature art). The documentary was a bit slow-moving and I fell asleep, but before I fell asleep I simultaneously found myself admiring the art and the process, and thinking: wow, this man is privileged. “Did he remind you of yourself?” Kevin asked this morning, as we were talking about Goldsworthy’s artistic process. “No,” I said. “He really didn’t.”
And then I went off on a (chore-accompanied) diatribe about how there is a reason that women who have four young children don’t go off and stick icicles together in foreign countries in pursuit of their art (in the documentary Goldsworthy has four children under the age of 10). The reason is: we really can’t. I’ve yet to meet a woman artist whose husband takes care of the day-to-day minutiae, the child-care, and the domestic logistics so that she can be free to roam inside her own head, pursuing her vision, and disappearing, even if only metaphorically, for days at a time. Sure, those of us with artistic inclinations, who also happen to be women and the mothers of young children, find ways to pursue our ambitions and get things done. But in my experience, it’s squeezed in. It’s one among a cascade of urgent and important calls. I’m not sure I’d want it any other way, because I’m not over-keen on the notion of artistic privilege. I think it’s good to get my hands dirty with the day to day, and I accept the challenge of learning to alter my focus and not on my own whim; to let go. It keeps me from feeding my obsessive compulsive side, at least over-much.
So, as much as I’d like to play the artist card, I think it’s best that I can’t. It isn’t what got me here. (And while I’m on the subject of privilege, this also got me thinking about the privileges I have that I may not recognize: privileges that I live inside of, quite possibly in daily ignorance of the advantages granted me by birthplace, skin colour, class, religion, education, and on and on.)
Okay, one final observation about writing while walking. I really do go on and on! I just don’t seem to know when to stop! My sincere apologies for this over-long post, which seems to defy tidy categorization, and which has taken me nearly a mile to write. (And I promise not to report that at the end of every future post.)
It was the weekend of free stuff. On Saturday morning, my dad called and said they were clearing out their basement and had a lot of items to give away, if we wanted to take a look. Sure, I said. I love free stuff! Very little could make me happier than free stuff! Top of the clear-out list was this treadmill. “I could probably turn it into a treadmill desk for you, if you’d like,” he offered. (He reads my blog.)
I’d literally just given up on the idea of having a treadmill desk — I’d been pricing out the options last week, and come around to the conclusion that it wasn’t feasible in the short-term. I kid you not, I made this decision on Friday. The very next day, I have a treadmill desk.* (*Technically, I don’t have the desk part yet — it will be a simple removable platform to hold my laptop — but it’s coming soon!)
Yesterday was a very icy day. People were walking in the street to avoid the sidewalks. I was going stir-crazy from a) too much on my mind, b) driving to Mississauga for an early soccer game, and c) lack of exercise. C) was the only factor I could actually actively affect. Forget the ice outside. I changed into work-out clothes, got on my new (free!) treadmill and ran for 50 minutes.
As I ran, the kids kept turning up in the doorway. When I stepped off, each kid wanted a turn — and then another. I laid out the ground rules: no one is allowed to use it without supervision/permission, and you have to attach the safety cord. Also, after AppleApple’s trial run, we decided no bare feet allowed. Ouch.
The results were visible: rosy cheeks, sweaty faces, improved moods, happy dinner chatter. CJ even managed to run for half a mile. AppleApple has devised a treadmill schedule, so that kids can sign up for half hour intervals. (Included on the schedule is a note saying that Mom’s schedule can over-ride what’s on the sign-up sheet. Phew. And I didn’t even tell her to add that clause.)
What’s slightly amazing is how perfectly the treadmill fits in the office, as if this space has been awaiting its arrival. It’s a tiny room, but it can accommodate an awful lot. I’ve got my great aunt Alice’s cozy little rocking chair for reading. I’ve got a small filing cabinet to contain current odds-and-ends and another for office supplies, which also holds my reading lamp. The dog beds fit. The treadmill folds up, which means there’s still room for yoga. I would like to think of this as a space dedicated to reading, writing, research, running, walking, and yoga. It’s a space dedicated to quiet contemplation and reflection, and to physical movement and health. Stillness and motion. Mind and body. The ephemeral and the visceral. A room of my own.