Category: Library
Thursday, Feb 13, 2025 | Art, Big Thoughts, Library, Lists, Manifest, Meditation, Source, Space, Spirit, Winter, Word of the Year, Work, Writing, Yoga |
The creative life — what is it? Where does it live? How is it fed? These are my ever-questions, or, more accurately, fodder for ever-explorations and experiments. How does creativity squeeze itself into the gaps and cracks of every day existence; or is it so interwoven with every day existence as to be indistinguishable from it? Or are these formulations simply part of a greater whole? Creativity burrowing in gaps and cracks and spreading like moss or mold or weeds to inhabit the all of things.
There is no separation between my expressions of every day self and creative self. To exist in the world is to risk exposure, transformation. The risk of exposure is that it may harden me — the defended me — to rigidity or certainty, through fear. But the alternative seems riskier: without exposure to contradictory paths and ideas and ways of being, I become the most boring and limited version of myself, gazing into a self-reflecting mirror, defending what I see at the cost of real connection. To risk transformation is to risk becoming someone I won’t/don’t entirely recognize. But to try to stay the same is death, or zombie-hood, or cynicism, isn’t it?
I’m sorry, this is oddly theoretical. I wanted to write about practical steps, tasks, routines, choices. The actions that make possible the pursuit of beauty.
What if the purpose of life is to seek beauty?
Where do I find beauty? In order to seek it? And what do I do with it when I find it?
Beauty appears to me in so many forms, and in so many interactions. I know it by the delight it brings; or the tears. I know it by the way it changes time, softens and broadens it. Beauty is always available, and that is why every day existence is indistinguishable from the creative life, in my own experience. There are only a few rules (or considerations) to follow. Beauty happens in the living of it. It is naturally occurring and always present, but not always visible. It is easy to miss. Easiest to miss when distracted. Busy. Cut off from the world. The cellphone (standing in for our digital lives) has made it easier to miss altogether, or to confuse with a simulacrum. Beauty happens, too, in the mind that inhabits the body (not the mind that lives inside a screen). I’m not convinced that beauty happens here, on my blog, as I type these words, but this space allows me to reflect on its existence. I don’t know why I need to do this thing: this turning of one thing into another, this keeping of ideas and emotions inside the hard form of words.
But words — they’re not hard, not to me. They’re malleable and slippery and musical. They are the material of play — or one of the materials, and one of my most reliable. We dance together. Words dart under the surface and burst through it, carrying an image, a roar, a need.
To seek beauty, I …
practice moving my body in concert with my breath (yoga, meditation, gym-time)
invite play and spontaneity in every possible forum (bulletin board artwork, notebook scribbles, singing in the car)
surrender to the task at hand, no matter how menial (fixing books, cleaning the bathroom)
practice listening, tuck my phone out of sight and out of mind (coffee with my mom, walks with friends)
slow down, allow for space to open (speaking in front of a group, leading meetings)
practice humility by staying attuned to the needs of others (asking questions, looking into a child’s eyes)
fill my spaces with living beings (plants, children & their friends, dog, strangers, family, friends)
care for my body, challenge my mind, trust my heart, honour spirit (seeking a balance: to stretch & rest, write & read, socialize & connect, worship & reflect)
xo, Carrie
Thursday, Jan 9, 2025 | Books, Girl Runner, Good News, Library, Publishing, Word of the Year, Writing |
Well, this happened!
I have no idea how it happened, though I’m inclined to think it was all Aganetha’s doing. Aganetha, you may be the lead character in a book called Girl Runner, but your youth is only a piece of your story. You are a woman who endures through all seasons, and who is still running even if only in your mind as your days near their end. You are a character who must have come from me, somewhere inside, or through me, as if channeled; however it happened, I learned from your experiences, your innocence, your fierce fight, your pride. And I learned from your existence in a book that changed my life.
A few days ago, I was contacted with a confidential and completely unexpected heads-up about this news, and I kept it close, almost like I used to keep my Easter candy, tucked away in the back of a drawer, to look with pleasure, but not to eat. I enjoyed, then as now, sensing the presence of a treat, knowing that it was there, and wanting to savour the experience.
Today, I spent my day in the library reading Owl Moon by Janet Yolen to classrooms of children, who seemed as enchanted by the poetic language and the night-time adventure as I was. And then I came home and shared this news. I felt, I feel, such delight. I’m thinking about Aganetha, and remembering the process of writing Girl Runner, and thinking about our great good fortune, me and Aganetha, together. A book that is ostensibly about a young woman, a girl, seems more and more to be about her older, aging self; about endurance, longevity, a spirit that moves and pushes continually onward, restlessly, and through pain, and awe, toward a sense of peace and purpose and belonging.
xo, Carrie
Read the story on the CBC here.
Friday, Jan 3, 2025 | Art, Big Thoughts, Chores, Confessions, Friends, Library, Lists, Word of the Year, Work, Writing |
Happy new year!
January 1, 2025 to do list
Yoga + meditation
journaling prompt + word of the year
walk with Nina
set up new laptop
I’ve been in a reflective, searching, yet celebratory mood. Starting on New Year’s Day, I’ve been doing Yoga with Adriene’s brand-new 7-day Prana series with Kevin before breakfast, after which we’re sitting in meditation for 10 minutes, focused on a short reading from Richard Wagamese’s Embers. After breakfast, I’ve been doing the Isolation Journals’ writing prompt (that one requires signing up and paying for Suleika Jaoud’s Substack newsletter, which I’ve been dipping in and out of for several years now). Such is the luxury of a full two weeks off!
I’ve been seeing friends, going to easier classes at the gym (yoga, pilates, and something called “total tone.”). For my 50th birthday, I gave myself a new laptop, which will make writing blog posts easier again (my old laptop, which I love dearly and have used for over a decade, has been struggling with updates, freezing, balking, lying down and refusing to get up again; it was time to stop asking her to climb mountains, or even to carry me on a flat path into town. I will put her out to pasture, with gratitude for all the books and art we made together).
I think that I’m struggling with writer’s block — that is my diagnosis. Oof. It makes me almost breathless to admit it out loud. It is a profound blockage and it is painful, manifesting in nausea, dread, anxiety that paralyzes my mind. I’ve tried shifting this block through a variety of means (including therapy). I’ve tried turning away from writing, declaring my writing-self toxic, comparing my relationship with writing to a dysfunctional or even an abusive relationship — all compelling and maybe necessary stories I’ve told myself. But not necessarily true or accurate. I’ve tried to bash my way through these blocks (they’re in the shape of books, by the way, unpublished manuscripts). I’ve tried ignoring them. I’ve tried re-envisioning my life without writing playing any part in it. None of this has shifted the dread. If anything, it seems to be intensifying, and my solution has been avoidance, an almost violent turning away.
Avoidance doesn’t work, you know it, I know it. If anything, it has amplifies, as the thing / sensation avoided seeps through the cracks into other parts of one’s life, or bubbles up in unpredictable and harmful ways.
So … and this is where all the reflecting and seeking comes in, I’d like to try something completely different. Something hopeful that does not ignore the problem, but names it — writer’s block — and also names the need to sit in the not-knowing. To sit in circle with what’s here, much of it beyond words.
In response to one of the Isolation Journals prompts, I wrote that I am afraid of becoming content, too content to want to create and make things; and that I want to be content. A circle that can’t be squared. On the first day of the new year, I chose my new word of the year, not long before my walk with Nina. I wrote down a few ideas — settle, free, ground … and then the word HUM arrived, without bidding or prior notice. HUM? I surrounded the word with associations, including “music” and “playful” and “hummingbird” and “energy around and within”. Nina gave me an association that popped into her mind: hum-drum. I found that ho-hum was there too. My initial response was, oh dear, not that! But I’ve been playing with hum-drum and ho-hum atop HUM, and I’m strangely, unexpectedly, contented by those words. Soothed.
Ho-hum is average, basic, dull; in my understanding of the state, so is contentment. Is that true?
When the kids were little, they would complain about being bored, and I’d wax on about “inner resources.” Find your inner resources, I’d tell them! I’ve been thinking about “glueing books back together,” which I often find myself despairing over, when bent to the task (it’s quite endless in the library — the glueing and taping and cleaning and shelving); a voice in my head says, this is my life? “Woe is me” thoughts. In these moments, I long for a bigger stage, for more authority, a bigger platform for my voice. And yet — what happens when I’m glueing books back together? My hands are busy and my mind is free to wander, daydream; the best kind of idleness. Off-line. Undistracted. Just me and my thoughts.
What if this work, menial and impossible ever to finish, is a gift? What if “glueing books back together” gives entry into a state that brings me into alignment with my inner life — nurturing and strengthening my inner resource through the practice of discipline, resistance to distraction, and attention to my own whirling, humming feelings and thoughts, sometimes uncomfortable, difficult to face.
Thoughts will come and thoughts will go. Flickers of dissatisfaction, of envy, and jealousy, yearning for a big stage and recognition; those thoughts grow in the garden of my mind, but in stillness and quiet, I know they aren’t me. My thoughts are not my reality. I don’t have to pick them up and carry them, or look through them at the world around me. I can observe their comings and goings as my hands do their tasks. And maybe in this ho-hum-ness, this hum-drum-ness, I’ll find a path back to peace with the not-knowing, again. Writing and revising require a person to exist in the not-knowing, to thrive there! Writer’s block is a state of intolerance for the not-knowing; a real terror arises. If I can practice being at peace with the not-knowing, maybe these books that I’ve written, that I love very much, won’t look like stones in my path, but like something else. Something I haven’t imagined or discovered yet.
xo, Carrie
Saturday, Nov 2, 2024 | Big Thoughts, Blogging, Job, Library, Lists, Manifest, Peace, Source, Space, Spirit |
The problem with not having a ton of time to write is that my mind is like an over-stuffed inbox, and when I turn to this blog, I could race off in any one of a number of directions. But it’s important to pick one. That’s the essence of writing a post like this—or a story, a nicely fitted piece of business. Pick one thing to write about, Carrie, just one.
Okay, then. I want to write about children and dogs, and how both are so incredibly attuned to the world before them, and the living creatures in it, including the humans approaching and passing. Have you noticed? How a toddler in a stroller or infant strapped to a parent’s chest will meet your eye and take you in, while their rushing parent is too distracted to do the same? And likewise, a dog on a leash will veer toward the human coming toward it. I like this—I don’t mind a dog jumping on me and greeting me. But the human holding the leash usually pulls the dog away—onward they go.
Children and dogs possess a superpower—they are present. They are exactly where they are.
I see this in the library, especially with the younger students who notice every tiny detail that has changed. When I read to them, they are alert to repetition in illustrations and in language, they notice the character who says nothing but appears on every page. More generally, they soak up the atmosphere, the air of the place they are in. If something sad is happening, they know. If the energy is fraught and wonky, they respond to that.
I love this quality almost more than any other human quality—the ability to be present and tuned in. I cherish it. When I’m with children (and dogs!), I can enter into their state of being too, at least for that while. And it’s okay that I can’t stay there—I accept the imperative of being a mature responsible adult who has her lists of tasks and duties, her memories of what went wrong, and her plans to set things right. We grow up, and our minds fill up. Like our inboxes.
It is a relief to set everything down, to tap the keys and say, here I am, this is where I am. I choose this one thing. And that is why I love to write here, when a seam of time opens in the day, and I feel called to remember who I am. Or record who I am, more accurately.
And who I am, just now, is a woman most grateful to be in the presence of children regularly, and therefore to be present herself regularly. It’s salve for the soul. It’s healing. It reminds me that connection is our most powerful need, as human beings, and that when we connect in person, face to face, when our eyes meet, we see differently. We know differently. (Or, I do. I shouldn’t assume and speak so generally.) When I am in the presence of others, I understand the power of connection to bridge vast divides and sew up wounds and heal and care.
I have other thoughts on other subjects, but today, I choose children and dogs, and our eyes meeting in passing. Hello, living beings. You are wonderful and I love you.
xo, Carrie
Thursday, Sep 5, 2024 | Art, Big Thoughts, Current events, Death, Family, Library, Play, Source, Space, Spirit, Summer, Work, Writing |
There is so little to say, and so much.
I want to express the ways in which I’m changing, the shifts occurring in my mind, and in my outlook—but it’s not entirely clear … I’m floating along a deep wide river. The way I understand my own identity is changing, changing, changing. For most of my life, I was focused on being a writer. And it became my defended self, a self that required defending because I had no sustained confidence in its heft or even its existence—prove yourself, said the voice in my head, over and over.
That voice has grown so gentle.
Now that voice in my head says, there’s more and more and more—more life, more love, more space, more time than you’d ever imagined. Soak it in. Float. Spread out of your arms. Watch the sky, the leaves and branches moving on the trees, listen to the wealth of stories pouring in. This generous world.
And how I wish and hope to be a generous being while I’m here.
Spaciousness.
I feel it within me, surrounding me, available at all times. So much spaciousness. A lack of pressure (not a lack of challenge).
How can I explain what is impossible to describe? It is not that I have more time, but that time itself expands to accommodate so many threads and layers and textures of experiences. When I am restless with my environment, the voice in my head says, be where you are right now.
And I breathe differently.
It is not always easy to be where you are right now. It might involve challenges like boredom or pain or discomfort. Yes. And when I am here right now those challenges shift and become otherwise—boredom may be a conduit to concentrated observation; pain may invite breath; discomfort illuminates emotion; love and patience and depth of understanding weave into the experience of being.
I have been learning this my whole life, with my whole body, which offers its sensations and movements and feelings to the interpretation of my mind, and which acts as a container for my spirit, that droplet of essence that connects me to all beings.
I arrived here on earth to learn, to soak in beauty in its rawest forms—taste, smell, touch, light and shadow, sound, rhythm, anchors to my place of being. I arrived with the desire to push my body to its limits (not always in healthy ways, but that’s part of learning). I wanted to feel everything. I wanted to experience everything.
The impulse to make things, to respond to and to express all of this wonder at the beauty of it all—that has also been in me since the beginning. I arrived here on earth with the desire to make things (and make things up). I learned to nurture that part of myself—I practiced observation, through writing, playing with language and grammar and imagery. And I learned that to record requires of me a bifurcated attention, attention that must split itself between observing and recording (and interpreting). And I continue to learn that sometimes, sometimes, yes, I do not want to record or interpret what is happening, I want simply to be in the happening. I want to be in it and learn from being in it.
This summer has been a summer of being, not so much doing, and very little recording or interpreting of the doing and being. Hence, very little blog writing. But not never. Why lean on never, ever? There is time, there is time.
I arrived here on earth to learn.
When I notice all the spaciousness around me, through which I move and breathe and live, I learn in ways that resist expression. I settle myself in deeper. Everything shimmers. Time expands. I am, you are, we are. Learning together.
xo, Carrie
Friday, May 17, 2024 | Art, Big Thoughts, Family, Feminism, Fire, Library, Organizing, Peace, Reading, School, Space, Spring, Word of the Year, Work |
As much as I long to find just a little more rhythm to my writing life, damn but it’s taken the pressure off to work in a school library. Childhood is bursting with magic. To be with kids is to be in the presence of pure creativity. When I was a child, we would visit the Nashville public library for their puppet shows. I remember being utterly entranced by the puppets. How were they speaking? Who was making them move? They seemed real — in some fundamental way, they were real to my imagination.
Now, on a very small scale, I get to participate in magic-making with the children who come into my library — it’s homemade, it’s improvised, it’s nothing fancy, but even the smallest surprise is sufficient to spark delight, curiosity, questions. Children are not fussy; the youngest of them pay the closest attention to the tiniest details. If you’ve ever read a picture book to a group of kindergarteners, you’ve been blessed by the deepest attention you’ll ever hope to receive. “Oh, those aren’t raindrops, those are tadpoles!” “How did Curious George jump higher?” “Why did he let go of the balloons?”
On my story time bulletin board, I add characters or objects from books we’ve read. The seasons change. Nothing is static — things move around. Somehow, it’s more magical because it’s tactile. It isn’t digital. It isn’t online, or on a screen. It’s present with us, to be experienced and observed by all, as we gather in the same moment and place in time and space. We experience it collectively, from our different positions around the room, our different heights and ages. Like the magic of the puppet theatre, I don’t think this is repeatable, really, online. We don’t live solely in our minds; we live in our bodies, as sensory creatures.
In truth, however, my main job in the library is to maintain the collection — a tactile mode of interacting with this most beloved of mediums (beloved to me!): text and illustration bound up in pages. The sensation of handling books affects me similarly to doing a puzzle; it’s soothing and peaceful to create order.
As for the other hours in my days and weeks, I’m currently on a “spring burst.” I’m going to gym regularly to spin, sweat, lift weights, stretch, and take good care of this deep-into-midlife body (and mind). The X Page is entering its final month of preparation (!!): mark your calendars if you’re local. We’ll be performing this season’s stories on Sunday, June 16th at the Registry theatre in downtown Kitchener (more info coming soon). And my writing life is bursting with beautiful blooms too: seeing a dear friend’s book project come to fruition, editing stories, and dreaming up a new novel.
Come summer, I’ll have a two-month break from the library — writing sabbatical??? And time to repair, restore, relax, too. It’s been very non-stop. I keep thinking I’ll catch up, but there’s no up to be caught. The routine swings round and round.
My instinct is to maximize efficiency on tasks. But more and more, I’m focused on making space to maximize enjoyment, no matter the tasks. What do I love doing? Mostly, really simple things that are easy to call forth, that don’t require a lot of extra planning or resources. I love sweating and the rush of endorphins. I love meeting new people and diving in deep. I love collaborating, learning new skills, appreciating the strengths and techniques and wisdom that others bring. I love grappling with text, creating narrative sequences on both the macro and micro scale that maximize pleasure for an audience. I love eating supper with my family and hearing about their days. I love stopping to smell blossoms on trees. I love blasting songs on the radio when I’m driving alone. I love making magic — out-of-time experiences, opportunities for surprise — through the simplest means possible: a drawing, a story, a group exercise. I love taking care of people. I love cooking (but only when I’m not rushing). I love being outdoors, walking, biking, running. I love creating order out of chaos. I love living in my imagination, in my many imaginary worlds. I love to dream.
Nothing is ideal. I love that too, the reassurance of it. I mutter this phrase to myself a lot — “This is not ideal!” —- and not negatively, but encouragingly. I mean it as a form of freedom. Nothing about this is ideal. (And it does not need to be.) This thing you’re doing, this thing you’re creating, this solution, this story, this hard conversation — whatever it may be — you’re doing it to the best of your abilities; be reassured. There are many possibilities, many directions, many discoveries, of which you will try one and then another and another, testing things out forever and ever, amen.
xo, Carrie
