The darkest hour is before the dawn (says who?), but I don’t think we’re there yet. Our planet flares with alarms, and I keep scrolling the news like it’s entertainment. Like it’ll make a difference to know more and more, somehow. Like I’ll reach the end and go: there, done, at last, problem solved! 1
(Anonymous commenter: “The darkest hour is actually midnight.”)
The equality we’ve fought for is tenuous, incomplete, and may erode further. What hope is there that we humans on planet Earth will work together, pull together, row in a direction that honours difference, blesses the frail, lifts up everyone who is in pain? Where does it hurt? What’s your story? 2
Vote? Of course! I’ve got my ballot filled in, ready to mail back to Ohio. I will take deep breaths and hope. One voice, one gesture, one act of faith. But VOTE is not enough to fix what’s broken. Dividing, degrading, self-dealing; cynicism. What does democracy mean? For the people, by the people? Also, a corporation is a person?? Also, send more money? 3
Don’t pretend the end justifies the means. We live in the means! If you lie and cheat to win, you’re not a winner, you’re a liar and a cheat. If the only way to win is at all-costs, I’d rather be the sucker who spoke her heart and lost. 4
My heroes are the ones who saw the long road ahead and walked onward toward a light and promise they knew wouldn’t be found in their own lifetimes. Or maybe ever. But they saw it and articulated it. Our better selves. Where everyone will have enough, and dignity too. 5
Where love not greed rules. What I see: my brothers sisters friends strangers the ground underfoot the air trees stars the living oceans are of me and I of them. All of us humans are flawed, broken, in need. To share is to receive but also to give. 6
Look at this bountiful world. End
This blog is like a corkboard on which to post thoughts, observations, whatever is front-of-mind right now. It acts as a public journal, an I WAS HERE scrawl on the wall. Trouble is, recently, whenever I sit down to post something, it’s not clear to me what’s front-of-mind. Mind is a-jumble. Influences are disparate and scrolling, images aflame, voices shouting, protests, outrage. What calls my attention is both very personal and tiny (my morning routine, for example) and overwhelmingly political and heavy (can’t even begin to list it parenthetically).
This morning I read an article by Lori Fox in The Globe and Mail that pretty much sums up what I’ve been ranting to Kevin about for these past many months. Please read what she’s written and know that I’m nodding along. At one point in the article, she writes about her own “small, selfish” dream. It’s a lovely dream. To paraphrase: Work that is useful and that she loves doing. Enough, and the time to enjoy it. A life with dignity and love.
It’s small enough, isn’t it, that everyone should dare to dream such a dream? Everyone should have the means of achieving it? It doesn’t sound selfish to me.
Originally, when I sat down to write this post it was about my own lovely week, which I spent reading stories, editing stories, and talking about stories. But when I wrote about how lovely it was, and how purposeful and peaceful I felt doing this work (tiny, personal), I also found myself tracking into the weeds of dismay and guilt, confusion and fury (overwhelming, political) as I reflected on how it was privilege that allowed me to do this work.
Earlier in the week, I watched this interview with Kurt Anderson on PBS (my favourite American news source), and it stirred in me emotions that I’ve been unable to unstir. Essentially, he argues that 1976 was the most equitable year on record (in America), and due to a wealth-driven philosophy that focuses on profit to the exclusion of all other concerns, we now find ourselves living in an economy that offers that “small, selfish” dream to fewer and fewer people. I realize that I live in Canada, not the US, but we’re not immune to troubling inequity. When I eat a peach, I can’t help but think of the hand that picked it, and wonder where that person is from, how much they’re being paid, and where they’re sleeping. Essential work is being done by people who are treated as less-than. And the system makes us complicit, even as we’re stuck in it.
How many people do you know whose work is precarious, cobbled-together gig by gig, without benefits or retirement packages? Look around, and you’ll see that defines a lot of us, even those who seem to be doing okay. How many jobs that were once secure and well-paid are now being done by people who work on contract or freelance? Remember when earning a PhD meant tenure-track job-security? I remember when writers were paid a dollar/word for book reviews published in the newspaper. You can argue that sectors that are struggling are sectors that are becoming obsolete in today’s economy; but that’s not necessarily true. Is education obsolete? Are the arts obsolete? What about news? Long-term care? Sectors struggle for many reasons, but what I see is that a profit-only model doesn’t work for the people who actually do the labour. Because in the profit-only model, labour is a cost. You squeeze the costs down, you make more profit. Ultimately, that means you’re squeezing people — you’re paying people less and less to do more and more. And the people are us.
I can observe all of this, and be outraged, but it tends to lead me toward paralysis. What’s the fix, what’s the cure?
Yesterday, I sat outside and read Olive, Again, by Elizabeth Strout, which I noticed, upon finishing, is labelled “A Novel.” I think that’s an American thing? The book is actually a collection of linked short stories, my favourite form, although I know linked short stories don’t sell well, so maybe “A Novel” is a marketing thing. In any case, the book doesn’t need to be anything other than what it is: stories about characters (often Olive, but sometimes not) navigating their broken paths and trying to figure out how to talk to each other and protect themselves across divides of class, race, culture, age, abuse, pain, illness, secrecy, experience, self-doubt. It’s brilliant, and I wept often, throughout.
Upon finishing, I thought: I just want to sit and read stories all day long. And then I’ll take a break and write stories for others to read. And then I’ll meet with people who love reading and writing and we’ll talk about it, and I’ll edit my stories and theirs. When I do this work I’m not always right, but I know what I’m doing and why.
Is this a roadmap for a career???? God, let it be so. At the very least, it’s a roadmap for making sense of life. For helping me see and understand and know what matters. And it ain’t profit, my friends (but you already know that!). We all know it, gut-deep: profit isn’t profitable when it costs us our communities, our health, our dignity.
Here’s my own small, selfish dream: I want to read, write, edit, discuss; work that has it uses, its purpose. And I want others to be able to do this work too, as they’re called to it.
Truth: A lot of my work is done on a voluntary basis (it’s my speciality!). But here’s the thing: volunteer work is not necessarily noble. People volunteer because they can afford to. I’m worried that my willingness and ability to work for little to no recompense is part of the problem. Consider the arts sector, where many initiatives survive because of people like me: Doesn’t this very structure — reliance on voluntary labour — create barriers toward participation for everyone who can’t afford to work for free?
But what’s the alternative in a sector that’s not profit-driven and never will be, that survives on grants, fundraising … and underpaid / unpaid labour?
It’s a dilemma that’s been troubling me. A lot.
And I’ve come around to a solution, of sorts: Universal Basic Income. It’s not perfect, but it seems like the viable place to start. A baseline of security, so everyone can afford their own tiny, personal dream: Enough and time to enjoy it. Dignity and love. Work that is useful and that you love doing.
(See what I mean? This post is WAY TOO MUCH, but it’s where my head is at, right now.)
I have a toothache. It’s affecting my outlook, I confess. This is the week of doing things that need to get done, so I’m going to see a dentist. To tell the truth, I kind of want the tooth just pulled. Last fall, I paid for an expensive root canal and less than a year later, the ache is back; was it worth the drilling and pain and cost?
It occurs to me, as I write this out, that pulling the tooth — the desire to pull the tooth, and be done with it — is a metaphor that perhaps I should explore in more depth.
Let’s assume I want to pull the tooth. Am I, therefore, the sort of person who rips painful problems from her life, leaving gaping holes, rather than spend the time and energy to fix them? Or am I the sort of person who recognizes that the fix is a scam, that when all the work is done, the tooth will just be hollowed out and crammed with filler, a shell of its former self, shored up for cosmetic purposes? It’s interesting, isn’t it, how a metaphor can be twisted any which way, to support opposing views.
Maybe it’s just a toothache. But I want it fixed!
All the fixes are imperfect, okay, I accept that. My question is: Which imperfect fix is worth it, given the costs? How can I ever know, when I’m trying to sort these things out? What’s the healthiest allocation of resources, what’s important to prioritize, what will I miss when it’s gone? No wonder it’s so hard, when making a choice, to say no — it feels like giving up, but also, it feels like an absence, a void, is scarier to accept than something known, even if the known thing is causing pain and can’t be perfectly put right again.
I know, I know. I’m over-thinking.
One of the problems of the pandemic is seeing fewer people, less often. It’s a recipe for unchecked eccentricities!
A friend said to me that she asks herself (and others): What do you want to do, and what can you do?
Another friend recommended long ago not to choose resentment over discomfort. Or at least to notice if it’s become a habit: truth is, if it’s what you’re accustomed to, resentment feels easier to accept than discomfort. Many of us (women, especially) are socialized to believe that feeling discomfort is bad and wrong, and that, when we feel it, we are bad and wrong, or we’ve done something bad and wrong. Resentment, by contrast, is an outer-facing feeling — blame someone else, blame the situation, blame anything but your own choice. Oh, resentment, you’re so easy to step into and you go on and on and on.
I think these are similar philosophies that acknowledge the difficulty, the fraught-ness, of decision-making. And I’m making decisions, choices, whether by doing or not-doing, all day long; some more consequential than others, but all fed by my private interior calculations that take into account (unconsciously, more often than not) my values, my relationship to others, my whims, my interpretation of available resources.
My daughter, Annabella, says that human beings have limited will-power, and that’s why routines are so important: a habit is a choice already made, and our energy can be spent making other choices, instead.
What do I want to do, and what can I do?
I want my tooth to stop aching. I also want the least expensive, least complicated option. But I don’t know: will I feel ugly or self-conscious if there’s a gap in my teeth?
I wonder how often I make choices based on how I imagine I’ll be perceived.
This post was never about the toothache. Not exactly. I like how these posts drift into the unexpected, into the weeds. I don’t know what’s waiting to be found till I come here and look around. More and more, I appreciate that this space exists, whatever its nebulous purpose. It feels like there’s room here for nuance and exploration and questioning, and eccentricity. I wander out into this space to make a few observations, see if anyone’s around. This is my overgrown empty lot in the middle of the city. This is my front lawn.
For the past six months, I’ve been working on a 24-hour cartooning blitz once a month. The idea is that you draw a cartoon every (waking) hour over a 24-hour period. These cartoons are samples from my most recent blitz, which happened to be yesterday. I purposely chose a day in July when I’d be hanging out with my siblings. I’m hoping, over the year, to cover a representative sampling of the people, experiences, and events that thread their way in and out of my every day life.
I don’t know what this project will be at the end of making it … but I don’t question its value. How could I? Reflecting on and recording the every day essentially form the basis of most of the projects I undertake, including this blog.
Another project on which I’m currently working is a collection of stories based on events in my own every day life. At first, it began as a stylistic experiment — trying to record, faithfully, minutely, the vicissitudes of emotion and sensory experience in which we are immersed as we make our way through each day. But the project changed over time, and it’s become a place to experiment, instead, with the short story form. I play with structure. I play with character. I slip through time. I play, essentially.
Several of the stories from the collection have been published recently or will be published soon, and I’m seeking and receiving feedback from my teeny-tiny writing group on them, too. Again, I don’t know what will happen to these stories when I’m finished working on them … but working on them, reading them, thinking about them brings me deep satisfaction, which is all I ask of my projects. Making things is where the magic happens. Making things, and learning by making, and experimenting, and feeling frustrated, and getting exciting, inspired, surprising myself, refining, revising, trying again — all of this brings me joy.
This is where I flourish. (Where do you flourish?)
I’ve been sitting down to write this blog post for a few days, but it keeps changing on me. Circumstances keep changing. Time keeps moving and things keep happening, and I can’t decide what, exactly, I want to say. I even wondered, last night, whether maybe it was time to stop publishing random inner thoughts on a whim, sending them into the universe without taking time to reflect on why I’ve wanted to share what little I know (or think I know). But here I sit again, typing words into a blank rectangular space.
I write in other places too. I write in my notebook, in pen, words few people could decipher even if they tried. I like not knowing what will come of that material; I like knowing it’s likely nothing will come of it, and it will just exist as a muddy river of unfiltered thought.
I also write stories, using Scrivener or Word, and that always feels like I’m doing something different, too, than what I do here, on this blog. There, I have time, I take time, sometimes years, going over and over the lines of neatly spaced words. I polish. I revisit. I consider. I restructure. It’s satisfying, and while I do write these stories knowing they could be published, someday, the outcome is difficult to guess and in some ways doesn’t matter. I have to work them over till I feel done with them, or they’re done with me.
This blog is a different space. Immediate. Gratifying. Immediately gratifying. When I skim through the years’ worth of postings (nearly 11 years, now), it’s like looking through a scrapbook. Quite pleasant, though I don’t do it often. It can feel like I’m looking at a stranger’s life, in some ways. I’ve been and done many things in the past 11 years, I’ve had my enthusiasms, responsibilities, interests, routines. I’ve been knocked off the path by fortune and misfortune. As ever, I don’t know what happens next, exactly, but I trust that more change will come, and I’ll be pulled onward, to new (or seemingly new) revelations, interests, insights, and errors. There will always be something to write about, in one medium or another.
I had an experience on Friday night that disturbed me; I can’t think what to do about it, so I’m writing about it here. On Friday afternoon, I went to Stratford with my sixteen-year-old daughter, who is off to camp this weekend for a month; we saw Billy Eliot, a musical that confronts ideas about masculinity, among other subjects. That same evening, Kevin and I went and saw Booksmart, a movie about best friends graduating from high school, that was also endearingly, hearteningly queer-positive without making a big deal of it. I could think and imagine that the world was becoming (had become) a better place, a safer place. And then, almost as soon as we’d left the movie theatre, Kevin and I found ourselves in between two groups of young people who were shouting at each other. Actually, it was really only one young man who was doing most of the shouting, and what he was shouting was disturbing, bigoted, violent. He was with a group of other young men, and while I don’t think they participated, they also didn’t intervene. They all looked the same to me: white, early twenties, athletic, clean-cut. The angry guy was shouting past us, at a teenager in a red sweater who was standing some distance away with two friends, a young woman and a young man. It ws the boy in the sweater who was the target of the other man’s rage.
I don’t want to repeat the language used. It was derogatory and homophobic. And finally, the kid in the sweater, whose body language said that he was tired of this, weary, not quite resigned, shouted something back. And then the other guy really cut loose. One of the things he shouted at that point was “you little bitch.” I turned around when he said that, because I wanted to shame him, because I wanted him to know that people were paying attention, and the angry guy said, “Ha ha, not you, you’re fine, I was talking to that other bitch, the one in the red sweater.” And then he started shouting again, possibly because I lifted my middle finger to him (not my finest moment), although it’s equally possible he didn’t even notice the gesture, and was still shouting at the kid. Kevin and I kept walking, and the group of young men kept walking too, in the opposite direction, and I thought it would be okay now, probably, the shouting was over. We passed the boy in the red sweater with his friends, and I wanted to stop and say something, but I couldn’t think what. They seemed to be trying to put the scene behind them and decide where to go to get a drink.
I said to Kevin, “This is the world our kids will have to live in.”
And he said, “They’re already living in it.I’ve spent the weekend reading John Boyne’s The Heart’s Invisible Furies, which follows the life of an Irish man from birth till death; it’s also the history of gay rights in Ireland, from the time of the protagonist’s birth when men could be arrested for being in a homosexual relationship (or beaten up, murdered, blackmailed or banished), to the referendum that legalized gay marriage in 2015. The trajectory is optimistic (which isn’t giving too much away — you should read it), but having witnessed what could only be called a disturbing scene of homophobic rage on the sidewalk on Friday night, when I got to the novel’s happy ending this morning, I felt my heart sink rather than rise.
Things are better. And things are still frighteningly not better.
And I don’t know what to do about it. Life asks us to be the best we can be under the circumstances. To use what talents we’ve got. To be true to ourselves. I believe that, just as I believe that every human being deserves dignity. That dignity is always worth fighting for. But the obstacles are enormous, and when you get right down to it, the horror of it is that the obstacles are almost all human-made. I can’t possibly list all the indignities humans are forced to endure, all the ways humans prevent other humans from being free, but it’s everywhere I turn, especially when I turn on the news.
Tap, tap, tap. I’ve typed for too long, and come up with too little. But I guess I haven’t yet given up on pressing publish, even when I don’t quite know what I’m trying to say.
I would like to write more here. But it has to come naturally. I’ve been writing in other places; in my notebook, mostly while teaching but sometimes at other quiet moments during the day; on screen, too. There aren’t so many quiet moments. Most of the moments are more like the ones pictured above.
I want to write about heartache and discontent and anxiety and bruising effort. I want to write about not giving up. I want to write about my dishevelled house, and how it reflects my dishevelled life; neither feels under my control. I’m wandering through the chaos, trying to keep track of the bare minimum, whatever that might be. Meeting deadlines? Providing the occasional meal? Showing up on time? Showing up at all — while spreading in all directions are needs unmet, leaves and sticks dragged in and chewed to shreds by Rose the puppy, dirty dishes on every surface, dirty laundry on every floor, dog beds, dog toys, shoes to trip over, and as far as the eye can see, stacks of books and papers and bills and the parts of a homemade car being crafted for a physics project, glue gun, twisted wires, discarded wheels.
I want to write about the quiet moments, so that I remember that they exist. That I can conjure them into being. I want to write about clearing space. What is space? What is this desire to fill it? Is it inertia that fills space? (It’s so hard to keep space uncluttered. I don’t know how to do it.) What would it feel like to walk through this house and not see anything that needs doing? What would I do with more space, more quiet? Would my dreams expand? The breath in my lungs? Would I feel more settled or less settled?
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