Today, I want to write about the little things. Little things that might seem unimportant because they’re not on any to-do list, they’re not responsibilities. Little things that might seem incidental in a bigger picture, not the heart of any day, but the flavour. Little things that give me a little peace. I’m knee-deep in marking and have to stay on schedule, so this is not what I should be doing, but I’m going to make a list of “little things” to mark this particular moment in time. At other moments, I might put other things on this list. But today, now, here is what’s given me a little peace recently.
Playing the piano. Either my own improvised noodling around, or sight-reading cheesy Christmas songs, or accompanying my ten-year-old during her violin practice.
Crafting. I know, weird, right? Not my usual thing. But I’ve gotten into a latch-hooking project, initiated by my ten-year-old (who loves her crafts). Same child also initiated an ornament-making craft-time this weekend, and everyone in the family got involved. My personal fave are the Trudeau ornaments, crafted by my thirteen-year-old (who has a new haircut, very stylish, if I do say so myself; I gave both my teenagers haircuts recently, which is another kind of craft, in a way, I suppose).
Walking the dogs. I’m running very little right now due to injury, but I’ve found surprising peace in walking the dogs before bedtime, or on an early weekend morning when the neighbourhood is quiet. The pace is gentle. The dogs amuse me.
Swimming. To replace the running. Monday was my first day, and I went with my swim coach, who also happens to by my thirteen-year-old daughter. She should be your swim coach too. Our session was as tough as a boot camp. She’s demanding, encouraging and kind, and smart about correcting technical flaws in my stroke. (She also coaches Kevin and her younger sister on Thursday mornings. So this is a little thing many of us in the family are enjoying right now.)
Coaching. Right now, I’m coaching my fourteen-year-old’s indoor futsal team (similar to soccer), and I’m volunteering with my ten-year-old’s soccer team, too. I love working with both groups of kids — the teenaged boys and the younger girls. I’ve been practicing my deeper coach’s voice around the house, and every practice or game is another opportunity to learn something new, or put some new concept into practice (for me, and for them). It’s the perfect activity for a person with a growth mindset outlook. We can always get better! Hurray!
Writing. I haven’t had a lot of writing time, recently, so I’ve been taking my laptop to basketball and soccer practices at which I’m not involved. Earplugs in. Sweet vanishing into another world.
Stretching. My body needs to stretch, loves to stretch. I’ve been squeezing in a few yoga classes.
Reading. A couple of days ago, I thought I had a few free minutes. Ever have those moments? When you think, how strangely wonderful that I should have nothing to do? So I sat in front of the fire devouring Elena Ferrante’s The Story of a New Name. I was so relaxed, so blissful — so blissfully forgetting that in fact I did have something to do. This strangely wonderful moment had been brought to me by a memory lapse. I’d forgotten to pick up my youngest at school; friends had to help out; and I felt embarrassed and somewhat shamed for my parenting lack as I jogged along the sidewalk, late, late, late. Nevertheless, I can’t help but wish for more of those rare “free” minutes for daytime reading.
All for now. Please comment if you have “little things” that give you a little peace, too.
As she comes on stage, the stadium lights up, the plastic rubbery wristbands we’ve slipped onto our wrists suddenly alive and pulsating with colour, to the beat of a song I don’t recognize. There is a collective inhale, a gasp, as we prepare for this spectacle, and recognize its announcement, its arrival.
She is here.
She is wearing sunglasses and a jacket and very high heels. From where we are sitting, high up in the highest, remotest seats of this concrete bunker, she is dollhouse-sized, but her face, her stride, is simultaneously captured and broadcast onto two wide screens that flank the stage. I don’t know the first song: Welcome to New York. But she’s just getting warmed up.
The third song is Style.
She strides down the narrow runway, but doesn’t come quite far enough. It’s like she’s teasing the audience, walking forward and back, but never to the end of the platform that stretches out into the audience below, those who must have paid astronomical fees for their tickets. I want her come to the end of the runway. I wait for her to come all the way down, where we will be able to see her clearly. I think that she is deliberately teasing us, and I am impressed that desire can be invented so easily, so strategically, by the simple act of denial. The semaphores in this show are simple and effective, the narrative clean and crisply delineated.
She takes off her sunglasses, she pulls off the jacket, as if now we will see her for who she is—a doll-like creation of red lips and pale perfect skin and arched brows. She is dressed in black, the outfit cutting across her pale skin, sectioning her up into pieces. I wonder how she can stride the stage in such a short skirt with such confidence.
But is it confidence? I think, but do not say to my daughter, that Taylor Swift is not singing. She is not even doing a particularly good job at lip synching. After having heard the first two performers, both young men, sing and play their guitars with flair and emotion and talent, this is disappointing. I admit to initial disappointment, as she whips off her sunglasses and disrobes before us, and holds the mic at an unlikely distance from her lips, her mouth moving out of synch with the words that are soaring through the air: We’ll never go out of style, we’ll never go out of style.
But I will forgive her for this lapse later in the show. Because the singing is the least of what she is attempting: What she is attempting is the creation of spectacular flashing moments, a montage that tells a story—the story of Taylor—replete with fleeting images, shimmering, an illusion of perfection, an illusion of intimacy, as gutsy as it is implausible. Later in the evening, when she is spinning around in the air at the end of the runway, which has been tilted and raised high up on a mechanical arm, later, when she is being whirled counter-clockwise before us, grounded to the platform by thin wires, playing or fake-playing chords on an electric piano, balancing in her high heels, hair swinging and swooping over her forehead, chased by high-wire cameras, projected onto enormous screens, all while singing into a microphone, I will forgive her for singing over a recorded track, singing only partially. I will admire her willingness to be on display in this feat of daring, and to display for her audience only the most idealized version of her experience of this moment.
Even when she struggles to move the microphone from her hand, where it has been strapped, into a microphone stand, she does not comment on the trouble she is having, she smiles and continues to talk to us about friendship, about how she has an easy way with friends, and can feel as close to someone she’s just met as to someone she’s known forever, if this someone (could we all imagine it is us?) is authentic and trustworthy. Finally, the microphone slides into the stand. She has not burdened us with this technical irritation. She doesn’t complain, she refuses to draw attention to it. The show churns onward, making its own pace.
The plastic wristband warms my wrist oddly, in an electrical manner that disturbs me, but I do not take it off. When we arrived, we found that wristbands were taped to the back of every seat in the stadium. When we first slid the wristbands onto our arms, it seemed almost cultish, all of us willingly submitting to the mysterious plastic band, with no concern for what it might do to us. We trusted implicitly the glossy promises of Taylor Swift, her relentless optimism projected onto the screen before the show began, along with her stories about her cats, whose names my daughter knows. “Really, you know their names?” She shrugs. Sure. As if everyone does.
When the wristbands light up and flash and fill the stadium with a pulsating glow, I willingly wave my arm in the air, as instructed, even though my skin gets hot underneath the plastic, and even though I have to wrap the plastic around my palm to keep it from sliding down under my coat sleeve. The woman next to me, who has also come with her pre-teen daughter, dances wildly in her seat, sings breathlessly, gasping and giggling, while her daughter sits rather rigidly; I catch the girl observing us when I glance in her direction. The woman stops herself sometimes, as if embarrassed, but is again overcome by emotion. She knows the words to every song.
I know the words to three songs.
My daughter knows the words to a few more, but not many. We are here because her dad and I thought it would be an exciting and surprising birthday gift; she had written in a school project last spring that this was one of her dreams, to go to a Taylor Swift concert. That’s something we could actually do! we thought, her dad and I. So. We are here for the show, for the novelty of it, and for Taylor Swift whom we both like, if only abstractly—we turn up the radio when her songs come on and sing along, but our admiration doesn’t go a great deal further. We are here together, witness to what the power of money and imagination can create on a vast stage, for the consumption of a broad audience.
“Hi, I’m Taylor,” she says as she marches down the runway, early in the evening. She sounds nervous, swallowing her words, but even this might be an act.
Because I have so recently been so exhausted after performances on a completely different scale, I wonder at her ability to pull out this magnitude of a performance, night after night. I wonder at her willingness to go on, city after city, show after show. But when she stands at evening’s end to receive the applause ricocheting off the closed stadium roof and the girls’ screaming, I think, how could this not be addictive? How could you not believe the stories being told about you? You are a blank slate for the projections of millions of people, and your words are being sung back to you in unison, and your very body, your very flesh and blood is a recipient of this adulation. You absorb the warmth from all these people, here for you, and you become in this moment as near to being one of the gods as a human can get.
When I first heard the lyrics to Style on the radio, I said to my daughter, “I don’t really like this song. It’s not my favourite.”
“I’m doing a dance to it in gym class,” my daughter said.
“She’s kidding herself if she thinks she’ll never go out of style. Style comes and goes. She’ll be old someday too.”
I might have been missing the point. My daughter might not have been listening.
“Also, it’s such a vapid style she’s describing. ‘I’ve got that good girl thing in a tight little skirt.’ Is that what she’s saying? It sounds like that’s what she’s saying.” It is approximately what she is saying. I look up the lyrics later: “I’ve got that good girl faith and a tight little skirt.”
That’s a bit different, message-wise, a bit richer.
But I don’t like songs about good girls, because it’s us against them, good girls v bad girls, and who are the bad girls? What do they do that’s so bad? And what do the good girls do that’s so good, come to think of it? Who is telling them they are good or bad? I also don’t like models for girlhood who teeter in high heels, their exceptionally skinny bodies exposed and hairless. But I do like that this young woman is an extraordinarily powerful presence on the stage, and that she talks to her audience in a way that appears personal, promoting messages of trust, vulnerability, no shame, and strong female friendship.
And I do so very much like that the next morning, after the concert, when my daughter crawls into bed with me, and I say, “What do you think Taylor Swift does when a show is over?,” my daughter says, “Well, she probably has to help take down the stage. And she probably needs to eat something. And maybe take a shower and go to bed. I think she sleeps in a trailer.”
She probably has to help take down the stage.
This is a week of transition, of return to routine. Our evenings are relatively quiet for most of the month, thankfully, as the soccer season ends and gives us a respite of a few weeks. This is good, because the kids are tired. And grumpy. (Oh yeah, I’m tired too.) Meanwhile, I want to keep track of what’s working, what’s changed, and what habits we’ve carried over from summertime.
Music practice: This happened quite rarely over the summer, when everyone takes a break from lessons. Lessons started this week, and so did regular practicing. AppleApple makes her own schedule and sticks to it, mostly practicing immediately after school (piano and French horn; no cello this year, as orchestra has been removed from her class’s curriculum, sadly). Fooey and CJ practice before school (violin and piano, respectively). Fooey goes first, and I accompany her on piano when she requests it. CJ is in his second year of piano and needs me nearby to help with finger positioning, musical details, and, mostly, moral support … and the will to continue. Yesterday, I tried combining his practice time with some light exercise (for me) because, frankly, it’s quite tedious to hang around calling out “quarter note!” and “check your hand position” and “sounds like a sharp!” (I am my father, good grief). Anyway, that whole exercise/musical instruction combo didn’t really work. I kept having to drop the kettle bell mid-lift and those things don’t drop well. Tangent alert, post-tangent. Sorry.
Chores: I have a list on the chalkboard of the kids’ chore categories: Dogs; Laundry; Dishwasher; Garbage; Set and Clear Table. Let’s break it down.
Dogs: AppleApple is supposed to feed the dogs. But they’re eating fancy food after a (let’s not talk about) bout of stomach woes, so Kevin has been doing that. She is also supposed to walk them from time to time, which happens occasionally. Fooey is supposed to keep their water bowls full. That happens only when I notice and remind her. She does clean the fish bowls regularly, however.
Laundry: I wash and dry a load or two (or three!) of laundry every day. Each of us have a labelled basket in the basement into which our clean laundry can be sorted. It’s each individual’s job to carry his or her basket upstairs and fold and put the laundry into drawers. Sorting the laundry into the baskets is the kids’ job. CJ is too small to sort effectively, so he is in charge of folding and putting away the leftovers that don’t have individual baskets: dishtowels, napkins, etc. A penalty is applied if the laundry is very poorly sorted: this requires oversight and judgement on my part. After all, even I have trouble figuring out whose underwear is whose. (The penalty is to have to sort the laundry again the next day, rather than it moving on to whoever is next in the line-up.) I also don’t pick up dirty laundry from the kids’ bedroom floors: if it gets in the hamper, it gets cleaned. This takes a great deal of restraint on my part. I hate seeing dirty clothes piling up! But I’m doing it for the team.
Dishwasher: Each kid has a designated quadrant of the dishwasher to empty. In summer, the rule was the dishwasher had to be emptied by 11AM; if you forgot, you emptied the whole dishwasher yourself the next day. I must say this method of setting child v child was enormously effective. Fooey in particular would gleefully announce at 11:01 that so-and-s0 had forgotten. On week days during the school year, the dishwasher has to be emptied before school.
Set and Clear Table: We’d meant for this chore to be shared equally, with the boys setting the table and the girls clearing every evening. But that never happened. Instead, what’s happened is that I ask whichever child happens to be around to set the table, hang the unfairness and griping. And everyone carries his or her plate to the kitchen after eating. It’s not much, I admit, but it’s better than nothing.
Garbage: Albus is supposed to sort the recycling, and carry the bins in from the curb on garbage day. That did not happen much over the summer, and I forgot to remind him about the bins when he got home from school yesterday. Yes, the thing about chores is, people need reminders until it becomes habit.
Breakfasts: We’re aiming for high protein breakfasts to get everyone off to a good start. Kevin is making a giant pitcher of smoothie in the morning: fruit, yogurt, kefir, almond milk. I’m also keeping boiled eggs in the fridge for breakfasts, lunches, or snacks.
Lunches: Albus and AppleApple have been packing their lunches for awhile now — it’s habit. Fooey decided to start this year too. She has been working on her “knife skills,” and can now slice up an apple like a pro. (On day one, the apple looked like it had been hacked apart with a hatchet.) I get the kids to write food requests on our grocery list, posted on the fridge. Anyone know where to find seaweed snacks for cheap? Everyone loves them!
Suppers: Our current routine involves me and Kevin texting back and forth around 3:30/4PM with meal ideas. Kevin can pick up ingredients on his way home. Obviously, these last-minute meals tend to be quick and easy. Last night we made pad thai with shrimp and tofu; it took us under an hour, and that was all we served, literally a vat of pad thai. Side note: Albus is excellent at making meal suggestions (that’s the hardest part of meal planning, IMO: trying to think up something different/healthy/appealing to feed everyone every single gosh-darn day). I also really like the Cookstr website for recipes, and I sign up for their weekly email newsletter, which is frequently inspiring.
Homework: This applies less to the younger kids, but Albus started high school this week, which comes with more homework and tests. He also gets home from school relatively early. I’m encouraging him to take the opportunity to do homework immediately on arriving home: grab a snack, sit at the dining room table, enjoy the quiet house. AppleApple sets her own daily/weekly/monthly homework schedule, and is diligent about making plans and sticking to them.
Exercise: I plan to continue running two mornings a week with friends, and doing one early morning boot camp, and one kundalini yoga class. I would love to swim one morning a week with AppleApple, but I’m not sure either of us can manage the early hour. I’d also like to run on the weekends and do a hot yoga class once a week. AND I’d like to start a mini running club with my kids (and any friends who would want to join), after school, running around our block in a 1-kilometre loop, so kids could decide individually how far they wanted to go. For this to happen, I will need to schedule times and dates.
In fact, for anything to happen, it must be scheduled. Inertia is a powerful force in our daily lives. Advance scheduling is the antidote. (I’m not against spontaneity, you understand; but the truth is that I’m far more likely to spontaneously watch a show on Netflix or scroll through my Twitter feed than I am to, say, go on a nature hike with my kids after school, or catch up on work-related emails, or grab two hours for myself to do yoga. You know? You know.)
And I’ve now spent well more than 15 minutes blogging … a spontaneous blogging spree. This will have to last a few days.
Waiting for the school bus.
Funny postscript to my last post on my forgetful daughter. Yesterday, the school bus arrived, she said goodbye, I watched her walk across the street and board the bus. A couple of minutes later, the front door slammed open and she rushed into the house. “What’s happening?!” we said. “No time to talk! I just forgot a few things!” “And the bus driver BROUGHT YOU BACK?” “Yes!” Rush, rush, slam.
I ran to the door to see what she’d forgotten — backpack, lunch? Nope.
SHOES. Running shoes.
And the bus driver brought her back. Now that’s a special bus driver.
Here are a few other things we do in the morning, before leaving for school (with apologies for lousy cellphone photos).
Practice piano and violin. Read.
I really enjoy our mornings. Kevin and I both get up before the kids. I run or go to an exercise class. He runs the dogs and does yoga and strength exercises in our living-room. He makes a giant smoothie for the kids’ breakfast (yogurt, kefir, almond milk, bananas, frozen fruit). Various people take showers. Dishwasher is emptied (by the kids; this is a new routine). Big kids pack their own lunches. Kev packs his lunch, plus lunches for the younger two (I think they could manage it on their own, but if he’s willing to do it …). What else? First load of laundry goes in the washer. Musical instruments get practiced. Forms get signed. Dogs get fed. Weather gets checked. Music is played.
It’s a sweet start, and worth the early hour, says the woman who remembers being a night owl, once upon a time.
Breath; body; song.
What are the first three things that pop into your head, in answer to the question: what are you grateful for right now? These were mine, this morning. Oddly, each feels imperfect right now, reminders of frailty rather than strength. My breath is still raspy from the remnants of the flu. My body continues to be tired. Physically, I can’t do everything that I want to do, right now; or, more precisely, not at the level of my expectations.
Expectations. Can I let them go? On every front, in every way, in order to appreciate more deeply the experiences that open to me?
Lastly, song. Why song, I wonder? This morning’s violin practice was fraught with frustration, the child ignoring rhythm, playing quarter notes as eighth notes, and I shouldn’t mind so much, but as I strummed along on my ukulele feeling like an eccentric background musician, it was driving me around the bend. No patience. We never found our rhythm. (Side note: the ukulele accompaniment is her idea; mostly we like this practice time together.) So, song? I’m trying to write a character who is a singer, and I’m struggling just now. But then I turn on the radio and hear a song like this, and I’m stopping in a parking lot and pulling out my little notebook and writing down the lyrics: “When I grow up I want to be a picture of my mother holding on to me.” (Jenn Grant, from the 2014 album Compostela, track is called “Bring Me a Rose,” and you can listen on CBC’s music site, here.)
Imperfect as breath, imperfect as body; evidence of promise, hope, connection, life.
This post is illustrated exclusively by cellphone-created photographs. Bear with me.
I’m presenting as dazed and confused this morning. No special reason for it. Could be the season. So many plans to keep in my head. I should be making good use of the quiet house, which will transform into a temporarily endangered species, seen rarely to never, come Friday around 3:10PM. Instead, I’m enjoying it. I just had a nap by the fire with the dogs. This is like stepping into a confessional. Shhhh. It was so so lovely. Forgive me.
I dreamed that I’d accidentally downloaded a virus onto my computer that rendered it useless; it kept running a program that showed a creepy GPS map of where I was at all times, with dire messages directed at me. That was not so lovely. But it does point to a certain subconscious anxiety underlying the lovely nap time, which is that I have work to do!
Good work, work I’ve been enjoying, but work nevertheless.
This morning, I got up early and went for a walk with my Thursday running partner. Tuesday’s running partner did the same. I feel immensely lucky to have running partners willing to walk with me during injury. Do you know how hard it is to get up early and go for a walk? It’s about a billion times harder than getting up early to go for a run. No zap of endorphins to reward your efforts. Hats off to all early morning walkers.
Tis the season of the festive school concert, and that’s where Fooey and I were yesterday evening, at AppleApple’s. Here, Fooey is reading patiently before the concert begins; ie. that is not a scowl of irritation. The scowl of irritation arrived when the concert was over and we had to wait around in the crowded gymnasium for AppleApple to come and find us (she thought we’d come and find her in the band room, until she realized we didn’t know where the band room was…). Anyway. Concert. Strangely glorious, I must say, and I don’t mean the parts involving my daughter specifically, I mean the whole thing. I should not be allowed out without a package of tissues. Because in the moment, there seemed nothing more moving than these groups of 12 & 13 year kids singing, dancing, and playing instruments together. (Maybe I’m going through something hormonal?) The squeaking of reeded instruments, the tuning (lack thereof), the confidence, self-consciousness, talent, and bravery–the participation. I would do all it over again.
Wait, I’m going to. Albus’s festive school concert is on tonight. Wish me luck, though. The turning. The tuning.
Have I shown you this picture yet? It’s a scene from My Perfect Family, you know, the family that is mostly fantasy, but occasionally surfaces into reality, in one’s living-room–the family you dreamed of creating back when you thought you were in control of such things.
Children reading by the fire. Perfect Children reading Christmas books lovingly collected over many years and brought out every December by The Perfect Mom. I have photographic proof that this actually happened. Once. Last week. For a few minutes.
Okay, thanks for walking along with me this morning. The confusion and daze is lifting, I think. Time for work.
PS I won a prize! This blog was judged First in the category of Writing & Literature and Third in the category of Life at the 2014 Canadian Weblog Awards. I get this button. I’m not sure what to do with it, so I’m pinning it here.
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