I sponsored the two older kids’ rep soccer teams this season by “buying a sleeve.” We decided to add “A NOVEL” to the title GIRL RUNNER, thinking that a team of 13-year-old boys might not appreciate having to wear that label during games.
This was our dining-room table, Monday afternoon. Two sets of page proofs, one galley, one sharp red pencil, and one mother announcing to all who entered after school, “There will be no eating or drinking on or near this table until I AM DONE!”
I am done.
All may eat and drink here again.
Last night’s reading at DVLB was really fun. I even indulged in a scotch, thanks to the kindness of a friend who treated. Imbibe ye scotches while ye may. Life’s too short not to enjoy the pleasures that arrive. Even if that happens to be on a Tuesday night and you’re running the next morning. And so I did. (And I ran this morning too: Run ye many kilometres while ye may.)
No scotches tonight, however. I’ll be driving to and from Hamilton, where I’m reading at Bryan Price Bookseller, 7pm, with other M Word contributors. (Note to self: look up directions!)
Tomorrow I’ll be at the Anansi offices working on publicity plans for Girl Runner. (Note to self: more directions! Look up!)
Can you read the above? I can’t. File this under Strange Opportunities that Arrive via the Internet. Last month I was contacted by an editor at Unitas, a Chinese-language literary magazine in Taiwan, who wanted to interview me for a special issue they were planning on Alice Munro. (They’d found and loved my review of Alice Munro’s Dear Love in the National Post.) I agreed. And this month, two copies of the beautifully produced magazine arrived in my mailbox, in an envelope covered in fancy stamps. Sometimes the world seems very very small.
I’ve never met Alice Munro, and can’t imagine what I would say to her if we were to meet. It’s an entirely one-sided relationship based purely on my reading of her stories over many years. I’m immersed in MY LIFE IN MIDDLEMARCH right now, a truly wonderful book that combines biography with memoir, and in some way I feel like my relationship with Alice Munro is similar to Rebecca Mead’s with George Eliot; but Mead has the benefit of distance and I’m not sure I’d feel comfortable exploring Alice Munro’s life and work in quite the same way, given that she’s still living, and that our worlds literally overlap in time and space. It wouldn’t be historical exploration. There’s a freedom to digging back into the past, way back. I’m aiming to do it now, in my next novel. Nothing can be perfectly recovered from the deep past, and so one may imagine quite freely.
Yet I’m so admiring and relishing this memoir/biography mash-up on George Eliot — I would do it, if I could figure out my relationship with non-fiction, a form I’m still learning. I’m thinking out loud here, brainstorming as I type. Perhaps not the best way to compose a blog post on which one is about to press “publish.” But if I could figure out how, yes, I would write about Alice Munro.
I think the NMA nomination was especially thrilling (and perhaps seductive) because it was earned for “personal journalism,” aka non-fiction. It’s a form that interests me more and more, that I find myself devouring more and more, and that I want to learn how to master.
After re-reading yesterday’s post, let me rebut myself, point by point.
How do you manage to travel, to run to appointments, to make presentations, and dress professionally, and be brushed and unwrinkled and fresh smelling?
You do your best. Sometimes you fake it. You nap when you can, and drink plenty of water. You remember to smile. You find a good deodorant. You carry floss. You gain a few key pieces in your wardrobe that are trustworthy. You apply makeup, if necessary. You give yourself a break.
How do you exercise and eat well and keep a sharp eye on your children’s needs, both physical and emotional?
You do your best. You don’t get down on yourself if you can’t run as fast as you used to. You go as hard as you can, in the moment. You exercise with friends. You pay attention. You listen. You show up.
How do you clean your house and yard and fold laundry and cook food from scratch, and lovingly tuck your children in at night, and read them bedtime stories?
Forget the house and yard. The dog hair matters less than you think. Do the laundry when you get a chance. Let your husband cook. Make your kids do some chores too. And then you’ll have time to read to them and tuck them into bed most nights. And when you’re not there, they can look after each other, because you’ve taught them well, so be glad about that—plus they relish the freedom of independence, so it’s good for everyone some of the time.
How do you go to the soccer practices and piano lessons and swim lessons and travel tournaments and meets?
You don’t go to them all, and that’s the long and the short of it. You represent as best you can. Sometimes you won’t be able to be there. Support them in other ways. Schedule rides, carpool, ask questions, cheer when you can. This isn’t the end of your world or theirs.
How do you teach classes and welcome students and read essays and comment and mentor and remain open and flexible and funny and never bitter?
You treat this as seasonal work. It isn’t year-round, because you’re not a full-time teacher. If you’re fortunate enough to be asked to teach, it means you’ve reached a stage in your career when you have something to offer. Remember the wonderful teachers who nurtured and inspired you. You’re getting the opportunity to give a bit of that back to others. And you learn a great deal by teaching.
Also, you don’t want to be bitter. So don’t be. Easy as that.
Journal. Run it off. Don’t say yes if you really mean no. This is your life. Don’t sleepwalk, don’t idly wish or wait for someone else to point the way. Take responsibility.
you braid your daughter’s hair
How do you host meals and go to parties and celebrate birthdays and be a good partner?
You drop some things in order to do others. You compromise. This is seasonal too, in a sense. You accept that you can’t go to everything, and so you prioritize. You spontaneously dash out to a movie on a weeknight with your husband. You decide not to play soccer this summer so you can save your head, and suddenly Sunday evenings open up.
How do you meditate and feed your spirit and do yoga and stay fit and healthy of body and of mind?
You do. Because if you don’t, you won’t be you. You get up early. You pray. You read. You practice breathing. It works.
How do you continue to make art that is worthy of being called art?
This you cannot answer. All you know is that there is mystery in making art, and it’s none of your business as the maker to judge it worthy or not worthy of being called art. What you do is this. You begin. You dream. You research. You prepare yourself in a million different ways. And when you’re ready to write, you’ll know, and you’ll make time and space for it (with help from your husband, who is the person who reminds you that you still know how to do this).
Also, you keep short-term goals present in your mind. You make lists. You check them off. It all adds up.
Random-ish post as I’m packing up and readying to head home tomorrow.
One of the books I found at the British Library was: THE GOOD HUSWIVES HAND-MAID, FOR COOKERIE IN HER KITCHEN IN DRESSING ALL MANNER OF MEAT, WITH OTHER WHOLSOM DIET, FOR HER AND HER HOUSHOLD, &C. (Note: They went in for the thorough title in 1595). Yes, it was a recipe book.
So, herewith, a recipe from THE GOOD HUSWIVES HAND-MAID, to share with you.
To boile mutton for a sicke bodie.
Put your mutton into a pipkin, seeth it, and scum it clean, and put thereto a cruste of bread, fenell roots, parsly roots, currans, great raisons (the stones taken out), and hearbs, according as the pacient is. If they be cold, hot hearbes may be borne: if they be hot, cold hearbes may be best, as Endive, Sinamon, Violet Leaves, and some Sorell: let them boyle together. Then put in Prunes, and a verie little salt. This is broth for a sick bodie.
So there you have it.
I don’t know what a pipkin is, offhand, and haven’t had time to look it up. (“Seeth it” means simmer it, if context can be trusted.)
Here is an actual email message I actually received yesterday from an actual child, who shall remain nameless: “Do not forget about the souvenirs. Love, Child-Who-Shall-Remain-Nameless.”
One more random anecdote before I sign off. I spent yesterday evening with my host’s children and we did some very fun activities, like riding the bus to a nearby centre and eating pub food and shopping for souvenirs in the confectionary section of a grocery stores (souvenirs? what souvenirs?), and sitting in the upper deck of the bus on the way home, just because it seems like one should, while in London. After which we were going to have a fun movie night, but the Netflix movie wouldn’t work, and the kids were having a hard time picking one from the shelf that they both wanted to watch, and I was wracking my brain for alternate fun things to do, and here is what I said (sadly, in all seriousness, because Fun is truly my middle name): “I could read out loud to you from a book, if you’d like.” There was a beat of silence. And, like magic, the kids were suddenly agreeing on a movie both wanted to watch.
Speaking of Fun According to Carrie: being at the British Library was so fun. It was more than fun. It was soothing, it was peaceful, it rewarded my curiosity richly; it was a happy place to spend three days and if home weren’t calling me, I could move right in.
But home is calling me. And I need to go before I buy out all the souvenirs. (Buying souvenirs is also surprisingly fun. I haven’t really had occasion before.)
DJ is posing for the camera, which we’re all finding hysterical
Somehow, last week’s brief thaw fooled me, despite knowing better, into thinking that spring-like conditions were in the offing. I keep stepping outside and registering the cold as a shock — as a personal affront — as if it weren’t absolutely to be expected at the end of February. The windchill registered at -21C on my run this morning, for heaven’s sake! AppleApple has told me that on April 1st, she is wearing a sweater to school no matter how cold it is. I was just glad she didn’t set that particular deadline for March 1st.
To further gather my thoughts regarding yesterday’s post on fear and unwinding, I would like to observe that there’s a fine line between acknowledging and reflecting on one’s fears, and becoming mired and stuck in an introspective feedback loop of one’s fears. I feel like I’m atop a small hill that I’ve been climbing for awhile, and this is a good place to pause and acknowledge that it was hard to trust my brain post-concussion. It was hard, and it was scary, but I don’t want it to colour my life. I’ve got other hills to climb.
That’s why I played soccer a few weekends ago. That’s why I write every day. That’s why I meet friends. That’s why I want to go out dancing and do kundalini yoga again and get a decent pair of snow pants and maybe some cross country skiis so I can play outside whatever the weather — take that, February! I’m a huge believer in imagining your way to success. You have to know where you want to go or you’ll never get there.
Writing and meditation and reflection are expressions I’m naturally drawn to as an introspective person. It’s why I’m a writer, I am sure. But life is lived concretely. It’s hands in bread dough. It’s running as the sky grows light. It’s vacuuming the dog hair (or teaching the five-year-old how to vacuum the dog hair).
Here’s what I’m visualizing. And doing.
My big (overarching) goals for the year:
* write the first draft of a new novel
* promote Girl Runner
* create a solid curriculum for my creative writing class
My small (everyday) goals for the year:
* write daily meditations
* run, weight lift, yoga, spin, bike, dance, play soccer
* help and support my family
* give the kids more responsibilities around the house
* offer and accept invitations to spend time with friends
* play the piano and sing
I could go on. But that’s a good start.
two Saturdays ago: this was taken after we all pitched in to clean the house together; I hope to blog more about this new plan, if all goes well
A total side note that spoke to the fitness guru in me: I read in yesterday’s newspaper that sprinting is more beneficial to the aging body than distance running (the caution being that you need to be a strong runner, and probably a distance runner, before attempting sprints, because non-fit sprinting an excellent way to injure yourself.) No wonder I love soccer so much — it’s basically sprinting, except you get to chase a ball.
I also read that going for a walk has an almost medicinal effect on the mind and body. Why don’t we build our cities and communities around that simple concept? Imagine the health benefits. Imagine how we’d all be walking off the edges of our worries. Wouldn’t that be a wonderful thing?
I just accidentally erased the most darling photos of CJ, taken by AppleApple, after Fooey had styled his hair into a swoop across his forehead. I’ve lost other things over the years, too, to digital carelessness or breakdown. It’s always hard to believe something’s gone, when it’s gone. But those comical photos are gone. Loss is a painful emotion, complicated by regret. I’ll get over it in a moment. This post will suffer from their absence, however. Photos affect tone, and those were really funny photos. But these photos are lovely too, taken during a recent fitting; my mom is making AppleApple a dress with puffed sleeves and a puffed skirt (that she might wear to my sister’s wedding this summer).
There’s a commercial running during the Olympics right now with the tagline: Your someday is here. It shows athletes ready to compete, while in the background run faded film scenes of their child-selves, practicing their sport. I find myself curiously affected by these ads; I’m not moved to tears, I’m moved to a faint frisson of panic. Your someday is here. Yikes. Talk about pressure. It also whispers to me: your time will be here and gone before you know it. (I’m obviously in a cheery headspace.) Because doesn’t it also shout: Everything you’ve worked for has brought you here! Celebrate! Enjoy the fruits of your labours!
This week, the Globe and Mail ran a comprehensive obituary on Mavis Gallant. It was heart-breaking to read that she spent her last decade “plagued by ill health and poverty.” Poverty. That word guts me. I reflect on the number of times I read and re-read Gallant’s stories during the past decade, for inspiration, for pleasure, and to admire and try to parse her technical skill as a writer, and how that pleasure received should have been repaid, somehow. Yes, I’ve bought her books over the years. But considering how many times I’ve read them, those purchases were bargains. How to repay a writer for her gift? How to offer appreciation that affords a great writer simple comforts as she ages? Gallant said in an interview in 2006 that “luckily” she had the temperament to be a fiction writer: “I never wanted to own anything — like a bird on a branch.” So maybe I’m projecting my own worries about future financial stability onto a writer who perched above all that, like a bird on a branch. She always noted that her name, Mavis, meant song-bird.
Mavis Gallant was 91 years old when she died.
It’s hard to believe she’s gone. Loss is a painful emotion, complicated by regret.
“People who think poetry has no power have a very limited conception of what power means.” – this, and all subsequent quotations, from Christian Wiman’s My Bright Abyss
I’ve been sitting, every morning this week, and reading this book, by Christian Wiman. I can’t take in more than a few chapters during a sitting, and even then, I’m certain I’m not taking everything in. The book is mostly about faith and Christian faith specifically. I find myself not looking to those parts, or shrugging them off; yet I know deep down that faith is an intrinsic part of my outlook, that it is where I come from and where I write from. I believe in something bigger than myself. I believe in infinite wholeness expressed somehow in every living thing, and utterly inexpressible. Most of all, I believe in the power of connection, wherever that is found. I believe, in all seriousness, that there are times when I write that I am receiving a gift by grace.
“A poem, if it’s a real one, in some fundamental sense means no more and no less than the moment of its singular music and lightning insight; it is its own code to its own absolute and irreducible clarity.”
What does this mean — if it’s a real one? That strikes me as being unfair and judgemental. But isn’t it true? When you read a real poem, you know it. You just do. And isn’t the paradox of writing the need to get beyond one self while staying true to oneself? There is magic in pinning down a moment of singular music and insight; and there is failure, too, because it is an impossible task.
“… existence is not a puzzle to be solved, but a narrative to be inherited and undergone and transformed person by person.”
And yet, to write a story is to participate, actively, in inventing puzzles to be solved. Somehow to be human is to long for puzzles to solve, to crave them. The solution is never as satisfying as the mystery.
“Behind every urge to interpret is unease, anxiety. … The trouble comes when the effort to name and know an experience replaces the experience itself.”
How to answer this? Isn’t this what I’m involved in daily, as I blog and photograph my life?
I was thinking again about the movie we watched on the artist Andy Goldsworthy, and my impatience with his observations about time — time like tide that inexorably rises and time like a river that won’t quit its rushing, and how we are caught up in it. His work relies on using time combined with elements from the natural world. I wanted to yell at him: who needs icicles and the sun, when you’ve got children to pick up for piano lessons? My every day is a study on the relentlessness of time.
I want a study on peace within the relentlessness. Or harnessing the relentlessness to make something bigger and wilder and rockier and freer than one could have imagined, given the boundaries imposed. Maybe that’s what he’s trying to do too. I couldn’t say. I have enough washing away as it is. I want to make time expand.
Here’s a small thought that arose this morning, as I sat and read: Restlessness is a gift. It’s a gift to luxuriate in our imaginations, in possibilities unachieved, in dreams that lie before us and that we are still fortunate enough to dream. That is the meaning on which our lives balance. It is our fortune.
And this post is out of time.