1. Two Women – finish and send. Yes, I achieved this, sort of; Two Women is my “Grandma” project. She died this fall. It’s a project too close to my heart and spirit to be let go lightly, so I’m still holding it. Holding lightly.
2. Summer writing – unknown; clean studio/office. The summer writing project on which I landed was to finish revising the 16th century novel. But I didn’t feel like writing much, and instead had a summer of travel and adventure and caring for others and deeply wonderful restorative time in nature and with family and friends, none of which I regret. I’ve moved that summer writing project to this coming year—I plan to spend the next week working on revisions, and I have two farm writing retreats planned for this winter too. I also did clean my studio/office, and cleaned it again today (once every 6 months seems sensible!).
3. Farm writing retreat(s) – often! I “retreated” to my brother and sister-in-law’s farm three times this past year. Each time was wonderful, memorable, fun, meaningful, energizing, and productive. I was at my best last winter and spring, in terms of getting writing work done; this fall, I was in a bad space, too exhausted to do much thinking, and kind of crusty and brittle, as a person. I love my friends who come along, and I love that they come along and share this time and space and their creative energy (and kindness) with me.
4. Girl Runner film. I just received the option payment from a production company that hopes to make Girl Runner into a film. The director is a woman from Spain and we’ve met over Zoom to discuss her vision. So that happened! Contract signed, option out for the next 18 months (or so!).
5. Blog – ?? Well, I haven’t blogged much, the proof being in the posts. But I haven’t much felt like blogging, maybe because I haven’t had much that yearns to be said (in a public forum, that is) pouring forth from my brain. Is this healthy? I don’t know! But I do feel calmer and more content, generally speaking. Less agonizing, more doing. I like doing. The job-job give me a sense of purpose and usefulness, which seems to matter to me. (Side note: I have stopped trying to change what matters to me, instead recognizing and embracing it—and putting those values into action. Usefulness. Boundaries. Clarity.)
6. Marinate – all the feelings! It’s funny, but when I read this, I thought, wait, what? Marinate in my feelings? That sounds very goopy; but maybe the marinating has been softening me up! And maybe I haven’t marinated so much as acknowledged. I’ve acknowledged my feelings (emotions and/or physical sensations) in order to identify what I need to do—to help direct my actions. Instead of doing what I think I should do, I’ve been doing what I trust I should do. Trusting my gut. Trusting that my emotions are giving me valuable information. Trusting my decision-making. And giving myself permission to try something out and change as needed if it doesn’t feel right. I’ve found much more enjoyment in my emotional range through this experiment. Pride can feel pretty great. Crying in fury can be cathartic. Being loved is wonderful. Radiating care is joyful. Flatness is protective and sometimes necessary, and shouldn’t be ignored—numbness has emotional weight too. Etc.
7. WRDSB – experiment, experience, earn. This intention holds up nicely! I’m still here, on the job, learning and earning, experimenting, experiencing.
I haven’t written out “Carrie’s Projects – 2024 [insert word-of-the-year here]” … stay tuned.
Wishing you a wonderful new year of projects and feelings. Marinate!
I’m attempting to post here about once a week; but that is not always possible. There are weeks when I prioritize writing in my notebook over writing publicly if I have some moments to spare; or lying on the couch and reading a book. Setting priorities is becoming a habit, of necessity. Am I filling my cup, so that I can serve the needs of others? For example, I’ve figured out that it takes me at least 2 hours to get up and out the door in the morning — one hour minimum to do my wake-up and exercise routine (including yoga and meditation), and one hour precisely to shower, dress, make and eat breakfast, pack a lunch, and screech out the door clutching a travel mug of coffee, the correct set of keys for the job of the day in my pocket, and a backpack over my shoulders loaded with whatever items I’ve determined will serve in the hours ahead (this may include but is not limited to licorice, Birkenstocks, head-phones, notebook and pen, and folder with instructions on various systems and processes).
Point being, setting priorities requires first knowing what these priorities are — not ignoring what makes me a happier healthier person. It helps to identify why I’m choosing to do certain things instead of other things. What I’ve discovered is that the why is usually about pleasure, ease, fun, enjoyment, fulfillment, connection, and purpose. The good things in life. My exercise routine makes me happy, energized, calmer, in tune with my body and mind, which sets the whole day on course, so I choose it over sleeping in — and I get to bed earlier in the evening in order to make this habit sustainable. I love savouring my cup of coffee, which makes it perfect to enjoy while sitting at a desk somewhere. But breakfast is a sit-down affair with the newspaper and two poached eggs on toast, so I make time for that (even if it’s just 12 minutes — I’ll literally calculate how much time I have to relax and enjoy this ritual, setting a timer on my phone to cue me when it’s time to switch gears).
This morning during quiet meditation, a complex and wild and wonderful thought came upon me. Here it is: everything I’m doing to serve and understand my own needs reverberates outward, so that I am able to better serve and understand the needs of those around me. When I teach creative writing, what I’m actually offering are methods and practices for how pay attention to the world, how to observe others with curiosity and openness, and how to respond (through writing) without judgement. This is a deep mindset shift, I think. Attention without judgement, without the desire to manipulate or change or profit from, is love. If you pay attention to the world, you will love it more than you realized was possible. This love will break you down and build you up. And you will want to serve others because you can see them more clearly. The skills I’ve honed and continue to hone as a writer might make me a better writer; but I’m coming to believe that’s a side product of the real gift of these skills — of creativity itself. At the core of my being, I don’t want to be a better writer in order to publish books that become bestsellers and earn me fame and fortune. I want to practice writing and creativity because I believe these deeply intuitive and generative acts will help me become a more observant, open-minded, human being while I’m here on planet earth.
I teach creative writing. And I’ve struggled with this, because I don’t believe it can really be taught effectively. I can’t download my knowledge of how to write creatively into the minds of students in a rational, lecture-based, logistical way. All I can do is open opportunities for students to interact with their own minds and experiences creatively — and with each other. Creativity isn’t a state of being that can be monetized or harnessed for profit. If you get into it, if you allow yourself to follow the energy and be led by whatever magic and mystery and grace is pulling you, money, power, and profit will feel so insignificant that you won’t be able to make sense of them. They don’t make sense, in the vast universe of creative action and practice.
Here is what I know: To create is also to destroy. It is to witness the breaking down of what appears substantial, and to witness and partake in a generative improbable renewal. The impossible presents itself. What you discover in this state can’t be explained adequately through words, so words climb into images and images emerge and show themselves to be transferable between human beings, and expression of deep emotion and experience is possible. It is possible.
So. I teach creative writing, but what I really hope to do is to plant seeds. I know that my job in the schools (not teaching creative writing) is an outward expression my own potential beginning to root and grow. By becoming more grounded and secure (paradoxically, through becoming more vulnerable and soft), I can serve others with less fear, judgement, and hunger for external reward. Every day I’m in a school, I have the opportunity to practice paying attention. I love this practice. I get to do it over and over again. I ask, how can I help you? I listen to what the other person is saying. If possible, I look them in the eye. If appropriate, I ask how they are doing. I listen to what they tell me, and I repeat back to them what I’ve understood them to say, because I want to be sure it’s clear to me. If possible, I try to solve their problem, or brainstorm a solution they can try (it’s usually a small problem that has a simple solution).
That’s it. That’s the practice. Greet, listen, repeat, ask questions, acknowledge, try to understand, solve or resolve.
Greet, listen, acknowledge.
Over and over again, throughout the day. I know these interactions have the power to change me. They have the power to change my approach to creativity and writing too. It’s an integrated and interactive and generative cycle, the relationship with self, other, and creative spirit.
What are you practicing these days? Where are your practices, habits, and routines leading you?
Super thrilled to discover this review of Francie’s Got a Gun, on Kerry Clare’s blog, Pickle Me This. I respect Kerry’s keen reader’s eye immensely, and I’m overflowing with gratitude for her deep and layered reading of the novel. As book-coverage shrinks in traditional media outlets, reviews like Kerry’s are ever-more meaningful and important (as are reader reviews on sites like Goodreads, Amazon and Indigo). Kerry’s long been a terrific booster of Canadian writers and writing, not to mention she’s a talented novelist herself (Waiting for a Star to Fall).
Here’s an excerpt.
I loved Francie’s Got a Gun, a new novel by Carrie Snyder…. It’s a taut, tension-filled story of a young girl who’s running with a gun in her hand, the question of “where did she come from” taking precedent over “where is she going?” because maybe the ending it inevitable. But is it? … I started reading this book and found it hard to put it down, but refrained from posting about it until I’d reached the very end, so I’d be able to tell you with certainty that Carrie Snyder has pulled off, with flawless execution, a rich and sprawling story, and she really, really has.
Yesterday, while working at the end of my dining room table, I looked up and saw this (above).
I saw that a room can be a composition of light, colour, shadow. Even the corner of a room can be a poem. Or the end of a table. A windowsill. I am curious about performance art, about sculpture, about creating ritual and integrating it into the every day. A few years ago, I drew an artist’s statement for a course I was leading, centred around these words: What if the purpose of life is to seek beauty?
Well, what if?
What if that’s what I’m attempting to pull off, in the whole of my messy not-always-well-planned life? What if I’m already on this path? What if I already have a job to do, and I’m doing it (even if it doesn’t pay much, except in connections).
What are we here for if not to be held, at least for a moment now and again, in beauty, in the pursuit of beauty. What does beauty mean to you? For me, it is ease, delight, sometimes it is a shock to the system, it is new, original, wholly formed, or it is raw and unplanned, rising from seemingly nothing at all, unexpected, it is a moment of recognition, a moment of pause. It leaves a trace even after the glimpse is gone.
Welcome to my newly titled website, wherein, with the help of my dear friend Tasneem Jamal and my brother Clifford, I am declaring more fully that this is who I am: writer. Writer is a capacious carry-all for my spirit. It’s big enough to hold all the parts of me. I write for purposes both private and public, pen to page, keyboard to screen, words scrawled or printed, arrows pointing, words circled, underlined, crossed out and written again; words in response to; lists, poems, prayers, pleas, letters, dreams, captions, formulations; words reaching out to connect … with you and you and you.
Thanks for reading along, and for writing too.
xo, Carrie
PS More to come, more to unfold, in the weeks and months ahead. Stay tuned. Meanwhile, look up: is there a corner in your space waiting to give you a moment of pause, of delight, of relief, of release into beauty? Please share (here or elsewhere).
A friend has offered to redesign the banner on my website to remove the title “Obscure CanLit Mama,” which no longer fits so well. On a hot August morning in 2008, I titled the blog on a whim, and began sending out posts to the universe. My youngest was newborn. He’s now in high school. In those early days, I wrote a lot about the kids. I posted recipes and meal plans. I wrote about juggling constant stay-at-home childcare with attempts to steal even a smidgen of writing time. I’d published one collection of short stories, four years earlier. It seemed presumptuous to attach myself to CanLit as a participant (even an Obscure one). The Mama was the ascending identifying force in my life at that time.
I haven’t posted a recipe in a very long time.
I don’t write about my kids, except glancingly.
These days, I come here, to this familiar space, to reflect mostly on writing, but also on what seem to me to be ephemeral, spiritual matters: aging, artistic discipline, setting routines, learning new things, re-learning old things, the repetition of the seasons, creative practices, play, emotional weather / weathering emotions. Etc.
In the 14 years that this blog has existed, I’ve poured energy into being a writer, laying claim to that identity, earning grants, publishing three more books, teaching creative writing, organizing writing workshops, serving as a consulting editor with The New Quarterly, speaking, travelling, practicing the craft, seeking to keep my connection to my writing alive and thriving.
Obscurity is a self-effacing mindset (erasing? shrinking? minimizing? hiding?). I know that. But it was necessary protection as I tried to become / be a writer. I’ve been afraid of being a writer, of laying claim to this identity and its shifting cultural responsibilities. Since childhood, I’ve wanted to perform magic tricks with language, to conjure imaginary landscapes, converse with imaginary people, finding solace in their losses and successes. I did not aspire beyond that — that was a big-enough dream. I knew my writing wouldn’t be activist in nature, because I am not an activist by nature. I’m a ventriloquist, an observer, a performer, agnostic, hungry to learn, curious about the questions, less-so the answers, the mystery, not the proof.
It’s a rather exalted view of being a writer. Or maybe I mean ecstatic. Or impractical. But I admire it, I love what my former self was attempting.
I dipped into The Juliet Stories this morning, a book now ten years old, and the writing sang off the page, just like magic. I couldn’t remember the person who’d written it. It was like reading a stranger’s words. Did I know then what I’d made? No. I didn’t trust its worth. I didn’t need to. I just kept trying, year after year, focused on the writing, and eventually madesomething.
I want very much to be that same writer, to write with confidence, believing in the magic of language. “You know it’s not the same as it was”: this song came on my “Run Fast” playlist this morning (oh Harry! so nostalgic); maybe “As It Was” especially resonates in These Times, when we’re trying to remember who we were Before. But life is lived in the present, and time carries us onward. We change; and experiences change us. It’s not the same as it was. That’s a neutral statement, at heart. It doesn’t have to weigh heavily, though it’s tempting to roll around in those deliciously bittersweet emotions.
What’s next? What path am I running, where does it lead? I can’t see very far ahead of my feet. Whose hands am I holding? What’s pulling me onward?
What kind of a writer am I now? What kind of a writer do I aspire to be? Do I need to know? No. As Lynda Barry would remind me: it’s none of your business. Follow the energy, get comfortable in the not-knowing.
I don’t have a new title for this blog, just my name. Enough? Enough. Yes.
New things. Wandering around in this time and place, stumbling a bit. Travelling to the countryside. Trying to stay organized inside my mind even for a few moments. Answering “emotional emails” (not necessarily bad; just responses that require emotional energy, as I seek to connect with another human being through text and screen). Texts, texts, texts. Fun texts with friends, family. Emojis. Organizational texts. A few calls here and there. Outsourcing tasks that are overwhelming (like figuring out how to order more copies of my new novel from a warehouse in the United States; thank you, Kevin!).
Two big events coming up in the next week and a bit. Logistics. Planning. Invitations sent, vulnerable soft belly exposed.
Wow.
It’s been a lot.
No wonder I’ve felt overwhelmed at moments. The cure seems always to be to find a friend. Connect. Share (and receive). This morning: meeting for a walk that happened to pass by City Cafe, leading to coffee and a donut on the patio under an umbrella. Mood boosted (sugar + caffeine + good conversation).
To mark the moment of publication, and also because I finally felt ready to create permanent art on my body, I got a tattoo this week. (I could delve into this subject more, I think, about why now, and how my relationship to my body has changed; food for another time.) The artist modified a branch-like ornament that breaks up sections in chapters, in Francie. I love it. I’m already thinking about getting a second one. I think trees are my theme.
What else is new? Oh, Kevin, who thinks I’m a natural comedian, suggested I try out TikTok, which so far has been a genuinely weird experiment. I can’t figure out how to use it as a consumer in a satisfying way, but it sure is easy to post brief little videos. I don’t know whether I’ll stick around, but for now, it’s been like producing a visual diary entry, and I like that. I suspect finding a personal tone and style might take some time … as it has here.
I’m so comfortable when I open this page and write into the empty space. Arrange photos. Press “publish.”
I feel like a good version of myself, here.
How many versions of self are there? Quite a few, don’t you think? I know I’m a little bit different in different settings and relationships; never not me, but also, not quite the same. I like some versions of self more than others. I’m sure those who share space with me would agree. But all versions are part of my self, the good, the funny, the ridiculous, the trying, and the occasionally overwhelmed. The tinkering continues.
Wherever you've come from, wherever you're going, consider this space a place for reflection and pause. Thank you for stopping by. Your comments are welcome.
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About me
My name is Carrie Snyder. I'm a fiction writer, reader, editor, dreamer, arts organizer, workshop leader, forever curious. I believe words are powerful, storytelling is healing, and art is for everyone.
