Category: Good News
On my last full day in France, I went for one last walk on the Voie Verte, with Kelly Riviere, my collaborator, who translated and today performed my museum piece. I promised her that, contrary to its reputation, Normandy had been beautifully sunny during my stay, and as we set out, this seemed to hold true. We saw ducklings in a stream, a father fishing with his small son, families on bicycles. It was only when we turned around that we noticed the lowering darkening sky, and no sooner had we said, “Oh dear it’s going to rain,” then it began to rain. The rain came in the form of hail, icy fragments that melted on contact and soaked us by the time we’d reached the village again. But as you can see from the photo above, we appear to have a similar sense of adventure.
A few hours later, we’d dried off and readied ourselves for the performance at the museum. As planned, at the start of the piece, I positioned a chair and sat in it, laptop open, as if preparing to write about the paintings before me — the first paintings discussed in the piece. I was quite close to the paintings, and I sat looking at them as the room behind me began to fill. And fill. And fill. I realized, without turning around, that the small gathering we had expected was not small at all. Kelly began. And the crowd followed her and stayed with her — with us — for the entire time, as we moved through the museum. This was quite remarkable given the limitations of the space, and the size of the paintings or etchings, many quite small, which meant people were standing and listening to Kelly describe and illuminate a painting they could not see.
It was a moving experience, and unlike any I’ve ever had or expect to have again. And that sums up this whole trip, I think. This whole wholly embracing and embraced trip into what seems to be another world. One in which I’ve been opened, again, to the beauty of possibility, and the possibility of beauty.
It’s funny, but throughout the trip I kept saying to myself, “I think I came to France to …” and filling in the blank with something different. I think I came to France to write. I think I came to France to be alone and listen to myself. I think I came to France to appreciate art (hello, Paris!). And now, I think I came to France to discover the magic of collaboration. But I think it must be for all of these reasons. I needed to be here for awhile, longer than seemed reasonable when I was chalking out those columns on the board at home. But here we are, in the last day of the last column, all still standing.
I’m excited to be going home. I can’t wait to see those beautiful faces again. But I think — no, I’m certain — that whatever comes next will be better because I’ve been here. And I hope to come back again soon.
Thursday evening, Toronto airport, 5PM
Yesterday afternoon when I was standing looking out at the ocean, watching an old man walk into the freezing blue water and begin to swim, while his son and grandsons watched him too, I overheard two men talking in English about the monument to Canadian soldiers that is here, somewhere, in Dieppe. Dressed in business suits, they were perplexed; they couldn’t find the war memorial. I couldn’t find it either. In World War Two, this beach, with its smooth round stones that would fit easily into the palm of the hand, held a scene of massacre. It is impossible to imagine. Yesterday afternoon I walked the promenade all the way to the end, where the ferry was preparing to leave for Brighton, in England; you can’t see England standing on the beach in Dieppe. It is a four hour crossing. The afternoon was sunny, almost warm, and people were going for a stroll, small children on scooters, many breeds of dogs being walked; a couple embraced in the middle of a vast green field that separates the promenade from the line of hotels overlooking the ocean. The vendors were closing up their shops: board shacks selling crepes or sandwiches, postcards, brightly coloured tourist paraphernalia. The groups of teenage boys made me the most homesick, for some reason I could not explain.
Friday evening, Dieppe, France, 5PM
For supper, I walked into the town proper and bought a sandwich and an apple pastry, which I ate back at my hotel, after asking the woman in the shop to direct me to it. I was quite turned around, and lost, but the hotel was in fact just around the corner. I fell asleep at 8:45PM, which at home would have been 2:45 in the afternoon; and I slept for twelve hours. This morning I ate a fresh buttery croissant for breakfast in the hotel lounge. I also had a tiny amount of coffee diluted with lots of warm milk, a boiled egg, applesauce. The festival’s director found me in the lounge, reading David Sedaris on my mini-Kobo, and sat with me briefly, effusive over a review of Girl Runner (Invisible sous la lumiere) that just came out in Le Figaro. “I am so proud!” she said.
Tonight is the first reading, in a small town about 30 kilometres from here, called Envermeu. I will be meeting my French publisher for lunch today, too. At a certain point, a book takes on a life of its own. I feel this has happened with Aganetha, that she is making her way in the world, almost without me. I am following her, now.
I need to get up the energy to go for a walk or a run along the ocean this morning. I need to but I also just want to sit in my hotel room and do nothing at all. I wanted to sleep and sleep and sleep last night, I felt so greedy for it; even twelve hours was not enough. Yet most nights at home I sleep no more than seven hours. I wonder whether I will spend this time in France sleeping, catching up on lost sleep, reviving. I wonder how I will spend this time.
I see the days as I mapped them out on our calendar at home: three columns, seven rectangles in each column, each filled with tiny print in white chalk, of activities over which I have no control, and in which I will not be participating, even though in my mind I am still there too. This morning, lying in bed with the curtains drawn against the sun, I saw the columns and knew that I was not there, and thought of the days as blanks for me to fill as I wished, here, not time to be endured, but time to be filled in ways different from the ways I fill my time at home.
How much could you write in those empty rectangles, I thought?
Today is slipping by. I am mapping writing adventures. I am arranging practice schedules and shirt orders for a soccer team. I am hungry. I haven’t eaten lunch. I haven’t left this office for hours. I’ve written nothing but emails, messages, reminders.
My Writing Adventure is completely full, with interest expressed in future Adventures, should I attempt this again.
I’ve been invited to France — to France! — this spring, to promote the translation of my novel there (details have not been confirmed, nor is this a sure thing, but the possibility exists). In the meantime, I have signed up for several mandatory soccer coaching courses. I have a public appearance this coming Tuesday at the Kitchener Public Library (“An evening with Carrie Snyder“), and other events booked elsewhere in February and March, April, May. We are planning a daunting family holiday. I want to go cross-country skiing with my daughter while there’s snow on the ground. My muscles ache from early morning workouts.
Yesterday, I read this article on my phone while waiting to pick up my daughter from a yoga class. It’s a light-hearted how-to article countering all of the inevitable new-year-new-me-resolution articles of this season: “How to be a moderately successful person.” And I sat in the car and wondered: Could I aspire to be this person? For serious? Something about the less-ness of it twanged a genuine longing in me.
I’m not complaining!! But wow. On some days, like today, like every day this week, I am overwhelmed by the ways in which I manage to fill up my life, the variety of activities and challenges I willingly, happily, excitedly sign myself up for. It occurs to me that I may be hiding from something — from the quiet and stillness of empty space and time. Am I hiding from the possibilities that exist in doing less, caring less, aspiring to less? Or am I, in fact, doing less by doing more, my attention too scattered to finish whatever book will be my next? Is all of this an elaborate distraction? It’s possible. But I love doing so much of it. I love being on the field with the kids. I love writing with other people, together. I love spending time with my kids in different contexts. I love the adventure of travel. I’ll admit freely that I fear inertia. I’ve been stuck before, I’ve been restless and lonely and bored.
Truly, I am not that, right now.
I’m looking forward to sharing my word of the year with you, as soon as I’ve had a chance to share it first with my WOTY friends. I think my new word relates to all of this, this swirl of activity and these swirling thoughts. Next post, maybe.
Holidays. We’re screaming toward them at breakneck speed and despite there being no snow yet this December, Christmas is coming. Christmas will come. I’ve ordered a turkey.
Accomplishments in recent days include: remembering to order a turkey; not forgetting to go to CJ’s open house at school; not forgetting to pick up AppleApple from yoga; and sorting through our mail pile (overflowing the ample basket in which we toss everything), and my kitchen pile (papers that are too important to recycle, but not important enough to tend to or file immediately). I also created a brand new file folder into which I put random professional items that need attention…eventually). I’m calling this my “Friday morning to do” folder.
It’s Friday morning. I didn’t do any of what’s in there.
Just saying. But at least I got the damn piles sorted.
I also finished marking and submitted my grades. Bittersweet, but there it is. Done with teaching, for now.
I’ve already found a replacement for my teaching energies (unpaid, however; if it’s unpaid, I will excel at it). A week ago, I was given the head coach job of my daughter’s U11 rep soccer “development” team (they don’t call it a “C” or “B” team, but that’s what it is). It’s her first time playing rep soccer, and it’s my first time coaching on the rep side. And I’m going to need a special folder to keep that part of life organized. Or a time slot. How to partition off the various sections of my life, so I can stay focused on whatever I’m focused on? I’d like to complete a few things, in addition to rolling along in the usual way, immersed in all tasks that have no end.
More meditation? Problem with meditation right now is that I drift off; meditation becomes nap time. Not kidding.
I’ve also been helping, to a small degree, to find and prepare housing for the refugee family our neighbourhood association has sponsored. But this morning, I’m not at the new apartment with some of the others from our group, who are cleaning and sorting and sewing; this morning, I’m cleaning and sorting at home, and then I’m going to spend a few hours with friends before racing off to complete a rather daunting list that must be done before our first Christmas begins: around 3PM this afternoon, with the arrival of Kevin’s family.
Why am I blogging?
Because in all of this remembering to do things, and creating lists, and flurry of emails and information and errands and doing and hopping out of bed and going to bed too late, I haven’t been chronicling. Maybe that’s okay; I don’t need to press publish on every last thing that happens. But I do need to write. I need to write.
What are you working on now?
It’s a question I’m asked often. My vague answer — and it’s totally truthful — is that I’m too superstitious to say. I’ll tell you when something’s done, for real. There are too many lost and abandoned ideas and manuscripts along the path to publication; yes, even as a published author, yes, even now. I prefer to mourn these passings alone, and get on with the work. It’s part of the job. Believe in what you’re making while you’re making it, but never be precious about it when you’re finished: this attitude has served me well over the years. I’m not sentimental about the process. It does mean it looks like I’ve failed more than I’ve succeeded — all those dead manuscripts in my attic. Whenever I explain this process to a class of students, they collectively make the “poor you” sound: awww. It’s funny. I think they think I’m being confessional. Pity is the universal response to hearing about failure, but it’s a response that misses the point, which is that creativity is driven by trial and error. Listen up: This is how publishable books get written! Only rarely do we get it right the first time; virtually never; okay, actually never! The point is: do the work, don’t sweat the result, because you are doing the work, it’s a process of discovery, enjoy it, wrestle with your ideas, let go, reassess, press onward, learn learn learn, this is the thing.
But wait! This was supposed to be a post about new work!
I’m pleased to tell you that two new stories have entered the world, published in two Canadian literary magazines. I’ve got an essay in CNQ: Canadian Notes & Queries, about re-reading Muriel Spark’s The Prime of Miss Jean Brodie; and I’ve got a story in Brick magazine called “Why Give Yourself Away?” The former is transparently non-fiction, an essay; but the latter is an oddity that I’m defining as fiction, perhaps for my own sanity. Read it and judge for yourself. (CNQ publishes a few essays from each issue online, but mine doesn’t happen to be one of them, and Brick doesn’t publish its stories online, so you’ll have to get your hands on print copies; the links above will lead you to sources for purchase.)
The first piece in this issue of Brick is an interview with a French artist, Sophie Calle, by Eleanor Wachtel. If you’re interested in what compels artists to create, it makes for compulsive reading; Calle sees the world in such a head-spinningly different way, and she’s gotten so much done just by doing it. Inspiring.
(Photo taken in Madrid, when I was there in September.)
Our neighbourhood association, which was formed a couple of years ago to help foster a sense of community, is currently working to sponsor a refugee family and bring them into our neighbourhood. There are many ways to help, one of which is by donation, through MCC (Mennonite Central Committee). I know blog readers don’t necessarily live in my neighbourhood. If not, perhaps your neighbourhood or church group or school is organizing something similar.
It is almost impossible not to feel overwhelmed and hopeless when flooded with stories of so many people fleeing desperate situations. (I recommend this utterly heartbreaking photo essay by Magnus Wennman titled “Where the children sleep.”) I know these parents and brothers and sisters and children are not on the run because they want to be, but because there is no choice. Maybe, after Paris, it’s impossible not to feel fearful, too. What if the violence from which these people are fleeing comes to us, too?
But what use is fear? What use is denial? Are we safer for being afraid? Are we richer for turning away?
A donation may be a tiny drop in a tiny bucket, but so be it. If you are able to help, you may find your gesture an antidote to hopelessness.
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