Category: Confessions

Lists

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Good things I did yesterday: wrote in journal, wrote blog post, received kind messages from friends, publisher, agent, etc., made detailed class plan for teaching gig tonight, read (and wept) through Katherena Vermette’s GG-winning poetry collection North End Love Songs while curled in front of fire, walked dogs, did not put on brave face, picked up kid from field hockey practice, napped, drove kid to and from gymnastics, ordered Chinese for supper, laughed, shared sadness with family who refused to come to my pity party, played piano duet with 6-year-old, read picture books to kids, folded laundry, went to bed knowing all was well, set alarm for early morning yoga.

Dumb things I did yesterday: did not eat lunch, did not answer phone.

Six-year-old: “So your book didn’t get a medal?”

Eleven-year-old: “Go for a run, Mom, you’ll feel better.”

A list of Canadian authors also with books out this calendar year, also not on this year’s Giller long list, posted in my FB feed yesterday by a friend: Margaret Atwood. David Adams Richards. Ann-Marie MacDonald. Caroline Adderson. Michael Crummey. Johanna Skibsrud. David Bergen. Kate Pullinger. Fred Stenson. Rudy Wiebe. Emma Donaghue. Thomas King. (To which I will add those names I’d hoped or expected to see there too: Richard Wagamese. Tasneem Jamal. Kim Thuy. Dionne Brand. Kathryn Kuitenbrower. Claire Cameron. Angie Abdou. Michelle Berry. And I could go on.) All of which is to say, I’m getting over myself. It usually takes me exactly 24 hours to get over myself. Hi, self.

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I want to argue with my own expectations. I do. I want to blame them, get angry at them. But they’re such an integral part of me. Here’s how Kevin put it (this is why I married him): “If you really didn’t care, well, you wouldn’t care. You wouldn’t be who you are.”

Onward.

xo, Carrie

This is of the moment

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The worst has happened—in terms of your literary life in Canada, that is, which are terms admittedly insular, and insignificant, perhaps, to all but those who’ve published a book of literary fiction in this calendar year. But there it is. Within this specific framework, at this specific moment in your publishing life, the worst has happened. You’re not on the long-list of the premier Canadian fiction prize.

This has just happened.

You’re surprised (and relieved) not to feel envy for those upon whom the light is shining. But you don’t. They need the light too. You don’t begrudge them a single spark.

What you feel, immediately, perhaps inexplicably, is shame and very little else. You feel like vanishing. You feel as raw as if you’d been sliced open, as vulnerable as a scurrying animal exposed in an alien environment. Shame is the most powerful emotion right now. You can’t imagine going outside of your house ever again.

So what are you going to do?

So you sit here writing. You sit and write because what else could you possibly do, especially if you can’t go outside ever again, even though it is a beautiful sunny day? You sit here writing, laughing at yourself, saying, you’re right here, breathing and alive, and you aren’t going to die from this. Your family is beautiful and funny and active, and they love you no less for this. You haven’t done anything wrong or evil. You haven’t hurt anybody. You haven’t actually failed, because there was nothing you could have done differently to pass. You are the same woman you were this morning, and you will be the same woman tomorrow. You will find your footing.

You are not made for the sprint distance, but for the long hard lonely run.

It isn’t meant to be easy, because if it were, it would count for nothing in your mind.

It’s meant to be hard. You learn most when it’s hard. You learn how to access reserves of strength and humour you did not know you had. You learn how to feel things deeply. You learn compassion for the deep, painful feelings of others. You learn repair. You learn self-governance and self-control. You learn discipline. Maybe, after you’re through writing this post, you’ll learn perspective, too, letting go, you’ll go eat some lunch. So, this is the worst that could happen? So, your reward is not going to be a bright prize and audience applause? You don’t know what your reward is going to be. It doesn’t matter. You aren’t doing this for the reward, you never were, and you never will. You’re doing this for life. You’re doing this to pattern words into story, to carry a reader into another world, to share your ideas in ways that can be taken in deeply and felt.

You want readers to find your book, so this is a disappointment. You know disappointment. It’s a totally non-lethal side effect, a condition of being who you are, someone with high hopes, dreamy and possibly delusional optimism, joyful dogged effort. And joyful dogged effort can’t be stopped by disappointment, only paused briefly, stalled briefly, here in this little rut of a moment that must be walked through to be gotten through.

It’s going to hurt, yes. It hurts, yes. This too is life. This too shall pass. Already it occurs to you that you may, in fact, be able to leave your house and go outside again. Perhaps even later this afternoon. It’s going to be okay.

And tomorrow you’ll write something else because tomorrow this will look different to you again. This is of the moment. This a record of what is happening now.

xo, Carrie

On and off, out and about

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photo credit: Claire Cameron

I’ve been on and off this weekend. It’s harder to be on than off, and I wish sometimes to have been born an extrovert, feeding off the energy of being out there in the world, but the truth is that I’m the one wearing the ear plugs, drinking the cold coffee, in the comfy sweatshirt and crocs, hair in a messy bun, smelly dogs snoring nearby, cozy, informal, lost in her own head. And when I’m asked to be a woman with a measure of formal poise and polish, it takes some inner cinching, like I have to put on a corset and sniff smelling salts and throw my shoulders back in an effort to practice posture taught in some long-ago comportment class.

Yet that is part of what I do, as a writer. It’s part of the job. I don’t just stay at home in my comfy pants. When requested, I go out and address an audience, I attempt a performance. While trying to be myself.

I do my best, I guess, is what I’m saying, in a situation that takes me out of my comfort zone.

I don’t know why I feel compelled to be ever-improving, but my approach is that being taken out of one’s comfort zone is a good exercise for the spirit. It can be humbling. It can be enlightening. It can be neither of those things, and still be a good and decent practice to attempt.

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Eden Mills Writers Festival, Sept. 14, 2014

At my launch party, I was one writer among friends, family, neighbours. It was so easy to be on. At Eden Mills Writers Festival yesterday, I was one writer among many writers, none of them old friends, family or neighbours. It was much more challenging to be on. There was a moment when I plunked down in the one free chair in the cottage which functioned as the “artists’ room” while Eleanor Catton, fresh off a plane from New Zealand, sat on the floor nearby. I couldn’t think of a thing to say to her. (Should I have offered her the chair?) I was ridiculously tired and it was only 4PM. I’d done my reading, signed books, talked to people, circulated, listening to other readings, found myself in tears listening to Miriam Toews’s, talked to more people, finally looking for a place to rest for a bit — but the rest I craved was for my mind, not my body. So many good writers, all in one crowded cottage room! It felt like ideas were everywhere and I could not properly absorb any of them. I grabbed the empty chair and sat like a stone. I felt, I guess, overwhelmed by the circumstances. (It probably didn’t help that I was wearing red rubber boots.) What to say to Heather O’Neill? Lynn Coady? Miriam Toews? David Bezmozgis? (I don’t know!)

Well.

Maybe I’ll think of something next time. This is just the beginning of the fall touring season here in literary Canada, and many of these same writers will be popping up at festivals elsewhere. Maybe what I’m feeling is a touch of impostor syndrome. Maybe it’s basic shyness. Maybe it’s an excess of stimulus. Maybe it’s cognitive dissonance. Maybe it’s nothing I need to overcome, just accept–that I will be tired after reading and speaking to people, that I will need to sit still like a stone for a bit to recover. I did recover. The afternoon went on. I made a new friend, a poet from Winnipeg named Katherena Vermette, who won the Governor-General’s Award for poetry last fall. I ate pie sitting beside Leon Rooke, across from Thomas King. (Though I didn’t know what to say to them either, truth be told.)

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Perhaps it’s telling that my most cherished moment of the weekend was an “off” moment. What I mean is that I wasn’t “on,” I wasn’t performing, I wasn’t trying to connect in any way. I was running a race. It’s been nearly two years since I ran a race. On a last-minute whim, I signed up for a half-marathon that covered country roads not far from here. I went alone and ran alone. My watch didn’t even work, so I just ran. It wasn’t easy, but it wasn’t taxing, if you know what I mean. I knew what I needed to do. I waited for all the things I expected to happen to happen, and they did. I pushed harder and faster as the race went on. My mind lost the capacity to do anything but propel me forward. It hurt and I knew it wouldn’t hurt me. For motivation during the last couple of kilometres, I imagined my 11-year-old daughter telling me not to give up–You’re almost done! I imagined her saying in a slightly exasperated tone. Don’t slow down now! So I didn’t. I crossed the finish line alone. I drove home alone. I went on with my ordinary every day, practically bursting with pride at the speed I’d managed, the pace I’d kept.

But it isn’t quite fair to compare these two things. The race was undertaken for the joy of it. The readings are undertaken to bring my book out into the world. I may know what to expect from the former, but I don’t know what to expect from the latter. I don’t know how hard to push myself, how hard to push, even. It might hurt, and maybe I’m afraid it will hurt me, too. I don’t know if there’s a finish line, or whether I’ll recognize it if there is one. I don’t know or entirely trust my stamina, my energy, my own desire. I don’t know the parameters. There is no script. Most of all, I don’t want to be alone while I do it.

Today’s the day

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I feel like I should mark the moment somehow. Today, my third book and first novel, GIRL RUNNER, is officially published here in Canada. Dreaming of this day as a teenager in high school, plotting and hoping to become a real writer, what did I imagine it would be like? Feel like? I no longer know. There is excitement, but it is muted with a weight I probably wouldn’t have guessed, as a teenager. There is satisfaction, joy, even, but tempered by perspective, by years of struggle, by a kind of wondering at my own persistence and determination, and I don’t mean that in a self-flattering way — I mean, I wonder at my ridiculous, stubborn refusal to give up this singular dream, even when it made absolutely no sense, financially or practically or even artistically. I had to write a lot of very bad prose on my way to learning how to write like I wanted to be able to write.

I’m thinking this morning of writers I have admired. How I loved L.M. Montgomery’s stories of orphaned girls, soaked though they may have been in sentimental romance. I didn’t want to grow up to discover that Montgomery’s own life had been unhappy. I wanted her as happy as her heroines, as plucky, as daring, as beloved. There can be such a distance between what a writer puts onto the page and her own life. We may write what we wish to have been or done, we may write to seek forgiveness for a wrong or to seek peace, we may write to escape, because the imagination is powerful enough to carry us somewhere else, somewhere better, for awhile.

I’m not sure where I fit into this, exactly, as a writer and a human being.

I was thinking today that my ever-present theme is the connection between past and present, and how the past leaves its imprints on the present. I have an interest in history (thanks, Dad!). But it isn’t the interest of an historian, who tries to piece together from available evidence the most factually accurate narrative. It’s the interest of a story-teller, who needs facts only as stones tossed into a wide lake, so she can see the ripples spreading out across the disturbed surface of what only seems to be.

I’m going hifalutin’ this morning, I see.

I wonder how L.M. Montgomery felt when her first book was published? And her next, and her third? How did she feel when Anne of Green Gables became so beloved that the author herself was subsumed by her invented character? Isn’t it strange how these characters we create can come to seem more real than us? That is a possibility I’m considering this morning, as I think about Aganetha Smart, the girl runner in my book, and Juliet, of my JULIET STORIES, and the man with the hair hat, from my first collection HAIR HAT. I don’t know quite how to express this idea, but it seems those characters are more real, more knowable, more plausible than I myself could possibly be. I’m human, after all. I’ve done all kinds of things that make little sense, or don’t fit neatly into a plot or storyline. I’m contradictory. Sometimes I’m selfish, sometimes generous, sometimes oblivious, sometimes keenly attuned to the needs of others, sometimes a good friend, and no doubt, sometimes not. I’m trying, like we are all.

But my characters, they’re there, fully formed, on the page, comprehensible. Complete in a way I’ll never be.

Tonight, I’m going to the launch party for GIRL RUNNER here in Waterloo. It’s a party for the book, for the character of Aggie and all that she is, all of her accomplishments, and the richness of her life. I’m going to celebrate her existence. How she came to me, and came through me, is a mystery I’ll never know or be able to explain. This is not something I could have imagined, as an aspiring writer in high school — how separate from my creation I would feel. How grateful. How small. How glad.

The house is so quiet

Sundaymorningsoccer.jpgSunday morning soccer, Owen Sound, Ontario

The house is so quiet.

You know when you wish for something and then it arrives and you wonder why you were wishing for it? That’s what this morning feels like, and it’s a taste of the months to come, after the kids return to school: house empty during school hours, just me and the dogs, no one dashing into my office to demand/beg/complain/tattle, no need for ear plugs, no discoveries en route to the bathroom of kitchen disasters and the remains of lunch. Just me.

Interrupted by my own distractions, demands, hunger, anxieties.

This week, one child is at a friend’s cottage. Two are at overnight camp. The fourth is home, but is at a soccer camp during the day.

#onlychild.jpgHere he is at supper last night, playing the part of only child without apparent effort. “I can’t see without my glasses,” he joked. He helped Kevin clean the back porch, which we are finally painting after years of neglect. He was affable, talkative, and snuggly after supper, playing a game with Kevin, brushing teeth, putting on PJs, reading a story with me.

But then it came time for bed. And suddenly the emptiness of the house struck him too. His lonely room, no sister reading by flashlight or humming her “Suzi dog songs” in the bunk overhead. Couldn’t he sleep with me? At the end of the bed? On the floor? Here, or here?

It’s kind of how I feel this morning. I can’t quite settle. After longing for alone time, I miss the mess.

I don’t know how someone so strongly inclined toward solo pursuits got so lucky as to acquire a life filled with chaos, but lucky I am. And oh how I appreciate the gift of disruption in this quiet quiet house. Kevin and I took advantage of having built-in babysitters home on Saturday, and slipped out to see Boyhood. We loved it. It’s the parents who stick with me, complicated, loving, mistaken sometimes, sometimes wise, trying even while they know they’re failing in some profound way, but that’s what we do as parents–try even while we see ourselves being clumsy, repeating mistakes. The scene that haunts me today is the mother crying in her kitchen as her son packs up his room to leave for college. “This is the saddest day of my whole life,” she says (or I remember her saying). “I knew it was coming, but I didn’t know you’d be so happy to be leaving.”

The other piece that sticks with me is how much advice the boy is given by well-meaning adults over the course of his boyhood. And how rarely that advice is what he wants or needs. Yet how compelled the adults are to offer it. Makes me want to hold my advice-giving-tongue and instead listen, ask questions, be around.

xo, Carrie

* A note on the photos: these are #unedited #cameraphone. My photo computer died last week, and until it returns to life, I am without editing options, or the ability to download pictures from my Nikon. So for the meantime, I’ve exchanged quality for spontaneity. There’s always an upside to the down.

The truth about holidays

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This photo is essentially unrelated to our weekend. What I like about it is the small picture within the bigger picture: the mirror looking backward at a scene that appears to be rendered in black and white, while the almost colourless landscape whooshes past out the window. It’s like a metaphor for a blog post.

I haven’t had a lot to say this week, here in Blogland. I think my thoughts have turned to subjects too large to be confined to this space. It isn’t the medium for the long-form essay; nor is it Twitter-sized. It’s like a scrapbook: photos, captions, a snapshot capturing a fragment of the here and now. I’ve been thinking about renovating my blog so that it can display photos more prominently and text more colourfully, but that’s a big project for a solo artist who can’t seem to keep the counters clean in her actual abode, though she did just fold several days’ worth of laundry, leaving it in yet another basket for her children to put away in their drawers, which they may someday do, someday. One lives in hope.

I ran 23 kilometres yesterday. It was about two kilometres more than my legs wished to go, but I’d planned my route slightly ambitiously. I was aiming for a two-hour run, and it took me slightly more than two hours. I’m oddly un-achy today. Yet oddly grumpy, it must be confessed. I’ve run the vacuum cleaner down the stairs, threatened to give away one child’s computer (as in, physically picked up said computer and carted it toward the great outdoors where I promised to hand it to any stranger passing by), and now I’ve wisely barricaded myself into my office. One of my goals for today is to plan out the summer: last summer I paid the older children to babysit the younger children, including making lunches, and not using video games as entertainment, an entirely successful experiment we intend to recreate this summer.

It’s Victoria Day, and a holiday here in Canada, so I’m getting a taste of the summer that must not happen: everyone underfoot and bored and sulking about the paucity of electronic time and asking for snacks and ignoring the simplest instructions whilst I fold laundry and howl about wasted opportunities and my envy of Mordecai Richler, whose biography still haunts me several years after reading it. (I’m not making this up. The howl of “I wish I were Mordecai Richler!” arises surprisingly frequently when I’m in a self-pitying mood: imagine having someone to cook you fine meals and take your children to their appointments and keep the daily annoyances at bay while you work your ass off doing the only thing you really want to do).

Except take a small step back, Carrie. Do you really want to wallow in envy?

And another small step, please. Mordecai Richler was making a killer living doing the only thing he wanted to do, and while I’m doing fine as far as these things go, basically Kevin and I must share the domestic and professional tasks between us to keep our family afloat. In short, we both have to: cook the meals (some of the time), take the children to their appointments (some of the time), and make space for the things we really want to do (some of the time).

And, hey. Would I really want it any other way? I appear to be feeling better, suddenly. It must be the barricade. And the writing. The writing always helps. I can hear, through my ear plugs, children gathering to make their own lunches (ramen noodles) and the vacuum running (Kevin). And now the piano is being practiced. And the sun is shining. Here are some flowers from our backyard:

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Let me leave you with a few of the wonderful things I’ve read this weekend:

* Ian Brown’s essay on the mulberry tree that once stood in his back yard (aside: I harbour a deeply held fantasy of becoming the female version of Ian Brown)
* Anakana Schofield’s books Q&A in The Irish Times, which is as enormously amusing as one could ever imagine a books Q&A being
* Oy! Feh! So! by Cary Fagan, illustrated by Gary Clement, a children’s picture book that is CJ’s absolute favourite right now, and which is quite a lot of fun to read out loud, especially if you, like me, enjoy doing voices at great volume right before bedtime
* All My Puny Sorrows, by Miriam Toews, which is kind of wrecking me even while it opens me, like all great books do, taking you apart and putting you back together, emotionally and morally, without telling you what to think. I love Miriam Toews.

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