This is the second wide-ruled notebook this month that I’m filling with words, words that seem to be becoming something. This afternoon, when I laid down my pen, I looked out the window and said, “I don’t even know if it’s any good.”
And I heard this reply: “You don’t need to know. It’s none of your damn business.”*
Keep making what you’re making, people. Get out of your own way. None of this belongs to us, we’re just here to do the work that’s come calling.
I’ve read some excellent books these past few months, all by women, mainly fiction. Most recently, I finished THREE WOMEN, by Lisa Taddeo, creative-non-fiction, and the kind of book a person wants to discuss afterward with someone else. In the absence of a book club, I bring my thoughts to you. (This is how compelling the book is: I was reading on the couch last weekend, sharing a blanket with my eldest daughter, when she suddenly said, “Wow that book must be good, Mom. You haven’t fallen asleep!”)
(Possibly related note: the book has a lot of graphic descriptions of sex. But in my interpretation, as you’ll see below, the sex stands in for desire more generally.)
THREE WOMEN is a book about women’s desire as examined through the lens of sexual desire(s) that our culture would call taboo. One woman defines herself as a submissive and has sex with other men and women while her husband watches or participates. One woman, in an almost-sexless marriage, has an affair with a former boyfriend after connecting on FB. One woman, as a high school student, was pursued byand sexually involved with a teacher, and when charges are pressed years later, the teacher is absolved and she is destroyed.
But she had already been destroyed. (This is not a spoiler; the book’s propulsive nature relies on exploration of character rather than plot.)
The most interesting section, for me, comes in the epilogue, when the author unpacks, most explicitly, the subject she’s been examining, and reveals that this particular desire she’s been exploring throughout is an exemplar for anything a woman wants—desire, generally.
Her mother, dying, has something she agrees to reveal to her daughter. Something she wants to tell her.
Are you ready? She asked me.
Yes, I said. I got close to her face. I touched her cheek. It was still warm and I knew it wouldn’t be for long.
Don’t let them see you happy, she whispered.
Everyone, she said wearily, as though I had already missed the point. She added, Other women, mostly.
I thought it was the other way around, I said. Don’t let the bastards get you down.
That’s wrong. They can see you down. They should see you down. If they see you are happy, they will try to destroy you.
But who? I asked again. And what do you mean? You sound crazy.
Later, the author writes: “… we cannot exactly say that we expect to be happy.”
Finally: “There was a beauty in how little my mother wanted. There’s nothing safer than wanting nothing. But being safe in that way, I’ve come to know, does not inure you to illness, pain, and death. Sometimes the only thing it saves is face.”
So let’s talk about desire. Not sexual desire. Desire. Naming our hopes, our aspirations out loud.
Personally, I have trained myself to expect less, and perhaps also to want less, to make do with less, to make less a wonderful shelter, in a way, a goodness and righteousness, a way of life. I do believe, morally, in the ethic of more with less. But I also can see how lowering my expectations, and being afraid to name what I want (out loud or even quietly to myself) could make my whole life so much smaller. But if I name what I want, am I not guaranteeing I’ll never receive it? Jinx! Touch wood. I do this, when I accidentally state out loud something hoped-for.
In truth, I’m morally opposed to the idea of bottomless aspirational desire, of eternally needing and wanting more, which always seems to come at the expense of others. I disagree with inflicting harm on other people to favour one’s own pleasure. That is why the stories of two of the women in this book were more difficult for me to understand—acts of self-pleasure are rarely victimless. Can desire be healthy if acting upon it will damage those to whom we owe our loyalties and responsibilities?
I’ve been thinking about how comparing ourselves to others is a fast-track to misery. It’s a fast-track to bitterness, envy, and a form of self-loathing that we often turn outward on the object of our comparison. I fought these very feelings yesterday morning in a weight class at the gym, working out next to a woman who seemed effortlessly to wield weights heavier than mine, whose endurance was always greater than mine. My attention was divided, and I kept diminishing my own efforts, even while thinking things like: She must have more time to work out than I do, or even, It can’t be healthy to work out as much as she must, to be in such good shape. I also recognized, even as my thoughts ran in this direction, that any discontent I was feeling was so wholly not this stranger’s responsibility, but my own.
I wonder whether comparison whispers to us that we should have been wanting more all along, that our suppression of desire has cheated us somehow? Does it make us question our life choices? Recognize invisible alternate realities all around us that may already be closed to us?
Is our comparative envy perhaps also related to a scarcity of resources? For women, there is an extreme scarcity of resources around desire, success, and achievement. We have a very narrow window of acceptable achievement, and of the way to acceptably achieve. Naming our desires is not so straightforward. We have to be so careful not to name desires that would hurt others (as I said above), especially our children. We struggle, too, to claim our own successes. We work so hard to keep in balance all these pieces of ourselves — and our expectations for ourselves — that we inevitably fail on one important front or another.
We cannot exactly say that we expect to be happy. Is this a gift we could give to each other, especially as women? — admiration for each other’s strengths, in tandem with appreciation for our own.
Running with a friend. A dear friend. Every Monday morning, 6AM, for the past decade, maybe longer. Time adds up. Conversations accrue. We change. We don’t change. We agree. We don’t agree. We listen. We understand. We’re gentle with each other, even when we don’t understand. It’s early. It’s dark. It’s light. It’s dark again. We see the stars. The sunrise. We talk. We’re quiet. We feel heroic. We’re tired. We’re energized. We ask questions. We tell stories. Share ideas. Consider options. Imagine what comes next, or many years from now. We remember. We celebrate.
Earlier this fall, I told her that I’d had a revelation, that I’d woken up in the middle of the night, and I’d thought — It’s okay to enjoy life.
And because she knows me so well, she understood the significance.
I said, I know it sounds sort of minor and obvious, but it really feels like a revelation — that it’s okay not to strive so hard all the time. That life should be enjoyed, as often as possible. That I don’t have to feel guilty about not feeling stressed out.
I said, The thing is that I realize that I’m really enjoying my life right now.
(Side note: I’m almost too superstitious to let that last sentence stand, but I’m going to put it out there into the universe, in recognition of the ebbs and flows, the waves that carry us closer to shore and back out again; I accept that not every day will I really enjoy my life; but also that I want to celebrate each day and hour that fills me up and makes those other times survivable.)
This morning, Monday morning, we ran again, for the five-hundredth time or so. Out to where the sky opens up and we can see the stars (except not this morning; it was overcast, snow on its way). As it happened, I felt more interior and listened more. But in her presence, I was reminded again that it’s possible and good and okay to enjoy my life: I gave myself renewed permission. I thought: What a gift it is to feel pleasure. To look forward to a blissful morning such as this very morning, beginning in the company of friendship, and moving through the usual morning routine surrounded by family — a shower, poached eggs on toast and a homemade mocha, reading the newspaper, the sound of a child playing the piano, the house gradually emptying out — and then, a quiet dog walk in the snow, returning home to quiet, where I’ll read, I’ll nap, I’ll write. And I did and it was.
Snow falling, falling, falling out the windows. A soft light. Living in my mind, feeling alive through characters, visiting other times and places, and yet anchored here in warmth. The best day I can imagine.
And so I say to you, too: Go ahead. Enjoy your life. You have permission! It’s okay! No matter how quiet, no matter how undramatic, no matter how small the victories. Enjoy. Whenever possible, love what you’ve got — life. Taste it. Feel it. See it. Embrace it. Let it be what it is, something that doesn’t quite belong to you, but is of you. It lives in you, through you, you are your own expression of this difficult wonderful gift.
This year is almost over, and here we are, wandering into the arms of a chilly month, narrowing light, naked branches, the hunt for snow boots that fit and mittens that match, while California burns, and the glaciers melt, and Jane Fonda gets arrested week after week pulling the fire alarm on the climate emergency. Yet I continue to drive an SUV. My son graduates from high school and observes from the back seat, on the way home, holding his cap, that he’s missed a lot of opportunities, that others took more chances, joined more clubs, showed up, shared their interests, while he … played video games, I guess, he said. (In fairness to him, he’s worked at least one part-time job since age 15.) But it’s not too late to show up, I said. What interests you? What pulls you?
How do we make meaning in our lives? How do we induce momentum? How do we change trajectory?
Am I flywheel set into a track and spinning of its own weight, or am I bird, catching the air currents, or am I free, fundamentally? What I see is that we obey laws that are beyond us, even while we attempt invention, innovation, revolution. The bird can dive through air currents, perhaps, to find others, but she’s still going where the wind blows her. She’s pulled by instincts that are collective rather than individual, needs that are seasonal. We set limitations as cultures, as civic systems, as families, as collectives; but we also long to see ourselves as living outside of those boundaries, as having free will, as being in control of our destinies.
I struggled to go to the Wild Writers Festival last weekend as Carrie Snyder, writer, because I’m not publishing and haven’t published [a novel] for so very long. It’s become ancient history. I’ve passed into the past. But I’m still present. Maybe we are all longing to be relevant.
I want to wear my own face, not a mask. I want my public voice to be my private voice. I want to step forth as vulnerable as I am grounded, as transparent as I am polished. Is it possible to be vulnerable and clear? Is it possible to perform transparently?
There’s a tug-of-war between exhausting precious personal resources in an effort to be relevant and wanted and needed (taking on responsibilities, saying yes when asked to participate), and guarding space so that quieter creative work can flourish (saying no, assessing offers through a different lens, basing decisions on a formulation that acknowledges the siren song of doubt and ego and the desire to be important, that taps into grounding foundational personal principles — a personal mission statement).
Maybe I need to rewrite my mission statement for this new stage in my life.
What needs to take priority? What boxes do I want to check? What do I want to do with this one wild and precious life? Like my son, how do I get involved, sign up, figure out what matters to me, what interests me, and devote my time to doing things that are challenging, not always what I “feel” like doing, and hopefully help feed and create community for others, too? How do I do all of this and yet stay true to what’s burning bright inside … the desire to hibernate, to close the door, to write and nothing more.
I have a lot on my mind. And somehow that has translated into silence. How to sift through the jumble and identify items worthy of sharing? I seem to exist in a fog of confusion, at least right now.
Last week was absorbed by creating a roster for this season’s soccer team. A painful, heart-rending process, in all honesty. Humbling and bruising, too. A large part of me rebels against the levels imposed by competitive sport that claim to filter children into good, better, best. It isn’t an objective process, yet it’s treated as such; worse, there’s an implicit assumption that the teams themselves are good, better, best, based on level alone, and that a child’s experience would therefore be improved by moving up, and would deteriorate by moving down. I know what I can offer, as a coach, but within the competitive framework, it often feels like what I can offer doesn’t actually matter.
I’ve been waking in the middle of the night, unable to fall back to sleep. Mind racing. Body restless.
Not thinking about these things, exactly, but about the everything, the jumble, the chaos of a world that claims to be about one set of rules and values, while operating on a completely different set of tacit rules and values. Winning. Winning by any means. Power. Shows of dominance, especially rage. Shaming. Placidly public corruption. Lies. Assume everyone is lying to you, or you’re naive. Well, dammit, then I’m naive! The values we encourage our children to adopt could almost appear cruelly out of step in the context of this greedy, ego-ascendant world: be kind, share, be trustworthy. But that’s what I want to be and to do.
That’s the space I want to hold open.
I keep picturing the frame we teach players to make with their arms, to protect the ball and box out the pressure. It’s a strong stance, but not aggressive or violent or dirty — you don’t lift your elbow to hurt the attacking player, you simply use the steadiness of your body and of this frame you’re creating to hold your ground.
The conclusion I keep coming around to, amidst all the confusion and noise, is: I want to be kind. It’s actually almost the only thing I want to be. I don’t think much else matters to me, in the end, and in the right now. I accept that kindness can go awry, that the road to hell is paved with good intentions, that kindness, offered in ignorance, can cause suffering. And maybe I’m talking about something bigger, deeper, wider than kindness. Maybe I’m talking about love. Love; and attention. But it’s easier to start with kindness. Kindness is easier to grasp in the moment.
There is a mantra that’s been keeping me grounded, as much as it’s possible to be grounded, whenever it feels like I’m whirling away or spiralling down: I am loving awareness. It helps when I’m worrying about being judged, or am judging others, when I’m second-guessing my choices, or letting external pressures and feedback (real and perceived) affect my state of mind.
Here’s a ten-minute meditation to sit with.
(If the visuals in the video turn you off, just listen to the sound. Or don’t listen to anything at all, just repeat the phrase I am loving awareness, till you know it’s true.)
I’m fascinated by stories of people who are artists or who belong to other devotional professions that demand extreme discipline to a practice or a cause. I just finished reading a story in The New Yorker about the artist Vija Celmins, a woman now in her 80s, who paints, sculpts and draws the same subjects over and over again, sometimes for years at a time. She made bronze casts of 11 stones, for example, and spent years painting them so that they would like the exact replicas of the original stones. When she put the sculptures on display beside the original stones, people couldn’t tell them apart. Years! She also did a long series on spider webs, in which she would use an eraser to etch the web on a black/grey surface. She’s done paintings of the night sky, paintings of sand in the desert, paintings of small sections on ocean water, over and over and over again.
It’s funny, but I had a flash while staring at the lake last month, thinking about how impossible it was to try to capture the movement of water — yet that’s what she set out to do. I was mesmerized by the pattern on the surface of the lake, these symmetrical moving shapes, almost like ovals, all connected, that spread out across the surface of the water and both held and did not hold as they seemed to move and move and move, but also not change.
I can’t describe it in words.
I knew I’d need a photo, and also that a photo wouldn’t suffice, and I was tempted to try to draw it, but I couldn’t imagine the water holding still for me to be able to draw it. I would need the water to hold still. And I guess that also got me thinking about how impossible it is to describe a moment, even though that’s what I set out to do in the story collection I’ve been working on for five years now — trying to describe the intricacies of a sequence of moments. It all just falls to pieces. There isn’t time to grab everything. By the time I’d describe even a fraction of a moment, the moment would be very far behind me, and I wouldn’t be able to return to it. So it’s been an interesting exercise, but perhaps not one that can succeed. But I’m veering in the wrong direction. Success or failure doesn’t seem to be the point of what Vija Celmins (and others) are attempting in their devotion to a particular craft. Instead, there’s a common desire, shared by artists across mediums, to capture something ineffable by repetition. Or by a series of actions that will deepen our knowledge and experience of something particular, which can’t otherwise be named or known.
I don’t know.
Despite everything, something inside me still finds the stories I wrote vital and compelling. I continue to return to them, to work on them. Maybe they’re like the poems that I wrote all those years ago in young motherhood (never published) — necessary to my own survival, dull to anyone else. Who knows what pulls a person in, or why a subject demands one’s attention. It doesn’t have to be because it needs to be seen or known by anyone else.
Just now, in looking up more information about this artist, Vija Celmins, I came across this video of her talking about her work (link below). Listen to this: “Sometimes I think that the only part I think is of any value is the making itself. And the things about it that is — that are — interesting is that you’re making something that is basically unsayable.”
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My name is Carrie Snyder. I'm a writer of fiction and non-, reader, planner, dreamer, arts organizer, workshop leader, mentor/coach, forever curious. I'm interested in the intersection between art and spirituality. What if the purpose of life is to seek beauty? What if everyone could make art?