This morning, I sat in kundalini yoga, my arms lifted over my head, lowering and raising and lowering, and aching and burning, and I began thinking about something else entirely. I remembered baking bread on Sunday afternoon, while listening to the Sunday Edition on podcast, an hour on Man’s Search for Meaning, a book written by Victor Frankl in 1946, shortly after he was released from a German concentration camp; his parents, brother and pregnant wife all died in concentration camps, a suffering I cannot fathom. And yet, Frankl wrote a book that is still in print, its words still luminous with love. On the program, his biographer discussed the fundamental flaw in the pursuit of happiness—the pursuit itself, the pursuit of a goal that cannot be forced into being, if happiness is even a reasonable or desirable pursuit at all. The more you chase it, the further from you it speeds. And, said the man, the relentless focus on the self, on creating happiness for oneself, dooms the enterprise. It’s only when we turn away from ourselves and focus on others that we become—not happy, but whole. We find meaning in our life because we’ve reached beyond ourselves.
Love is meaning. The only way to fully inhabit the self is to look, listen, love beyond the self.
I sat in kundalini yoga, my arms aching, and remembered, and remembered more: yesterday afternoon, chopping mounds of onions and sweet potatoes for our Thanksgiving dinner, listening to another podcast: Tapestry, with Mary Hines, an interview with a woman who had corresponded with Omar Khadr when he was a prisoner at Guantanomo Bay; the woman had become his teacher, and she testified on his behalf at a trial. She talked about the fear of God in a way that made this fear make sense: not cowering under fear of punishment by an angry god, but fear of refusing God’s invitation to action. Fear of making a choice based on the shallow terms on which we so often base our choices: fear of being judged by others, fear of looking foolish, fear of being singled out, fear of taking a stand and having to suffer the consequences. When none of these worldly or earthly pressures could shake the more profound fear of not doing justice, of not doing right—this, she said, was the fear of God. I look in awe at those with courage to stand firm in their convictions; does this strength come from a bigger place and purpose?
Do we know what is right? Do we know what is just?
The woman on Tapestry spoke about being pulled in an unexpected direction, a direction not of her own choosing. An invitation, an opening, a tidal pull, a crack where the light gets in.
As I sat in kundalini, I asked myself, as my arms spun circles and ached terribly, where am I pulled, who are the others upon whom I turn my gaze?
Stories, I heard.
You have stories, you already have stories, and stories pull you always out of yourself. Yet you resist their pull, you resist even the idea that you might be good at something, that you’ve written stories that are like gifts, in a way, that mean something larger than yourself—that don’t belong to you.
Who are you to say you should change course and seek a new outlet for your desire to be of use in this world? That’s not pull, that’s push, that’s pursuit.
I stayed up to watch the Blue Jays game on Sunday night; the Blue Jays game and the presidential debate. After the debate, the Blue Jays won, which was fun. But I found myself unable to shake the image from earlier, of a composed, self-contained woman being stalked around the stage by a much-larger, hostile man, his eyelids narrowed, his rage and disgust scarcely contained.
It disturbed me.
Today, when I walked to yoga class, I had to pass by a number of men who were working on the hydro lines outside my house. I was one woman, they were many men. I did not fear them. But somewhere in the back of my brain, I wondered whether these men might speak of women the way that Trump was heard speaking of women, I wondered whether Trump is telling the truth and most men (or even some men, or even a few, which is more than enough) view women as sexual objects, to be desired or loathed, end of story; or are we to be “championed and revered,” as another Republican (Paul Ryan, to be precise) said when rebutting Trump, which sounded almost as terrible, in a weird way, as if I, as a woman, could not operate on my own steam, as if I, as a woman, were a figure of worship, mythical, not quite real. And then I shook my head and thought of all the open-hearted men in my life. And I kept on walking.
I’ve always chosen to believe that I can be myself, as a woman—small in stature, ordinary, complicated, messy, curious—and be accepted as an equal in any situation, and much of my experience confirms this; but when confronted with the evidence shown in that debate on Sunday night, my spirit shrank, a bit.
I wonder whether other women feel the same.
Write while listening to music.
Sept. 29 Listening to music at half time, Jacob Hespeler High School, to the pounding of basketballs on wood, to the squeak of shoes; Eminem, but I don’t know which song. The music, the moment. Pounding rising beat and intensity. The girls huddle up and shout their little cheer. Music’s over. Game on.
The music is still in my head as I stare into space during a time out. It makes me feel excited, determined, pumped up. Cliches. How to express the whirling sensation in the blood, under the skin, like a flame licking kindling, burning up that dry wood, these old dry bones have life in them yet. I am exactly the wrong age. Not old enough for wisdom, not young enough for spirit.
Write while listening to music.
Oct. 3 At the Beckett school of music. From behind closed doors, a cacophony of voices, instruments, songs, chords, melodies. A piano teacher sings along with her student, “One, two, three, four, One two three four, One two and three four.” Further away, the sounds of a piano being played by expert hands, a fluttering waterfalling of notes rippling over the keys.
From behind the nearest closed door, the one behind which my daughter is playing her violin, a lively piano bubbles up, chirpy in tone, and then her violin bites into the opening bar — a tango. She is slightly off-key. They march together, piano and violin, and suddenly the counting goes awry and they stall out, confused, and I can hear their voices trying to sort it out. Two competing pianos now pound at each other with the violin dancing its sprightly tones. Both pianos stop at once. The pianist behind the other door stumbles and hesitates, chopping out a four-beat march in a minor key, stopping and starting, a herky-jerky effect. At a patch of confidence, the speed increases. Then stops.
I hear again the rippling of notes from somewhere far away, rolling, rolling, effortlessly, decoratively.
On the drive here, I could not countenance the thoughts crossing my tired mind; listening to a song on the radio, a brand-new lively pop song that tormented me with its worn-out familiarity. My eyes could scarcely focus and I said, I can’t be this tired all the time. Because the thoughts wandering into my mind and tapping with some irritation on the bones of my skull, were saying, I can’t bear art. I can’t bear how profoundly it can fail to do its job. I can’t bear the necessity of selling it for survival. I can’t bear to make it. Elena Ferrante has been stalked for months so as to rip her from anonymity and I can’t understand why, can only see the pain of it, and how necessary her invisibility to her work.
All of this music sounds like the cacophony in my head, the crossed wires, and missed connections. The random pairings of discordant melodies and misshapen chords, the staggering array of possibilities that is yet, as yet, and possibly forever, incoherent. I can’t make sense of it. I can’t strip it down and hold its many shapes and piece them together again. I can’t bind it in place. I can’t even hear it. My powers are waning, if ever they were waxing, and I fear what I cannot do and I fear the effort wasted. Yet I can’t stop writing. I’m still writing. No matter the unthreading it leaves in its wake.
Subject: Writing as an outsider. My chosen venue: a basketball game in a high school on the west side of the city.
When I first arrive, I sit on the wrong side in the wrong set of stands, then notice a dad I vaguely recognize heading in the other direction, and try to discreetly switch ends. It is hard to focus and write because I want to watch and things happen so quickly, end to end and back again. Coach whacking her clipboard on the sidelines, shouting, “Whoo!”, the team scores. My daughter is on the bench looking small in the red and black jersey. The coach wears red too. The other team is white and blue. Girl misses her free throws.
Shoes squeak. Ball pounds on the wooden floor. The sounds are particular to this space. Close your eyes and you would know what you are hearing. Echoing.
Girls are up 4-0 when the teams take an inexplicable break. They have been playing for mere minutes. I don’t understand. The team huddles up with a tall assistant coach who is not wearing red (blue, instead), and the head coach, who is also tall, animated and vocal. I recognize one of the refs from soccer.
The teams play for another minute and take another time out. The refs stand together at the far end, side by side, like identical twins in their black and white striped shirts, long black pants, black shoes, and round heads, one bald, one with short white hair. I know the bald one. They run up and down the court with whistles in their mouths. I don’t know much, but I can see that the coach plays the same five players most of the time. Nine girls sit on the bench and wait.
Bright lights. Echoing chamber. Blue plastic benches, terminally uncomfortable. “Home of the Highlanders.”
I should watch instead of writing.
At half-time, the ref who I recognize from soccer comes over to chat. “You don’t watch while your own daughter is on?” “Oh no! When was she on?” “She was on for the last minute.” “Oh man, I totally missed that.” “This is a good team.” “Yes.” “She’s in grade nine, your daughter?” “Yes.” He tells me about how he used to coach basketball and why he quit (a long story).
The buzzer counts down and the next half starts and now I watch with great duty and attention. My daughter does not play again. I don’t know much about basketball, but the same nine players sit on the bench and don’t move for the final quarter. My attention drifts to the clutch of slender teenage boys watching and horsing around with their phones on the lower benches. I recognize one from soccer.
I understand soccer, but not basketball. The team wins by more than 10 points. That seems sufficient.
Afterward, walking across the parking lot, my daughter, who is glowing, says, “Have I converted you to basketball yet?” “I’m really sorry,” I say earnestly, even though I’d intended to keep this opinion to myself, “but I have to admit that I’d rather be watching you run cross country.” “Oh Mom,” she says in a fond tone, “but I want to play basketball.” “I know,” I say, “and that’s what counts. You’re the one who’s doing it! I’m just here to watch.” (And today, I didn’t even do a good job of that.)
Saturday morning, just as kids were gearing up for soccer tryouts (parents too, as we’re both coaching rep teams), Kevin came into the kitchen and quietly said, “The vet just called.” I could tell from his expression that the news wasn’t good. One of our beloved dogs, DJ, has a suspicious lump in her mouth, and the vet thought it might be cancer.
And it is.
And so, with tears in our eyes, we told the kids, all of them gathered around the dining room table playing a board game together, in their soccer gear. There were many tears. We don’t know what will happen next, but as F (age 11) and I walked the dogs later on that day, she had many questions, many thoughts. “DJ doesn’t deserve this!” (No one deserves this.) “Do you think DJ knows she has cancer? I don’t think she knows. Maybe it’s good that she doesn’t know.” “I don’t want DJ to feel any pain!”
We decided that we would be grateful that DJ is currently her usual self, not showing any signs of pain or distress, eating well, and enjoying her walks and naps. But it is still hard not to worry about the future.
I have no time for this post, it has been written in a hurry. But I must explain that photo at the top of this post.
The kids had the Terry Fox run at their school last week, before we had DJ’s diagnosis, and CJ (age 8) came home with a large sticker which he stuck onto our kitchen counter. It reads (and I’m correcting his spelling): “Terry ran for me. I am running for … my step-grandma and maybe my dog.” F also ran for her step-grandma.
There are too many people to run for. I’m sure you have your people too.
Sending love and hope out into the universe.
I am sitting outside on my own front porch.
Every few seconds, a car or truck whizzes past, either accelerating as it speeds away from the nearby stop sign or slowing as it approaches. A few cars ignore the stop sign altogether. Now a large cargo truck wheezes past, white with black lettering. In its deceleration it makes a sound like a human cry. A bicycle, red, passes, with its cyclist turning the pedals at a leisurely pace, face inscrutable as he gazes down, away from the sun.
I can hear the hum of machinery from the nearby construction site that is our downtown core. The steady beep-beep-beep of a vehicle forever in reverse. A neighbour shuffles past and does not see me, screened as I am behind the green lilac leaves, which are shaped like teardrops. A light breeze lifts the leaves, and my own loose hair, and my little dog barks from inside the house, growling and yapping at what I now see is a yellow guide dog, strapped into a harness and leading a tall man, who is wearing a backpack, hat and dark glasses, toward our perilous intersection. The man was smiling faintly and gazing slightly to his right, toward our yard. Behind him, about three paces back, a young woman walked, wearing a bright sundress and a floppy hat. Did she know the man? Was she following to keep him safe or staying politely behind him because to pass him would have been to disturb him?
A rustling of fallen leaves. A fat grey squirrel with bushy white-fringed tail inspects our bed of lavender. Earlier, when I was describing the blind man and the woman he may or may not have known, a friend bicycled past — at least I thought it was a friend, but found myself squinting through the leaves to make out her face under the bike helmet. She was wearing grey flowing pants cut short above the ankle, and I thought, those look like pants my friend would wear; but it wasn’t real confirmation. A girl with bleached blond hair and a stocky upright gait passes, holding a white phone to her ear. And now, a couple holding hands, the girl talking, the boy saying nothing. He rubs his head with his free hand. They are not near enough for me to determine their ages.
I have forgotten how lovely it is is to sit and record for no purpose at all, only to slide more deeply into the moment, to sit as if immersed in a quietness of the self. A stillness amidst all that is moving and passing me by.
A garbage truck stop, redolent with the smell of rot, sweet and persistent, even after it has turned the corner. What does it smell like? Garbage? I stop and think for awhile, but can’t come up with anything but sweet rot and stink. I can see in my mind’s eye a kitchen, a darkly lit particular kitchen that seems to have come from a dream not from a memory, with a crock lined in newspaper, and filled with blackened moist vegetable peelings, beside the sink; sweet stink.
A brittle leaf falls from high overhead, clunking as it passes through the still-green leaves of my lilac, scuffing on the paved path where it lands. A rotund woman in hot pink with a checkerboard skirt eats handfuls of something out of a stiff plastic bag — nuts or seeds? — while she glances at our garden, expressionless. And my dogs set to howling as another dog, a beautiful black lab, tap-tap-taps patiently along the sidewalk in front of our house, leading a young woman with her fair strawberry hair stuck up in a bun at the top of her head, a baby which can’t be seen asleep under a quilt, and strapped to the front of the her chest. The young woman does not hear my dogs’ fuss, because she is plugged into white earbuds.
When the mailman arrives, not long after, I sit perfectly still and wonder whether I should alert him to my presence, but he speaks immediately to the dogs, talking to them through the glass as they bark frantically — “Hello, there, friends! And how are you today!” He flips the lid of our mailbox and is turned and away in an instant, and I watch him walk our stone path, and duck around the back of our truck, his step lively, his manner bright, his form short and plump, jolly as an elf. He has not seen me at all.
Welcome to obscurity
Subscribe to obscurity
My name is Carrie Snyder. I'm mother of four, writer of fiction and non-, dreamer, contemplative, mid-life runner, coach, forever curious. I'm interested in the intersection between art and spirituality. What if the purpose of life is to seek beauty? What if everyone could make art?