This post contains more than the recommended daily dose of exclamation points*

gorgeous blooms I stopped to smell while walking the dogs on Saturday evening, blithely unaware of the crisis, of which I was the cause, unfolding at home
:::
* and not the good kind of exclamation point, sorry–these are clearly of the holy-heck-this-is-absurd! variety
The suddenness of Spring

On May 6th, eighteen years ago, I met Kevin in circumstances that do not bear blogging about but which were, I assure you, youthful and spontaneous and highly unlikely to lead to marriage, children, home-ownership, and a stable future. But that’s what happened.

I love that we met at this time of year. It’s exactly when the leaves burst out overhead, when the fruit trees and magnolias bloom, when the forsythia blazes yellow. Today, just three days past the anniversary of when we met, and already that moment of fragility and show is transforming into something else. How can the blossoms already be falling off the branches? But they are. How can the pale green just-unfurled leaves be fattening into a canopy overhead? But they are. How does the world fill itself in with such lushness, seemingly overnight?
But it does.

Yesterday, I proofread an essay that will be appearing in the next edition of The New Quarterly, and later this year in a collection of essays titled How to Expect What You’re Not Expecting. I hadn’t read the essay for several months and how heartening it was to discover its strength and solidity. I’ve had a thought about my long-pondered non-fiction project. I’ve decided that it will be a series of essays. This essay, for example, is called “Delivery,” and it’s about the year leading up to the birth of our fourth baby. But it’s also about grief and denial and love. I have my doubts about doing memoir. My life is not that interesting. But an essay elevates ordinary experience by connecting stories to universal themes, and a series of essays can add up to the portrait of a life in flux, which is about as memoir-ish as I’m likely ever to get. I don’t like writing The End. I don’t like considering the past Done. But I do love considering the past.

The other project I’ve been working on this week is a tight plot synopsis for Girl Runner. This will help me down the road in edits. And it will help my agent pitch the story to a film agent. Sadly, unlike in books, there are no surprise endings in plot synopses. I have to give away all my secrets.

In Blogland, however, the secrets will have to be kept some while longer. Thanks for your patience while we wait together.
All the doors thrown open
Writing a book can be a funny thing. Occasionally it feels like control has been unintentionally ceded to some other power: the original vision just doesn’t fit on the page. The character refuses to do what the writer has planned. This doesn’t happen all that often, but it can.
The Juicy Jelly Worm

And, suddenly, the world is green again.
I’ve got news: I haven’t signed on the dotted line, but my agent tells me the deal is done, and promises that I won’t be jinxing myself by making an announcement.
Deep breath, here goes: I’m going to be a children’s author!
I’ve read a few children’s books over the years. In fact, I’ve done the math and figure that I’ve read at least 7,665 picture books since embarking on motherhood nearly twelve years ago, although I have to wonder how many of those constituted multiple reads. You know, the favourites that got “lost” because the loving parent couldn’t bear even one more read? I also wonder whether there are even that many pictures books at the library? Numbers are not my forte.
Anyway, it’s been an education. And I know what I like. So I wrote a book for children.
The title is The Juicy Jelly Worm.
I was helped along the way by brainstorming with my kids (but of course!). I riffed on plot ideas. I wanted to make them laugh. And in the end, I wrote text that has no moral to the story (gasp!). None. The book is purely for fun. It’s approximately 700 words in length. The publisher, OwlKids, will find an illustrator to bring the story to life, and really, as a neophyte children’s author, I don’t know how the process will unfold, other than it appears to be underway.
A few more details: OwlKids is known here in Canada for publishing the popular kids’ magazines Chirp, Chickadee, and Owl (our household subscribes to all three). And the tentative pub date is 2015.
So there you have it: The Juicy Jelly Worm, coming to a library/bookstore near you, a few years from now.
Meanwhile, I present to you Spring. Appearing right here, right now!
Look, we have new neighbours
“Mom, you have to come and take a picture!”
“No, really, Carrie, you should come right now!”
“Maybe you can write a blog post that says ‘Look, we have new neighbours!'”
The house next door. What can I say? If you live in our neighbourhood, you have probably expressed curiosity about it at one time or another. If your curiosity got the better of you, you might even have called to ask me if the house next door is for sale (this happens), or knocked on my door sheepishly, as if you might be the first person ever to think of doing it: “Sorry, I know this is weird, but I walk by here every day and I’m just wondering ….”
It has been exactly a decade since we bought our house and moved in. The mysterious house next door has been unoccupied for at least that long. It is a beautiful structure — good bones — and the property is maintained, but it is empty. Except for the wildlife. Living next door to a beautiful empty house is a worry, of course, for a number of reasons, and I keep a sharp eye on the place.
To lighten the worry, a few years back, I began riffing with the kids about the animal families who live next door. We didn’t make up whole stories, but it was funny to think about the characters who might populate stories in the house next door. Our neighbours, so to speak.
This is the first I’ve actually gotten photos.












