Yes and no
Woke up early to run this morning, and woke up my eldest girl too. She wasn’t going for a run. Nope: science project due today, with a few finishing touches to complete: framing text and photos and placing them on her backboard. “Herbal Medicine.” She even prepared her own Garlic Tincture for the project. She left for school looking proud and happy and DONE! That is a good feeling.
She didn’t get a nap, but I did. Thankfully. Doing dishes at 10 o’clock at night is not conducive to early morning exercise.
I drifted down into sleep thinking about this article that’s going around called “Creative People Say No.” According to the piece, a signficant proportion of creative people say no to things they consider distractions in order to get their work done. The article irritated me. Why? Do I disagree? Do I just dislike saying no?
I don’t disagree, in fact. I know the time it takes to complete a project. The quality of that time matters, too. If you’re going deep, you need to sink down slowly, stay under, and not be presumptively yanked out. (Being presumptively yanked out seems the very definition of parenting, frankly.) I fight for my time, and resent when it’s taken away. In fact, I probably do say no quite often. When I’m deep inside a project I believe it wise and wholesome and productive to say no to the following major distractions: Facebook, Twitter, email.
But there are many things I cannot say no to.
I can’t say no to the dishes, no to the science fair project, no to the sick child, no to the solo parenting weekend due to Kevin’s work, no to providing meals and clean clothes, no to walking the dogs, at least not all the time. And there are many things I don’t want to say no to, too. I want to see my kids play soccer and swim. I want to help them practice piano. I want to meet friends for lunch and early morning runs. I want to connect and be connected, and therefore I say yes.
That said … how different would my life look if I worked in a traditional full-time job, if my office were not in my home? What would I have the privilege of saying no to, under those circumstances? We might have a dishwasher that the kids could load and unload. Kevin might share sick kid duties. Our meals might be less from scratch, or more from the crockpot. Then again, I might not be able to meet friends for lunch quite so easily.
Kevin and I are thinking about these details quite a lot right now, imagining sharing the roles at home and at work more evenly, imagining our lives shifted slightly, again, to accommodate me stepping even more fully into work, and him stepping even more fully into home. I say yes a lot, but I’ll tell you, I would happily say no to the dishes.
My poetry book club: an interview, with notes
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| Photo by Nancy Forde. Humour by all of us, and some more than others. |
*Note # 1: Last month, in honour of Poetry Month, my poetry book club was asked to take part in an interview for a literary blog. And then due to a staffing change our chance at modest book club fame fell through — but we’d already answered the questions and posed for a group photo (any excuse to get together and eat cake, really!). So I’m posting our photos and responses here instead.
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| Photo by Nancy Forde. We are, from left to right: Eugenia, Amanda, Christyn, Matthew, Maggie, Craig, Carrie, Karl, and Nancy. |
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| Photo by Nancy Forde |
This post contains more than the recommended daily dose of exclamation points*

gorgeous blooms I stopped to smell while walking the dogs on Saturday evening, blithely unaware of the crisis, of which I was the cause, unfolding at home
:::
* and not the good kind of exclamation point, sorry–these are clearly of the holy-heck-this-is-absurd! variety
The suddenness of Spring

On May 6th, eighteen years ago, I met Kevin in circumstances that do not bear blogging about but which were, I assure you, youthful and spontaneous and highly unlikely to lead to marriage, children, home-ownership, and a stable future. But that’s what happened.

I love that we met at this time of year. It’s exactly when the leaves burst out overhead, when the fruit trees and magnolias bloom, when the forsythia blazes yellow. Today, just three days past the anniversary of when we met, and already that moment of fragility and show is transforming into something else. How can the blossoms already be falling off the branches? But they are. How can the pale green just-unfurled leaves be fattening into a canopy overhead? But they are. How does the world fill itself in with such lushness, seemingly overnight?
But it does.

Yesterday, I proofread an essay that will be appearing in the next edition of The New Quarterly, and later this year in a collection of essays titled How to Expect What You’re Not Expecting. I hadn’t read the essay for several months and how heartening it was to discover its strength and solidity. I’ve had a thought about my long-pondered non-fiction project. I’ve decided that it will be a series of essays. This essay, for example, is called “Delivery,” and it’s about the year leading up to the birth of our fourth baby. But it’s also about grief and denial and love. I have my doubts about doing memoir. My life is not that interesting. But an essay elevates ordinary experience by connecting stories to universal themes, and a series of essays can add up to the portrait of a life in flux, which is about as memoir-ish as I’m likely ever to get. I don’t like writing The End. I don’t like considering the past Done. But I do love considering the past.

The other project I’ve been working on this week is a tight plot synopsis for Girl Runner. This will help me down the road in edits. And it will help my agent pitch the story to a film agent. Sadly, unlike in books, there are no surprise endings in plot synopses. I have to give away all my secrets.

In Blogland, however, the secrets will have to be kept some while longer. Thanks for your patience while we wait together.
All the doors thrown open
Writing a book can be a funny thing. Occasionally it feels like control has been unintentionally ceded to some other power: the original vision just doesn’t fit on the page. The character refuses to do what the writer has planned. This doesn’t happen all that often, but it can.



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