The suddenness of Spring

On May 6th, eighteen years ago, I met Kevin in circumstances that do not bear blogging about but which were, I assure you, youthful and spontaneous and highly unlikely to lead to marriage, children, home-ownership, and a stable future. But that’s what happened.

I love that we met at this time of year. It’s exactly when the leaves burst out overhead, when the fruit trees and magnolias bloom, when the forsythia blazes yellow. Today, just three days past the anniversary of when we met, and already that moment of fragility and show is transforming into something else. How can the blossoms already be falling off the branches? But they are. How can the pale green just-unfurled leaves be fattening into a canopy overhead? But they are. How does the world fill itself in with such lushness, seemingly overnight?
But it does.

Yesterday, I proofread an essay that will be appearing in the next edition of The New Quarterly, and later this year in a collection of essays titled How to Expect What You’re Not Expecting. I hadn’t read the essay for several months and how heartening it was to discover its strength and solidity. I’ve had a thought about my long-pondered non-fiction project. I’ve decided that it will be a series of essays. This essay, for example, is called “Delivery,” and it’s about the year leading up to the birth of our fourth baby. But it’s also about grief and denial and love. I have my doubts about doing memoir. My life is not that interesting. But an essay elevates ordinary experience by connecting stories to universal themes, and a series of essays can add up to the portrait of a life in flux, which is about as memoir-ish as I’m likely ever to get. I don’t like writing The End. I don’t like considering the past Done. But I do love considering the past.

The other project I’ve been working on this week is a tight plot synopsis for Girl Runner. This will help me down the road in edits. And it will help my agent pitch the story to a film agent. Sadly, unlike in books, there are no surprise endings in plot synopses. I have to give away all my secrets.

In Blogland, however, the secrets will have to be kept some while longer. Thanks for your patience while we wait together.
All the doors thrown open
Writing a book can be a funny thing. Occasionally it feels like control has been unintentionally ceded to some other power: the original vision just doesn’t fit on the page. The character refuses to do what the writer has planned. This doesn’t happen all that often, but it can.
The Juicy Jelly Worm

And, suddenly, the world is green again.
I’ve got news: I haven’t signed on the dotted line, but my agent tells me the deal is done, and promises that I won’t be jinxing myself by making an announcement.
Deep breath, here goes: I’m going to be a children’s author!
I’ve read a few children’s books over the years. In fact, I’ve done the math and figure that I’ve read at least 7,665 picture books since embarking on motherhood nearly twelve years ago, although I have to wonder how many of those constituted multiple reads. You know, the favourites that got “lost” because the loving parent couldn’t bear even one more read? I also wonder whether there are even that many pictures books at the library? Numbers are not my forte.
Anyway, it’s been an education. And I know what I like. So I wrote a book for children.
The title is The Juicy Jelly Worm.
I was helped along the way by brainstorming with my kids (but of course!). I riffed on plot ideas. I wanted to make them laugh. And in the end, I wrote text that has no moral to the story (gasp!). None. The book is purely for fun. It’s approximately 700 words in length. The publisher, OwlKids, will find an illustrator to bring the story to life, and really, as a neophyte children’s author, I don’t know how the process will unfold, other than it appears to be underway.
A few more details: OwlKids is known here in Canada for publishing the popular kids’ magazines Chirp, Chickadee, and Owl (our household subscribes to all three). And the tentative pub date is 2015.
So there you have it: The Juicy Jelly Worm, coming to a library/bookstore near you, a few years from now.
Meanwhile, I present to you Spring. Appearing right here, right now!
Look, we have new neighbours
“Mom, you have to come and take a picture!”
“No, really, Carrie, you should come right now!”
“Maybe you can write a blog post that says ‘Look, we have new neighbours!'”
The house next door. What can I say? If you live in our neighbourhood, you have probably expressed curiosity about it at one time or another. If your curiosity got the better of you, you might even have called to ask me if the house next door is for sale (this happens), or knocked on my door sheepishly, as if you might be the first person ever to think of doing it: “Sorry, I know this is weird, but I walk by here every day and I’m just wondering ….”
It has been exactly a decade since we bought our house and moved in. The mysterious house next door has been unoccupied for at least that long. It is a beautiful structure — good bones — and the property is maintained, but it is empty. Except for the wildlife. Living next door to a beautiful empty house is a worry, of course, for a number of reasons, and I keep a sharp eye on the place.
To lighten the worry, a few years back, I began riffing with the kids about the animal families who live next door. We didn’t make up whole stories, but it was funny to think about the characters who might populate stories in the house next door. Our neighbours, so to speak.
This is the first I’ve actually gotten photos.
How to write like you look like a real writer
This was me, yesterday evening. I was stuck on a plot point that just wouldn’t fix itself, so I took my notebook and pen to soccer practice, rather than taking my running gear (nasty head cold, so that made the choice easier). An hour and a half later, I had the full outline for the second half of the book. It’s a short book, let me add. I still use writing advice bestowed upon our sixth grade class by a teacher I remember fondly: KISS. Keep It Simple, Stupid. I even like the Stupid part of the saying, which would probably be dropped by teachers now (would it?). I’m not that smart when it comes to plot. That’s where I really need to apply the KISS principle.
These photos crack me up because I’m clearly not writing. Pen does not meet paper. I’ve had a few portraits taken by photographers who want me to “look like a writer,” by which they mean, “look like my idea of a writer, please.” I am then instructed to pose with a pen and paper. I can explain til I’m blue in the face that I write my books on a computer. But people want to see their writers writing. (Nancy Forde, you are the exception to this rule!)
Occasionally, apparently, it happens. I write like I look like a real writer. (Now, if only I can decipher my own scrawl …)
Kitten update: Turns out Fooey would be happy with a fish. She just wants a pet of her own. I guess the dogs are too communal as far pets go? We had to break it to her that a kitten would not sleep in her bed, or not for long. I still kind of want the kitten, but I’m not telling her. Maybe I have a diagnosable problem: the desire to collect living beings to care for, possibly in volumes greater than I can actually manage.
Manage. Well, even if I can’t manage them all, I can still care for them all, right? Manage and care not being the same thing, when you get right down to it.
I’ve got some news. It’s small and I haven’t signed on the dotted line, but I’m going to tell you anyway, because it’s really kind of out there news for me: I’ve had an offer for the text of a children’s picture book!!! Details to come, assuming it all works out, and dotted lines are signed, etc. I’m so looking forward to saying, “Why, yes, I do also write for children,” when asked, which is regularly. In fact, the notes, above, are on the plot to a children’s novel I’m in the midst of.
The thing I’ve discovered about being productive is that you just have to sit your butt down and write. KISS. One word after another. And if you get stuck, it’s good to have a few projects spread out and on the go in different stages of completion. It’s pleasant if the projects are quite different in nature, too.
I’ve got my ideas basket over here. My opening paragraphs bin over there. My lonesome disconnected short stories haunting the cobwebbed corners of my office. My research files stuffed into the cupboard behind me. The half-written manuscript that hasn’t found the right structure lying in wait. Meanwhile, the completed manuscript that is looking for a home is not mine to worry about, not right now. Do the work. Let it go.
The other thing about being productive is that it’s nice not to be productive sometimes. To leave your desk and computer (or pen and notebook, as it were), and go have lunch with your husband to celebrate an offer on your first ever picture book. Woot! I’m off!








