- What felt good this month? At the beginning of the month, it felt wonderful to be on holiday (we spent two weeks away at an isolated cottage). As always, I hoped to bring that holiday-feeling home; but inevitably it has slipped. I can’t drink a caesar while cooking supper every day! It isn’t even possible to keep up the habit of twice-daily yoga. But it is possible to get up early every week day morning for a walk or run, followed by yoga. It’s also been blissful to take charge of my studio space, to clean and organize and purge and paint, and to set new goals. And we have kept the holiday-feeling going in small ways: Kevin bought a fake fire pit (propane-powered) and we’ve been sitting outside some nights, watching the flames, listening to tunes.
- What did you struggle with? After rejigging my studio, I panicked—as if I didn’t deserve the space, full of fear and doubt about my work and worth as a writer. But then I journaled, meditated, and went for a dog walk with Kevin, and I came out the other side. It helped to reframe my work through the window of books. Books are my life’s work. If I feel unmoored, I can ground myself by reading, writing, or connecting with others who read and write. I am so thankful for this blog as a place to come to, to share ideas, and experiment, too. I am so thankful for each one of you who reads. Thank you.
- Where are you now compared to the beginning of the month? Unexpectedly calm. When my mind spirals away, caught in fear or doubt or shame, I notice, and find a safe branch on which to land. I breathe. I think: Is this true? What’s really happening right now? Are you okay? Is there anything you need to do? I’ve noticed, too, that projects are so very satisfying to work on and complete: my mind is soothed, no matter the task. Cleaning out the bathroom cupboards. Cooking a meal from scratch. Painting a door. Writing a grant application. Revising a story to send to my writing group. In this way, small accomplishments accrue, and the days flow peacefully, but don’t feel dull. And in the evenings, I reward myself with some stretching, watching a show, reading, eating popcorn, letting my mind and body relax. (Note: this is so much easier to achieve now that I’m not coaching! I do not take my easy evenings for granted!)
- How did you take care of yourself? All of the above. Plus, remembering to reach out to friends. Working on my posture, and core strength. Sticking with established healthy routines. Putting away the pairs of jeans that don’t fit anymore. Thanking my body for carrying me through this life. I ask a lot of my body! I am in total awe that my chronic running injury has healed through physio, and that I’m able to run fast again, without pain, at least for now. Every morning run through the park is a full-body expression of thanks.
- What would you most like to remember? It’s okay if I don’t remember very much from this time. Sometimes the best days aren’t super memorable—I don’t remember much when inside the flow, but if I’m fortunate, from the flow will emerge some work of substance, or a strengthened relationship, or deepening insight and capacity for approaching conflict, suffering and pain. I will remember where I was when Ruth Bader Ginsberg died; and my own sadness and immediate despair. But I’ll remember just as much that her passing sparked a renewed connection with one of my beloved American cousins. I’ll remember, too, what she worked toward: equality for all, a far-seeing, long road of commitment that developed from her own experiences, that was encouraged to develop through the support of her husband and family, and that extended till her death. Like John Lewis, she is a true role model of character and vision, beyond the self.
- What do you need to let go of? I deactivated my Twitter account a week ago, after watching The Social Dilemma on Netflix. I also turned off most of the app notifications on my phone. It’s been good, and I hope it lasts. What I’ve noticed: I’m freed to work with more focus throughout the day. But I’m also not filling my mind with fury and outrage, the primary emotions sparked by “doom-scrolling.” True, there’s less to distract me from my own restlessness and boredom, but here’s the strangest part: I’ve felt less restless, less bored, since signing off. There are more productive and meaningful ways to connect with others in this world. I commit to choosing those instead.
For those of you who come here to read a Canadian literary blog (if that’s what this is!), it’s probably a surprise to learn that the bulk of searches that bring people to this site include the word “midwife.” Far and away the most popular post on this entire blog is one I wrote in 2013 called “Why I Want to be a Midwife.” I composed it just before the interview stage of my application to enter a midwifery program, and the post is heartfelt and passionate and idealistic (if memory serves; to be honest, I haven’t read it recently). Maybe it’s helped others at the same stage of their journey to become midwives. Maybe it’s been read by people who have actually become midwives!
I never updated the post with news of what came next: I got into the program; but ultimately turned down my spot. I’m not a midwife. You already know that. (The people who read the post seem not to know that, as a number of the comments ask how it’s going.)
Anyway, this is a long rambling intro that I did not sit down intending to write.
Maybe this is a nudge to reflect on setting aside expectations, the desire for control. You never know what’s going to stick. You don’t know what you’re making while you’re making it. The consequences of our choices, deeds, words are unpredictable, outcomes uncomfortably beyond even our best guesses.
As a friend wrote in a reflection she shared with me this morning: Let life reveal itself through you.
This morning, I felt buoyant, like my feet weren’t touching the ground as I ran through the park, the fog, the flock of white walking gulls on green grass, the song in in my ear buds: “Everything is everything,” sang Lauryn Hill. And everything was everything, as it is. I knew it from the inside out, my whole body expressing joy. I wasn’t focused on what wasn’t—I was loving what was.
Let life reveal itself through you.
PS The second-most-popular post is one called “Tree Stump Playground,” from 2011. Photo above is from the playground as it looks today.
The darkest hour is before the dawn (says who?), but I don’t think we’re there yet. Our planet flares with alarms, and I keep scrolling the news like it’s entertainment. Like it’ll make a difference to know more and more, somehow. Like I’ll reach the end and go: there, done, at last, problem solved! 1
(Anonymous commenter: “The darkest hour is actually midnight.”)
The equality we’ve fought for is tenuous, incomplete, and may erode further. What hope is there that we humans on planet Earth will work together, pull together, row in a direction that honours difference, blesses the frail, lifts up everyone who is in pain? Where does it hurt? What’s your story? 2
Vote? Of course! I’ve got my ballot filled in, ready to mail back to Ohio. I will take deep breaths and hope. One voice, one gesture, one act of faith. But VOTE is not enough to fix what’s broken. Dividing, degrading, self-dealing; cynicism. What does democracy mean? For the people, by the people? Also, a corporation is a person?? Also, send more money? 3
Don’t pretend the end justifies the means. We live in the means! If you lie and cheat to win, you’re not a winner, you’re a liar and a cheat. If the only way to win is at all-costs, I’d rather be the sucker who spoke her heart and lost. 4
My heroes are the ones who saw the long road ahead and walked onward toward a light and promise they knew wouldn’t be found in their own lifetimes. Or maybe ever. But they saw it and articulated it. Our better selves. Where everyone will have enough, and dignity too. 5
Where love not greed rules. What I see: my brothers sisters friends strangers the ground underfoot the air trees stars the living oceans are of me and I of them. All of us humans are flawed, broken, in need. To share is to receive but also to give. 6
Look at this bountiful world. End
I’m sitting on Great-Aunt Alice’s tiny rocking chair, wearing wool socks and a scarf, hoodie up, half-frozen; but the window is open because it’s September! Because I need fresh air. My studio is a different space than it was just a week ago, when I still called it “my office.”
Last Friday, I spent the entire day reading my friend Emily Urquhart’s new book, The Age of Creativity, which is part-memoir, part-exploration of the idea that age does not destroy or diminish creativity, even as it may alter it in significant ways. The book is about Emily’s relationship with her father, a visual artist. I was struck by the detail that, no matter where he’s lived, her dad has an ever-present corkboard on which he pins sketches and ideas for works-in-progress; I like that it is always hung on the wall beside where he eats his meals, a sign, for Emily, that he never really stops practicing his craft.
Last Saturday, I biked across town to celebrate the launch of Emily’s book, at a delightful event in her driveway. Emily shared early scenes from the book with me and Tasneem (all of us, above, at the launch), and it was wonderfully exciting to discover how Emily had structured the book in full; equally fascinating to discover — what was left out of the final version. Proof that letting go of material is as important as managing smooth transitions (note: these two elements may be the most challenging of any revision; and Emily has accomplished both brilliantly).
What’s the difference between an office and a studio?
When I decided on a whim last weekend to buy some paint and make myself a yellow door, I wanted to create a space that invited me in; the opposite of “going to work.” My studio, I hope, will be welcoming, rich with changing visual inspiration, with space to stretch and do yoga, and to spread out and draw with crayons, too; but also, organized, tidy, holding just the essentials (as defined by me!). On Saturday, I cleaned out files and drawers. I said goodbye to some projects that have aged past their time; now stored on shelves in the attic. And on Sunday, I reunited with my younger self, the self who moved often, and who always claimed her new space with a few coats of fresh paint. I painted for hours, finding the joy in the task, letting my inner-perfectionist take over; while I worked, I listened to 1619, an essential podcast from The New York Times that centres slavery at the violent heart of American history.
The new yellow door belongs to a studio.
So does the corkboard wall, the final piece to the puzzle, installed just last night by Kevin, who also researched it for me, and found a Canadian company that makes and sells all things cork. As you can see, I haven’t been brave enough to fill it with much, yet. But I hope to, and hope, too, that I will be brave enough to remove sketches and ideas when they’ve grown past their time.
Knowing what to remove, what to take down, what to edit out is as essential to completion as invention itself.
Completion is not something I’ve gotten a handle on, recently (or even in the last number of years). I’ve been making, making, making new things, raw and muddled and messy. Now to learn (re-learn) how to finish projects, too.
Welcome to my studio.
The Sunflowers, by Mary Oliver
Come with me
into the field of sunflowers.
Their faces are burnished disks,
their dry spines
creak like ship masts,
their green leaves,
so heavy and many,
fill all day with the sticky
sugars of the sun.
Come with me
to visit the sunflowers,
they are shy
but want to be friends;
they have wonderful stories
of when they were young —
the important weather,
the wandering crows.
Don’t be afraid
to ask them questions!
Their bright faces,
which follow the sun,
will listen, and all
those rows of seeds —
each one a new life!
hope for a deeper acquaintance;
each of them, though it stands
in a crowd of many,
like a separate universe,
is lonely, the long work
of turning their lives
into a celebration
is not easy. Come
and let us talk with those modest faces,
the simple garments of leaves,
the coarse roots in the earth
so uprightly burning.
Say you were invited to hold a sunflower, and examine it, while reading and thinking about these words in Mary Oliver’s poem. Say you were invited to respond by asking questions of the sunflower, or listening to the sunflower ask you questions. What would come into your mind, and onto the page? On Friday evening, outside around a fire pit, my friend Jen led a small group of us in this meditation. It was already, newly dark, and we used cellphones to illuminate the page and look at our sunflowers. which another friend had cut down and brought from her yard. Several of us found bees nestled into the flowers.
This is what I wrote.
“… the long work / of turning their lives / into a celebration / is not easy. / Come //”
Some solutions seem so simple
I will paint my office door the bright yellow
of this sunflower’s petals
I will spend the whole day reading a book
I will stretch and breathe
But when restlessness turns inside me
what should I do then, Sunflower, tell me?
When I am afraid
that my service is too meagre
and I can’t think what to do to be a
better person — what should I do, Sunflower?
The restlessness, the sense of longing
of energy unused or squandered
The list of all the harms I’ve caused
shuffling round and round inside me —
Tell me, what should I do
to fix these feelings, Sunflower?
It is true I hear you humming
Too tall, cut down, a living
bee nested in your blossom that has not
bloomed, tucked beneath the brighter face of you
You are humming not an answer
but a blessing with a sting:
Get on with living
You are not between two points
like a traveller on a train stalled between
destinations, you are in the only place
in which you are as you are — alive
and very you
Do you remember when you saw a whole
field of us, sunflowers, calling you
and you drove on, you said, It’s not
my field, I would be a trespasser?
You were right enough
But we’ve found you anyway, again
as you are. Come
Tomorrow, I would like to write a post about the new colour of my office door, and the books I’ve been reading, and the ways I’m seeking to connect, and to learn and listen, and find antidotes to fear and despair, but for today, I invite you to find your own sunflower and ask it some questions. Whimsical, fanciful? Yup. Uncomfortable, weird? Maybe. Silly, frivolous? Try it and see for yourself.
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My name is Carrie Snyder. I'm a writer of fiction and non-, reader, planner, dreamer, arts organizer, workshop leader, mentor/coach, forever curious. I'm interested in the intersection between art and spirituality. What if the purpose of life is to seek beauty? What if everyone could make art?