And this is where I’m staying, courtesy of my publisher, Gallimard, and I see that they also publish Elena Ferrante so I’m feeling rather fan-girlish just for being here, so close to brilliance.
That’s really I have to say just for now. I’m in Paris!
I have an interview at France inter this afternoon (like France’s CBC radio, I think), followed by an event this evening at the Maison de la Poesie, and then tomorrow I will be wandering around like a tourist taking photos of places I feel like I’ve seen before — but I haven’t! This is my first time in Paris. The streets are like mazes of similar looking buildings, like this (below), but I’ll figure it out.
Confession: I do not enjoy standing at the front of a room, listening to myself talk.
I do, however, enjoy standing at the front of a room, listening to others talk about a subject I’ve opened up for them: this is the method I’ve been using in my class, asking the students to break into smaller groups and discuss a subject, then return to the larger group to share their thoughts, and I love how ideas begin to flow, to cross-pollinate, to deepen, and I am simply a facilitator, responding to the discussion, but not imposing my will upon it. I am not there to be the expert. I am not an expert. This is not to downplay my experiences, simply to state the facts: I have no advanced degrees, no areas of speciality. I am a human being, alive to the world around me, I am a parent, attuned to my children’s needs as best I can be, I am a reader who loves language and the structuring of ideas in many forms, and I am a writer who will never be convinced that accomplishment matters—my own accomplishment, that is. What is accomplishment? It sounds so final. I am interested in process.
I am always willing to examine a problem from a different angle. I am willing to change my mind, based on new evidence, or a new argument.
I want to play and be playful, no matter how old I get.
And so my goals are changing before my eyes. They are changing as the year progresses, this year in which my focus has been WRITE. When I woke up this morning, early and exhausted, I thought that this past year has not been about WRITING at all, but about the after-effects of having written. I wrote, I published, and I am living the part that comes next. And I do not love it. I do not even seem to like it, most of the time. Even while I pour myself into it, even while I work to make the most of what has been offered to me, I only find myself growing wearier and wearier, drained, exhausted, perhaps even depressed. Lost. Uncertain. Bereft of a clear goal to call me onward; a steady dull and dulling march that I continue because I don’t know how to stop.
Here I am.
What comes next? How do I access my passion once again? How do I reset my routines, alter them, even minutely, to feed the life I want to have? If I can’t name that life, can’t see it, how can I make changes to my routines in order to step toward it?
Here is where my imagination stalls out. What do I want?
I want to write challenging stories: stories that challenge me, conceptually, that push me in a new direction.
I want …
Do I want to train for a race? Do I want to teach more classes? Do I want to change careers? Do I want to study yoga or meditation more deeply? Do I want to spend more time with children? Do I want to coach more soccer? Do I want to go on a writing retreat? Do I want more quiet writing days or weeks? Do I want to host more friends for dinner? Do I want to sponsor and host a refugee family? Do I want to make more music?
Oh, what small voice is calling me?
Why can’t I hear you, small voice?
Last week, I travelled to Madrid, Spain, to promote the Spanish-language version of my book.
La corredora is officially off and running.
I took many notes and sat observing on park benches whenever possible. Hearing Spanish opened old pathways in my brain, and if there’s something I’m missing right now, being home, it is the absence of Spanish being spoken all around me. I loved being immersed in the language, but also appreciated not being expected to speak it; I worked with a talented interpreter during all interviews and media events. She made me sound fluid and articulate, which was pretty much a miracle, because at moments it felt like I’d forgotten how to speak fluently in either Spanish OR English.
I went for a run in a beautiful city park. I walked everywhere I could, orienting myself. I visited the Prado museum. I visited the World Press photo exhibit at the architectural school. I went to Segovia and saw the remains of an ancient Roman aqueduct. I ate paella, and gazpacho, and bread dipped in olive oil and salt, and the potato omelettes that I think are called tortillas. All of the orange juice was freshly squeezed.
I talked and talked and talked about Girl Runner.
I slept fitfully and rolled with the time change, as is necessary. I had little access to wifi, and therefore only sporadic access to my family at home, which paradoxically made me a little less homesick, I think. I was too busy and occupied to let myself think about missing them. But I missed them.
I felt welcomed by everyone I met, in a way that I can’t fully describe. It was not just that everyone was kind; it was more than that. It was that everyone was open, present, generous with their time, engaged. The experience was immersive, as the best travel experiences are.
I arrived home late Sunday night after being in transit for around twenty hours (includes time waiting in airports), taught my class last night, and have a One Book, One Community event tomorrow evening in Georgetown.
This is what life feels like right now. A blur. A beautiful, remarkable, strange and mysterious blur through which I am walking. Or maybe that’s sleep-walking.
I can’t remember being this tired before, although I’m sure that must be hyperbole. I have spent way too much time today organizing the online system for students to hand in their work, work which I must then read and mark. Also, side note, I just volunteered to coach my eldest son’s indoor soccer team (and was immediately accepted). I blame sleep deprivation. If I ever write another publishable book, it will be a solid gold miracle.
But it’s been quite a ride with this one.
This morning, I meditated, after a long spell of not taking that time.
Coincidentally, or not, this morning, my kids started their new school year.
My focus for this session of meditation is “focus.” This is good, and useful, just now, when I feel scattered and need to be reminded that multitasking is neither efficient nor the way I want to be in the world — instead, I wish to be present inside of the moment I’m living, whatever that moment may be.
I find myself resisting the impulse to be lulled into behaviour that is repetitive and familiar, but does not serve me. I have to resist these impulses almost constantly. Name them? Reaching for the phone when it vibrates (as it has done frequently today); keeping the phone nearby and on vibrate (do I need to do that?); falling into the social media hole; forgetting what I sat down to do; neglecting to set a real achievable goal.
So, today, after meditating, I set a real achievable goal: re-read Mary Oliver’s A Poetry Handbook and take notes in preparation for teaching, which starts next week. I set a timer for an hour, which helped set the focus.
Blogging is on my list of real achievable goals for today, too. I’ve given myself 15 minutes.
I also reminded myself, during this morning’s meditation, to resist the urge to wish I were somewhere else, doing something else. Resist longing for what you do not have.
The key to productive creativity is to find a balance between focus and relaxation.
I think of Alice Munro writing her stories at her dining room table.
Did Alice Munro give readings and presentations? (My schedule is filling up quickly.) I think she did not, or she did not make it her focus. Perhaps this made her writing life clearer to her, her writing time her own. Perhaps she refused, and set boundaries that I am either unwilling or unable to set. I am in the thick of it with my children, too. They need me actively involved in their lives, taking notice, staying alert to changing situations, changing relationships, changing bodies, changing desires.
So it is impractical to wish to be free for a length of time — a few weeks, a month — in order to focus entirely on the writing. A writing retreat. Away? I can’t imagine it being possible, right now.
And yet, I am longing for something like that. I don’t know how it could happen, but perhaps it will if I am open to the idea.
Coming back from the cottage, I am aware of the noise and hurry of the city, and I am missing the quiet, missing the closeness to nature. That said, last night I went for a walk and it was so good for me — it didn’t need to be a run, I decided, I just needed to be outside, and a walk satisfied my restlessness and soothed my mind. Before going to bed, I stood briefly on our back porch and listened to the rain and felt the cool air, and noticed a spider with a red spot on its body, which had constructed a large and intricate circular web from post to post.
Today, when I sat down for my meditation, I could see out the window, in a treetop rather far away, a squirrel racing through the branches, dipping and almost falling as it hurried away or toward something.
Nature is close, everywhere. I only need to notice it.
What I hope for this fall is to be present wherever I find myself, in whatever situations come calling, large or small, brief or drawn out. I hope to be inspired. I hope to be productive. I hope to be peaceful.
I see myself walking in the humid evening air. I see that I don’t need to run, I don’t need to push myself to extremes, necessarily, to tap into a stream of calm that is always present outside, in the natural rhythm of the earth and seasons, days and hours. This is what I seek.
Yesterday, picked up this tired little fellow from camp. Despite looking half-asleep at camp, he was very animated in the car, singing and recounting happy stories all the way home. My favourite was about how he and two cabin-mates had plotted out a three-book series (!!) about the mythical “Evil Octopus” that is said to live under the water trampoline in the camp pond, and a good but luckless character named Tamarack Tom. Could a writer-mother ask for anything more?
On the drive to camp, I listened to an interview with a young British woman, who was on the last leg of a five week North American tour: she’s a hip-hop artist, poet, and novelist — Kate Tempest. Somehow, at least temporarily, she restored my faith in the necessity — the importance — of performance. Her fresh enthusiasm was exactly what I needed to hear. She was so present and so thoughtful, dynamic, inventive, inspiring. I was inspired. Look it up, take a listen.
When we arrived home yesterday, our visitors were just arriving too: cousins for Canada Day!
The three other children had been home alone all day and the house was in a minor state of disaster, despite our newly assigned jobs and chores. How hard is it, really, to carry a dirty dish to the kitchen?
Anyway. Thankfully my sister-in-law is not fussy. But the dogs are also shedding at present. So I just vacuumed.
And I’m getting ready for another road trip yet this week (just me and the elder daughter).
Me and boy and tiger in “The Chub-Chub”
Since last Tuesday I’ve put over 1,000 kilometres on our little pod car, or “The Chub-Chub” as it has been nicknamed by the eldest son. So much car-sitting! My body couldn’t wait to move again. Last night I ran at AppleApple’s soccer practice and kept going and going and going. I knew if I stopped and stood by the field, the mosquitos would get me, and my legs were so happy to be running: I went 14.5 kilometres and it didn’t feel hard, which cheers me greatly, and makes me think I’ll be able to run the half-marathon when I go to Victoria this October (I’m a guest speaker at this fall’s Victoria marathon–have I told you that yet?). (How this fits with less is more, I have no idea, and it probably doesn’t, but there it is, and I’m excited, and excited too about the possibility of even more travel.)
In other exciting news: here is the cover of The Juliet Stories, as it will appear in the UK & Australia. Amazing, hey?
My meditation word right now is change. I’m restless, wondering, working hard, trying to tune in to what matters, my brain firing off in all directions, as I stand here on July 1st, amazed at what we managed in the month of June. It’s been quite the ride, with so many swoops and dives, long distance drives, and more soccer fields than I can count. Hang on, here’s summer.
All for now.
I sit down to write here, on the blog, and my mind goes round and round the purpose of this blog. I wonder why people are reading, perhaps, and why they may not be reading. I wonder why I am writing. Do I have something to say? Is my purpose to amuse, to inform, to muse, to form? Do I call out in hopes of a response? Am I launching quirky missives from an insular and isolated place? Am I writing as a writer, as a mother, as a seeker, as a knower? Am I writing to you? Or to me? Or to no one at all, to the ether?
I’ve come a long way on this path of being a writer. When I was a child, I wanted to be a writer like L.M. Montgomery or Lois Lenski. I wanted to be a writer like Emily of New Moon. I wanted create imaginary romantic worlds of adventure and mystery. As a teen, I was in love with language, and saw in it a violent risky potential. I wanted to write like Michael Ondaatje. I wanted to write barely coherent poetic scenes of romance and mystery and adventure. I didn’t care whether or not my stories or poems made sense, only that they burst with emotion and the fullness of self, perhaps. As an older teen and into my twenties, I wanted to write like Mavis Gallant and Alice Munro. I wanted to craft brilliant sentences that both hid and displayed meaning, sentences that were as rich and big and complex as a whole story, characters whose motives were murky. I wanted to conjure worlds at a tilt from my own, veined and layered and dark.
And so I wrote and I read and I wrote and I read.
In some fundamental way, I refused to believe that I might not be a writer, someday. I willed myself to continue through years of small steps forward, and crushing rejections. I determined to improve. I determined to learn and to master the craft of storytelling. How to do this particular thing and do it well: how to tell a compelling story, not neglecting plot for style, not neglecting sentence structure for pace. I got better.
I got to where I am right now, here, sitting before this laptop, wondering, wondering. Do I still want to be a writer, so fiercely, so absolutely, so determinedly? Who do I wish to write like, now? Or, more importantly, perhaps, than I originally understood: what stories do I long to tell? And if I have no story that I long to tell, why craft the structure, why lovingly build the sentences? If the house is empty? (Is the house empty?)
Engagement is a key word of our era. That seems to me the purpose of social media. Anyone who wishes to earn attention, to market her work, must learn to engage with her audience, to maintain a call-and-response relationship, the bigger the better. It comes naturally to some, and less naturally to others. I put myself in the latter camp. Yet this blog is a form of engagement, whether or not I choose to see it that way. And when I recognize this and admit it, I become more and more uncomfortable as purveyor and publisher of posts. I cannot understand what I am doing, nor what my purpose may be. Is it, as originally intended when I started the blog in 2008, to narrate my every day life, to keep it in some form, and if so, for whom? For my children? For myself when I am older? Am I marketing my books? Practicing my craft? Indulging in cheap philosophy? Is this a publicly-kept journal?
Could I live without engagement? This specific form of engagement? (Silly question. Of course I could.)
Less, is the message that’s been coming my way. Not more, more, more, but less, less, less. For so long, I’ve fought to become more, to achieve more, to do more. I’ve worked toward big, specific goals and dreams. Now I’m confronted with this strange glimpse of myself, something I was afraid to see: I see that I will never write as wonderfully as I’d hoped to. I’m not possessed of a special gift. I’m a hard-working woman, that’s all, and I had a dream.
I’ve written that in the past tense without even noticing: and I had a dream. Strange. Isn’t it? Maybe the dream is shifting, deepening, altering course, becoming something else.
What now? What next?
Now: Life is strangely lovely at present. It is unexpectedly wonderful to hear less, less, less calling me. I feel myself relaxing into moments in a way that feels almost unfamiliar, unknown. I feel the pace changing. I feel myself at peace with what I have, right now.
Next? Being a writer isn’t something you quit. Writing is how I process the world around me; I’d be impaired without it. I continue to write, as always, but right now it’s a form of listening; without shape. I think my purpose is to listen, right now. I feel quiet. I feel a great deal of affection–of love–for those around me. The days are full, vivid, layered and veined and rich. I feel human. I feel flawed. I can’t think of anything I need or long for or crave, not even direction, right now. I feel present.
What I don’t feel is at an end with this blog. But I want to be honest about my ambivalence toward its purpose, and my use of it, at present. Thank you for listening.
PS Photos are from this past weekend at my brother and sister-in-law’s farm, taken after the sun went down, on the longest day of the year. Homework got burned, marshmallows got roasted and mushed between graham crackers, and the mosquitos almost won. Almost.
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