Category: Manifest

Oh these little things that call us into our lives

“Little Things” with full cast; illustrations by Tarunima Mittal

Well, in truth I can hardly remember what happened yesterday, let alone these past few months, but apparently, during the blur of lockdown and walks around the block and waiting, a few remarkable things have happened, of which I’ve been a part.

The X Page Workshop is completing its season three run TONIGHT (July 7th, 2021) with a live performance on Zoom! Tickets are free and you can register to attend right up till it starts at 7PM. I am truly in awe of what’s been accomplished by this group in 12 short weeks … on a compressed schedule … in a virtual space … Live online means accepting that some unknowns are out of our control (like, should I start worrying about a massive thunderstorm that shuts off the power? Okay, just checked the Weather Network and it’s calling for light rain over that time); but we’ve done everything we can to prepare those elements over which we do have some agency. And I think that’s the key to life, isn’t it? Prepare, and also let go. Let it be what it will be.

And here’s what it already is:

📖   Sixteen women from the community, writing, editing, and polishing their own original, personal story.

🎙 Rehearsing it, vocal coaching, staging it, practicing it in small groups and at home.

🖼  Learning framing, lighting, how to angle the camera, troubleshooting tech issues.

😬😭😇  Negotiating with children and pets and housemates to create a stage on which to present.

😎  Choosing photos, props, outfits, hairstyles.

👏👏👏  Supporting everyone else on the team and in the cast with collaboration, creative ideas, presence, encouragement, cheers. Such generosity!

Not to mention all the behind-the-scenes work to create a slideshow, program, original artwork, cohesive script, extra rehearsal time, tech support, and clear communication to keep everyone rowing in synch.

Whew.

And on a personal note, there’s more work in the works, for which I am over-flowing with gratitude. As soon as this project ends, I’ll be diving into revisions for my new novel, with a planned pub date of next summer. It’s called Francie’s Got A Gun, and I’m starting to believe it will be a real thing … but you can ask me again in a month or so, when the first round of revisions are due. I plan to dive deep and stay deep till that work is complete.

I’ve also received a second grant toward the project I’m working on with my grandma. Much of the research is complete, and writing has begun; but I will be setting it aside temporarily to finish Francie. One thing at a time. One big project at a time, anyway. (I think I can keep cooking dinner and fetching veggies and doing yoga and other good summer things.) At times, it feels like I’m half-asleep, working in slow-motion, digging my way through deep tunnels, burrowing into what seem like dead ends, and then I surface and wake in wonder at all that is being accomplished, even if the pace seems whimsical, even if I lose some of the good stuff underground. I don’t know how much time I’ll get in this life, but I hope to use it all up, and make (and discover) some beautiful things along the way — ephemeral as a performance, strong as a connection, life-giving as a community, sustaining as a story, well-told.

Hope to see you tonight. And if not there, then somewhere, sometime, virtually or in real life, soon.

xo, Carrie

Announcing “Little Things”: The X Page Performance

artwork by Tarunima Mittal

For the past three years, I’ve been a part of a storytelling project that aims to foster connections between immigrant and refugee women in our region and the local arts community. The multidisciplinary workshop is named after the Lynda Barry writing exercise we use to find our way into the writing process: The X Page. Over twelve weeks, a group of women meets to write and revise original stories, collaborate on animating these stories through performance and artwork, and finally, to perform the stories for an audience.

This season, we’ve been transported by necessity into a virtual space, which has nevertheless felt like shared space, with room to explore, make connections, to listen, laugh, cry. For me, that’s the key to the whole project: to get to be taken inside someone else’s world, to hear what matters to them, the “little things” they’ve kept or lost along the way, and the themes to which they find themselves returning.

Lynda Barry’s exercise opens many pathways to the heart.

The trust involved in this process is immense. Each workshop session, I’m filled with gratitude for everyone’s efforts, kindness, generosity, and presence. This year, I’m working as the project’s coordinator, which involves me in almost every aspect of behind-the-scenes planning. We are in the homestretch now!!!! The performance will be live on the evening of Wednesday, July 7th, 7PM. Mark your calendars, register to attend (tickets are free, but registration is required), please come and please share news of this workshop with your friends.

The stories are beautiful. The art is beautiful. The connections are beautiful.

We chose the title “Little Things” for this season’s performance because the stories revolve around seemingly small moments, singular scenes, objects that have been kept and carried across borders, or lost along the way; and because even a little thing — held, cherished, and shared — is imbued with depth, meaning, promise, truth.

A story is a little thing. An offering. It is an invitation. Listen. Here I am. Here is something I’ve kept all this time, that matters to me, that I’ve carried all this way; do you see, do you understand? A story is a powerful little thing. Powerful good.

xo, Carrie

Approaches to absence

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Do I have a simple Friday message? I do not.

On Monday, I went for a solo run in the park. On Monday mornings, early, no matter the weather, no matter my mood, for weeks, months, years (more than a decade, at least), I’ve run or walked with my friend Nina, who has been our neighbour for 18 years, and my friend since we lived across the hall from each other on campus, our first year of university. This past weekend, she and her family moved away.

I’m still working out how to approach this absence.

I started by hand-writing Nina a letter and sending it in the mail. It felt like it approximated the feeling of the kinds of conversations we’ve had, over the years; the letter wasn’t about anything special, just the particularities of the now, and unlike an email or text, I folded it up and stuck it into the envelope and no copy was kept to remind me of what I’d said, it was of its moment, she was the recipient, no one else, and like our walks, it came and it went.

An observation: when I sat to write the letter, on paper with pen, it felt like Nina was present with me; I don’t get the same sensation when composing an email. (side note: Why is email so awful? I have a few theories …)

On Tuesday, a fox trotted near where I was stretching in the front yard; I feel that we know each other, as we see each other often, early in the morning. She’s very beautiful, her orange fur mottled with greys and blacks. She crossed the road, then sat for a moment, and watched me watching her.

That afternoon, I biked to pick up our first CSA box from Fertile Ground farm: greens, greens, greens! On Saturday, I’ll walk to pick up our first CSA box from Little Fields Farm, because, yes, for the second summer running, I belong to two CSAs; I am a fan of women-who-farm.

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Please send salad recipes!

On Wednesday, everyone was out of the house, active, with friends. I took my mom to get her second dose of vaccine. The workshop session was an easy one for me: I got to watch my friend Melissa in action, vocal coaching. Mark your calendars: the X Page Performance “Little Things” will be live on Zoom, July 7th, at 7PM. Tickets are free, registration opens here on June 23!

On Thursday morning, I met my son in the park for a run. My grown son, who now lives away from home. I ate healthy food all day (greens for lunch, more greens for supper), but my back ached and I didn’t feel fabulous. Napped on the couch, groggy, too late in the day. Walked over to visit neighbours, still groggy. Trying to remember how to be social again. (Trying to remember what exactly I’m doing with my life, that too.)

Today, it rains. I did a longer yoga session this morning (yoga last night, too, with my friend Kasia; look for more offerings from her this summer, some online, some in-person). Started my time in this studio reading and meditating.

After that, email. (Trying so hard not to start my days with email!)

Now this. Then lunch (more greens??). Laundry. Writing, revising. I want to cook lentils with spinach for supper, and braised bok choy on the side. But the kids will want to order in (our Friday ritual). Which of us will prevail?

I neglected to invite anyone over to our backyard this evening, a Friday ritual I’d intended to start again, and managed the past two Fridays in a row. But it’s raining, with a big thunderstorm forecast for this aft. Excuses, reasons: It’s raining. And inertia. And maybe social anxiety. Who knows? I’m trying to remember how to be in the world again, how to host, how to invite, how to converse, how to connect in real life, in ways that make sense and are sustainable. Y’know?

Go easy, my friends. Enjoy your weekend.

xo, Carrie

Someone is trying to tell you something

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This is a photo of a squirrel eating tinfoil on our fence; there was also a cardinal, but he took off and is the streak of motion in front of one of the blue chairs.

The days have begun to whirl again. After such stillness and waiting, I can’t quite wrap my head around it. I’m trying to declare the weekends sacred, and Sundays for meditation, reflection; a worthy aspiration, at the very least.

The truth is that I feel energized after a long quietness. So I’m not resenting an upsurge in activity even as this new stage unfolds and unfurls. But I must be cautious, awake: I don’t want to drift back into the non-stop tumble in which we found ourselves, pre-pandemic.

But, listen. It’s good. I’ll have news to share soon on a couple of creative projects. I’ve got work that feeds my heart and mind, and wonderful people around me and radiating out in expanding circles in whose company I delight, and from whom I am continually learning. I’ve been hanging laundry on the line. My children make music in the living-room. The gardens are bursting and blooming. What more do I need?

(Well, it would be nice if everyone in this house each had a chore they really loved … the way that I love doing laundry… and if that chore could be complementary, say, if someone just loved cleaning bathrooms, and someone loved vacuuming, and someone loved clearing the counters … now that would be heaven.)

But listen, too: our community, our country, our land, the whole world, it is shook up and reeling and in pain and in need, and we can’t fall asleep or wander half-dazed into how it was before, we need to be AWAKE and AWARE and CURIOUS and HUMBLE. I want this place I live in to be a little bit better because I’ve tried, in whatever ways, no matter how small … and that means stumbling, and being quiet, and apologizing a lot of the time too. There is so much to learn, and so much pain that cascades through generations. Every ceremony, every ritual, every practice, every meal I cook food for someone else, every time I stop and listen, pause, listen, pause, reflect, sit, still, breathe, laugh, hug, cry … no action is neutral. This past week in Canada, 215 children were found buried in a secret grave on the grounds of a former residential school, and this is our present. This is not history. This is our now. So much cannot be fixed, must not be forgotten; bad governments, bad systems, hierarchies built to maintain power, no matter the costs. And here we are, human beings, whirling and bumping into each other, trying, trying, trying to figure this out. Individuals trying to look each other in the eyes, to listen, to say, You matter. I’m sorry. I want to help. Help me?

Slow down, sit, listen. Someone is trying to tell you something (not me).

That’s my present, right now. That’s my goal. Slow down, sit, listen. Breathe. Pay attention. Burn something, that too. A candle, a stick of incense. Ego.

xo, Carrie

This is my heart

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Today I went for a long bike ride on trails and paths around the city. I just kept going and going and going, seeing if I could find how the trails linked up, so I could go in a very big loop. The city is full of wildness, and birds.

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I stopped to take photos, and I noticed that my mind and body and spirit were revelling in anything new. Turning down a path I’d never followed before. Discovering a street lined on both sides with flowering trees, in full bloom. Even a patch of construction gave me a sense of newness and discovery.

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It’s what I crave, right now. How to exit from stasis, to experience my life in motion, as I know it to be, but do not often feel, right now. Time spins onward, but I’m like a stop-animation film performing a series of postures in my studio, my kitchen, my living-room, over and over and over. At night, the dreams have been difficult, sleep disturbed, as the day’s fears and anxieties try to untangle themselves.

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Cruising slowly, gently on my bike today was pure bliss.

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I think it helped to be part of the X Page workshop last night, too; to be in a space that is actively promoting the idea that the process is the experience, and the outcome or goal is a lovely result, but not the thing itself: the process is the thing. It is it. As we settled in to listen to each other’s stories, separated by our screens, by the occasional technological glitch, holding our elbows against a barrage of exceptionally sad, frightening, painful world news, the space became its own entity, and we were temporarily transported. What do I hear when I stop and listen, when I toodle along more slowly, when I take a new trail?

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All day, I’m faced with choices. What if I kept turning again and again away from self-pity, away from anger, disappointment, away from the harsh self-talk that keeps me tangled in my own unhappiness. That voice will come, it will return, of course, but I have the choice to listen, notice, and say to myself, Is this what you want to do? Do you want to tell yourself you’re wasting your time, you’ve made the wrong call, you got it all wrong? Or do you want to say instead (or adjacent to, if instead is too challenging): Look what you’re making, be gentle, hold your heart dear.

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In the words of Joy Harjo: “This is my heart. It is a good heart.”

Those are the opening lines of a poem / song, but I can’t find an accurate version of the text to share with you just now; below, a link to a YouTube video of Joy Harjo, the American poet laureate from the Muscogee (Creek) Nation, playing saxophone and performing the text as a song.

This is my heart. It is a good heart. Something changes in my body when I hear those words.

xo, Carrie

Writing adventures

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For the X Page workshop, I’ve been doing the writing exercises we assign and practice each week; I’ve always written along when leading workshops or teaching, mostly because writing something new is always an adventure and I don’t want to miss out on the experience. On Friday (May 14, 2021), I’ll be leading a writing workshop for the Canadian Nonfiction Collective’s conference, in which we’ll be doing some of these same writing exercises. (Check here, if you’re interested in attending!)

The exercises are based on Lynda Barry’s method of writing and drawing by hand: allowing the hand to be the eye that leads us into the story, and shows us the images that we’ve kept and may not even know are alive within us. I’ve seen this teaching method work over and over again to unearth stories, scenes, details, emotions and insights that would otherwise lie dormant. The process can also unearth material that’s painful or unexpectedly emotional, but what I’ve noticed is that the writing itself also seems to be a tool for healing — telling a story, letting it be shaped by our present self, can be healing.

Though we won’t be doing this is in either workshop, my personal temptation is to veer off into fictional territory, and expand the scene or story out into what could have been or could yet be, or swing into the viewpoint of another person. It’s a very malleable writing method.

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(And of course I call on other methods and practices during different stages of the writing process; but even revision and editing can feel free-wheeling and surprising when I’m deep inside the process, which is always an adventure. Using Lynda Barry’s generous, expansive methods have helped me learn how to turn down the voice in my head that is telling me “this is good” or “this sucks.” That’s probably the most important lesson I’ve learned from this practice: that little voice is my ego, and my ego is terrified of making a mistake, and wants so badly to impress others that it is really not trustworthy.)

These days of lockdown and aimless waiting affect us all differently … but what I often feel is disconnected, lonely, a bit apathetic or lacking in energy or drive.

When I open my notebook and begin to write, something changes. It might only change for those minutes when I’m writing, but while engaged with the pen and the page, I go somewhere else in my mind. I travel. The monotony shifts, the day is different — it opens into a different place or time or perspective. And that’s a little gift to myself, which I hope to give to others, too.

xo, Carrie