Category: Interviews
Friday, May 29, 2015 | Adventure, Big Thoughts, Holidays, Interviews, The Candy Conspiracy, Yoga |
It’s a PD day, which means the kids are home from school. This is a good test run for summer holidays, and reminds me that if I am to get any work done, I need a PLAN. People need to be put in charge of other people. Ground rules must be set on electronic use, and appropriate snacks, and lunchtime preparation, and clean-up. Ideas must be sketched out for healthy, fun, outdoor, active, creative activities. And all of this must be done in advance, before school lets out at the end of June. I’ve got about a month.
I’ll put it on a list somewhere. The kids are good. They’re older now. They play together. They know how to problem-solve. Some of them can cook. It’s going to be fine.
This has been a weird and wonderful week, and will culminate tomorrow with the launch party for The Candy Conspiracy. But first, our family is going to watch the Canadian women’s team play a friendly against England in the lead-up to the women’s World Cup: tonight! We’re all very excited. This is going to be the summer of family adventures, large and small, while the kids are at ages that make this both possible and fun, and this is our Kick-Off Event. We’ll also be travelling to Montreal to watch the Canadian women’s team play the Netherlands in a World Cup match, and in August we’re all flying out to Sechelt, B.C. where I’ll be reading at the Sunshine Coast’s Festival of the Written Arts. That’s a lot of travelling for our family, more than we’ve ever attempted. We’re home bodies. Plus, it’s really expensive to move six people around this vast country, not to mention feeding them and putting them up. I’m excited that we get to do it.
But that’s looking forward: planning. Planning occupies approximately 75% of my brain’s power. When I’m meditating, I frequently discover that my thoughts have drifted to planning mode. I push the reset button. Focus on the breath. And realize a few breaths later that I’m back to planning, list-making, calendar-imaging, email-composing. Ok, that’s okay, note it and move on. Breath. Breath. Breath.
I was writing about my weird and wonderful week, so let me circle back to a few examples. Example 1: I’ve done two kundalini yoga classes this week, and hope to continue through June. It answers a need. Kundalini yoga challenges me to think differently, to kick the darkness till the light bleeds in, to paraphrase a Bruce Cockburn song, as my teacher did in class yesterday. Example 2: On Wednesday morning, I did a radio interview after the kids were hustled out the door to school, and I got to request a song, so naturally, I went with Blondie’s The Tide Is High. Interview over, I turned on the radio and blasted the tune while dancing around the kitchen. Example 3: Yesterday evening, I put on orange tights, a nice dress, and earrings borrowed by Fooey, and with AppleApple along for the adventure, dipped my toe into partisan politics, by making a speech at an NDP rally. AppleApple, who is already an astutely politically engaged kid, was over the moon: Tom Mulcair shook my hand!, she kept saying, to anyone who would listen. (Fooey’s response: “Who?” Not everyone in this family reads the newspaper quite so avidly.) So, yeah. Amidst the usual busy routine, I’m opening different doors, and welcoming unexpected challenges.
My mom has a favourite phrase that I like: Who knows where this may lead?
Happy weekend, everyone.
xo, Carrie
Wednesday, Aug 6, 2014 | Books, Interviews, Soccer |
Today’s post is an unusual one, for me. While this is a literary blog, of sorts, I write it as a writer going about her daily life, not as a reviewer or critic. This means I don’t review books on my blog, don’t take part in blog tours, nor do I accept review copies. Which makes today’s post an odd fit — I was asked to be part of a blog tour for Michelle Berry’s brand new novel, Interference, and I said yes.
I said yes because I really loved Michelle’s book. In fact, I blurbed for it. That’s my endorsement, or part of it, on the book cover above. Here’s what I wrote, in full: “Michelle Berry’s Interference is an immaculately constructed page-turner that is also, miraculously, a redemptive meditation on loneliness and community. Read it for the beautiful writing, the cast of unique characters, and for a certain tender brutality that infuses the telling — by turns moving, darkly funny, and ultimately warm and illuminating.”
So I said yes to Michelle’s blog tour … then wondered how to make this subject not feel shoehorned in to the larger purpose of the blog. And that’s when it came to me: soccer. (There’s no soccer in the book, I hasten to add; but my life contains up to 60% soccer some days, so it was a natural leap. Stay with me.)
Interference is a book with many threads pulled together around an unusual focal point: adult women, who don’t necessarily know each other very well, gathering weekly to compete in a team sport together — in this case recreational hockey. Until last summer’s concussion, this was me: an adult woman joining other women to compete in a team sport (see: soccer!). I miss playing soccer. This book made me miss it even more. So I decided to ask Michelle (whom I haven’t yet met in person) about her connection to sport. Here follows our somewhat abbreviated conversation, for the record.
〉 Me: What’s unique about the team experience that made you want to write about it? Were you part of sports teams when you were younger, or is it something you came to as an adult?
Michelle: Four years ago my friend signed me up for hockey. Our daughters had signed up together and, as my friend said, “If they can do it, we can too.” Neither of us had played before. I knew nothing. The hardest part was putting on the equipment. I really had to concentrate on the order in the first season — what goes on first. Several times I had my skates on before my pants and had to take them off again. But when I was finally bundled up in my equipment, when I had figured out my hockey skates, and when I went out onto the ice, it was life-altering. To be a woman covered in equipment (no jewelry, no makeup, no worry about clothing or hair — I was a giant, hulking body draped in ugly, smelly second-hand pads) was freeing. To be a woman in a competitive sport working together with other women as a team was freeing.
〉 Me: In my case, as an adult and a beginner, I came to a soccer team wanting to play soccer, without giving much consideration to the social aspects of being on a team — and quickly discovered that social dynamics play into how well a team works together. But it was also completely different from being part of a neighbourhood playgroup or book club, in terms of building relationships and friendships around a shared interest. I feel like your book captures the way that being on a team is a bonding experience that leaves a lot of room for privacy.
Michelle: Yes, being on a team works better than playdates and book clubs because it’s a group of people who probably have nothing else in common sharing one same goal. We are there to win (although my team never does and we don’t really care…. not really). And we aren’t there to form friendships and bonds and to make sure our kids play together nicely. We aren’t competing intellectually or emotionally. We are there to do a job. Play a sport. Although friendships and bonds do get formed in the change room, we tend to leave those friendships there. Book clubs, playgroups, those kinds of things, are more about trying to make connections intellectually and emotionally. Hockey is all physical — play well, even play not-well but try, and you belong.
〉 For more information about Michelle, or to purchase the book, click here to visit her publisher’s web site.
So, what do you think? Do you play a team sport, or did you once upon a time? Maybe someday, I keep telling myself. Maybe someday, I’ll play on a team again. Because as much as I love running and spinning and yoga and kettle bells, I’ve yet to find anything that replaces it.
xo, Carrie
Thursday, Jul 24, 2014 | Feminism, Interviews, Mothering, Writing |
There is so much in this interview with Alice Munro, from 1994 in The Paris Review, that I want to go on quoting and quoting from it. Here is a sample. I urge you to read the whole thing (pour yourself a cup of tea and enjoy the length, depth, and breadth of the conversation). And one final anecdote, from the interviewers’ introduction.
MUNRO
I was like a Victorian daughter—the pressure to marry was so great, one felt it was something to get out of the way: Well, I’ll get that done, and they can’t bug me about it, and then I’ll be a real person and my life will begin. I think I married to be able to write, to settle down and give my attention back to the important thing. Sometimes now when I look back at those early years I think, This was a hard-hearted young woman. I’m a far more conventional woman now than I was then. INTERVIEWER
Doesn’t any young artist, on some level, have to be hard-hearted?MUNRO
It’s worse if you’re a woman. I want to keep ringing up my children and saying, Are you sure you’re all right? I didn’t mean to be such a . . . Which of course would make them furious because it implies that they’re some kind of damaged goods. Some part of me was absent for those children, and children detect things like that. Not that I neglected them, but I wasn’t wholly absorbed. When my oldest daughter was about two, she’d come to where I was sitting at the typewriter, and I would bat her away with one hand and type with the other. I’ve told her that. This was bad because it made her the adversary to what was most important to me. I feel I’ve done everything backwards: this totally driven writer at the time when the kids were little and desperately needed me. And now, when they don’t need me at all, I love them so much. I moon around the house and think, There used to be a lot more family dinners.
And one final anecdote, from the interviewers’ introduction.
After a while, Munro took us to Goderich, a bigger town, the county seat, where she installed us in the Bedford Hotel on the square across from the courthouse. The hotel is a nineteenth-century building with comfortable rooms (twin beds and no air-conditioning) that would seem to lodge a librarian or a frontier schoolteacher in one of Munro’s stories. Over the next three days, we talked in her home, but never with the tape recorder on. We conducted the interview in our small room at the hotel, as Munro wanted to keep “the business out of the house.” Both Munro and her husband grew up within twenty miles of where they now live; they knew the history of almost every building we passed, admired, or ate inside. We asked what sort of literary community was available in the immediate area. Although there is a library in Goderich, we were told the nearest good bookstore was in Stratford, some thirty miles away. When we asked whether there were any other local writers, she drove us past a ramshackle house where a man sat bare chested on the back stoop, crouched over a typewriter, surrounded by cats. “He’s out there every day,” she said. “Rain or shine. I don’t know him, but I’m dying of curiosity to find out what he’s up to.”Wednesday, May 7, 2014 | Driving, Fun, Girl Runner, Interviews, Publicity, Publishing, Reading, Readings, Running, Work, Writing |
I sponsored the two older kids’ rep soccer teams this season by “buying a sleeve.” We decided to add “A NOVEL” to the title GIRL RUNNER, thinking that a team of 13-year-old boys might not appreciate having to wear that label during games.
This was our dining-room table, Monday afternoon. Two sets of page proofs, one galley, one sharp red pencil, and one mother announcing to all who entered after school, “There will be no eating or drinking on or near this table until I AM DONE!”
I am done.
All may eat and drink here again.
Last night’s reading at DVLB was really fun. I even indulged in a scotch, thanks to the kindness of a friend who treated. Imbibe ye scotches while ye may. Life’s too short not to enjoy the pleasures that arrive. Even if that happens to be on a Tuesday night and you’re running the next morning. And so I did. (And I ran this morning too: Run ye many kilometres while ye may.)
No scotches tonight, however. I’ll be driving to and from Hamilton, where I’m reading at Bryan Price Bookseller, 7pm, with other M Word contributors. (Note to self: look up directions!)
Tomorrow I’ll be at the Anansi offices working on publicity plans for Girl Runner. (Note to self: more directions! Look up!)
Can you read the above? I can’t. File this under Strange Opportunities that Arrive via the Internet. Last month I was contacted by an editor at Unitas, a Chinese-language literary magazine in Taiwan, who wanted to interview me for a special issue they were planning on Alice Munro. (They’d found and loved my review of Alice Munro’s Dear Love in the National Post.) I agreed. And this month, two copies of the beautifully produced magazine arrived in my mailbox, in an envelope covered in fancy stamps. Sometimes the world seems very very small.
I’ve never met Alice Munro, and can’t imagine what I would say to her if we were to meet. It’s an entirely one-sided relationship based purely on my reading of her stories over many years. I’m immersed in MY LIFE IN MIDDLEMARCH right now, a truly wonderful book that combines biography with memoir, and in some way I feel like my relationship with Alice Munro is similar to Rebecca Mead’s with George Eliot; but Mead has the benefit of distance and I’m not sure I’d feel comfortable exploring Alice Munro’s life and work in quite the same way, given that she’s still living, and that our worlds literally overlap in time and space. It wouldn’t be historical exploration. There’s a freedom to digging back into the past, way back. I’m aiming to do it now, in my next novel. Nothing can be perfectly recovered from the deep past, and so one may imagine quite freely.
Yet I’m so admiring and relishing this memoir/biography mash-up on George Eliot — I would do it, if I could figure out my relationship with non-fiction, a form I’m still learning. I’m thinking out loud here, brainstorming as I type. Perhaps not the best way to compose a blog post on which one is about to press “publish.” But if I could figure out how, yes, I would write about Alice Munro.
I think the NMA nomination was especially thrilling (and perhaps seductive) because it was earned for “personal journalism,” aka non-fiction. It’s a form that interests me more and more, that I find myself devouring more and more, and that I want to learn how to master.
Friday, Feb 14, 2014 | Adventure, Book Review, Interviews, Kids, The Juliet Stories |
The “best school project ever” continues. AppleApple is studying nature art, and has looked mainly at the work of Andy Goldsworthy, a well-established British artist who works with materials found in nature to create ephemeral installations, mostly outdoors: they aren’t meant to last (though he does photograph them, and they’re definitely worth seeing, if you have time to click on the link).
As AppleApple was working on her project, we discovered that Meghan Harder, a young local artist and recent graduate of the University of Waterloo’s fine arts program has been creating nature art right here in Waterloo. (The Canadian Mennonite featured her on the front cover in January.) So we arranged to meet Meg Harder yesterday afternoon in Waterloo Park, where a year ago, with help from some friends, she’d built a “human nest.” With her teacher’s permission, AppleApple got to skip out of school early, and we trekked through snow banks and found the spot where the nest had been made.
 |
| Here’s what the nest looked like a year ago |
Here’s what the nest looked like yesterday
After our hike, Meg and her boyfriend generously spent another hour with us, drinking tea and answering AppleApple’s questions. (I had a few too: I couldn’t help myself!) I’ve given very little thought to conceptual art, and we talked a lot about art that tries to communicate an idea or generate a conversation. For Meg, the process of creation is more important than the final creation. She also talked about the way in which nature art invites passersby to interact imaginatively with something they may not even realize is art, making it accessible to an audience outside of the traditional gallery setting, where we all know that what we’re seeing, if we go there, is art.
AppleApple took lots of notes. I’m fascinated to see how she’ll synthesize her material. I also need to find a way to print these photos, which she’ll be using for her display. Any ideas? The deadline is fairly tight, and I want to get this bit of the project (the part where I’m helping out) done this weekend.
one of AppleApple’s installations, after the snow fell
A note re health: Antibiotics to the rescue, again. Thankfully, I am feeling much better.
I felt well enough to go to yoga last night, although I struggled at times. The thought that soothed me, as I repeatedly fell out of a balancing pose, was “this is the body I’m in.” I just kept telling myself that, and it made me feel better, calmer, maybe. I want to be like my character Aganetha in Girl Runner, who I think fully and without judgement inhabits her body, born with a talent for awareness of its strengths and limitations. Doing a regular practice like yoga puts me in touch with precisely where my body’s at on any given day or hour; sometimes I feel strong, and sometimes I feel weak. Sometimes my strength comes as a surprise, on a day when I’ve felt discouraged or down; and sometimes it’s my weakness that comes as a surprise, although not last night. I knew I was feeling crummy. I would like to think that success is not limited to the days when I feel strong, rather success is the willingness to continue practicing, and to meet my body where it’s at. These bodies of ours do such amazing things. I don’t believe they’re just vessels for our spirits, they’re the expression of life itself.
Even right now: I’m able to write because my body is stilling itself into quiet focus.
:::
One last thing. My dad forwarded me a review of The Juliet Stories in the MQR (Mennonite Quarterly Review), which is an American journal. The reviewer engages with the book as both a personal and a political work. It moved me to tears. This link is to a PDF file that includes the review (scan down, as it’s toward the end). Here’s the last line: “After reading The Juliet Stories, I’m convinced Snyder should be named one of the top women writers everyone must learn to know, given the power of a text that questions the permanency of borders, and the ways journeying somewhere new might cut each of us wide open.”
Wednesday, Nov 20, 2013 | Blogging, Chores, Driving, Interviews, Kids, Soccer, Swimming, Writing |
Yesterday, while grabbing a book to bring along to a soccer field I mentally composed a perfect blog post. Maybe I’ll blog on my phone beside the soccer field, I thought. But the post vanished, and instead, beside the soccer field, I chatted with other parents (whom I see far more often than I do my closest friends) and watched, mesmerized, our daughters pass the ball with great skill and determination. The book stayed unopened in my hand.
The perfect imaginary blog post is not unlike the perfect imaginary book, I suspect, a subject Ann Patchett addresses in her very funny and quite serious essay on writing, “The Getaway Car,” in her new book of essays, THIS IS THE STORY OF A HAPPY MARRIAGE.
Logic dictates that writing should be a natural act, a function of a well-operating human body, along the lines of speaking and walking and breathing. We should be able to tap into the constant narrative flow our minds provide, the roaring river of words filling up our heads, and direct it into a neat stream of organized thought so that other people can read it … But it’s right about there, right about when we sit down to write that story, that things fall apart.
Two things in that passage. One, the obvious point that writing is not a natural act; and two, that we narrate our lives, and it’s the second I’ve been thinking about most.
Yesterday, I imagined writing from inside the new car. I would tell you about the sudden shock of snow, the windshield wipers working, the warm hum from the vents. I might add in a snippet of caught conversation between me and a child. I might even admit to a burst of irritation at the stupidity of another driver. There would be the hush of tires turning. The flash of lights and the smear of their colour across the wet windshield in the early dark.
It’s fitting that I put my book advance toward a new vehicle, as the new vehicle has become my second home in a way that seems almost outrageous when I add up the hours. I’ve undone every green dream I ever had, whilst supporting my children in their extra-curricular interests. On Monday, between 5:05pm and 9:15pm, I spent a total of two and a half hours in our new vehicle, including an hour and a half venture, around town, that had me climbing out at home with a numb posterior. During that particular round, “Aggie” and I visited a far-flung indoor soccer field, a gymnastics club on the opposite side of town, and a pool, before returning home. And it snowed the whole time. The best part was when the eldest voluntarily joined me for the final trip of the evening. “What should we talk about?” he asked cheerily, and, as we’d already covered the intricacies of the PS4 gaming system he’s hoping for, we moved on to music, and soccer, and the mall, and fantasizing about food we’d like to eat.
That’s the one good thing about all this time in the car. It’s time with the kids, and we talk, a lot.
But later, home again, kids in bed, I said to Kevin, “When I’m all done driving these kids around, I’m going to be old. That’s what’s going to happen. I’ll be done driving them, and I’ll be old.”
photos in this post taken by child in passenger seat
Meanwhile — and this may save me — I’ll be “narrativizing” my life.
Yesterday afternoon, I listened to a Writers and Company podcast: Aleksandar Hemon interviewed by Eleanor Wachtel. Hemon uses his own experiences in his fiction, without qualms or apology: “The way I write fiction most often is that I imagine a different outcome of a situation.” Hemon observes something unfolding and ending, a snippet, a glimpse, or a straightforward hike from A to B, and he wonders: what if X had happened instead? A character might appear to be based on himself, yet he seems to harbour no worries about being mistaken for a character. In short, the line between fiction and non-fiction does not seem to trouble him. He’s writing stories, not history, whether they are “true stories” (non-fiction) or fiction. “We go toward the things we do not know in literature. To go in the opposite direction is to write only about the easy things.” (I’m paraphrasing; I took notes while listening, as non-fiction versus fiction has become a bit of an obsession while I try to teach it to my students, and while I reflect on what writing/publishing The Juliet Stories has both given me and cost me.)
I feel myself urgently wanting to use what I’ve got at hand, and to spin it into something different; “to arrive at something,” as Hemon puts it. There is life. There is the rendering of life into story. I’m missing quite a few pieces in my life, right now. Apparently I can’t squeeze everything in to satisfaction, not while driving for hours a day. What gets lost? Wouldn’t I love to host more suppers? Yes. My social life is pinched. I’m tired far too early in the evening. The laundry overwhelms. But there’s something about writing that can set life into balance, for me. I arrive at something there that I can’t here.
