Category: Books

Reading at IFOA for the GGs

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hospitality suite at IFOA

You’re going to suspect that I do nothing but jet around to festivals and parties. Heck, let’s pretend it’s true. Let’s pretend I’m not sitting at home in a slubby hoodie neglecting the sick kid on the sofa who is playing video games. At the very least, I’ll provide no photos of my current state.

I’ll admit it. I ache. I think it’s a combination of playing soccer on Sunday followed by all the driving and standing and sitting required by parties and readings. I have it down now: I’ve got comfy but good-looking shoes for the standing parts and the parties, and I save the heels for the readings themselves.

I’m doing a bad job of telling this story.

Yesterday, Kevin and I drove off to Toronto, mid-afternoon, leaving my mom to look after the sick kid and everyone else (dogs too! good grief!). I checked in at IFOA (Toronto’s International Festival of Authors), and the organizers let me use a hotel room to change in (for some reason, I didn’t get a hotel room out of this event, perhaps because Toronto considers Waterloo to be a suburb or a cousin once removed? In any case, no hotel room for GG finalist Carrie Snyder). Kevin and I also ate sandwiches and eggplant dip in the hospitality suite: supper.

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here’s what I decided to wear

Then we went to the IFOA party. I can’t remember the title, but it was crowded with industry folk, and it was hot. I was happy to talk to the people I knew, but equally happy to stand on the sidelines and just observe. Best moment of the evening: when we were approached by a very excited woman who came right up to Kevin and said, “Junot Diaz?!” Needless to say, my husband is not acclaimed American writer Junot Diaz (who wasn’t at the party in any case), but when we checked the author photos in the IFOA guide, we thought, hey, maybe he should put on a name tag. And grow a goatee. Because otherwise, people, I’m basically married to Junot Diaz.

The woman was embarrassed when she realized that I was the writer, and that she’d never heard of me. People keep joking that I may need to change the title of this blog, but I’m not too concerned. I reassured her, and she said she’d buy my book. (But I’m thinking she’ll probably buy Junot’s instead.)

Should I do more name-dropping? It seems almost obligatory. Here’s who we talked to at the party: Sarah MacLachlan (my publisher); various Anansi people; a lovely woman from the Canada Council who had read my book thoroughly enough to know exactly which story I was going to read when I told her the title (I was impressed!); Iain Reid (One Bird’s Choice); Linda Spalding (fellow GG finalist) and her husband Michael Ondaatje; Ania Szado (a writer with whom I toured back in the Hair Hat days); Eva Stachniak (The Winter Palace; she is Ania’s friend); Mark Medley, books editor of the National Post, who commissioned my best writing assignment ever, which just ran on Saturday: a review of Alice Munro’s new book, although it is more ode than review; the woman who thought Kevin was Junot; and a few others, though possibly by accident. We were there for an hour and a half, so clearly we didn’t excel at the mingling.

Then Kevin spotted Vincent Lam (The Headmaster’s Wager; fellow GG finalist). Vincent was leaving the party, so we thought we’d better follow him, because I didn’t really know where I was going for the actual event. Vincent and his wife were both super-friendly, and possibly super-human (he’s an emergency dr and she’s a family doc and they have three kids under 7). We had a nice chat. After awhile, we were joined by an IFOA publicist, and Linda Spalding, and set off for the theatre, quite clearly going the wrong way. There we all were, tramping around in the dark surrounded by a very high fence. “I’m sure IFOA will provide us with a ladder,” said Linda Spalding. Thankfully, no ladders proved necessary. Eventually, we went the right way, and were soon backstage at the theatre. Our group now included Robert Hough (Dr. Brinkley’s Tower) and Tamas Dobozy (Siege 13) and the poet Phil Hall (Killdeer).

I tweeted a terrible photo. Vincent Lam tweeted a better one. Guess which is which.

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We met Shelagh Rogers. She gave me a scarf because it was freezing backstage, and you’ve seen what I was wearing. I read second to last, which gave me ample time to freak out. I handled my nerves by going into an almost comotose stillness during the first several readers. Conserving my energy, I thought, if I thought anything at all. It was kind of peculiar, actually, and prevented me from doing any useful networking backstage. But when it was nearly my turn, the stillness broke and I got very jittery, which was quite unpleasant. I don’t usually get so jittery. I had to go for a little walk in my noisy high heels. But then I thought, just harness the energy and be glad you’ve got it: better lots of energy than none. I also thought, perhaps rather melodramatically, You’re doing this for Juliet, so just go out and do it.

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that’s me onstage

So I went out and did it. I settled down instantly, under the lights. I read “She Will Leave A Mark” from the first section. I think the story carries more poignance and depth after you’ve read the second section, but it’s a good story even on its own. I love reading. The only emotion I felt at the very end of the story was, well, a kind of bittersweet sadness. Because the moment was over.

I enjoyed being asked by the stage manager if I’d like something to drink at the booksigning table (white wine, please!). And I enjoyed signing books. Kevin brought our stack and had all the GG finalists sign them, but there was a mix-up with Vincent Lam’s. Kevin is going to need to find a second wife named “Sandra” in order for the dedication to make any sense. More proof that my blog title is in no danger of becoming obsolete. But then Michael Ondaatje shook my hand and told me he’d loved my reading. Hm. So maybe fifty-fifty.

The evening was starting to get really fun, probably because my publisher Sarah and her husband Noah Richler were on the scene, so we were talked into going back to the hospitality suite, which we hadn’t planned on doing, being responsible parents from Waterloo, Ontario. Just being around Sarah and Noah has the effect of regressing me to my pre-child self — almost; but let’s not call it regression. Let’s call it staying in touch with my spontaneous glam girl side. I’m shocked to report that side still exists.

But I’m not shocked to report that spontaneous and glamourous doesn’t go exceptionally well with early mornings and sick kids and walking wet dogs in the rain.

No regrets. This is an strange and happy little bubble of a moment. I’m going to float while it’s floating. (But thanks to kids and dogs I’m quite sure that I won’t float away.)

Vancouver Writers Fest: I was there! And now I’m home.

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over the Rockies

Is this going to be a long post? I have a funny feeling that it might be. However, the process of writing it is being somewhat interrupted by a very chatty four-year-old who is sitting in the rocking chair in a patch of sunlight beside me. And so I am attempting to compose this post while simultaneously maintaining a conversation on a variety of topics. Right now we are on the seasons: “And it goes round again and again, again.”

Don’t it, though.

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Granville Island hotel

Travelling is such a strange thing to do. Being somewhere else. Being away. There is the transition, the waiting, the getting there; and then there is the being there, when home feels like a dream. Travelling solo is particularly strange, and, I must admit, quite easy to get used to, at least for short patches. On my own, I’m only myself, with only me took after. The responsibility seems so light.

It was an especially lovely trip, from beginning to end. It seemed blessed with lucky moments. I walked into the airport in Toronto on Thursday morning, and the first person I saw was my friend and former boss Noah Richler. What are the chances? He was off to Alberta (have you heard? — his new book, What We Talk About When We Talk About War, is a finalist for the GG in the non-fiction category). I then met up with Heather Birrell, another literary friend (Mad Hope); but that had been pre-planned. We were on the same flight to Vancouver, and managed to get seats near each other. Neither of us are happy fliers, and our flight experienced a lot of turbulence. She was seated behind me and she reported that every time we hit turbulence, my head would pop up: apparently my spine stiffens when fear strikes. But we survived. I brought headphones and watched three movies. I’m not ashamed to report that two of them were children’s movies: Brave, and Madagascar 3. Brave was EXCELLENT, plus I cried (I was in the middle seat; and I think we’ve now established I may be the kind of fellow passenger you’d rather not be stuck sitting beside, what with the weeping and the palpable terror). I dozed off during Madagascar 3, after which I started a very long melodrama called People Like Us, but then the plane landed and I missed seeing the last ten minutes (and it wasn’t the kind of movie I wanted to experience twice). Heather filled me in on the plot.

We were in Vancouver!

Okay, let me interrupt to explain that nearly an hour has passed since I first began typing this post. Maybe this should be a two-parter, a multi-chapter saga? I’ve only just gotten to Vancouver, for heaven’s sake. And it’s nearly time to pick up my swimming child from the pool.

I’m going to speed this up by doing some name-dropping. Walked into the hotel, first person I saw was Sheree Fitch (Night Sky Wheel Ride): big hugs. (But then we didn’t see each other again; this happens at festivals, with people coming and going.) Good thing I had Heather to introduce me to some more writers: we were soon headed for dinner with Jessica Westhead (And Also Sharks) who was travelling with her husband and their brand-new seven-week-old daughter (whom I never got to hold, dammit). We were also joined by Emily Schultz (The Blondes), whose book I’d reviewed for the Globe back in August.

After dinner, Heather and I went to see Anne Perry and her biographer Joanne Drayton being interviewed on-stage. We were both toast at this point, our bodies telling us that it was nearly midnight, so we debriefed in the morning over breakfast at the Granville market, after which we got very lost, after which it was time for our morning events. I’d woken at 4am, been unable to fall back to sleep, and got the front desk to open the exercise room for me so I could run/spin.

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outside my hotel room, Friday morning

My first event was with Riel Nason (The Town That Drowned) and Marjorie Celona (Y), moderated by Shaena Lambert (Radiance). I had a moment of panic while prepping and felt incapable of choosing the right section to read, but it all turned out fine. We spent the hour and a half reading and talking about child narrators, among other things, and the feeling in the room was just lovely. Afterward, I signed books, and one of the women who sat down to talk to me said, “I’ve never wanted a character to win an award before, but I just really want Juliet to win.” Nice, hey.

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Chris Cleave, me, and Annabel Lyon, backstage (photo taken by Marsha Lederman)

I had about twenty minutes between events to freshen up and eat a banana, and then I was back at it. This one was in a large theatre with Annabel Lyon (The Sweet Girl) and Chris Cleave (Gold). We were each interviewed by Marsha Lederman, and then came onstage together at the end to answer questions. What can I say about this event, other than it confirmed for me that I really love being onstage. I’ll admit it. Onstage is a great place to be. It requires the burning of lots of energy, and there’s an element of risk to it, but if you know me, you’ll know I like burning energy. The risk part, well, maybe I’m drawn to that too, a bit.

Something else about being onstage: I’ve learned that it’s no good wishing I were different. To be comfortable, all I have to be is myself. I love watching those performers who are quick with witty anecdotes, but that’s not me; and that’s okay too. We’re all different. When I’m in the audience, I want to see a real person up there, not someone pretending to be someone they’re not. I think that’s the only secret, honestly.

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outside my hotel room, Friday afternoon

After that happy shiny event, I went for fries and a beer with Marita Daschel (Initiation Trilogy); we met through the blog a few years ago, and though we’d never seen each other face-to-face, nor spoken, it was like being with an old friend.

Walking into the hotel, the first person I saw was Sarah MacLachlan (my publisher at Anansi). We were meeting for dinner in less than an hour. I grabbed a quick rest, took a hot bath, and let myself come down from the day’s excitement, to unwind, though not completely.

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this is how much I unwound

Sarah had invited Anansi people out for dinner at the Sand Bar. I knew no one except for her. Seated around the table were (more name-dropping ahead): Rawi Hage (Carnival), Madeliene Thien (Simple Recipes), Anosh Irani (The Song of Kahunsha), Pasha Malla (People Park), a young woman named Thea whose story collection with be published by Anansi soon (sorry re lack of details), me, A.L. Kennedy (The Blue Book), Graham Gibson ( The Bedside Book of Birds; he’s also known as Margaret Atwood’s husband; she was stuck in transit and couldn’t be there), and Dennis Lee (Alligator Pie). I was seriously crashing at this point, glazed eyes and brain, and thankful for light conversation from the women seated near me. After dinner, Sarah and I dashed off to hear A.L. Kennedy read (and I do know her name is Alison, but can’t help but think of her by her initials).

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at dinner; and an accurate illustration of how my brain was behaving, at this point in the day

The evening ended in the writers fest hospitality suite where thankfully Heather came after I texted her an SOS — I knew no one and was feeling like a wilting wallflower. But I also didn’t want the day to end. Of course, it finally had to (I’d been up since 4am after all). All that was left was a short night’s sleep, a morning walk in a hailstorm to fetch breakfast at the market, and the packing up.

I spent yesterday travelling. I enjoyed a quiet peaceful flight with no spine stiffening moments. On the ride home from the airport I met an international trade specialist and an expert in honeybees. And now I am holding my sad four-year-old whose sister just stepped on him, probably because I am writing this blog rather than paying attention. So it is time to stop typing and to pay attention.

Tomorrow (Monday) I’m in Toronto for a reading at IFOA. Anyone coming?

Back on the good old ground

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"are we going to be millionaires?"
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These photos were taken on Tuesday, just after the kids arrived home from school.

I think a person can sustain a high of excitement for about 24 hours, tops. So, yes, I’m right here on the good old ground today, and it’s a fine place to be. I sense that Tuesday’s news has genuinely begun to sink in. That’s almost a little bit sad. I never want it to feel commonplace; when I think about The Juliet Stories, I always want to feel as shocked and astonished and flooded with joy as I did on Tuesday morning.

But then again, those emotions are unsettling and burn a lot of energy. I’ve gotten up early the past two mornings to exercise, and my energy level is feeling on the wane. Wax and wane.

There are stickers. Did you know that? My publisher is going to send me some “GG Finalist” stickers that I can take around to bookshops and stick onto my book. I promise not to let my children stick them onto our sticker table, or their clothing, or their faces, even though that would make for a funny photo.

This morning, I did an interview with a local paper. We met at Words Worth Books in uptown Waterloo, which gave me the opportunity to buy the other four GG finalist’s books. Don’t they all look lovely?

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The Headmaster’s Wager by Vincent Lam, The Purchase by Linda Spalding, Siege 13 by Tamas Dobozy, and Dr. Brinkley’s Tower by Robert Hough

But ’tis time to return to regularly scheduled activities. I have deadlines to meet, and this weekend I’ve also got a turkey to bake and family to host. (I’ll be sure to host the family and bake the turkey, not the other way round.)

And now, a few links, if you’re not saturated already.

* Please go on and listen to a few songs from Danny Michel’s new album, Black Birds are Dancing Over Me, which is so very joyful. “Go on and let someone love you,” has been the line running through my head these past few days.

CBC Hamilton’s piece on me (I was born in Hamilton, Ontario, and I’m happy to be claimed by any place I’ve lived that would like to claim me!).

Me and the kids on local TV (Kevin walks into the background of the opening shot, too).

On The Juliet Stories being nominated for the GGs (surreal! and for real!)

fall colours, through window

This morning I felt like disappearing into music. I searched around for Lindi Ortega’s version of Johnny Cash’s “Ring of Fire,” and for some reason also felt like hearing Prince’s “When Doves Cry,” and I landed for awhile on Danny Michel’s beautiful and joyful new album “Black Birds Are Dancing Over Me.”

I prepped for a reading I’m doing tonight here in town, in support of the launch of Waterloo’s own brand-new Wild Writers Festival.
I worked on a grant application.
All the while, I avoided the internet. Because this morning was the announcement of the Governor General’s Literary Awards, the last major prize listing of the season here in Canada. I wasn’t sure I could bear the disappointment; well, that’s not true. I knew I’d be fine, but I knew, also, that the emotions would be unpleasant. It would suck. I was irritated with myself for feeling that way, so I plugged into headphones and listened to a soundtrack of my own creation, which seemed to answer perfectly whatever it was I was lacking. Suddenly I said to myself, hey, let yourself believe you could be nominated, right up until you find out you’re not. Why not? Why not be hopeful? The worst that could happen is that you’re disappointed, and at least you’ve spent a little while in happy fantasy.
Why be afraid of an hour or so of happy fantasy?
So I let myself go, in the music, and got to work.
And then, just after 10am, I saw that my inbox had suddenly filled up with messages. Could it be??? The first message I opened was from Jared Bland, senior editor at Anansi. It was titled: congratulations! And it said simply, “I just saw the wonderful news about your GG nomination.”
What happened after that is a blur. I’m pretty sure I started crying and laughing and shouting all at the same time. I know that I leapt up and scared the dogs, who had been sleeping peacefully in my office. I was shaking so much that I almost collapsed. This is not an exaggeration. “I can’t believe it!” might have been the words coming out of my mouth, over and over. 
I wanted to tell Kevin — instantly. But I’d temporarily lost the ability to use my cellphone. When I finally got through to him, he had no idea what I was saying for the first minute, I think because my words were essentially nonsensical. 
So, dear reader, that is what it feels like to be nominated for a literary prize. It feels dumbfounding and it feels thrilling, and it makes a mess of one’s physical and emotional self for a smallish moment in time. I’ve since collected myself. Mostly. I’m not even sure I should be blogging under the influence of such heady emotions. But if there’s one thing I’ve learned in life (other than that I really shouldn’t start a sentence with the phrase “if there’s one thing I’ve learned in life”), it’s to jump into the good moments with both feet. Dive in. Get submerged. Be joyful. These occasions come rarely and the time to celebrate and savour them is while they’re happening. Don’t worry about looking like a giddy fool! Be giddy, be foolish.
So I’m being giddy. I’m being foolish.
Oh, oh, oh, and I get to read at the International Festival of Authors with the other nominees in Toronto on October 22nd!!!! And let me just say a few words about the GGs themselves. I’ve been a fan since high school. Basically all of my favourite CanLit authors have won the GG. I’m a nominee, not a winner, but it’s like dipping my toe into the waters of Canadian literary history. It’s like being a tiny part of it. I’m blessed and I’m damn lucky.
Also, I have yet to see or hug anyone in person since the announcement (aside from dogs), but I’ve been loving the emails and phone calls and texts and FB posts. (Like this one, from a friend who lives near Kingston, Ontario: “[My husband] and I are at Boston Pizza in Brockville and your book is on the T.V.”) What more can I say? (I’ll think of more soon, I’m sure.)

Winnipeg: Thin Air Writers Festival

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I took our old digital camera on my trip to Winnipeg, and figured out pretty quickly why we’d stopped using it: the battery runs dead after approximately a minute of use. But nevertheless it allowed me to capture fuzzy moments of my whirlwind adventure. The first photo, above, shows the Museum of Human Rights, still under construction, which was my view out the window when I ran on the treadmill in the empty fitness room (I never saw anyone else there). I stayed at the hotel for less than 24 hours, but still managed to run twice, and nap once.

On Monday, I had dinner with Sheree Fitch and took no photos. I knew her instantly though we’d never met in person, and I mean knew her knew her, not just recognized her. Maybe it seemed so natural to be with her that I assumed we’d have lots of time to pose for photos together, forgetting for the moment that she lives in Nova Scotia, and I’m here in Waterloo, and that mere fortune had allowed us to overlap in Winnipeg. Now I’m plotting to bring her to Waterloo to read in some schools — especially in my kids’ schools. How do such things get arranged?

At the table behind us were Bill Richardson and Karen Levine. Sheree knew them both. I’d met Karen eleven years ago when I recorded a story for a CBC radio program — I was just striking out on my own as a writer, and I was also massively pregnant with Albus, and for some reason had chosen to wear gigantic maternity overalls that day. (Why???)

For my mainstage reading on Monday night, I chose to wear my pretty red high heeled shoes that get compliments every time (which my sister Edna has now given to me to keep), and the cute/countryish/suedish jacket that makes jeans look dressy. (I hope.)

That’s me (and my poufy prairie hair) with the the festival’s director, Charlene Diehl, whom I first met when I was 20 and I walked into her CanLit class at the University of Waterloo. What a festival she’s made in Winnipeg. I’m so proud of her. The venues are terrific, the audiences come out (at our book chat on Tuesday afternoon, someone counted 95 people!), and the writers are treated, oh, so well. The hotel was a haven, and I loved every peaceful minute I spent there. What a gift.

I slept soundly. I woke refreshed. I sat and wrote. I read. I ran on the treadmill. There was space to retreat to — I appreciated having that space, as well as having opportunities to connect. As something of an introvert, I need alone time to balance out the meeting and greeting.

Tiny side anecdote: One of the writers on Monday evening was Jess Walters (Beautiful Ruins), who was very funny — and thankfully last to read. He told a story about his dad, who just couldn’t wrap his head around the concept of a reading. “What — you wrote the book, now you gotta read it to them too?” Ha!

On Tuesday morning, I did not sleep in, but I got a nice cup of coffee, I wrote, and ran, and at 12:30 on the dot, with great regret, I checked out of my room and went for lunch. I decided to order a glass of wine with my meal. I sat alone at the table, and read. It was a strange luxury, not one I could imagine getting used to — not one I particularly would like to get used to, when it comes right down to it. But it was good because it was so unusual.

Then I went up to the hospitality suite and discovered a small frenzy, lots of people. Being a bit thick, I didn’t figure it out right away, plopped down on the couch, checked my phone, gazed around, and went, duh! That’s Richard Ford, Pulizter Prize winner, he of the steely blue eyes. We introduced ourselves and shook hands. The general atmosphere was of people excitedly dropping things and attempting not to sound ridiculously giddy or silly.

I missed his reading that evening. I was on a plane back to Toronto, which sounded disconcertingly like its muffler had fallen off.

When I walked through our front door, after midnight, I snuck around to every room and squeezed and kissed and hugged every child. In the morning, in the whirl and bustle of getting us all ready for school and work, nobody even asked: hey, Mom, how was Winnipeg? I though that was funny. It was a short trip, and I enjoyed it immensely, and I’m glad that it was so easy to slide back into home life, so easy that no one seemed to notice much that I’d come and gone. Or maybe they just accepted me back, as if I’d never left.

There’s a bit of that to travelling too. Being present in the moment. And then it’s gone, and it reverts to being almost dream-like in memory, vivid snippets, densely packed. I wonder which vivid snippets from Winnipeg will stick with me most strongly? There’s no telling.

On napping, prizes, and obscurity

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I’m back to napping! And I’m remembering why I love it. All the best thoughts arrive upon waking from a good (short) nap. During the summer, I got by with no naps, partly by lowering my weekly early morning workouts to twice/week, but mostly by nipping back to bed upon arriving home. With no one rushing off to school, our family got in the habit sleeping in. But it didn’t feel like napping, it felt like going back to bed. Like the work-out had been another dream-state.

We’re back to the school routine, and we’re suffering just a little bit, collectively. Trying to adjust bedtimes and wake times. Accepting that there will be after-school meltdowns. Everyone’s tired. Evenings are squeezed. Kevin and I were still doing lunches and dishes last night at 9pm.

There was no moment for a nap yesterday to balance out my early morning run.

So I’ll admit that rising at 5am this morning, in order to go exert myself whilst clad in spandex, was not exactly what I wanted to do. I’m making spin/weights sound way less fun than it is. By the end of the work-out, it felt completely worth it (as it always does), and after breakfast and the getting-ready whirl, everyone departed, and the house was quiet by 8:30. Quiet by 8:30!!! Empty! Just me and the dogs.

So I napped.

I drifted off. And woke with a clear mind, feeling at peace, filled with ideas, thoughts, answers, calm. Call me crazy (or lazy), but I consider napping to be an important spiritual process. Somehow, while gently drifting toward sleep, my mind becomes more open, more at ease. To be creative, one needs to be at ease, not panicking. Many a time, a nap has set me right simply by allowing my body and mind to relax.

This is a long preamble. What I want to write about is the announcement of the Giller longlist earlier this week; should I write about it? Still not sure. But I’m an obscure CanLit mama who had an eligible book out this year (among 226 others), and this brief moment in time is wound into the rest of my life. I knew it would be a long shot to find Juliet on the list, but hope springs eternal, and every Canadian writer understands what a career boost it is to have any association with the Giller attached to one’s book.

In the days and hours leading up to the announcement, I couldn’t get away from thinking about it. It dogged me, no matter how I tried to redirect my thoughts. Such is the power of a prize. So here’s the strange thing: notwithstanding my immediate gut response of plain old crushing disappointment not to see Juliet on the list, I’ve been experiencing an unexpected lightness of heart since the announcement came and went.

I’m grateful to everyone who told me they were sure it would be there, especially those wonderful booksellers who’ve had Juliet’s back all along.

But I didn’t know how heavy the weight of expectation/hope had been pressing on me until after my nap this morning. I got up, voted, hung laundry, planned my attack on today’s scheduling adventures, and realized that I was feeling … really good.

I’m not waiting for anything. The worst outcome has happened. The sadness is over. And in its place is a feeling of gratitude for the sweet minutiae that I’m often too cluttered and harried and anxious to see. Maybe it’s an after-the-storm effect. (And it rained torrentially here on Tuesday.) It sounds trite to say it: gratitude for my kids, for our house, for our neighbourhood, for health, for friends, for kindness, for running errands with two four-year-old boys in tow. For everything, I guess.

I wonder how other obscure CanLit writers are feeling this week.

And I wonder, I’ll admit, how those who made the list are feeling (with special shout-outs to not-so-obscure CanLit mamas, Annabel Lyon, who kindly helped my daughter with her project on ancient Greece this past year, and Katrina Onstad, with whom I shared a seminar table while we were both doing our Master’s at U of Toronto.)

If I could change one thing about myself, it would be the anxiety I feel when outcomes are out of my control. What was I worrying about, all along? What was I hoping for, really? Was it external affirmation, some kind of proof? And if so, why?

Okay, another thing I would change: I would live, always, without fear of failure.