Here’s the official poster, designed by my talented brother, Cliff. This time around, I’ve handed over the party planning to my friend Melissa’s public relations company; truly, here in non-stop soccer season, I’m too busy to attempt it myself, and the arrival of a new book deserves a celebration! So the plan is, let someone else make a plan, and I will simply show up and have fun. Speaking of showing up and having fun, tomorrow I’m visiting CJ’s Grade One class to talk about writing books (and to read The Candy Conspiracy). And last week, I went on local TV to promote the launch party; yes, that was actually (and unexpectedly) really fun, which is not at all what I was anticipating that morning as I tried to pick appropriate clothes for the occasion and worried about my hair, makeup and nerves. (Writers don’t have a lot of appropriate clothes. Case in point: I’m currently wearing yoga pants and a black t-shirt, with crocs.) That said, I can’t bring myself to watch the clip (and in fact, just opened the link and had a visceral “Oh God, I really can’t watch it” reaction), but hey. Here’s the link, for posterity.
And here’s the point of this post: I hope to see you (and your children or grandchildren) at the Waterloo Public Library this coming Saturday, May 30th, between 1-2PM. Please consider this your official invitation (note: registration helpful for planning purposes, but not required; spontaneity welcome.)
PS Doesn’t it look like I’ve just taken a big chomp out of that cupcake?
This is what we’ve all been reading for over a month now. And I include myself among the readers. We’ve been getting them out from the library, and I wish we could find some way to buy them, new or used, because the kids pore over them and read them over and over. Lynn Johnston didn’t develop her characters within a typical cartoon style using a static time frame; instead, her characters grow and age, and they feel really whole and interesting and the effect is novel-like, if the novel were written over years and years, and in small panels with punchlines. I love that her punchlines are often poignant. I’ve sat there crying over a storyline, and I’ve laughed out loud, but most often I just read with the same enjoyment I would find from a novel. I find it hard to pick up one of her collections and not devour it from beginning to end.
I have managed to read a few other books, recently. I worked my way slowly, steadily, sleepily through My Struggle, book two (A Man in Love, I believe it’s called). At certain points I found myself wondering if this would be my quest, whether I would slowly, steadily, sleepily work my way through the entire seven books, as a kind of bizarre long-term project of being inside someone else’s mind. I might. I’ve already bought book three. But meanwhile, I’m going to cleanse my palate.
Over the long weekend, I read, with enormous pleasure, Landing Gear, by Kate Pullinger, who I met on tour last fall. Kevin read it first, and was laughing out loud, and told me I had to read it right away, as soon as he was done. So I did. I also found it very very funny, and I admired its structure and shape. I loved the portrayal of the 14-year-old boy … as I now have one of my own.
Here are some scenes from his birthday.
He worked on building a shed with his grandpa in the morning. He played hooky from school and his parents took him out for lunch. He played a game of soccer in the evening. And then he blew out a candle and opened gifts from his siblings and parents. And now he’s having a party with some friends that appears to mainly involve junk food, video games, and hanging around. I’ve already popped up once to be the annoying snooping friendly mother. Can’t help myself.
Happy Friday, happy weekend!
I’ve got a six sticky notes affixed above this computer, with reminders about where to funnel my writing energies, should I sit down at my desk in the morning at a loss. Four of the notes have been stuck up there for a year; two are new this year.
Here is what they say:
* Blog 3x/week + photos
This reminds me that I rarely take photos with my real camera anymore. There’s a practical reason for this, and it isn’t just because I’m short on time, or prioritizing differently, though that may play into it too. The practical issue is that the computer on which I process my photos is dying a long slow death, and frequently and suddenly conks out, taking with it any work I’m doing. It conks out most often when the work is processing photos. Further, the device I use to connect the camera to the computer is faulty and it takes multiple frustrating attempts to download the photos so that I’m even in a position to process them, at which point the screen inevitably goes black. It’s all rather discouraging, and time consuming … so the quality of photos on this blog, and therefore the quality of photos recording my family’s life, has dropped steeply. Nevertheless I’m still blogging two or three times a week, with images via my cellphone’s camera.
This reminds me that I am not just a novelist, but a short story writer, and that every once in awhile, if inspired, I should write a new one. I try to keep at least one unpublished story in reserve, in case (fantasy!) a literary magazine comes calling with a request. (Actually, this has happened twice in the past year, so it’s not a complete fantasy.) In time, I expect to have enough stories to fill a new collection. How much time? Who knows. It’s not like the world is clamouring for new collections of short stories, so I will give this project as much time as it takes. No rush.
* Poem a day “Light” + write + attention
This refers to my 2015 meditation journal. I aim to write in this journal for 15 minutes every day, often immediately after meditating. Some days, 15 minutes turns into much much much longer. Some days, I save this journaling as a reward for completing other writing. Truth is, I really love writing in this journal, and don’t need the reminder. However … very few poems have emerged. It’s mainly stream-of-consciousness prose. The title “Light” refers to the file name for this year (last year’s file name was “The woman formerly known as”). “Write” is my word of the year (and a very good word it’s been for me, so far), while “attention” is my secondary word. I’ve applied my secondary word mainly through meditation.
* Memoir on learning how to swim
This is a personal essay I’ve been working on, off and on, since last summer.
* Essay on being edited, relationship with editors
This is a personal essay, the idea for which was given to me by the editors of The New Quarterly, which has never developed into more than an idea. Yet I leave it up there, just in case it sparks something.
* Novel Forgiveness in Families
This refers to the novel I’ve been working on. Funny thing is, that isn’t the title, and I have no idea why I ever thought it might be. (But I know exactly where I got it from: it’s the title of an Alice Munro story, one I think about from time to time, from her collection “Something I’ve Been Meaning to Tell You,” another marvellously evocative title.) (Also, it occurs to me just now that “Forgiveness in Families” would be an excellent title for an essay that perhaps I will write someday.)
I have room for two more sticky notes above my computer.
I’ve decided to add a seventh called * Dispatches, personal essays. In fact, without needing any reminders and completely unprompted, I’ve been steadily working on a collection of personal essays, off and on, using a variety of raw material, some of which has arisen out of daily journaling. It’s interesting to me that most of that journal material is dead wood, yet every once in awhile something blooms from it, or mushrooms up. It’s a reminder of how patient one must be to see a long, deep project through from beginning to end. How do the little fragments cohere? It’s a lovely mystery. Looking back, retrospectively, I sometimes wonder how I’ve had time to do the work that gets done. And yet, I do, and it gets done. Inch by inch, brick by brick, seed by seed, sticky note by sticky note.
I may even add an eighth sticky note. This one will be called * Children’s project, but I’ll leave it undefined for now. My nine-year-old would like me to write a children’s chapter book; and I’ve got plots and plans for more pictures books, too.
Which reminds me, details about our local launch party for The Candy Conspiracy are being finalized as we speak! Here’s the short-point version: Saturday, May 30th, 1PM, Waterloo Public Library, and yes, there will be candy! (How could there not be?) Poster and more details coming soon. And apparently I’ll be on local daytime television talking about this tomorrow. Eek!
Kevin has challenged me to take the day off.
So far what this looks like is me with unkempt hair and a cup of coffee staring at the wall, the newspaper, the computer screen, wandering around the house with an unopened book in my hand, walking up the street with a kid on a scooter, and talking to a few friends. I might go play the piano now.
Truly, I am tired. (So tired I just wrote “Truly, I am tried.” Maybe I’m that too.) How fortunate I am to have a day to take off.
PS Thanks for all of your comments and messages regarding Friday’s post. Your thoughts helped me greatly.
It’s actually been a difficult week. I’m on the periphery of two difficult recent losses, women gone too young, both taken by cancer; and wondering how, trying, hoping to support those friends for whom the loss is much much closer, terribly personal. I’m trying not to be paralyzed by the idea that a small gesture is too small, or to fear doing or saying the wrong thing; but I also want to acknowledge that it can be hard to know what to do or say in situations that fall outside of our normal every day interactions. It’s embarrassing to admit, but I wonder how many of us are paralyzed by the fear that we might do or say the wrong thing? Maybe that’s because it is easy to do or say the wrong thing. I think about what mattered when Kevin’s dad died seven and a half years ago, and remember that the questions and interest of people too many steps removed from the situation seemed callow and offensive, even when well-meant and kindly spoken. But the cards and casseroles were wonderful, no matter who they came from, and the presence of friends at the funeral really did help. So from this, I would observe that presence and a simple offering is far and away more valuable than trying to say the right thing. I remember another friend telling me (from personal experience) that the worst thing to say to someone who is grieving is “you must be feeling …” or “you must be so …” Just say, I’m sorry for your loss, he told me. Consider how common the “You must be …” sentence construction is and how often it gets applied to situations out of the norm. I wonder why. No matter the intention, it comes off sounding like the speaker is trying to dictate the ground rules for emotion. Thinking about everything I’ve written here, I’m coming around to concluding that to do is far more valuable than to say, in difficult times. After all, isn’t that our impulse when faced with someone else’s grief or loss: to do something. It’s just that we don’t always know what to do, what’s appropriate, what’s needed, what would help rather than add to the burden.
Perhaps some of you might be willing to share in a comment what words or (more likely) deeds helped you through a difficult time. And thanks for listening.
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My name is Carrie Snyder. I'm mother of four, writer of fiction and non-, dreamer, contemplative, mid-life runner, coach, forever curious. I'm interested in the intersection between art and spirituality. What if the purpose of life is to seek beauty? What if everyone could make art?