Dream: I am at a long conference table set up in my mother-in-law’s back porch. Two women sit at the other end of the table, conducting an interview about art for live national radio, but I’m just here because it’s a convenient place to work. Earlier in the dream I spent way too much time anxiously trying to figure out why my children missed the school bus; the children are everywhere, all around the house, when I know they should be in school. So I’m sitting here, trying not to be too obvious or interrupt the interview, trying to work. I think that my work is writing, but when I look down, it turns out that my work is chopping potatoes. End of dream.
Things I’ve done since 5:30AM yesterday: ran with a friend, helped children practice violin and piano, made supper in the crockpot, washed three loads of laundry, meditated twice, blogged, edited an essay, answered emails, texted with friends and family, picked up and dropped off kids for piano lessons, worked on novel while sitting in car between pick-ups/drop-offs, visited with a friend while at piano lessons, attended a soccer coaching clinic, had tea with husband (talking soccer, hockey, and Fun Things We Want To Do), read books and newspaper, listened to radio (news and songs), slept, did strength exercises. Waited. Hurried. Tried not to fight with time.
I think of time in blocks and chunks and sections. I think of myself as travelling between these blocks and chunks and sections and trying to negotiate the transitions as smoothly as possible, trying to settle in wherever I’m at and not resist what’s happening. But sometimes it feels like what I’m resisting is time itself. These chunks of time, this careful measuring of hours and minutes, calculating these small openings and anticipating these sudden slammings-shut gives me a sense of urgency. A sense of urgency is very helpful when working to complete a big project. But to enjoy being alive, to relish it, savour it, swim with it, you need to be flexible, you need to let go of the sense of urgency in the moments when urgency would only serve to make you anxious or frustrated.
Because life is full of many many tasks and events and rituals that are long slow dreamy, unrelenting, without obvious beginnings or endings, mundane, repetitive, completely necessary, or completely unnecessary, often lovely — not projects. Not artifacts. Just unmarked rivering moments in the flow of time. If there’s a balance I seek, perhaps it’s between these two states of being: the urgent efficient ambitious project-driven state of creating something new; and the flow of life as it unwinds through its time, through its here and now, and being here, present and without the need to make anything of it.
First, to the news: I’m pleased to announce that Girl Runner is going to Greece! The book has been picked up for translation by Thines Editions. This brings the foreign sales of Girl Runner to eleven languages, plus the US and the UK & Australia. I know. Astonishing, huh.
Every once in awhile it comes to me: thousands of people have read Girl Runner. Thousands of people have taken into their minds this story shaped by my mind. That is a staggering thought, and comes close to fulfilling what I’d hoped to achieve, in thinking back on my early years of hoping to become a writer. It was to be read. Those people who’ve read Girl Runner aren’t thinking about me, Carrie Snyder, they’re thinking about her, Aganetha Smart.
I think that gives me a certain amount of flexibility too, in terms of the choices I intend to make in my career, the projects I intend to pursue, their variety. I see myself as someone who can shape-shift to some degree, with a malleable voice, rather than someone who has a very distinctive style and voice and subject. I can use that in positive ways rather than seeing it as a weakness, but it’s a talent more readily used by someone who doesn’t have a big personal public profile. These stories come from me, but they aren’t me. Or more precisely, I am not them. I am just the mediator, in a sense, or perhaps the medium, the interpreter between worlds.
Ultimately, I’d like to be read because I send out into the world interesting, creative, curious, insightful, moving, maybe even life-giving stories.
It’s a lot to ask. Because it means I want my writing to be excellent. It puts the weight on the writing, and is my writing good enough? Is my thinking deep enough? I don’t honestly know.
For the purposes of achieving this goal, I’m challenging myself to direct attention and energy onto the books that I write, and to otherwise be at peace with my authentic, ordinary self when asked to appear in public. It’s my problem, not anyone else’s, is what I’m getting around to—I’m the one who has been dissatisfied, in the past, with my public performance or persona, always thinking that I should be more charismatic, more out there, more … well, more not myself. Recently, I’ve been trying to let go. And I’ve found myself surprisingly content with being adequate, average, competent at the jobs that are not within my main area of expertise. I’m not splendid or charismatic on stage, but what I can do is make people feel comfortable in the slightly awkward formal environment. My sense is that that’s something I’m able to offer, and that’s good enough. Forget trying to shine or, much worse, to outshine. It’s not who I am. I’m more of a cozy fire in the fireplace, a friendly candle on the table, a light in the window to show you the way home, here to make you feel comfortable in your environment.
So. Let go. Let go of chasing fame in any way, shape, or form. And keep writing for the writing in any way, shape, or form.
Hello there! Just checking in. How are you? You may have observed (as my dad recently did) that I’ve been checking in somewhat less frequently here, as my writing time is quite cramped. I also take way less photos than I used to, relying mainly on the camera on my phone. Your understanding is appreciated. I think this is a good example of how I make things work, generally speaking; it isn’t always perfect, or even approaching perfect, but I try to do as much as I can, in as many of the areas of my life that I can, using the resources available. And with plenty of compromise.
This weekend, AppleApple and I made a trek to Ohio for a soccer tournament. I’d been dreading the long drive and leaving behind my writing work, but it turned out to be really fun. Note to self: stop dreading things! Good grief! Somehow, in my anxiety about crossing the border and having to navigate solo, I neglected to appreciate that I would be alone with one kid, with very few responsibilities other than getting her to and from games, for several days. I left behind the calendar, the scheduling, the laundry, the cooking, the cleanup — well, everything, really. We had beautiful weather, spring had sprung in Ohio, they sell beer in grocery stores there, and everyone was super-friendly.
* lounging and watching Friends on my laptop via Netflix with AppleApple in the evenings
* a social meal out with the team on Saturday night
* buds on trees, flowers blooming, needing to wear sunscreen again
* an impromptu picnic in a Kroger’s parking lot (we know how to class it up)
* taking a detour home through Bluffton, Ohio to visit friends and see the house I grew up in from kindergarten through grade 3
So my kid complained about me singing along to the radio on the drive. So her team didn’t win every game. I can’t think of anything else to complain about, actually. How lucky we were to get that time together. How fortunate we are to travel at our leisure, for fun, for recreation.
Back in Canada, driving driving driving, we tuned into the CBC news at 6 o’clock and heard about the failed efforts to rescue hundreds of migrants, drowned when the boat they were travelling on capsized in the Mediterranean sea; I can’t get that out of my head. I keep mentally juxtaposing the ease and safety and fun of our journey with the desperation of the journeys undertaken by so many.
I can’t make sense of it. So it’s just sitting here with me today.
PS I’ve got some good news on the book front. I look forward to sharing it with you later this week.
My meditation guide invites me to enjoy sitting in silence for twenty minutes, taking these quiet moments for myself, to which I must reply: GAH! Yesterday, I meditated on the train home from a day-trip to Toronto, while just behind me a woman agreed compulsively with everything her friend said, even while her friend was in the midst of saying it: “yesyesyesyesyesyesyesyes!” Today, I meditated in my office with the constant beep-beep and deep motorized rumble of trucks as Hydro employees work on the wires in front of our house, which has been a constant for at least a week. The dogs chimed in during the last five minutes of the meditation to howl at … well, whatever dogs howl at, and I think ours are particularly thick in their choices. Are you making good choices, dogs? Are you?
Am I making good choices?
Well, I keep meditating, despite the lack of silence, inner or outer. I think that’s a good choice. I’ve returned to a regular running schedule, despite some twinges in the hamstring. I think that could prove not to be a good choice, but I feel better about running than not running, and I’m making some gains in endurance and cardio again, so, hey, there’s probably a fifty-fifty chance that it’s not a bad choice.
Kevin chose to invest in some new soccer nets for our backyard. Really good choice. Fabulous choice! The kids have been outside non-stop, either on the trampoline or playing soccer in this happy spring weather we’ve been having. We may never be able to grow grass in that strip between nets, but I’m still thinking it’s a good choice.
I was also thinking, while looking out the train window yesterday, and watching the just-rained-upon farmland zoom past, that here in Canada we have such a low threshold for excitement about what constitutes spring. A bit of sun, a touch of warmth beneath a brisk breeze, and we’re all outside grinning and hi-fiving each other. Sure, the grass is brown, the ground is wet, the flowers have scarcely peeked through the mud, and all the trash left behind by melting snow banks is suddenly visible. Sure, it’s windy and rainy and when the sun goes behind a cloud it’s kind of chilly, in fact—but there’s light after supper, and the birds are noisy, and the kids are outside being noisy too, and we’re leaping and kicking our heels together for spring, spring, spring.
PS I successfully checked off from my list all of the work-related responsibilities for the past eight days. Book club; followed by ceremony for the winners of the KPL contest; followed by a reading in Ridgeway, Ontario (where the organizer, who also owns a lovely bookshop in Ridgeway, near Niagara Falls, let me come to her store after the reading to pick out books for each of my kids! isn’t that generous!?); followed by a meeting in Toronto yesterday; followed by an interview today. And now I’ve completed the public work for a little while and can dig back into the private, quiet, sitting-and-writing-all-day work. Oh, and the laundry. Light lifting. That’s the phrase that comes to mind. I don’t know why, but I’m glad. Maybe because it’s spring? All of this, despite the busyness and the effort, and the noise, has felt like light lifting. On we go.
Twenty minutes can feel like no time at all, when I’ve fallen down the rabbit-hole of the internet, reading truly fascinating but perhaps not necessarily useful stories on … well, see, there’s the problem. I must have read at least five truly fascinating but not necessarily useful stories in the past twenty-four hours, following links from Twitter and Facebook—to genuine news stories or long-form articles, not top-ten lists—but I can’t recall the contents of a single one. Poof. The minutes vanish.
But twenty minutes can feel like a very long time when I’m sitting in silence listening to the sound of my thoughts skittering, seemingly randomly. Oh, there’s my mind trying to make a plan for later on today, and a list of things I can’t forget to remember to do. There’s my mind slipping sideways into what seems to be a dream. Bring it back, follow the breath. Breathe, breathe, meditate. Oh, there’s my mind dashing off to wonder how much longer. And under it all, there’s my body, trying to hold fast, remain still and calm but strong. What this exercise seems to be, at its core, is a daily weather report: here’s what you’re feeling today. Here’s how your body and mind is coping with challenge. Bring an umbrella.
Today’s weather report of my body and mind: very tired, wandering, a bit directionless, with a chilly breeze of underlying anxiety about upcoming events.
I’ve been struggling to write, here. Not elsewhere, but specifically here, in Blogland. I was at a book club on Monday evening, a friendly thoughtful group, and they asked interesting questions, including one I found difficult to answer: How do you manage the attention? My gut instinct? To reply: uh, what attention? The truth is that I’ve been managing attention by pretending there’s a solid wall between my public life and my private life, and that the two don’t intersect. It’s a mental trick I sustain when blogging, too. I pretend no one’s reading. It’s like I’m writing this in a special private journal that oddly ends every time with me pushing “Publish.” It’s a trick that doesn’t work terribly well, I’m beginning to understand, not just in Blogland where readers respond to posts (which I love), but also in the real world. (I can hear you thinking: you’re just grasping this now?). For example, on Monday afternoon, my 9-year-old had a new friend over, and when the dad came to pick her up, and I was making small-talk in the front hall, he said, “I saw you in the newspaper.” Private Carrie fought with Public Carrie, confused. He’d seen me in the newspaper? Had I been charged with some crime? Oh, right, I’m a writer. I actually had to say it out loud, as if explaining it to myself, “Oh, yes, I’m a writer.” “I know,” he said. Oh, right.
So the separation is illusory at best, and delusional at worst.
Further, the whole pretence breaks down completely when I admit, both to myself and to you and to the lovely women at Monday night’s book club and likely to that dad in the front hall, that I want people to read what I’m writing. Of course I do! The sustainability of a writer’s career depends on readers. If I were operating a retail business, it would be counterproductive, not to mention just plain ridiculous, to open a shop only to pretend the shop doesn’t exist. A customer walks in. Carrie pretends she’s in her living-room, in yoga pants, looking after sick kid. Customer is confused, feels like an intruder, apologizes for wishing to purchase something from shop Carrie continues to pretend does not exist. (Why doesn’t anyone come to my shop, Carrie wonders? Maybe I’m not very good at making _____. Maybe I should quit trying and become a midwife.)
In other words, ambivalence isn’t actually ambivalent. It’s pretty damning. Like my dad would say, shit or get off the pot. (I really like that saying, actually; I use it a lot, when giving myself advice.)
But here’s the thing. What I’m selling in my shop is not me—it’s my writing. And that does feel genuinely separate. I’m in my living-room, in my yoga pants, with my sick kid, holding out a book. Holding out a blog post. This is the thing, I’m trying to say, Forget about me. So it’s confusing. I write in hopes that people will read what I write, not to attract attention to myself. I read Nick Hornby and Bill Bryson and Miriam Toews and Ruth Ozeki and Karl Ove Knausgaard and Kim Thuy because I really like their writing. I wouldn’t need to know anything about them to like their writing. I may feel I know them, because they are all somewhat autobiographical writers, but knowing them is not my motivation for reading their work: I read because I love what they do with story, with language, with structure and form, and because I’m moved and entertained by their writing.
I guess my overarching question is: Is seeking attention critical to finding readers? Is it a job requirement? What if I focus instead on being the best writer I can possibly be and stop sweating everything else? What if I simply support a project at every stage of development, including talking about it after it’s been published–and let go my attachment to the attention, personally. Then the transition between public and private might be much less jarring, much less important.
During today’s meditation, I had a sudden vision of seeking balance between interior and exterior. Between maintaining a quiet private interior focus, which is what I need in order to write, and an accepting reflective public exterior focus, which is what I need in order to be in the world as a writer. How can I be as authentic and free in my public life as I am in my private life? I breathe in, and I breathe out. Breath itself is a balance between interior and exterior.
So, how do I manage the attention? Maybe I’ll figure it out someday, twenty minutes at a time.
PS I’ll be at the Kitchener Public Library this evening, presenting the prose awards for the Dorothy Shoemaker prize, which I adjudicated this year. And I’ll be in Fort Erie on Friday evening as part of the Ridgeway Reads reading series.
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My name is Carrie Snyder. I'm mother of four, writer of fiction and non-, dreamer, contemplative, mid-life runner, coach, forever curious. I'm interested in the intersection between art and spirituality. What if the purpose of life is to seek beauty? What if everyone could make art?