Circle training
A few months ago, I took a four-day “circle training” workshop. Rather than writing about it immediately, I let the experience just be. I wondered whether it would change me, and how. What happens when you sit quietly and listen, as a talking stick makes its way around a circle of strangers? What happens when it’s your turn to speak?
Time slows down.
Attention shifts.
The stories that came out of my mouth seemed to rise from some quiet place that was longing to be told: this is precious material too.
I miss writing here as often as I once did.
I miss the instant reflection on the happenings in my life.
And to be truthful, I’m less at ease sharing these fractured, fragmented, intangible impressions publicly. It’s not exactly about being right or wrong; but the impression given of a moment in time, a moment of experiential data, is by its nature unstable. It will change. Change is our constant.
It’s interesting to observe what changes, from week to week, month to month, year to year; but probably also impossible to pin down. There’s a tendency to assume change is for the better; and to compare with past versions of self in ways that inflate the present version. Yet, so much of who I am, especially in those tendencies that limit my potential or cause harm (to self and others), seem to have changed far less than one might hope.
For example … (confession time)
I have a tendency to …
… fill every minute with doing, even better if it’s hard task, or menial, or can be framed as helping someone else or improving upon myself
A story from the circle. One of the participants shared about being the friend who their friends could call in a crisis. Needing to be that friend. And not knowing how to stop, or even pause, to catch a breath, or listen to their own inner voice and emotions.
I felt as if a mirror were being held up to my own need to do, do, do. Act, act, act. Carry, carry, carry. Make, make, make. Hold, hold, hold.
I can’t seem to let myself write down what I understood in that moment…. I saw that being needed gives me worth. No. More than that. Gives me permission to feel worthy, permission to believe that my life is worthwhile. And without that, without the dependency created by being needed, I feared, no, I fear, abandonment.
Who would want the un-needed, the unnecessary version of me?
Who would want to spend time with the version of me that I can’t even articulate into being, the version that is … that is shimmering forth, I feel it, like a butterfly, like a tree, like a calm shady summer afternoon … the version that does nothing and is fully present, achieves nothing and is fully present, raises nothing and is fully present.
The mirror in which another person, anyone, stranger or friend, can see themself in full flourishing. And then the world will be too beautiful to hold, or even to grasp. And I will be able to let go, and let go, and let go of needing to do, act, carry, make, hold, hold, hold.
xo, Carrie
Earth school sparks
I am in another world, other reality, a different place in my mind, life, body. But where? I’ve disconnected from the version of writer I believe I was — before — before
— before I’d released my idea of what I’d need from writing, what I’d expect, what I’d value, what I’d receive from writing.
In truth, I need little from my writing; or — nothing? None of the things I thought I’d wanted.
This is my third spring working my job-job. I’ve approached it as a practice, as training, and as an antidote to my writing career’s boundary-less culture of under-compensated demands, spoken and unspoken, external and internalized. Before — I strived to meet those demands, spoken and unspoken; before — I tried to make a home for myself in a writing-adjacent career; bitterness ensued. And the bitter taste was justified, painful though that is to acknowledge; a person should not be required to work without security or for free just because she loves what she does. That’s not service, that’s exploitation.
I’ll still publish, and I still participate; but on terms that feel sustainable for me, and that grow rather than shrink my heart and capacity.
The job-job grows my heart, and my capacity.
The job-job offers me a clear role, agreed-upon terms and responsibilities, expected hours, and fair compensation. Also: security (as long as our school board doesn’t eliminate library staff … but that’s another story and in any case, it’s not the specifics that matters; the job-job is a practice, not an identity).
The job-job has trained me, continues to train me, for this mid-life, squashed and squeezed time that I’m occupying — this time of devotion. Devotion to tasks, to responsibilities, to community well-being, to small gestures of kindness. Devotion to the practice of gentleness. To the practice of seeing others, recognizing, easing the way for others to move more freely and joyfully and openly, appreciated and known. Devotion to the practice of invisible labour. It is this training that teaches me: I have enough, I am enough.
I tape and glue and clean and relabel. This is my training. I stand at the counter and listen, I respond with kind regard. All life deserves respect and dignity. This is my training.
I am the least interesting part of my writing life. The writing itself, whatever gift there is in it, flows through me. I am a channel.
I am content to be — A mirror — A kind ear — Invisible, or partially seen, or seen only in reflection.
I am content to write what I want to write and share stories and ask questions and to sit in silence. I am more than content, I am fulfilled beyond words to accept this mission of kind regard. What do I train for, if not this? This sense of being present. Able. Having the capacity to serve. Not to be in servitude to, but to serve.
Practicing. To be kind, secure; flowing, humming, through.
xo, Carrie
Time is the substance
“Time is the substance I am made of. Time is a river that sweeps me along, but I am the river. It is a tiger that destroys me, but I am the tiger.” – Jorge Luis Borges
If time is the substance I am made of, I am depleted and drained and running on empty. If I am a river of time, I am cutting through unknown lands. There is little enough time in one life to defeat the tiger that pursues me, my own personal tiger being ambition and ego, and perhaps, too, the choices I’ve made or not made. I feel much like a stranger to myself, or a distant acquaintance. Is it too late? Too late for what exactly? I am the middle of a sandwich, pressed on either side by demands and responsibilities. Am I strong and calm and solid and grounded—a steady and steadying presence for those around me? Or am I squashed flat and distracted and grandstanding and weary and humourless?
Maybe it’s just a lot all at once, and I need to stand up for myself and turn down opportunities and be wise, for heavens sake, count my blessings, prioritize, ask for help before it’s too late.
Or is my timing off, is that all that’s happening, that youth has run on ahead of me, and I’m holding onto mores and values that strike a clashing tone?
Is it me? Why don’t I recognize myself anymore? Once upon a time, books were a medium that entertained and diverted and enlightened. It takes time to settle into a story, time to deepen understanding. Time to reflect. Who has the time? It’s not that I’m not reading, or you’re not reading; we’re all reading, constantly, we’re all absorbing narrative: texts and posts and blurbs and headlines and opinions and hot takes. Our brains are pinging with the reward of the new(s); our brains are bored silly, restless, over- and under- stimulated at once, chasing a sugary scroll on multiple screens that never fills us up. More, more, more.
I say that what I want is stillness, reflection, ease, breath.
But my choices make a liar of me. At night before bed, I compulsively scroll news headlines till exhaustion drags me under. There are several novels waiting on my nightstand, half-read, and every night I promise myself I’ll pick those up instead.
What brings me back to myself — the self that I long for and occasionally glimpse?
Physical activity, motion, putting things in order. I go to the gym to feel more like myself. I shelf-read at school. I hardly ever stop doing, except to collapse.
The hardness of time, its relentless turning. Gravity pulling me down. I need to be strong, I’d like to wise, but what if, what if, I’m not?
xo, Carrie
Begin and end with gratitude
Note: This post was written several days ago. I kept my laptop off wifi in order to avoid distraction, so I’m posting it only now that I’m home again.
I’ve spent almost seven full days at the farm (my brother and sister-in-law’s, with all thanks to them for their generosity). These seven days have been a true retreat, for mind and body and spirit and emotions. I was close to breaking that last week of work before March break, ground down by responsibilities and duties and commitments, all of which I love and have chosen freely (nearly all!); but which require a volume of attention that even great discipline and desire cannot meet.
I came to the farm to write.
I came with a bit of a plan: a novel manuscript to revise, with, most blessedly, the support of a new editor and publisher (the deal has not been inked, so I will touch wood and wait to share more news till it’s official).
I also came to the farm depleted. Knowing I was depleted and exhausted and strained.
I came to the farm wanting to play. I didn’t come to “work” on my book, I came to play with the material. And this book—my 16th century book, as I often call it—has so much material to play with. The language, the weather, the rhyming, the smells, the herbs, the meat, the smoke, the streets running with raw sewage, the animals, the screw press, the tenements, the lanes and alleyways, the river, the relationships, the sacred and the profane, art and authorship and anonymity.
A person can’t play if she’s depleted, exhausted, strained.
Such weariness bleeds through the body, and numbs the senses. There’s a flatness, tears leak through, but feel obscure or obscuring, a disconnected release. In the week or so before coming to the farm, I’d noticed myself withdrawing, even from friends, as I put my head down and completed the basics (which include routines I consider to be healthy and caring, like starting the day with exercise and meditation, preparing good lunches to eat at work, and spending time with my family).
I gave myself permission, when I arrived at the farm on Saturday, early afternoon, to slow down.
And that has been at the crux of my reflections, here at the farm.
I noticed that it was difficult to slow down. I noticed that I wanted to fill the quiet with noise: podcasts, radio, YouTube. More than that, I wanted to be entertained. In stillness, in quiet, alone, I felt starved for some interruption that would distract me.
I noticed these needs and desires. I questioned them. There were times when I let myself be distracted. But I also encouraged myself to try going without the noise, even just for a few minutes. The minutes inevitably stretched. Gently, forgiving myself when I reached for my cellphone, I eased myself over the threshold into the quiet, again and again.
This morning, my last morning here at the farm for awhile, I did yoga (my cellphone open, Yoga with Adriene guiding me through day 4 of her recent Prana series). As I do every morning, I followed my breath. I paired breath to movement. I noticed how much attention I could give to different parts of myself—my feet, my shoulders, my pelvis. Deep in this attention, my mind accepted the quiet. It always does.
For my meditation, I read a long chapter in Braiding Sweetgrass (the young adult version). It was like this chapter had heard me praying to slow down. The chapter is called “Allegiance to Gratitude,” and Robin Wall Kimmerer (and Monique Gray Smith, who adapted this version), and the illustrations of Nicole Neidhardt come together to illuminate the Haudenosaunee Thanksgiving Address. The author(s) ask us to consider what it means to start each morning with gratitude—with a ritual of thanksgiving for the land, each other, and all of creation. The ritual is slow. It takes the time that it takes. It is also punctuated with the refrain, Now our minds are one. “Imagine,” the author(s) write, “being raised in a culture in which gratitude is the first priority.”
Imagine.
Let me begin and end with gratitude.
I am thankful for my brother and sister-in-law who open this farmhouse to me, and who restored it with such care, and who continue to care for this peaceful, cozy, calming, healing place. I am thankful for a family-sized lasagna that fed me almost the entire week. I am thankful for this table at which I’ve sat to eat and to read and to write. My eating and reading chair is to my right. I’m sitting now in the writing chair. Both face the same window, with plants on the sill, and flies buzzing in the sunshine. I am thankful for fresh air and a gravel road on which to walk, to clear my mind. I am thankful for winding down time in the warm living-room, with a puzzle and a deliciously silly Canadian TV show (Pretty Hard Cases; CBC, season 3 available on YouTube). I am grateful for sleep and rest.
I played a lot this week. I accomplished what I’d set out to do. The novel will take more time, more play, more squishing and shaping of its materials.
I’m preparing to pack up and return home, where I’ll again have too much to do—so much of which I love and cherish and don’t want to set down. Can I stretch time? Or slow it? Can I slow time for others, with whom I share space? What allows me to slow my mind, to listen deeply, to attend with love, and to resist distraction?
Begin with gratitude. Return to gratitude. Cherish and take responsibility for my gifts. Ask: I am grateful for____? Is ___ grateful for me in return? And if not, how can I balance that relationship, so that it becomes mutual?
When I love my writing, and bring to it my attention, with appreciation for its delights, I sense it loving me in return, and filling me with joy. And that is what I want to share—deep abiding thanks for imagination, story, the healing properties of narrative and image, and the visceral sensual pleasure of language itself.
xo, Carrie
What if the purpose of life is to seek beauty?
The creative life — what is it? Where does it live? How is it fed? These are my ever-questions, or, more accurately, fodder for ever-explorations and experiments. How does creativity squeeze itself into the gaps and cracks of every day existence; or is it so interwoven with every day existence as to be indistinguishable from it? Or are these formulations simply part of a greater whole? Creativity burrowing in gaps and cracks and spreading like moss or mold or weeds to inhabit the all of things.
There is no separation between my expressions of every day self and creative self. To exist in the world is to risk exposure, transformation. The risk of exposure is that it may harden me — the defended me — to rigidity or certainty, through fear. But the alternative seems riskier: without exposure to contradictory paths and ideas and ways of being, I become the most boring and limited version of myself, gazing into a self-reflecting mirror, defending what I see at the cost of real connection. To risk transformation is to risk becoming someone I won’t/don’t entirely recognize. But to try to stay the same is death, or zombie-hood, or cynicism, isn’t it?
I’m sorry, this is oddly theoretical. I wanted to write about practical steps, tasks, routines, choices. The actions that make possible the pursuit of beauty.
What if the purpose of life is to seek beauty?
Where do I find beauty? In order to seek it? And what do I do with it when I find it?
Beauty appears to me in so many forms, and in so many interactions. I know it by the delight it brings; or the tears. I know it by the way it changes time, softens and broadens it. Beauty is always available, and that is why every day existence is indistinguishable from the creative life, in my own experience. There are only a few rules (or considerations) to follow. Beauty happens in the living of it. It is naturally occurring and always present, but not always visible. It is easy to miss. Easiest to miss when distracted. Busy. Cut off from the world. The cellphone (standing in for our digital lives) has made it easier to miss altogether, or to confuse with a simulacrum. Beauty happens, too, in the mind that inhabits the body (not the mind that lives inside a screen). I’m not convinced that beauty happens here, on my blog, as I type these words, but this space allows me to reflect on its existence. I don’t know why I need to do this thing: this turning of one thing into another, this keeping of ideas and emotions inside the hard form of words.
But words — they’re not hard, not to me. They’re malleable and slippery and musical. They are the material of play — or one of the materials, and one of my most reliable. We dance together. Words dart under the surface and burst through it, carrying an image, a roar, a need.
To seek beauty, I …
practice moving my body in concert with my breath (yoga, meditation, gym-time)
invite play and spontaneity in every possible forum (bulletin board artwork, notebook scribbles, singing in the car)
surrender to the task at hand, no matter how menial (fixing books, cleaning the bathroom)
practice listening, tuck my phone out of sight and out of mind (coffee with my mom, walks with friends)
slow down, allow for space to open (speaking in front of a group, leading meetings)
practice humility by staying attuned to the needs of others (asking questions, looking into a child’s eyes)
fill my spaces with living beings (plants, children & their friends, dog, strangers, family, friends)
care for my body, challenge my mind, trust my heart, honour spirit (seeking a balance: to stretch & rest, write & read, socialize & connect, worship & reflect)
xo, Carrie