when i write i feel, when i feel i write
the thing about writing is, the thing about being back into writing is that is opens me up and i feel things again or i feel more vividly because i have to, or because i wouldn’t be writing if i weren’t feeling so much it’s hard to say which way round this works
when i write i feel, when i feel i write
so i cry more—i’m touched by more—more touches me
is that true?
i don’t know for sure
but it certainly doesn’t have the opposite effect, writing certainly doesn’t close me off and tamp down my emotions and make me robotic or on auto-pilot though i can get distracted thinking about plot points and characters and what they’d be likely to do, even while i’m trying to have a conversation with someone else, i’ll say excuse me and run off to my notebook to scribble down a restless idea that flutters in and feels like it might flutter out if i don’t pay it attention immediately
mostly it’s this nearness to the surface that i’m feeling, like i’m poking my head above the waterline or being called just through the shimmering surface of things, up from underneath, and here I am, doing this thing I’ve trained my whole life how to do
and it’s not hard
but it’s also hard in ways don’t sound like they should be hard
it flows along, it carries me
and i have to surrender to it for it to happen
and that’s hard, not always, yet it is
and i have to feel such a shimmer of feelings they smear like an oil-streaked puddle on a hot street—why is the puddle streaked in oil? because we are pulling this raw material up out of the earth and selling it and burning it for fuel, even though it will cause our planet to warm to intolerable heights and our children’s children will suffer
but there’s all this feeling
just lying around, waiting to be felt
—not just rage, not just self-righteousness, not just schadenfreude, not just the hunger for poisonous evil to be put on display for our entertainment (that we want this flavour of feeling so much, that we crave it, the evil, the poison in the system, that is not good news for our species)
but we want to feel!
and sometimes it’s easier to feel what’s being sent our way in a deluge to bathe in—we could hardly swallow it, it’s too filthy and vile, there’s too much of it—but we can swim in it, dive into it, covered all over with the warmth of our own bad feelings running back and forth between us and the sea of sludge
like bathing in a solution that matches our own salinity, inside and out
comforting—
this other feeling, this cornucopia of feeling, this enters differently
it hurts, for one thing, even while it heals
there’s more of it than a person can handle but only because it’s so complex, layered and folded over and over so we have to unfold it for ourselves and put it back together again to understand what’s it’s doing to us, saying to us, where it’s pointing us
it craves release but also it speaks the truth, that we are sensitive creatures, stuck in our ways
no, a person might say—it’s a choice, you’re choosing it
how to explain, it’s not, not unless all the stuff we do, dumb, lucky, thinking, unthinking is a choice
i could no more stop myself from both feeling and desiring to feel than i could prevent myself from entering and creating stories, lines of text, rhyme and rhythm and images that call forth feeling it’s all of a piece it’s all the same loop
what touches our grief
what offers relief
what spills from my eyes and splashes on my shirt
we are all just meeting, it’s early, a character says in a story i was reading in the new yorker while lingering in the bathroom moments ago, before returning to my office. yeah, the other character agrees, and she names couples who all had to start somewhere, pairs of people they know, and then he says her son’s name, and she agrees but not as wholeheartedly, as if maybe she knew her son all along even before she met him, though he’s talking about himself meeting her son, not her; and us, he says to her, yes and us, and she doesn’t answer him but she looks to the horizon where the sun isn’t quite rising—they’ve gone on a road trip, like they promised each other they would do, and it’s been awful and it’s been tender
and it’s ending but won’t end here
it never does
the story slips into my layers and fills in a crack, opens another wider
and we are just meeting for the first time, or we once were, no matter how close we become, so who knows, who knows what will happen as we voyage older and older
before we slip sideways and our bodies return to unaminated material
and we leave, if such a thing is to be believed, that there is a separate we
we leave, as breath, we leave and where do we go and what we have done while we were here, together
if not feel way way way too much, an overflowing volume of feelings that we want—that I want—to put down on the page and show to someone else
i can’t stop myself from wanting that, or from doing that, because it feels so good, it feels like a loop has been closed, or a circle made whole, or a sensation has resolved itself into pure beauty
i guess
something like that
but maybe a lot less dramatic
except when it’s not, except when it’s exactly that dramatic
xo, Carrie
Dear school library,
Today is the first day that I’m not going into an elementary school (a library or a school office) in about three years. It’s wild to be out here and not in there. I’ll miss the kids in the library. I’ll miss them coming in and basking in the light of my attention. To thrive out here, I need to be sure that my attention pours onto someone else, something else, every day.
Why give yourself away? Because it returns to you, tenfold. What you give returns. So know what you’re giving, give with honesty, give what is true to your experience, and what you’d hope to receive.
Dear school library, thank you for re-tuning my focus. Thank you for healing my heart and mind.
At the library: I’ve learned better boundaries, I’ve learned the value of structure in trust-building, I’ve learned the importance of recognizing what’s holding me back (so often a blockage in my own mind), I’ve learned how to seek what I want. How to ask—wait, is this what I want? Or—how can I improve on this process? what’s not serving us? how can I set us all up for success? I know that I am part of a community, I am part of the larger world.
There are things that I don’t want to return to from my life and routines before this job.
Looking back, I see my own self-pity. I recognize a tendency toward self-inflicted martyrdom. If I could change anything about my past self, I would excise the self-pity. Tell yourself the truth! That’s what I say to myself often, when I hear myself tipping toward self-pity. I could pretend that it’s other people stopping me from speaking my mind; I could pretend that I have to work a “real” job because of financial concerns rather than it being a choice I’m making; I could pretend that I don’t have the time to write; I could pretend that an artist can’t be a “good person” and that’s why I don’t want to be an artist.
But I am an artist. Many people are, possibly even most people. (And why this obsession with being “good”? Still trying to figure that out.)
An artist is someone who seeks beauty and wants in some way to interpret it and preserve it and share it.
I’ve learned that it works just as well, if not better, to share my art with kids, to pin it to a bulletin board, to ask questions, to witness others who have found a voice in small part due to my being there to listen.
I’ve learned that it’s okay to want to publish—it’s one way a writer finds connection with the larger world, but it’s a way, not the only way, and that’s often confusing and the experience of publishing can feel really disconnected from the effort and play and experimentation that went into a project. So I like to think of projects differently.
I learned that every day there is the possibility that I will be connecting with someone else, in some way that feels meaningful to both of us. I hope for that, out here too.
Unconditional positive regard. I hope to walk with this into the world, into relationships, to the best of my ability, and when I can’t or when I struggle: box breathing, 5 breaths; a walk in the wind; music and watercolours; notebook, 5 minutes, what’s on your mind?; go to the gym; find a repetitive menial task; or cook a homemade meal and hope for lots of takers around the table.
xo, Carrie
I want …
This is a not going to be a polished post. I’ve been creating an inventory of my interests, needs, weak spots, strengths, etc., in order to articulate, or even just grasp or glimpse what I want to be doing with my days and hours — at this particular stage in my life, this time of aging and flux. So here is a list of goals, the aspirations that I am able to articulate and maybe, with hope and support and gentleness and time, move toward. I’m going to name this list as being things that I want, even though it makes me feel distinctly uncomfortable.
I want …
… a fine life
… relaxation and contentment
… ample rest, a quick and nourished mind
… sweat, adrenalin, endorphins, breath, balance, physical exertion, core strength
… treatment of pain, and ongoing healing for mind and body
… to model and recognize other’s choices that honour: presence, generative actions, creative play, fun and humour, healthy practices and routines
… strong rooted lasting friendships, to be a good friend (by listening, walking with, caring for, giving space to, allowing to be); to let my friends help me too, be honest with them, share my fears sometimes
… strong healthy bonds with my children and other family members, no matter my role (as mother, daughter, spouse, sister, etc.)
… to live with creative bursts without floating into self-indulgence and disconnection, without being self-serving
… to be someone people feel comfortable and happy spending time with; to put others at ease
… to inhabit and build inviting spaces where people get to be themselves, feel welcome to be relaxed, to come and go, rest, laugh, talk, eat good food (as at the cottage); cry, laugh; feel so held and loved—this is aspirational, but I’d love to be that person for others
… to conceive of, surrender to, and finish ambitious projects (like novels) – for the joy of discovery day by day, and for the sense of accomplishment when all the threads have been woven together; for therapeutic reasons, and to explore what’s underneath and otherwise invisible and unknown and mysterious within my soul and body and the collective life force, because it feels necessary and relieving and cleansing and satisfying and good, and because writing is my way in, the practice that I’ve practiced more than any other
… to not behave like a martyr or fixate on sacrifice; surrender is a different beast
xo, Carrie
PS The watercolour is my version of characters from The Day My Mom Came to Kindergarten, written by Maureen Fergus with illustrations by Mike Lowery, which I read to classrooms in September. Most every week, I add a new character to the library’s story-time bulletin board – from a book we’ve read the previous week. (See below.) This is a practice I’ll miss and be seeking to replace when I move on from the library job.
The upside of envy
Leaving work, driving out of my school’s neighbourhood, I saw a woman walking, alone. She looked like she was walking for no particular reason, just because she wanted to. Envy. That’s what I felt. I wanted to be her. Instinctively, I tried to squash that feeling, crush it, shame it into disappearing; but like all feelings, envy is not bad or good in and of itself, it’s neutral, it exists, it’s information.
The woman was walking, alone, coming from a wooded trail, there was still a lot of afternoon left, the air was warm, the leaves on the trees sun-soaked. I’d already swerved swiftly, effortlessly into envy’s twin, self-pity. She’s so lucky, she looks so content and free, that’s not for me, I don’t have that kind of time. All of this happened — seeing her, feeling envy, swerving to self-pity, squashing down both — in approximately ten seconds while I was turning a corner to get onto the highway. I had decided to run errands between work and home, and my first stop would be the library, about a ten minute drive away. I was listening to a political podcast and quickly became distracted by an aggressive driver who tailed me onto the highway, then floored it to pass me. So I wasn’t thinking about the woman, or envy, or self-pity anymore, or not consciously.
But as I walked into the library, I thought, you could just go for a walk.
It was there for the taking — the very thing that had sparked my envy. There are trails near the library. I didn’t have to be anywhere in particular. I actually did have the time (self-pity wasn’t a reliable source of information; it rarely is). I could just go for a walk.
And I wanted to. I wanted to be outside, to see the trees and feel the sun’s heat on my hair, and hear the insects humming.
I wonder: without that flash of envy, would I have known that this was what I wanted?
Of course, it wasn’t simply about wanting to go for a walk. I wanted what she’d represented to me, what I’d projected onto her. In her ease, she looked free to me, content, autonomous, capable of giving herself time to enjoy this beautiful day. I wanted those things, and driving away from work, those things seemed inaccessible. But maybe those things were inaccessible precisely because I had not even known that I’d wanted them.
I was like a sleepwalker and envy was a jolt, a pinch, a pain, a mirror.
This seems a little messed up, now that I write it out. I’m sure there are other ways to identify my wants and needs, but the truth is that I don’t always know what I want or need. I often have no idea. My responsibilities as a mother are changing and I have more time, and I will fill that time mindlessly if I don’t know what I want. I am attempting to wake up in the middle of my life and in the process not become an asshole or a raging void or a restless narcissist or a frightened recluse. So I’m open to taking whatever prompts arrive.
I went for that walk. I walked and walked and walked — alone, for about an hour. My senses opened, my body relaxed, my mind softened. I had to remind myself continuously that everything was okay. It was okay to keep walking. You don’t have to be anywhere. You can walk a little further. It’s okay. No one needs you right now. You are free to do this. But those cues only deepened my contentment, because my inner voice was reassuring and kind, which is also what I want. I want an inner voice that gives me permission to enjoy my life.
On the way back, I said to myself, you should do this more often. But that didn’t sound reassuring or kind. A should do is not the same thing as a want to do. So I began to list alternative prompts. What do you want? What do you long for? What do you yearn to do? (These made me laugh, actually, they sounded more earnest than I was feeling.) What do you wish to do? What would you like to do?
Ah. What would you like to do?
That question sounds like an invitation to my ear. What would you like to do? I’m asking it now. I was asking it as I stared into space about half an hour ago. I picked up the travel mug of leftover coffee from work and came into my office, I sat down in my great aunt Alice’s tiny rocking chair, I opened this app and I began to write.
And now, I ask it again. What would you like to do? And will you do it? Will you tell yourself it is okay to do it?
xo, Carrie
notes from a Friday
Today I am hardly doing anything right.
I left the library a few minutes later than I wanted to, the drive home is at least 15 minutes, plus I stopped to get gas (that was a good idea). I walked Rose when I got home. I took us further than usual, all the way to the Seagram buildings because I had a hankering to walk through the swooping park with the grassy hillocks. It is very windy and quite sunny and the wind felt terrific on my face and in my hair. I changed into exercise clothes so I’m ready for my weights class at 5:30. I threw in a load of laundry as soon as we got home, and I toasted a bagel and then spilled pepper everywhere when I tried to grind pepper on a sliced tomato, so I had to pull out the vacuum and clean that up (or it felt like I had to).
By then it was well after 2PM,
I’ve been pretty faithful about starting the writing at 2:30, even when I’ve taken a little nap, like yesterday (so tired, up almost an hour earlier than usual, and that just did me in, but I came directly home, and napped immediately, waking at 2:30). Anyway, it is now 2:48 and I am not writing fiction. I might still need a nap, I’m not sure. I wanted to hang the laundry in the breeze because it will dry quickly, but will I have time?
I had my first class into the library this afternoon. It was nice to be reminded of why I do this job. There’s nothing quite like it. It’s a little kindergarten class, and they definitely have some impulsive talkers in the group, but on the whole, it was a really great story time and one of the children returned a book she’d lost during the last school year, and she brought me a card she’d made, with hearts and butterflies and two stick figure people—that’s me and that’s you, she said. I hung it on the wall over my book repair area.
I’m not sure how I feel about the job generally this year. I don’t feel as confident. I feel like I lost my sense of competence over the summer, like it’s weirdly and thoroughly disappeared, and I’ve been avoiding people, especially in groups. I just want to do my tasks at the library and hide away to write fiction and go to the gym and make supper for my family. Nothing extra.
I have loved the fiction writing I’ve been doing, it’s surprised me and delighted me, even when I didn’t think I was in the mood to write, I’ve just kept at it and continued, and the words seem to arrive. Yesterday I let my mind wander as I drifted off to sleep (for my 14-minute nap) and the images that arrived became the starting place for a new scene.
Today, I’m distracted and very very tired. I hate this predictive text — in very faint letters, if I’m not typing at max speed or if the word is long, some AI program embedded in this app will add in the letters that it believes should finish my word or thought. And mostly it’s wrong! Even when it’s right, I perversely (personally, it just wrote!!!) want to write something different, original. I need to turn this feature off. It is not serving me or my imagination. All this effort—delightful effort—to become a confident skilled writer and there’s something offensive about being “predicted”. Predicable.
Don’t become predictable, a mentor told me, when I was 18 or so. I heard it as a terrible warning, a rebuke—You are in danger of becoming boring, Carrie. You will lose your edge, your creativity. But I’m not sure that’s still applicable. Was I writing to prove myself interesting? Probably, when I was 18, that was true to some degree; now my youngest child is nearly 18, and proving myself interesting seems the least of my concerns. I wonder how many writers (and other artists) do their work for therapeutic reasons they may not acknowledge or recognize? I think that is most likely why I took to writing, and why I continue to write. I feel better when I write, much of the time. I also feel better sitting down to write something like this, nothing special, just pouring out what’s on my mind, a mental tidying, maybe.
And I don’t want AI attempting to do the tidying for me. Didn’t ask for it, gotta figure out how to opt out. Predictive text spells a life of tedium, where every thought is finished for me. No thank you.
I wonder why I started this by writing “Today I am hardly doing anything right”?
I can see, having written this down, that’s not accurate. Today, I did not meet every single one of the goals that I set for myself. That is accurate. I’m so tired, my eyes are closing. I will have to nap. I will nap too long, and be fuzzy-headed and unable to write very much upon waking, and I won’t like what I wrote yesterday, even though it thrilled me in the moment, and I’ll remind myself that first drafts are ugly and unwieldy, and rolling with the ideas that come is important to the process. I’ll go to the gym and lift heavy weights and my endorphins will take over and I’ll feel good again, and I’ll go out for dinner with my youngest child, just the two of us, and we’ll end up talking about big subjects and watching tennis and baseball on the big screens, and I’ll know that today, I showed up, again and again, even when it felt hard, or I felt uncertain, or anxious, or like I was hardly doing anything right.
Today I am showing up, consistently (which is sort of like being predictable, isn’t it?).
xo, Carrie
PS I turned off the predictive text. It was the doing of my web browser, and I had to figure out how to turn off “inline predictive text.” Now I can write without feeling like my screen is shouting answers at me. (And telling me that my gut instinct is wrong? That’s how I keep interpreting it … and I definitely don’t need any reinforcement of that self-defeating little voice in my head.)