Set your timer and write for three minutes. This is your prompt: What would you change if you could?
What would you change if you could?
I would make a few key strategic changes in priority that would blow my current life to smithereens. I see myself running in the woods with the puppy, my mind as open as the sky, no lists churning, just the hidden lives of my characters, these avatars of the self, the better and clearer self, and I see myself returning home to a clear office, light and empty, to pour out what I’ve found in effort and solitude.
It would be amazing.
I wrote this passage a month ago, during an in-class exercise.
For the next part of the exercise, you put boxes around all of the phrases that jump out at you and then use one as a title for a new story. This passage had plenty to choose from.
CHANGE; BLOW MY LIFE TO SMITHEREENS; I SEE MYSELF RUNNING; MY MIND AS OPEN AS THE SKY; CHURNING; HIDDEN LIVES; AVATARS OF THE SELF; LIGHT AND EMPTY; SOLITUDE
Which would you pick? I chose “Avatars of the Self,” a story I’m still working on.
While I haven’t blown my life to smithereens in the past month, I have made changes. After agonizing for ages, I dropped one of the courses I’d signed on to teach this winter. (I’m still teaching the new course, Creativity Unplugged.) Essentially, by this simple act, I’ve given myself the gift of time.
The question is, can I accept the gift of time without filling it with more responsibilities? (I’m going to try.)
Set your timer and write for three minutes. This is a your prompt: What are your goals as a writer?
What a great prompt for today. Because it’s all I’m thinking about right now — how to feed and sustain this writer self, how to hustle for her without resentment or bitterness, how to celebrate her, how to make space, and as important, hold space. I am going to honour this being that I’m becoming and I’m going to honour her with offerings of food and care and kindness, and in this way, I will let myself be.
I wrote this passage one week ago.
Earlier this month, I went to the Wild Writers Festival here in Waterloo, and was especially inspired by a panel on mentorship; it expanded my definition of mentorship, which can and should include peer-to-peer support. It’s what I try to foster and nurture in my classes; and I recognized, profoundly, it’s time to do this for myself. The key to feeding the writing self is nurturing community. I know how to do this. It takes energy and vulnerability. It’s generative, it’s sustainable, it’s beautiful, it’s meaningful, it’s worthwhile. And maybe, just maybe, it will blow my current life to smithereens … and make space for a better, clearer self.
Who will you be in 25 years? This is an exercise I’ve done twice this fall, with different results each time. The first time, I was led through the exercise by someone else. Today, I led my students through the same exercise.
Here’s how to do it, if you want to try:
Draw a self-portrait as if you were posing for an author photo on the back of the book you’ve always dreamed of publishing. Use crayons. If you have a notebook, draw the portrait on the very last page. (10 minutes)
Next, write your author bio blurb. Remember to write in the third person. Cast yourself deep into the future (25 years or so), and discover who you imagine yourself to be. (10 minutes)
Here’s mine, from today. (Note: I draw self-portraits as if I were 25 years younger …)
Carrie Snyder has devoted her life — or the better part of it — to the pursuit of an ideal self that she first imagined into being as a seven-year-old child, when, as a reader of far-ranging taste with a wild imagination she said to herself (and to anyone who would listen): I’m going to do that too! I’m going to write books! While the perfection of her notion would prove impossible to achieve, the truth of its imagery was uncanny (she saw a forest path and a treehouse hideaway, which, as she grew, became representations rather than literal spaces). Through writing, Carrie found herself transported, frequently, into a deeper understanding of her relationship to the world itself and to its many mysteries. She came to a kind of peace with its mysteries, by holding them to the light and examining their facets with care and attention — and love. Love figures heavily in Carrie’s work, specifically in her discipline to craft, and to sharing the joy of a discipline with others. She has not yet finished, and she hopes she never will. What has changed, with time, is her understanding that finishing something is temporary, and that what lasts is the pull of discovery itself. The process. The adventure of it. She will never be satisfied nor think her work on earth complete, and that is the fuel that invites her to continue — to be the ideal self she imagined at age seven: an artist. Someone who by alchemy transforms the ordinary into the extraordinary. Someone who sees what is possible. Someone who looks at the world and loves it with her attention.
Here is the original exercise, completed in October, with a different result (except for the youthful portrait).
Carrie Snyder, despite crippling bouts of self-doubt, has managed to put herself forward, into positions of service, of leadership, roles that demanded the ability to see herself as more powerful and more capable than anyone else did, and by believing, to become. She was not always confident. Was not always the presence she presented. At times, she thought she was doubled, the face to the world not the face she turned to herself. Was it possible to live doubled like this? What did it mean to do work that challenged and frightened her to her very core — could she get up the next day and rise again? But something deep inside ran like an engine or furnace, the flame of desire, the flame of meaning, and she knew she could live in no other way — could she? She tried listening to reason, to her heart, to her spirit, but the fire was the constant that gave her life, renewed her desire to inhabit bodies and minds bigger and braver than her natural own. She said: If I can do it, then I will. She said: Be the change you want to see. And she was. And that was marvellous to her. Because if she could do this, anyone could — anyone loved and believed in and cherished. Carrie Snyder cherishes herself, believes in herself, loves herself and that has made her strong enough to love, believe in and cherish each of you —
each of you —
each of you — beautiful, aching beings
PS It’s tempting, when presented with two things, to compare them … but let’s not. I like that both of these projections into the future are, in fact, deeply embedded in the emotional reality of a present moment. Like putting a thumb-tack onto a map to say: I was here.
I would like to write more here. But it has to come naturally. I’ve been writing in other places; in my notebook, mostly while teaching but sometimes at other quiet moments during the day; on screen, too. There aren’t so many quiet moments. Most of the moments are more like the ones pictured above.
I want to write about heartache and discontent and anxiety and bruising effort. I want to write about not giving up. I want to write about my dishevelled house, and how it reflects my dishevelled life; neither feels under my control. I’m wandering through the chaos, trying to keep track of the bare minimum, whatever that might be. Meeting deadlines? Providing the occasional meal? Showing up on time? Showing up at all — while spreading in all directions are needs unmet, leaves and sticks dragged in and chewed to shreds by Rose the puppy, dirty dishes on every surface, dirty laundry on every floor, dog beds, dog toys, shoes to trip over, and as far as the eye can see, stacks of books and papers and bills and the parts of a homemade car being crafted for a physics project, glue gun, twisted wires, discarded wheels.
I want to write about the quiet moments, so that I remember that they exist. That I can conjure them into being. I want to write about clearing space. What is space? What is this desire to fill it? Is it inertia that fills space? (It’s so hard to keep space uncluttered. I don’t know how to do it.) What would it feel like to walk through this house and not see anything that needs doing? What would I do with more space, more quiet? Would my dreams expand? The breath in my lungs? Would I feel more settled or less settled?
This post is about two separate but related events in our family’s life. I’m going to tell them backward, out of order.
The second event that happened: We got a puppy. On Friday evening. This is Rose.
The first event that happened: We said goodbye to Suzi. Just a week ago, last Sunday, our family gathered to say a difficult goodbye to a dog we knew was sick and only getting sicker, but such a tenacious present soul. The house felt so empty when she was gone. We’d been wanting a puppy for a long time, but we knew that Suzi wouldn’t have been able to tolerate sharing our attention, and we didn’t want the end of her life to be plagued by anxiety, jealousy, stress.
Still, I think we all felt a little guilty about so quickly wanting to get a puppy. But here’s how I’m thinking about it: we aren’t replacing Suzi, we’re recognizing how much she (and her departed sister DJ) meant to us, and we’re filling the house with the presence of another little creature to hold, to love, to care for. Once you’ve become accustomed to sharing your space with a dog, your space without a dog feels empty (even with six people living in said space).
If I ever had to live alone, I would get a puppy. It seems like that would solve everything; or at least one very big thing — loneliness.
I would get a puppy, and I would zip it into my coat, like I did yesterday afternoon when Rose got shivery and cold on our outing. I would get a puppy, and I would watch it tumble over itself in the wet grass, picking up leaves, hopping like a bunny, sitting down suddenly and just as suddenly darting sideways. I would get a puppy, and I would hold it close and feel its body go calm and relaxed. Time would slow down.
Puppy time/baby time/small child time isn’t like adult time. I’ve been reflecting on the capacity for play that exists and expresses itself almost constantly in the newest arrivals on our planet. Puppies, babies, young children — their whole existence revolves around play. Play is how we learn, yes, and explore, and discover: it’s necessary for survival, no doubt. But play also contains a dimension of joy. (Is joy necessary for survival?) Joy is readily accessible to the pups of the world. Joy seems to emanate from existence itself.
I wonder at it.
Do we have to work for joy when we’re older? When experience has returned to us too many signs and signals of joylessness, grief, broken trust, the weight of responsibility? When we’ve become analytical, accustomed to living our lives from outside ourselves as well as inside ourselves?
Is joy even something you can work for? Or is its essence spontaneous, intuitive, magical?
My guess is that we can draw joy nearer, draw its possibility nearer, through conscious effort; but we can’t command it, no more than we can command grace, or trust, or love. To witness its vivid, effortless expression is such a gift.
I miss Suzi. I mourn that she was never able to relax fully, except when asleep, that although her trust in humans grew during the 6+ years she spent with us, her experiences before we knew her had done intractable damage. I’m glad to have a puppy upon whom only love will be poured; even while I mourn for all the Suzis of the world who have had their joy blotted and extinguished by cruelty and abuse. It was a hard task looking after two rescued dogs; I wasn’t up to the task again, so soon. So we start again with a puppy instead.
Give/receive. Maybe my spirit needs to receive joy, witness joy, in order to be able to give joy/give with joy.
Thanksgiving weekend in Canada.
I’m in the midst of a number of fraught and challenging decisions, with an ever-evolving to-do list related to teaching, career, writing life, family, responsibilities, volunteer work, and deadlines, and the phrase “there’s a lot on my mind” resonates strongly.
I seem to imagine, at some amorphous foggy point in the very near future — say, tomorrow — having the time and space to sit quietly and just think. To relax. To read for pleasure. And of course, to write in that exploratory, gathering, joyful fashion that is required of any early-stage major undertaking.
In my imagination, this foggy and amorphous future point, this tomorrow, is an actual space, a spacious space, wide open and clear, unclouded, with huge horizons and no clutter.
This is magical thinking, of course. As we all know, tomorrow never comes. That space does not exist, nor could it possibly, under the circumstances. This is of my own choosing. I wonder: have I filled my life with much too much on purpose, because I’m afraid of what an uncluttered life might feel like — would it feel empty, I wonder? Do I find meaning in the busyness? But what about clarity? Can there be clarity in a cluttered life? Because that’s really what I’m imagining, when I conjure this wide open space: it’s a place where all can be seen, clearly, where nothing is obscured or lost amidst the clutter.
The mind itself can see clearly. I could lift my eyes from the immediate needs that present themselves before me, and notice everything that surrounds me.
And be thankful.
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My name is Carrie Snyder. I'm mother of four, writer of fiction and non-, dreamer, contemplative, mid-life runner, coach, forever curious. I'm interested in the intersection between art and spirituality. What if the purpose of life is to seek beauty? What if everyone could make art?