Family time
(photos look best if clicked on and viewed in full)
Happy Easter, from all of us to all of you.
Category: Photos
London album
Westminster Abbey
It’s hard to go wrong, when photographing a city like London. Nath and I walked to Westminster from the rebuilt Globe theatre on Wednesday evening, before I left.
London Eye
Crossing Westminster Bridge, this was the view behind us (above), with the sun shining, as if it never rained in London — which it almost never did while I was there; I had a running joke with my UK publisher Lisa Highton that she’d arranged the weather especially for my stay.
And this was the view from the banks of the Thames as we approached Westminster. On the walkway beside the river were crowds of people, some of them tourists, some commuting home from work on foot or bicycle, and a surprising number of runners, many of them training while wearing backpacks, dodging the crowds while trying to keep up a quick pace. It looked moderately hellish, frankly, although in theory I can see the appeal of running along the river. I much preferred my morning runs in Greenwich Park, with green grass everywhere and buds on trees, and the wafting perfume of the flower gardens in the air. (No photos, however, as I was running.)
London Eye
The queue was enormous, so it’s a good thing I hadn’t planned to go on the Eye, although it looked much more tempting up close. Each of those pods holds 25 people. Essentially, it’s a giant money-generating machine.
Globe Theatre
Earlier in the evening, Nath and her kids and I met at the recreated Globe Theatre and went on the tour. It was as if I’d planned it: tickets for the last tour of the day were half price. You know I love a bargain.
Tate museum, with bird
I’m going in reverse, I see, though I’m not sure how that’s happened. Perhaps it’s because, after my 20-or-so hours in transit yesterday, I’m more tired than expected, so exhausted, in fact, that it feels like I’ve entered a kind of fugue state. I have no idea if anything I’m writing here is comprehensible, but I sense this will be a longer post than usual. Brace yourselves. I’d arrived early, Bankside, to meet Nath and kids, so I popped in at the Tate, which is beside the Globe theatre. At that point in my day, I was pretty foot-sore and had lugged my laptop all over London and the Tate seemed enormous, so I stood for awhile before this painting by Dorothea Tanning, an artist I’d never heard of before; I was strangely transfixed by it — it’s quite large, and it seemed almost to move or transform, as if it held figures emerging before my eyes.
views from the Millennium Bridge
I’d come here on my own by the underground; it took me a couple of days to become oriented to the system of overlapping lines and trains, but I had no trouble finding my way around. If I lived in London, I would never drive.
spring, outside the Victoria & Albert museum
Earlier in the afternoon, I went to the V&A, mainly to visit the gift shop for a specific souvenir for Child-Who-Shall-Remain-Nameless, and also to look at clothing and household items from the Renaissance.
British Library
That final day in London was crammed to max, but mostly I spent my time here, at the British Library.
inside the BL
It’s a new building (built within the last 20 years), and it’s bustling and vibrant. The individual Reading Rooms are packed, yet quiet, and in order to protect the valuable and rare material that can be accessed by anyone with a Reader Card (like me!), people are only allowed to bring in a limited number of items, which one carries into the reading room in a large plastic bag, provided by the library. Pencils only. No drinks, no edibles of any kind. Laptops permitted only in certain areas. I discovered on the first day the importance of arriving early, finding a desk, and staking it out for the rest of the day.
train, before and after arrival at the Charlton station
On Monday, Tuesday, and Wednesday, I commuted to the BL by train and tube.
escalator inside London Bridge underground station
I have a fear of heights. It took me the better part of the week to conquer the fear and be able to ride the escalator without clutching the handrail with a death grip, and literally going weak in the knees. Miraculously, I trained myself out of my fear by the end of the stay. Breathing exercises. For serious.
I have no photos from the parties I went to on Monday evening. It rained, but I brought along a little umbrella that fit into my satchel. I did not wear a dress, but tried to look suitably glamourous. This was achieved with mascara, earrings, and my gold shiny top, three things I never wear under ordinary circumstances. I like to go unadorned most of the time, so that when I dress up the difference is measurable; start with a low bar, that’s my advice.
Trafalgar square
On Sunday, I rode the train and tube for the first time all by myself, and met my agent and my US publisher for lunch. Afterwards, Nath met up with us, and we went to the National Portrait Gallery, which is right behind me in the photo above. Having been once, I would go again, and again. I will never tire of faces.
Tower of London, foreground, by the river
Saturday, Nath and I walked all around the old city of London. We walked at least 8 kilometres, according to Nath’s calculations. All of the old buildings are surrounded by new ones. Transposing oneself back in time requires imagination, but that’s fine by me. I’ve got plenty of imagination.
St. Paul’s Cathedral
Take for example, St. Paul’s Cathedral. This building is really really old. But it’s still not as old as the St. Paul’s Cathedral that existed during the time period I’ve been researching (1530-1660). That St. Paul’s Cathedral burned down in the Great Fire of 1666 (which destroyed two-thirds of the city of London). The “new” Cathedral was built in the same location, but not to the same design.
Nath knocking on the door of St. Paul’s Cathedral (as instructed by her photographer)
creepy cherub detail on St. Paul’s Cathedral
with Lisa Highton, at the Two Roads office
I take a lot of things for granted that I know I shouldn’t. For example, when I arrived in London on Friday morning, I went directly to the offices of my London publisher, where I was welcomed with open arms by Lisa Highton and her crew, and Nath and I were fed sandwiches and fruit followed by a sumptuous cake. I’m not saying I took that welcome for granted, exactly, more that I just find myself rolling with these things as they come. I never quite expected to be where I am, but it is where I am, and so I try my best to be here without questioning it or worrying over the transience of the experience. That’s what travelling is like, too. You roll with what comes at you. You have to, really. And so, jet-lagged and sleep-deprived, I welcomed the welcome at Two Roads, as you can see from the photo above. And later that same day, with a short nap to bolster me, I welcomed the welcome of dinner out with my fabulous Canadian publisher, Anansi, who were in town for the London Book Fair.
Friday evening, street in Charlton, looking rather Dickensian here
I welcomed the welcome of my friends, too, who hosted me so generously in their home, and who accompanied me around London, and got me oriented. I wouldn’t have gone to London at all if they hadn’t been there — I couldn’t have imagined taking the leap on my own. And that’s what it comes down to, really, the leap of the imagination, which is the first step to any adventure.
Westminster Abbey
Birthday eve and morn
March 28, 2014
how old are you tonight?
(note the perfectly posed DJ dog: she loves the camera)
*
March 29, 2014
how old are you this morning?
last photo by Albus
Dear Monday
Dear Monday,
What were we planning to accomplish together? Do you recall? Because I seem to be lost in a bit of a haze. It could be all the yoga. Or the early morning spin and weights class, at which I felt fantastic, only to crash upon returning home, following a breakfast of poached eggs on toast.
I don’t blame you for the weather; it could happen to the best of days at this time of year. If it wants to be -20 with the windchill, what can anyone say about it? “Whoever is in charge of the weather needs to know that it’s SPRING!” hollered Fooey, but she was cheered by the long-term forecast, which promises a balmy +7 with rain for Friday.
I didn’t take many photos this weekend, and they’re still on my cellphone. Maybe this is a good day to use one’s imagination. Imagine sunshine startling me just now through my office window, clouds moving across a sky that is actually blue.
On Friday night I meant to get a photo of me and Kevin playing uke and guitar (respectively) in front of the fire, with the two oldest children sitting on the couch behind us, side by side, playing Minecraft and making the occasional clever comment on the song choices. It was as close as we’ve come to a family-music evening, and I thought, optimistically, that at least the kids were getting to hear some favourite old tunes and see what fun we were having. Except Kevin got very grumpy because he couldn’t see the music (we were playing off of single printed sheets, some of them crumpled, and all with very small print); not long after that got resolved, I rapped the whole of “Rapture” by Blondie. Awkward pause, no applause. “Is that a song about eating cars?” “Why, yes, children, it’s a very serious song about eating cars, bars, and guitars. Anything that ends in -ars, really.” “Deep.” “At least it’s not about sex, like all songs nowadays.” (Note: do not say things like this to your adolescent children unless you welcome mockery.) (Also note: I say things like this all the time. Because I welcome mockery.)
Then I sang “True Colours” by Cyndi Lauper about a billion times, trying to get the chord changes right. It’s such a beautiful song, Monday. I really wanted my children to love it. Maybe I played it too many times. “Eternal Flame” by The Bangles received similar treatment, but even I started to question the lyrics after a few times through: “This used to be my favourite song!” “Really??” “When I was 13. I thought it was so romantic!” “It sounds kind of, like, creepy. ‘I watch you when you’re sleeping’? Creepy.” So, yeah, kids these days. I’m not sure I converted anyone to my favourite 80s songs, but there you have it: family music night at our house, regretfully not photographed for posterity.
I’ll end it here, Monday. You’re a busy day and I shouldn’t keep you, rambling away here like this. Things to do! Places to go! Etc.
Signing off (or is that singing off?), Carrie
Larger than life
After this morning’s run (-24 with the windchill, again!), I felt inspired to post photos comparing the weather today, March 6th, 2014, to the March 6ths of previous years. Easier said than done. I’ve just been scanning through the past few Marches, as recorded on my blog, and it would appear that in those years when it was simply grey and dreary and melty, I didn’t take a lot of seasonal outdoor photos.
March 4, 2012
Here’s one. Looks like there was still some snow two years ago at the same time, though not nearly in our current volume. Photos from later that month show the lilacs starting to bud, and lettuce and chives coming up in the back garden beds, but that hasn’t been the March-norm, according to my blog. It was odd enough to remark on.
not all photos are flattering
This is me, this morning. I have a moustache! And a beard, kind of. This photo was taken around 6:45AM. The light was beautiful. The cold was not. My toes were frozen.
I have a sick child home again today. Not the same sick child, either. We’ve cycled through sick children this past week, with the three eldest taking their turn. March break begins tomorrow. I shake my head. This winter.
AppleApple finished Crazy Town: The Rob Ford Story before I did. It was a very readable book, we agreed, although odd to be reading in book-form such recent news events; and of course the story remains unfinished.
I’ve been thinking about tyrants and celebrities. Larger than life. That seems to be how we want our leaders. That’s why the most impossible-seeming characters wind up in power, despite being bumbling fools or ruthless autocrats or outright sociopaths. The gods and goddesses had outsized appetites and were obviously flawed, too, but we never said we wanted perfection, we the people. We are awed by enormity, by behaviour on a scale we can’t imagine of ourselves, whether it be idiocy or tyranny.
Vladimir Putin is larger than life. He may appear bizarre to the Western eye, posing shirtless while conquering a variety of wildlife, but he knows what he’s doing: he’s creating a potent myth of himself. What an oddly self-inflated little man, we might think, while he smiles like the Mona Lisa and crushes his opposition. And on a scale of far less global importance, Rob Ford is also larger than life. His appetites are renowned, his body enormous, his inability to speak the truth unstoppable, his buffoonery legendary. When we laugh at him, we forget that he still has power. In some ways, it’s an odd trick common to many a corrupt leader: their pretensions are so absurd, we can’t believe anyone’s taking them seriously.
We should. We take them as seriously as they take themselves, or else we’re the fools.
“Like a bird on a branch”
dress-fitting
I just accidentally erased the most darling photos of CJ, taken by AppleApple, after Fooey had styled his hair into a swoop across his forehead. I’ve lost other things over the years, too, to digital carelessness or breakdown. It’s always hard to believe something’s gone, when it’s gone. But those comical photos are gone. Loss is a painful emotion, complicated by regret. I’ll get over it in a moment. This post will suffer from their absence, however. Photos affect tone, and those were really funny photos. But these photos are lovely too, taken during a recent fitting; my mom is making AppleApple a dress with puffed sleeves and a puffed skirt (that she might wear to my sister’s wedding this summer).
There’s a commercial running during the Olympics right now with the tagline: Your someday is here. It shows athletes ready to compete, while in the background run faded film scenes of their child-selves, practicing their sport. I find myself curiously affected by these ads; I’m not moved to tears, I’m moved to a faint frisson of panic. Your someday is here. Yikes. Talk about pressure. It also whispers to me: your time will be here and gone before you know it. (I’m obviously in a cheery headspace.) Because doesn’t it also shout: Everything you’ve worked for has brought you here! Celebrate! Enjoy the fruits of your labours!
This week, the Globe and Mail ran a comprehensive obituary on Mavis Gallant. It was heart-breaking to read that she spent her last decade “plagued by ill health and poverty.” Poverty. That word guts me. I reflect on the number of times I read and re-read Gallant’s stories during the past decade, for inspiration, for pleasure, and to admire and try to parse her technical skill as a writer, and how that pleasure received should have been repaid, somehow. Yes, I’ve bought her books over the years. But considering how many times I’ve read them, those purchases were bargains. How to repay a writer for her gift? How to offer appreciation that affords a great writer simple comforts as she ages? Gallant said in an interview in 2006 that “luckily” she had the temperament to be a fiction writer: “I never wanted to own anything — like a bird on a branch.” So maybe I’m projecting my own worries about future financial stability onto a writer who perched above all that, like a bird on a branch. She always noted that her name, Mavis, meant song-bird.
Mavis Gallant was 91 years old when she died.
It’s hard to believe she’s gone. Loss is a painful emotion, complicated by regret.