Category: Peace
Thursday, Dec 5, 2024 | Art, Drawing, Meditation, Peace, Space, Spirit |
Day 5 Prompt
Draw while listening to whale song — eyes open or closed. Free-write for 5 mins.
Note: Listen to Humpback whale song by scrolling down this wikipedia link. Materials: black pen, crayons, water colours. Music: whale song. I wrote about what it feels like when someone doesn’t have time for my whimsy and playfulness, and I see myself through their eyes. I understand their impatience, even their disgust at my time-wasting; and yet, the delight of doing projects (like this one — of my own invention, for no super-obvious practical reason) carries me along. I notice when what I’m doing isn’t landing. And I’m patient. Most of the things that matter to me take time to unfold. Lots of time. It takes time to go deep. But like the whale, I need to surface too, and breathe in the world.
xo, Carrie
Saturday, Nov 2, 2024 | Big Thoughts, Blogging, Job, Library, Lists, Manifest, Peace, Source, Space, Spirit |
The problem with not having a ton of time to write is that my mind is like an over-stuffed inbox, and when I turn to this blog, I could race off in any one of a number of directions. But it’s important to pick one. That’s the essence of writing a post like this—or a story, a nicely fitted piece of business. Pick one thing to write about, Carrie, just one.
Okay, then. I want to write about children and dogs, and how both are so incredibly attuned to the world before them, and the living creatures in it, including the humans approaching and passing. Have you noticed? How a toddler in a stroller or infant strapped to a parent’s chest will meet your eye and take you in, while their rushing parent is too distracted to do the same? And likewise, a dog on a leash will veer toward the human coming toward it. I like this—I don’t mind a dog jumping on me and greeting me. But the human holding the leash usually pulls the dog away—onward they go.
Children and dogs possess a superpower—they are present. They are exactly where they are.
I see this in the library, especially with the younger students who notice every tiny detail that has changed. When I read to them, they are alert to repetition in illustrations and in language, they notice the character who says nothing but appears on every page. More generally, they soak up the atmosphere, the air of the place they are in. If something sad is happening, they know. If the energy is fraught and wonky, they respond to that.
I love this quality almost more than any other human quality—the ability to be present and tuned in. I cherish it. When I’m with children (and dogs!), I can enter into their state of being too, at least for that while. And it’s okay that I can’t stay there—I accept the imperative of being a mature responsible adult who has her lists of tasks and duties, her memories of what went wrong, and her plans to set things right. We grow up, and our minds fill up. Like our inboxes.
It is a relief to set everything down, to tap the keys and say, here I am, this is where I am. I choose this one thing. And that is why I love to write here, when a seam of time opens in the day, and I feel called to remember who I am. Or record who I am, more accurately.
And who I am, just now, is a woman most grateful to be in the presence of children regularly, and therefore to be present herself regularly. It’s salve for the soul. It’s healing. It reminds me that connection is our most powerful need, as human beings, and that when we connect in person, face to face, when our eyes meet, we see differently. We know differently. (Or, I do. I shouldn’t assume and speak so generally.) When I am in the presence of others, I understand the power of connection to bridge vast divides and sew up wounds and heal and care.
I have other thoughts on other subjects, but today, I choose children and dogs, and our eyes meeting in passing. Hello, living beings. You are wonderful and I love you.
xo, Carrie
Tuesday, Jul 16, 2024 | Confessions, Current events, Interviews, Peace, Play, Source, Space, Spirit, Summer, Writing |
Who were you, just over four years? Who were you, before the pandemic (those blank months/years of stasis we none of wish to recall and scarcely can)? This morning, I found some writing and drawing published on my blog from March 2020, immediately after we were sent home to wait out the pandemic. Immediately after everything stopped.
I had been running so hard, working so hard, treading water but barely. Coping, but worn thin.
And suddenly all of my responsibilities, save for the ones contained and held inside my house, were suspended. I was no longer a soccer coach. I was not leading a storytelling workshop. I wasn’t driving children to lessons and practices, nor was I going to the gym in the early morning to work out.
I was home with my family, cooking, baking, cleaning and disinfecting, mainlining the news, but also—I remember this—writing. Writing was my solace and comfort, my escape.
And reading over these reflections now, in my post-pandemic, post-artist life, I find a welcome rebuttal to my current strain of cynicism and doubt regarding the usefulness of writing. Personal passion project, I wrote of my devotion to fictional characters in my previous post here (just yesterday), as if in scorn. Without irony, this morning, I chose to pick up a pen and draw and write, in the lined pages of my notebook: “Now, I enter my listening era. I seem to have the lost the desire to watch fireflies in the back yard and make meaning of them—or to describe their pop of light, brief luminescence, in other terms. I watch them. My heart slows.”
In other words, I wrote about those fireflies.
Maybe I don’t always need writing (watching the fireflies last night, I didn’t think that I did), or maybe I won’t need it in every era of my life, but by God, writing has been a balm. Let me pledge to honour my impulse to write, when it arrives, which it will, which is does.
Here are some beautiful words I found in that post from March 21, 2020.
“The sound of my pen scratching—too fast, sloppily—across the page. I’ve only just noticed that I grip it as near to the tip, the nib, as is possible. I only just see it—my pen—as an instrument that I am playing, an extension of my body encircled by five tips of fingers and thumb, each with a half-moon circle of curved, opaque nail. There are no straight lines on my hand. The pen is straight and hard and useful to me, it is made for this task and nothing more; but I am made for bending, praying, curling, holding, I am made for giving way. I am made for praise. For contorting myself anew.
I am made for change and ever-change, evermore, now, as before.”
I am made for praise.
I am made for contorting myself anew.
I am not the same person that I was four years ago: I’d just won a major grant in support of writing Francie’s Got a Gun; I had confidence in my writing that seems to have diminished; I can recognize this change, but not fully explain it. I suspect that without the pandemic to interrupt my whirlwind of activities, I would have rolled onward. It would not have occurred to me to get a job in an elementary school.
I don’t want to lose touch with that self who wrote those words: I am made for praise.
Because we all are, aren’t we? And there are many ways to offer praise. Sitting in the near-dark watching the fireflies, just watching, sometimes that’s fully enough. And sometimes it’s not—and that’s when the impulse to write, to record, to transform, to imbue, to capture, to contort, to burnish, to imagine pushes its way to the surface and I pick up a pen, this instrument, and let my hand play music that seems to come directly from the universe; a universal impulse to make and re-make anew.
xo, Carrie
PS My career—such as it is!—is featured in a post today on Conrad Grebel University College’s website (where I lived during my first year as undergrad), one of 60 alumni featured in honour of Grebel’s 60th anniversary.
Monday, Jul 15, 2024 | Adventure, Art, Family, Fire, Friends, Fun, Peace, Source, Space, Spirit, Spring, Summer, Yoga |
In April, I embarked on a “spring burst”, aka return to the gym, with the initial intention of spending a month trying out spin and weights classes, in an effort to boost my cardio and strength.
I was a runner for many years. But it’s high-impact, and I am a woman well into middle age, and no amount of yoga seemed to help with the pain that would flare while running, even relatively short distances. It’s hard to stop doing something you love, and there is no replacement for the runner’s high, or being outside on a misty morning before the world has woken up. But. I’m trying to listen to my body and be softer with myself, so I let the running go (mostly). As of this spring, I’d been doing yoga twice a day for at least a year, and meditation regularly, and an occasional weights class with friends. Sometimes I’d bike to work. But suffice it to say, there came a moment in my weights-class-with-friends when I was gasping for air, my heart racing, and the thought arose: gee, I could really use some more cardio in my life.
Ergo: Carrie’s spring burst.
The first spin class damn near killed me, mostly because I go hard, no matter the challenge. I almost fell off my bike. I was light-headed, panting, dripping sweat, and not even close to keeping up with the instructor’s choreo directions. Yes, I go to a gym where the spin classes have choreo; and yes, this adds a certain soupçon of danger and thrill to each sweaty, fast-paced, rhythmically pumped up class—but that’s why I return, to be frank: to be challenged, mentally and physically, to occasionally reach a goal I’ve set or smile at myself while trying. I also look forward to the moment in each class where my worries vanish into the effort, and my mind goes quiet.
My spring burst has stretched into a summer of strength, or maybe a summer of sweat (haven’t come up with a title yet).
I’ve tried every available class, from weights to power to pilates to yoga to the hilarious humiliation of a what seemed like an aerobics class to boxing. As mentioned, I throw myself in deep, and am therefore currently in gym rat mode. It’s not that other things aren’t happening, social and emotional. But this is the place I’m returning to, as a form of a vacation, to give my mind rest, and to enjoy my body. Weight training is apparently critical during the peri-menopause / menopause era; and that’s me. Age happens, and with age, limitations; yet my body and mind can adapt and learn new things.
Summer loving. Bougie gym summer.
We aren’t travelling very far this summer. The kids are all living at home. The schools are closed, so I don’t have a job in the library for nine or ten weeks (haven’t done the math). I’m trying to revise a book manuscript, but honestly, if I do so, it will only be because it makes sense for my mental health, and not any other reason. The costs of artistic ambition seem altogether too steep; and this is not a new Alice-Munro-revelations-thought for me either, though has probably been somewhat cemented by that. I’ve long wondered and worried about the wisdom (for myself personally) of pouring so much energy and time and attention into what amounts to a series of personal passion projects—at times I would feel possessed, as if I was trying to cure an obsession or compulsion with novel-writing. And maybe it did help, for awhile—I have no regrets. I’m proud of my accomplishments. And—and! I hope for something quite different: a humble legacy of love and care, for strong and lasting connections and relationships, built on trust and kindness and open doors.
That’s my aim. That’s my over-arching goal.
What I’m finding is that if I prioritize connections, serving and feeding relationships, including paying attention to the the feelings and sensations in my own body, I can’t go wrong. The discomfort and disorientation of being disconnected, not in a right relationship, is a powerful cue for change. This might mean entering into difficult conversations. This might mean being open to hearing hard truths. This might mean hearing “no,” when I’d prefer to hear “yes!” It might mean shifting direction, allowing my priorities to shift too. Whatever possibilities lie before me, I hope to choose connection.
Summer delight. Summer solace. Summer song.
xo, Carrie
Sunday, May 26, 2024 | Art, Big Thoughts, Family, Fire, Job, Lists, Parenting, Peace, Play, Sleep, Source, Space, Spirit, Spring, Success, Work, Writing |
If all your dreams came true, what that look like, can you even imagine it? I recently had fun ruminating on this question with one of my children, hearing what their dreams would be. They wanted to do more things; I was thinking about doing fewer…. Because if all my dreams came true, I’d need several extra lives.
This is a perennial issue for me. Come to think of it, it’s how I approach a buffet — I spoon a little bit from every tray onto my plate till its overflowing and incoherent, as a meal. And that’s how my life feels, sometimes, too. Incoherent, as a life. I get it on a micro level — I’m going to taste all the things! Yay! — but on a macro level, it’s exhausting. So many things to taste.
Projects have coherence (and I love them for it!).
But life doesn’t, really. Life is a series of overlapping layers that can’t be peeled apart. I’m playing all these roles, different roles in different locations and spaces and relationships; but am I not always myself? To be sure, it’s a changing self. Hopefully a learning self. Why then, do I need to learn the same lessons over and over?
What values shape my dreams and goals, and my beliefs and choices?
Maybe I don’t even recognize these values as my own, much of the time. Maybe these are beliefs that run through my DNA or that I’ve accumulated through being a human in the world. Here’s a theory, or framework, I’m considering: that there are (at least) three pools of values from which I draw, and they don’t necessarily agree or support each other (or my decision-making).
One pool is represented by my Grandma Doris, and her lifelong belief that a person’s purpose is to serve, no matter who they are, or what their skills and gifts may be. She served the church, and God; and I might have warped this value into a more secular iteration, but there’s a big part of me that believes whatever I do must be in service to something larger than myself — serving the well-being of others, preferably humbly, quietly, and invisibly, in order to strengthen the community.
A second pool of values is represented by the somewhat amorphous but powerful North American cultural fever-dream of self-reliance, earning a living, and being rewarded monetarily for one’s labours. Though I’m less attached to this pool of values, it’s a bit inescapable — also inescapable (at least so far) is my fear of being unable to earn money, of not being qualified or capable of earning a living. It’s the fear of being unable to provide for my family and for myself. Come to think of it, this is more of a DNA-level value system too. Our beliefs about abundance and scarcity (represented through money) are passed down generationally. In any case, I harbour a fear-filled desire for security and independence. (Note: a life of service does not provide either security or independence, so this value is in direct conflict with the previous one; and also with the next.)
Which brings me to the third pool of values: my devotion to and trust in art and the arts. My relationship to this one is super-complicated by my fidelity to those other values, above. I’m filled with shame at my own attempts at art-making. I know that sounds terrible, and maybe judgemental. It doesn’t apply, however, to anyone else’s art-making; just my own. I value and admire those who devote themselves to a life of artistic pursuit. I envy them too. (Maybe I envy anyone who gives themselves unabashed permission to devote themselves to their art.) Truth is, I’m probably also romanticizing this life in a way that is childish because it is child-like—because it’s a value rooted in my own childhood, when I devoured books and had the nascent notion that I would be a writer too. I believed, as a child, that being a writer would mean, well, writing and writing and writing—I imagined that devotion would lead to reward, and that reward would simply be to become very fluent in the art of making beautiful things. Beautiful books, I guess.
In some strange way, I think the imagery has remained in my mind’s eye, stubbornly unchanged. I admired (and continue to admire) the element of the mystical, in any artistic pursuit. How it couldn’t really be explained to anyone else. It would be a calling. The thought of questioning it as a calling didn’t even occur to me, as a young person. Yet I’ve spent the bulk of my adult life questioning it as a calling. That’s been the ratty old tired old thread that’s woven its grey little self through my life as a writer—a question of faith, maybe. A lack of faith?
Or, a question of where I should be placing my faith, and what values to trust, and on which to build the foundation for this incoherent slurry of experiences I call life? Do I place my trust in serving a higher purpose, like God, or a church, or community well-being? Or do I place my trust in the ethics of earning a living, being independent, and not being a burden to anyone else? Or do I place my trust in devotion to the utter mystery of trying to shape beauty from fragments of experience?
Can and do these values fit together? The joy in building community connections with the necessity of earning a living with the inexplicable need (compulsion?) to make things up, to live these other lives through invention, imagination—imagery.
How does it all fit together?
In practical terms?
In the choices I’m making and the things I’m doing (and not doing)?
My obligations and my joys are mingled: the activities that I long to balance, the people I want to nurture and not to neglect, the beauty I seek to perform and hold in my hands. If I try to untangle the threads, or even to count all the points of connection to others and to the world—which are my labour and my love—I am overwhelmed.
Yet, it does make sense, too. I just take one step and another. I text one friend and another. I cook one meal and another. I read one book and another. I write one sentence and another. I hang one item of laundry on the line and another.
I’m seeking coherence to this grand brief project called life.
I may not achieve it.
But I hope at the end of it, my mind will remember and relive on repeat not fear, despair, shame, but goodness and love and a great deal of laughter.
xo, Carrie
Friday, May 17, 2024 | Art, Big Thoughts, Family, Feminism, Fire, Library, Organizing, Peace, Reading, School, Space, Spring, Word of the Year, Work |
As much as I long to find just a little more rhythm to my writing life, damn but it’s taken the pressure off to work in a school library. Childhood is bursting with magic. To be with kids is to be in the presence of pure creativity. When I was a child, we would visit the Nashville public library for their puppet shows. I remember being utterly entranced by the puppets. How were they speaking? Who was making them move? They seemed real — in some fundamental way, they were real to my imagination.
Now, on a very small scale, I get to participate in magic-making with the children who come into my library — it’s homemade, it’s improvised, it’s nothing fancy, but even the smallest surprise is sufficient to spark delight, curiosity, questions. Children are not fussy; the youngest of them pay the closest attention to the tiniest details. If you’ve ever read a picture book to a group of kindergarteners, you’ve been blessed by the deepest attention you’ll ever hope to receive. “Oh, those aren’t raindrops, those are tadpoles!” “How did Curious George jump higher?” “Why did he let go of the balloons?”
On my story time bulletin board, I add characters or objects from books we’ve read. The seasons change. Nothing is static — things move around. Somehow, it’s more magical because it’s tactile. It isn’t digital. It isn’t online, or on a screen. It’s present with us, to be experienced and observed by all, as we gather in the same moment and place in time and space. We experience it collectively, from our different positions around the room, our different heights and ages. Like the magic of the puppet theatre, I don’t think this is repeatable, really, online. We don’t live solely in our minds; we live in our bodies, as sensory creatures.
In truth, however, my main job in the library is to maintain the collection — a tactile mode of interacting with this most beloved of mediums (beloved to me!): text and illustration bound up in pages. The sensation of handling books affects me similarly to doing a puzzle; it’s soothing and peaceful to create order.
As for the other hours in my days and weeks, I’m currently on a “spring burst.” I’m going to gym regularly to spin, sweat, lift weights, stretch, and take good care of this deep-into-midlife body (and mind). The X Page is entering its final month of preparation (!!): mark your calendars if you’re local. We’ll be performing this season’s stories on Sunday, June 16th at the Registry theatre in downtown Kitchener (more info coming soon). And my writing life is bursting with beautiful blooms too: seeing a dear friend’s book project come to fruition, editing stories, and dreaming up a new novel.
Come summer, I’ll have a two-month break from the library — writing sabbatical??? And time to repair, restore, relax, too. It’s been very non-stop. I keep thinking I’ll catch up, but there’s no up to be caught. The routine swings round and round.
My instinct is to maximize efficiency on tasks. But more and more, I’m focused on making space to maximize enjoyment, no matter the tasks. What do I love doing? Mostly, really simple things that are easy to call forth, that don’t require a lot of extra planning or resources. I love sweating and the rush of endorphins. I love meeting new people and diving in deep. I love collaborating, learning new skills, appreciating the strengths and techniques and wisdom that others bring. I love grappling with text, creating narrative sequences on both the macro and micro scale that maximize pleasure for an audience. I love eating supper with my family and hearing about their days. I love stopping to smell blossoms on trees. I love blasting songs on the radio when I’m driving alone. I love making magic — out-of-time experiences, opportunities for surprise — through the simplest means possible: a drawing, a story, a group exercise. I love taking care of people. I love cooking (but only when I’m not rushing). I love being outdoors, walking, biking, running. I love creating order out of chaos. I love living in my imagination, in my many imaginary worlds. I love to dream.
Nothing is ideal. I love that too, the reassurance of it. I mutter this phrase to myself a lot — “This is not ideal!” —- and not negatively, but encouragingly. I mean it as a form of freedom. Nothing about this is ideal. (And it does not need to be.) This thing you’re doing, this thing you’re creating, this solution, this story, this hard conversation — whatever it may be — you’re doing it to the best of your abilities; be reassured. There are many possibilities, many directions, many discoveries, of which you will try one and then another and another, testing things out forever and ever, amen.
xo, Carrie
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