After a summer to reflect on The X Page workshop and its reverberations, our ad hoc collective is preparing for a second season, with new workshop sessions starting in January, 2020.
In connected news, I’ve been freshening up my website, and have built a new page devoted to The X Page — please visit, look around, share. We are currently in the process of seeking candidates for the next season, so if you’re in the Waterloo Region, and you’re interested or know someone who might be, send them here.
The original project was a lot of work, there was no way around that conclusion, and many of us felt burnt-out following the final performance. Our discussions this summer circled around how to make the project sustainable for all involved, and we began to define the different leadership roles with more specificity, create a long-term plan for funding, and identify elements from the original production that could be revised or reframed. We also wanted to make space within the workshop for former participants to return in leadership roles.
For the 2020 season, The New Quarterly literary magazine has taken over a number of administrative tasks and responsibilities, which frees me and Lamees (who co-coordinated the first workshop with me) from much of the grinding effort necessary to get the project off the ground. I’m excited to be the production’s “stage manager,” a role which I rather accidentally filled last time around (and loved!), while Lamees will be working more directly with candidates during the recruitment process. I’m thankful for our ongoing conversations with Pamela Mulloy, the editor of The New Quarterly — and with others — as we continue to learn from and develop this project. This is not a static process.
Personally, it’s been a gift from the universe to be able to work on a project that combines so many of my interests, including Lynda Barry’s life-changing exercises (the “X page” of the workshop’s title), multi-disciplinary creative team-work, and the power of personal storytelling. I’ve got a running theory that the antidote to (and inoculation from) xenophobia, misogyny, and fear of others’ cultures, religions, and beliefs, is immersion in stories. You can’t sit with someone and listen to their stories without being changed in some way. Especially the particular stories that emerge from Lynda Barry’s X Page — stories that may on their surface appear ordinary, every day, but therein lies their power: X Page stories are rich with sensory detail, evoking images that transfer from speaker to listener, images that pull us directly into another human being’s experience. Being part of this process, through the workshop, is powerful.