Yesterday, picked up this tired little fellow from camp. Despite looking half-asleep at camp, he was very animated in the car, singing and recounting happy stories all the way home. My favourite was about how he and two cabin-mates had plotted out a three-book series (!!) about the mythical “Evil Octopus” that is said to live under the water trampoline in the camp pond, and a good but luckless character named Tamarack Tom. Could a writer-mother ask for anything more?
On the drive to camp, I listened to an interview with a young British woman, who was on the last leg of a five week North American tour: she’s a hip-hop artist, poet, and novelist — Kate Tempest. Somehow, at least temporarily, she restored my faith in the necessity — the importance — of performance. Her fresh enthusiasm was exactly what I needed to hear. She was so present and so thoughtful, dynamic, inventive, inspiring. I was inspired. Look it up, take a listen.
When we arrived home yesterday, our visitors were just arriving too: cousins for Canada Day!
The three other children had been home alone all day and the house was in a minor state of disaster, despite our newly assigned jobs and chores. How hard is it, really, to carry a dirty dish to the kitchen?
Anyway. Thankfully my sister-in-law is not fussy. But the dogs are also shedding at present. So I just vacuumed.
And I’m getting ready for another road trip yet this week (just me and the elder daughter).
Since last Tuesday I’ve put over 1,000 kilometres on our little pod car, or “The Chub-Chub” as it has been nicknamed by the eldest son. So much car-sitting! My body couldn’t wait to move again. Last night I ran at AppleApple’s soccer practice and kept going and going and going. I knew if I stopped and stood by the field, the mosquitos would get me, and my legs were so happy to be running: I went 14.5 kilometres and it didn’t feel hard, which cheers me greatly, and makes me think I’ll be able to run the half-marathon when I go to Victoria this October (I’m a guest speaker at this fall’s Victoria marathon–have I told you that yet?). (How this fits with less is more, I have no idea, and it probably doesn’t, but there it is, and I’m excited, and excited too about the possibility of even more travel.)
In other exciting news: here is the cover of The Juliet Stories, as it will appear in the UK & Australia. Amazing, hey?
My meditation word right now is change. I’m restless, wondering, working hard, trying to tune in to what matters, my brain firing off in all directions, as I stand here on July 1st, amazed at what we managed in the month of June. It’s been quite the ride, with so many swoops and dives, long distance drives, and more soccer fields than I can count. Hang on, here’s summer.
All for now.
I have a list in my head entitled: Jobs That Kids Can Do Themselves! I can see the title written out in perky brightly coloured bubble letters on a piece of paper and I can see the children discovering the list, glancing at it, and sighing, Oh Mom. (On the imaginary list: pick up dog poo in back yard; clean shoes after stepping in dog poo in back yard; feed and water dogs; put away clean laundry; put dirty laundry into hamper; hang wet towels; empty dishwasher; put dirty dishes in sink; empty recycling and compost bins; make breakfast and lunch; clean up after breakfast and lunch; find friends to play with…)
I have driven many many kilometres this weekend. I have driven them in my new little car. On Tuesday we gave in to the ongoing overlapping scheduling puzzle that has been our reality, as a one-car six-person family, these past few years, and we bought a second vehicle, a little pod that can efficiently travel from the mothership.
On Friday night I was with friends in Goderich — old friends. I was reminded that even within a larger group, I look for moments of intimacy amidst the noise. I like to listen. I like to hear.
On Saturday afternoon I read at a festival in Bayfield, in a space that had been the town hall, with four other writers, and the stories they told were essential and moving and spiritual, somehow, and as the last reader of the eventful first half, I felt myself pulled into the flow in the room, and saw how there was space and focus for what I was about to offer and I was so glad and grateful to the other writers for opening up that spiritual river. How I loved stepping into the water. How I loved Aganetha, speaking through me. On the way home, driving my new little car through the rain, I didn’t want to listen to the radio, I didn’t want talk or music, I wanted to hear my own thoughts, I needed space to let the emotions of the afternoon work their way through my system. I heard myself saying, Aggie Smart is a wonderful character. Give yourself that. Let yourself know it.
One of the writers at Saturday’s event told me afterward that they were embarrassed by the organizer’s introduction of me, which was particularly awkward—title of my last book wrong, said she couldn’t find any information about me online, except some weird site called Obscure CanLit Mama, which perhaps she didn’t realize was mine—and when I got up to speak, I tried to riff off her intro and said that I didn’t mind being obscure, and wrote for the words on the page and the stories I wanted to tell, which perhaps just made everything all the more awkward. And then I read. I dove right into those words on the page. I wasn’t upset by the intro at all, actually, even if the other writer thought it was infuriatingly dismissive of my career and experience. Oddly, I’d thought it was accurate and reassuring. How nice that she couldn’t find much about me online, I thought. Maybe I can do this writing thing and remain obscure. (Although, is that really true? I’m not going to Google myself to find out.)
An author at the event told a story about Alice Munro writing while her kids were at school, and covering her typewriter when they arrived home again; I like that un-precious approach to the work. It fits with how I see myself, as a very ordinary person living a very ordinary life, who happens to enjoy an imaginative extra-life, like a room in the attic full of dress-up clothes stuffed into old-fashioned trunks or with secret passageways that I can visit and escape to, but I’ll still be back downstairs in time to help make supper and coach a soccer game. Life has many rooms. I want to live fully in all of them, whichever room I’m in.
Yesterday, I delivered my youngest child to overnight camp, and he is away from me until tomorrow. This picture breaks my heart just a little. He looks so anxious, but also like he’s trying to reassure me that he will be okay.
The writing work that I’ve submitted recently sits out there waiting for responses and there is no guarantee that anyone will like it or want it. I want other writers to know this, especially writers beginning their careers: know that even the writers you think of as more established, or as having had some success, receive rejection, sometimes, or have to begin projects over again, or abandon them altogether, sometimes. In fact, I think it’s good for a person never to get so comfortable in her abilities that her work can’t be critiqued by thoughtful professionals. It’s good never to become so precious, so valuable commercially, that no one holds you to account. (Even though that sounds awfully tempting and a person can dream!)
The best things in life are never the easiest, even if the experience of them feels easy. Getting to ease is hard.
Maybe I exercise because it is a form of extremity, it removes barriers, can push the self beyond the beyond to a purer place that doesn’t traffic in the ordinary obstacles that come between people, that we use to keep ourselves safe and protected and apart.
Behind me, a daughter inhales her asthma puffer. I can hear her breathe out slowly, then pull the medication into her lungs.
Behind me, my other daughter and her friend practice what I think are dance steps, her friend instructing her, one-two-push. But when my older daughter joins their conversation, I realize that a soccer ball is involved, and the friend is teaching my younger daughter a fancy soccer move, in our living-room. Maybe she will use it in her game tonight.
The nervous little dog comes into this office and lies down near my feet. She is distressed by change and change is constant in our house, in the summertime.
If I were to write a poem today what would be my subject?
If I were to write a short story today what would be my subject?
Here is the blog post I’ve written today. What is its subject?
The American writer, James Salter, died recently, aged 90. His output, said the obituary, was modest: six novels, two short story collections, a memoir. I think that output sounds quite fantastic. Nine books in total, not much more than a book a decade. I think it must have meant he cared deeply about what he published and rejected a lot of his own ideas and attempts. This is just a guess.
Enjoying this room I’m in. Hope you are too, wherever you are.
A list of interruptions, on this, the first day of summer holidays:
– monitoring 1 disastrously neurotic dog’s behaviour while small friends are here to play all morning
– baking 2 strawberry rhubarb crisps (worth it!)
– finding the person who left wet towels all over the bathroom and reminding said person to pick up after said self
– 2 loads of laundry, washed and hung to dry
– morning snack for kids and friends, of marshmallows and graham crackers
– 1 dead bird discovered behind barbecue on back porch (+ 1 FYI text to Kevin and these timeless words: “Just don’t look at it. Dad will take care of it when he gets home.”)
– 1 teenager wondering what’s for lunch, when he can play video games, and why he has to take swim lessons this summer
– 1 box of macaroni and cheese
– the remains of lunch, all over the counters, including 1 pan in which 1 dill pickle was experimentally fried (“It basically tasted like a warm pickle.”)
– 1 lost key, needed for cat sitting purposes
– many many phone calls from friends and parents of friends
– 1 child requiring sunscreen application and opinions on swim suit choices
– 1 child requiring a thank you card which she could last-minutely turn into a birthday card, cleverly incorporating the words “thank you for your kindness”
– 1 child requiring a walk to a birthday party
– making a list in preparation for a girls’ night getaway
– fielding multiple logistical questions about scheduling, babysitting requirements, and plans for the afternoon
It’s 1:45PM and suddenly the house has gone quiet. I’m alone in my office. I’ve got about an hour and fifteen minutes to put to use. This reminds me of the olden days, when I struggled to string together enough coherent thoughts and unbroken minutes to make, say, half a poem, or a quarter of a short story. The key is to have a goal, even a small one, and a plan, and to stick with it when the quiet strikes.
And so, I’m off.
(But I do intend to write a follow-up post to my previous one, discussing the important distinction between being a writer and writing. It’s the former I’m wrestling with, not the latter. It’s not the act that I find problematic or difficult, but the acting.)
I’m in Bayfield at their writer’s festival tomorrow afternoon, where I will do my best to be a writer. Check my events page, above, if you’re interested in finding out more (about the event, that is; not about being a writer).
I sit down to write here, on the blog, and my mind goes round and round the purpose of this blog. I wonder why people are reading, perhaps, and why they may not be reading. I wonder why I am writing. Do I have something to say? Is my purpose to amuse, to inform, to muse, to form? Do I call out in hopes of a response? Am I launching quirky missives from an insular and isolated place? Am I writing as a writer, as a mother, as a seeker, as a knower? Am I writing to you? Or to me? Or to no one at all, to the ether?
I’ve come a long way on this path of being a writer. When I was a child, I wanted to be a writer like L.M. Montgomery or Lois Lenski. I wanted to be a writer like Emily of New Moon. I wanted create imaginary romantic worlds of adventure and mystery. As a teen, I was in love with language, and saw in it a violent risky potential. I wanted to write like Michael Ondaatje. I wanted to write barely coherent poetic scenes of romance and mystery and adventure. I didn’t care whether or not my stories or poems made sense, only that they burst with emotion and the fullness of self, perhaps. As an older teen and into my twenties, I wanted to write like Mavis Gallant and Alice Munro. I wanted to craft brilliant sentences that both hid and displayed meaning, sentences that were as rich and big and complex as a whole story, characters whose motives were murky. I wanted to conjure worlds at a tilt from my own, veined and layered and dark.
And so I wrote and I read and I wrote and I read.
In some fundamental way, I refused to believe that I might not be a writer, someday. I willed myself to continue through years of small steps forward, and crushing rejections. I determined to improve. I determined to learn and to master the craft of storytelling. How to do this particular thing and do it well: how to tell a compelling story, not neglecting plot for style, not neglecting sentence structure for pace. I got better.
I got to where I am right now, here, sitting before this laptop, wondering, wondering. Do I still want to be a writer, so fiercely, so absolutely, so determinedly? Who do I wish to write like, now? Or, more importantly, perhaps, than I originally understood: what stories do I long to tell? And if I have no story that I long to tell, why craft the structure, why lovingly build the sentences? If the house is empty? (Is the house empty?)
Engagement is a key word of our era. That seems to me the purpose of social media. Anyone who wishes to earn attention, to market her work, must learn to engage with her audience, to maintain a call-and-response relationship, the bigger the better. It comes naturally to some, and less naturally to others. I put myself in the latter camp. Yet this blog is a form of engagement, whether or not I choose to see it that way. And when I recognize this and admit it, I become more and more uncomfortable as purveyor and publisher of posts. I cannot understand what I am doing, nor what my purpose may be. Is it, as originally intended when I started the blog in 2008, to narrate my every day life, to keep it in some form, and if so, for whom? For my children? For myself when I am older? Am I marketing my books? Practicing my craft? Indulging in cheap philosophy? Is this a publicly-kept journal?
Could I live without engagement? This specific form of engagement? (Silly question. Of course I could.)
Less, is the message that’s been coming my way. Not more, more, more, but less, less, less. For so long, I’ve fought to become more, to achieve more, to do more. I’ve worked toward big, specific goals and dreams. Now I’m confronted with this strange glimpse of myself, something I was afraid to see: I see that I will never write as wonderfully as I’d hoped to. I’m not possessed of a special gift. I’m a hard-working woman, that’s all, and I had a dream.
I’ve written that in the past tense without even noticing: and I had a dream. Strange. Isn’t it? Maybe the dream is shifting, deepening, altering course, becoming something else.
What now? What next?
Now: Life is strangely lovely at present. It is unexpectedly wonderful to hear less, less, less calling me. I feel myself relaxing into moments in a way that feels almost unfamiliar, unknown. I feel the pace changing. I feel myself at peace with what I have, right now.
Next? Being a writer isn’t something you quit. Writing is how I process the world around me; I’d be impaired without it. I continue to write, as always, but right now it’s a form of listening; without shape. I think my purpose is to listen, right now. I feel quiet. I feel a great deal of affection–of love–for those around me. The days are full, vivid, layered and veined and rich. I feel human. I feel flawed. I can’t think of anything I need or long for or crave, not even direction, right now. I feel present.
What I don’t feel is at an end with this blog. But I want to be honest about my ambivalence toward its purpose, and my use of it, at present. Thank you for listening.
PS Photos are from this past weekend at my brother and sister-in-law’s farm, taken after the sun went down, on the longest day of the year. Homework got burned, marshmallows got roasted and mushed between graham crackers, and the mosquitos almost won. Almost.
This morning, I biked to watch my nine-year-old run her first ever race at a track meet: she was representing her school in the 60 metres. She was in the fastest heat and she placed third. She was glowing and proud. Then I sat in the grass and read a book and waited two hours for her next race. She popped by to sit with me a few times. She was nervous, proud, and excited about the meet.
Her second race was the 4 x 100 relay, one of the last races of the day. She was on the 9-year-old girls’ team representing her school against five other schools. All of the girls on her team are friends. She was running the anchor leg. They’d practiced and practiced at school, passing the baton, but this was the first time trying it out on the track.
I texted Kevin so he could be there too. We were standing near the finish line. I hoisted myself up on a railing to see better. Her friends are a speedy group, and when she got the baton, she was already in first place. I can see her running, running, running, arms pumping, up the black track, face shining. She crossed the line and knew she had won. The juniors at the school had walked over to watch the meet, and they were in the stands, all cheering for her: what a moment! Her second race ever. She crossed the line and her face broke wide with the thrill of it, the joy of it, and she jumped with her hands in the air, turning toward us. I won’t forget it. I’ll keep it here in my mind’s eyes, where I can see it anytime. She was shining.
I was crying, a bit.
What is the mixture of emotions that rise when watching your child accomplish something like this? She’s played soccer for many years, but she’s never competed as an individual before. We didn’t even know she could run so fast! Suddenly, I’m seeing my younger daughter with new eyes, seeing her as competitive and spunky and fierce and willing to throw herself into the race. So the emotions that rushed through me (and rush through me even now as I see that moment in my mind’s eye) are complex: pride, awe, joy, love. There is something amazing about seeing a child attempt something brave, something that requires courage, that asks the child to put herself—her effort, her identity, her physical self—on the line.
Were you nervous, I asked her afterward, and she grinned and nodded, Yeah, really nervous!
She was nervous but willing. And her nerves showed she cared.
In parenting, the reward is getting to see your children make their attempts. But it can also be heart-rending. There is a lot risked when we care and they care, no matter what it is we’re caring about—a big race, a tough test, a friendship, being on a team, performing at a recital or on-stage. These are risky moments that make us vulnerable—they are vulnerable and we feel vulnerable too. I don’t talk often about parenting through the experiences in which effort goes unrewarded; but those happen too, and those experiences are among my most gruelling parenting challenges, especially when the child cares deeply.
Yet, I wouldn’t change it. I wouldn’t change being present to watch, win or lose, because it isn’t win or lose. It’s try. It’s do. It’s be. I wouldn’t wish not to care: them or me. The reward is seeing them present in their moments of effort and risk, pushing themselves, and, occasionally, flying.
This is the parent I strive to be: See the child; respond to the child’s needs and individual character.
See the child. See the child.
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My name is Carrie Snyder. I'm mother of four, writer of fiction and non-, dreamer, planner, mid-life runner, soccer coach, teacher, taking time for a cup of coffee in front of this computer screen. My days are full, yet I keep asking: how can I fill them just a little bit more, with depth, with care, with light.
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