Write while listening to music.
Sept. 29 Listening to music at half time, Jacob Hespeler High School, to the pounding of basketballs on wood, to the squeak of shoes; Eminem, but I don’t know which song. The music, the moment. Pounding rising beat and intensity. The girls huddle up and shout their little cheer. Music’s over. Game on.
The music is still in my head as I stare into space during a time out. It makes me feel excited, determined, pumped up. Cliches. How to express the whirling sensation in the blood, under the skin, like a flame licking kindling, burning up that dry wood, these old dry bones have life in them yet. I am exactly the wrong age. Not old enough for wisdom, not young enough for spirit.
Write while listening to music.
Oct. 3 At the Beckett school of music. From behind closed doors, a cacophony of voices, instruments, songs, chords, melodies. A piano teacher sings along with her student, “One, two, three, four, One two three four, One two and three four.” Further away, the sounds of a piano being played by expert hands, a fluttering waterfalling of notes rippling over the keys.
From behind the nearest closed door, the one behind which my daughter is playing her violin, a lively piano bubbles up, chirpy in tone, and then her violin bites into the opening bar — a tango. She is slightly off-key. They march together, piano and violin, and suddenly the counting goes awry and they stall out, confused, and I can hear their voices trying to sort it out. Two competing pianos now pound at each other with the violin dancing its sprightly tones. Both pianos stop at once. The pianist behind the other door stumbles and hesitates, chopping out a four-beat march in a minor key, stopping and starting, a herky-jerky effect. At a patch of confidence, the speed increases. Then stops.
I hear again the rippling of notes from somewhere far away, rolling, rolling, effortlessly, decoratively.
On the drive here, I could not countenance the thoughts crossing my tired mind; listening to a song on the radio, a brand-new lively pop song that tormented me with its worn-out familiarity. My eyes could scarcely focus and I said, I can’t be this tired all the time. Because the thoughts wandering into my mind and tapping with some irritation on the bones of my skull, were saying, I can’t bear art. I can’t bear how profoundly it can fail to do its job. I can’t bear the necessity of selling it for survival. I can’t bear to make it. Elena Ferrante has been stalked for months so as to rip her from anonymity and I can’t understand why, can only see the pain of it, and how necessary her invisibility to her work.
All of this music sounds like the cacophony in my head, the crossed wires, and missed connections. The random pairings of discordant melodies and misshapen chords, the staggering array of possibilities that is yet, as yet, and possibly forever, incoherent. I can’t make sense of it. I can’t strip it down and hold its many shapes and piece them together again. I can’t bind it in place. I can’t even hear it. My powers are waning, if ever they were waxing, and I fear what I cannot do and I fear the effort wasted. Yet I can’t stop writing. I’m still writing. No matter the unthreading it leaves in its wake.
Subject: Writing as an outsider. My chosen venue: a basketball game in a high school on the west side of the city.
When I first arrive, I sit on the wrong side in the wrong set of stands, then notice a dad I vaguely recognize heading in the other direction, and try to discreetly switch ends. It is hard to focus and write because I want to watch and things happen so quickly, end to end and back again. Coach whacking her clipboard on the sidelines, shouting, “Whoo!”, the team scores. My daughter is on the bench looking small in the red and black jersey. The coach wears red too. The other team is white and blue. Girl misses her free throws.
Shoes squeak. Ball pounds on the wooden floor. The sounds are particular to this space. Close your eyes and you would know what you are hearing. Echoing.
Girls are up 4-0 when the teams take an inexplicable break. They have been playing for mere minutes. I don’t understand. The team huddles up with a tall assistant coach who is not wearing red (blue, instead), and the head coach, who is also tall, animated and vocal. I recognize one of the refs from soccer.
The teams play for another minute and take another time out. The refs stand together at the far end, side by side, like identical twins in their black and white striped shirts, long black pants, black shoes, and round heads, one bald, one with short white hair. I know the bald one. They run up and down the court with whistles in their mouths. I don’t know much, but I can see that the coach plays the same five players most of the time. Nine girls sit on the bench and wait.
Bright lights. Echoing chamber. Blue plastic benches, terminally uncomfortable. “Home of the Highlanders.”
I should watch instead of writing.
At half-time, the ref who I recognize from soccer comes over to chat. “You don’t watch while your own daughter is on?” “Oh no! When was she on?” “She was on for the last minute.” “Oh man, I totally missed that.” “This is a good team.” “Yes.” “She’s in grade nine, your daughter?” “Yes.” He tells me about how he used to coach basketball and why he quit (a long story).
The buzzer counts down and the next half starts and now I watch with great duty and attention. My daughter does not play again. I don’t know much about basketball, but the same nine players sit on the bench and don’t move for the final quarter. My attention drifts to the clutch of slender teenage boys watching and horsing around with their phones on the lower benches. I recognize one from soccer.
I understand soccer, but not basketball. The team wins by more than 10 points. That seems sufficient.
Afterward, walking across the parking lot, my daughter, who is glowing, says, “Have I converted you to basketball yet?” “I’m really sorry,” I say earnestly, even though I’d intended to keep this opinion to myself, “but I have to admit that I’d rather be watching you run cross country.” “Oh Mom,” she says in a fond tone, “but I want to play basketball.” “I know,” I say, “and that’s what counts. You’re the one who’s doing it! I’m just here to watch.” (And today, I didn’t even do a good job of that.)
Saturday morning, just as kids were gearing up for soccer tryouts (parents too, as we’re both coaching rep teams), Kevin came into the kitchen and quietly said, “The vet just called.” I could tell from his expression that the news wasn’t good. One of our beloved dogs, DJ, has a suspicious lump in her mouth, and the vet thought it might be cancer.
And it is.
And so, with tears in our eyes, we told the kids, all of them gathered around the dining room table playing a board game together, in their soccer gear. There were many tears. We don’t know what will happen next, but as F (age 11) and I walked the dogs later on that day, she had many questions, many thoughts. “DJ doesn’t deserve this!” (No one deserves this.) “Do you think DJ knows she has cancer? I don’t think she knows. Maybe it’s good that she doesn’t know.” “I don’t want DJ to feel any pain!”
We decided that we would be grateful that DJ is currently her usual self, not showing any signs of pain or distress, eating well, and enjoying her walks and naps. But it is still hard not to worry about the future.
I have no time for this post, it has been written in a hurry. But I must explain that photo at the top of this post.
The kids had the Terry Fox run at their school last week, before we had DJ’s diagnosis, and CJ (age 8) came home with a large sticker which he stuck onto our kitchen counter. It reads (and I’m correcting his spelling): “Terry ran for me. I am running for … my step-grandma and maybe my dog.” F also ran for her step-grandma.
There are too many people to run for. I’m sure you have your people too.
Sending love and hope out into the universe.
I am sitting outside on my own front porch.
Every few seconds, a car or truck whizzes past, either accelerating as it speeds away from the nearby stop sign or slowing as it approaches. A few cars ignore the stop sign altogether. Now a large cargo truck wheezes past, white with black lettering. In its deceleration it makes a sound like a human cry. A bicycle, red, passes, with its cyclist turning the pedals at a leisurely pace, face inscrutable as he gazes down, away from the sun.
I can hear the hum of machinery from the nearby construction site that is our downtown core. The steady beep-beep-beep of a vehicle forever in reverse. A neighbour shuffles past and does not see me, screened as I am behind the green lilac leaves, which are shaped like teardrops. A light breeze lifts the leaves, and my own loose hair, and my little dog barks from inside the house, growling and yapping at what I now see is a yellow guide dog, strapped into a harness and leading a tall man, who is wearing a backpack, hat and dark glasses, toward our perilous intersection. The man was smiling faintly and gazing slightly to his right, toward our yard. Behind him, about three paces back, a young woman walked, wearing a bright sundress and a floppy hat. Did she know the man? Was she following to keep him safe or staying politely behind him because to pass him would have been to disturb him?
A rustling of fallen leaves. A fat grey squirrel with bushy white-fringed tail inspects our bed of lavender. Earlier, when I was describing the blind man and the woman he may or may not have known, a friend bicycled past — at least I thought it was a friend, but found myself squinting through the leaves to make out her face under the bike helmet. She was wearing grey flowing pants cut short above the ankle, and I thought, those look like pants my friend would wear; but it wasn’t real confirmation. A girl with bleached blond hair and a stocky upright gait passes, holding a white phone to her ear. And now, a couple holding hands, the girl talking, the boy saying nothing. He rubs his head with his free hand. They are not near enough for me to determine their ages.
I have forgotten how lovely it is is to sit and record for no purpose at all, only to slide more deeply into the moment, to sit as if immersed in a quietness of the self. A stillness amidst all that is moving and passing me by.
A garbage truck stop, redolent with the smell of rot, sweet and persistent, even after it has turned the corner. What does it smell like? Garbage? I stop and think for awhile, but can’t come up with anything but sweet rot and stink. I can see in my mind’s eye a kitchen, a darkly lit particular kitchen that seems to have come from a dream not from a memory, with a crock lined in newspaper, and filled with blackened moist vegetable peelings, beside the sink; sweet stink.
A brittle leaf falls from high overhead, clunking as it passes through the still-green leaves of my lilac, scuffing on the paved path where it lands. A rotund woman in hot pink with a checkerboard skirt eats handfuls of something out of a stiff plastic bag — nuts or seeds? — while she glances at our garden, expressionless. And my dogs set to howling as another dog, a beautiful black lab, tap-tap-taps patiently along the sidewalk in front of our house, leading a young woman with her fair strawberry hair stuck up in a bun at the top of her head, a baby which can’t be seen asleep under a quilt, and strapped to the front of the her chest. The young woman does not hear my dogs’ fuss, because she is plugged into white earbuds.
When the mailman arrives, not long after, I sit perfectly still and wonder whether I should alert him to my presence, but he speaks immediately to the dogs, talking to them through the glass as they bark frantically — “Hello, there, friends! And how are you today!” He flips the lid of our mailbox and is turned and away in an instant, and I watch him walk our stone path, and duck around the back of our truck, his step lively, his manner bright, his form short and plump, jolly as an elf. He has not seen me at all.
I’ve been asked to speak about time management to a local writers’ group … and let’s just say the time management required to produce this talk on time is going to challenge whatever skills I do possess. The fall season is upon us, and as the engines rev back up to max, I am remembering why early morning exercise is so important to my survival as a functional human being. That probably sounds like a tangent, but trust me, those precious early hours lay the foundation of my days — the focus on a straightforward challenge clears my head and reminds me that I am strong, disciplined, dependable, capable, and other adjectives that inspire me, and keep me on track and focused on the important stuff.
I need reminders all the time.
Sometimes I need literal reminders, for example, in the form of a scribbled sheet of paper propped beside my computer on which every single deadline for the next two months is written in decreasing size (I underestimated how many deadlines await). These deadlines tend to relate to ambition, to the exterior worlds in which I aim to stay engaged, educated, funded, and connected as a teacher, writer and coach.But sometimes I need different kinds of reminders. Metaphorical reminders. Metaphysical reminders. Seemingly tangential reminders. Reminders that don’t belong on calendars or to-do lists, but that are even more important; reminders of habits and behaviours that make me a whole person with reserves of loving-kindness, with enough to give. I get these reminders from my kids, sometimes, from their requests, their priorities, their needs. Slow down. Play the piano together. Walk the dogs to meet us after school. Watch a soccer game. Listen to a book being read in French. Be here, now.
I also get these reminders from the quiet space of exercise. You are stronger than you think. You can do this. Be kind to yourself. Be generous. Take joy in this body that is capable of doing this, today. On a challenging long run this weekend, I received a very specific reminder. You are not afraid that you can’t do this, you are afraid that you can, and that it will be hard. You can do this and it will be hard.
Finally, I’m reminded of how easy it is to pair activities, a form of efficiency that keeps me focused and happy — especially effective when one activity is less-than-riveting. (Pairing is not the same as multi-tasking, which I don’t recommend at all: in pairing activities, I’m not juggling two equally onerous tasks at once, I’m doing something while waiting for something else, i.e. while leftovers heat in the microwave for lunch, I run to the basement and throw in a load of laundry.)
Yesterday I had ten minutes to wait outside violin lessons; I brought along a cheap drugstore notebook and sketched out a Lynda Barry journal-page (see photo, above). Later that evening, at soccer practice, I brought the same notebook and wrote, by hand, a new scene for the novel I’m currently redrafting. These were not merely productive moments, they were also very happy ones. Ridiculously happy ones! In those moments, I felt like I’d ducked into a secret hideaway, or climbed to a hidden treehouse, in which I was free to play. (I’m going to teach my students the Lynda Barry journalling method in tonight’s class. It’s a great tool and easy to use.)
So, yeah, be here, now!
Do stuff while you’re waiting around. Don’t kill time, keep it alive.
This might be the core of my time-management talk (yet to be written … it’s on that list): No matter how busy you are, clear space within the clutter to daydream, to dream, to create, to play, to rest your head. Prioritize these things. Seriously.
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My name is Carrie Snyder. I'm mother of four, writer of fiction and non-, dreamer, planner, mid-life runner, soccer coach, teacher, taking time for a cup of coffee in front of this computer screen. My days are full, yet I keep asking: how can I fill them just a little bit more, with depth, with care, with light.
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